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A thrilling, witty, superhuman coming-of-age story about the quest to find your place in the world. When a mysterious cosmic event hits, a group of unsuspecting teenagers is suddenly granted superpowers and together they must work out what to do with their newfound abilities. But their new world of endless possibilities soon starts to crumble as trust is shaken, lines are drawn, and conflicts erupt. Can they pull together in time to save themselves – and the world? Kwame Owusu's play HORIZON was first performed at the Bush Theatre, London, in a production by the Bush Young Company. The Nick Hern Books Multiplay Drama series features large-cast plays specifically written to be performed by and appeal to young people. For more information, visit www.multiplaydrama.co.uk.
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Seitenzahl: 53
Veröffentlichungsjahr: 2023
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Kwame Owusu
HORIZON
NICK HERN BOOKS
London
www.nickhernbooks.co.uk
Contents
Introducing Multiplay Drama
Original Production
Characters
Notes on the Text
HORIZON
Appendix
About the Author
Copyright and Performing Rights Information
Introducing Multiplay Drama
Every year, many original plays are commissioned and performed by drama schools, educational institutions, and youth, student and amateur-theatre companies. Reading them, talking to their writers, seeing them in production, we are often struck by the ambition of their themes, the invention of their storytelling and the calibre of their playwrights.
Some of these plays have gone on to be revived in professional productions – for instance, Blue Stockings by Jessica Swale was first seen at RADA in 2012 before being professionally produced at Shakespeare’s Globe in 2013 – but most don’t usually have further life. It seems like the very raison d’être of many of these plays – the creation of large-scale original pieces for young, large casts – has meant theatre companies, hamstrung by ever-shrinking budgets, haven’t been able to find a way to give the plays the continuing existence that they deserve.
That’s why Nick Hern Books created Multiplay Drama – a series aiming to bring back to the fore some of the best plays for large casts we’ve read. We first launched the series in 2019, with ten high-quality plays that had originated with various drama schools and youth-theatre companies, providing a selection of complex, dramatic and theatrical works with one common factor: large casts of rich, exciting characters for teenagers and young adults to perform.
Launching the series was something of an experiment. Would there be an appetite for this kind of work? Gratifyingly, it has been a huge success. Hundreds of drama schools, youth theatres, student-drama societies, sixth-form colleges and amateur-theatre companies have read, studied and performed the plays we published in the first ‘season’ of Multiplay Drama, and the initiative was nominated for a Music and Drama Education Award.
Now, four years after we made these first plays available, we’re expanding the series with ten more brilliant and imaginative pieces of work. As we sought out this new set of plays, we had a few goals in mind. We wanted to offer more work that would appeal to younger performers, so that a wider group of schools and amateur companies could benefit. We wanted to diversify the forms and genres of the pieces, so that there was a range of theatrical styles available – from naturalistic drama to period comedies, from sci-fi adventure tales to plays packed with music and song. And we wanted to continue to preserve and share work by some of the best and boldest writers working today.
So, if your performance group is looking for a play that builds a post-apocalyptic world and focuses on a large group of identifiable characters navigating through a dystopian vision of Britain – we have the play for you; if you prefer a play where a chorus comes and narrates across time zones and locations, splitting up voices to tell a fragmented story – we have the play for you; if you want to wonder what it’s like to spend every day in a psychiatric unit; traversing London to deliver a message to the Queen herself; or even what it’s like to metamorphose into an animal – we have the plays for you…
Multiplay Drama is a great way for plays with large casts to find even larger audiences. Commissioned by some of the most renowned educational and youth groups in the country, and featuring playwrights whose work has been seen on the most celebrated of stages, the twenty plays now available offer rigorous storytelling, thoughtful and theatrical explorations of the issues that matter to young people, and rich opportunities for big ensembles looking to experiment and play. They are ideal for companies with a lot of performers looking for fresh, exciting work, and we can’t wait to see them staged far and wide.
October 2023
Big new plays for great big casts, specifically written to be performed by and appeal to children, teenagers and young adults.
Season One
Season Two
BlisterLaura Lomas
As We Face the SunKit Withington
BlueJoe Ward Munrow
A DreamChris Bush
katzenmusikTom Fowler
HORIZONKwame Owusu
LandminesPhil Davies
The Multiverse is Gay!Lewis Hetherington
The Real EstateFreddie Machin
The Playhouse ApprenticeJessica Swale
The Red HelicopterRobin French
Sea ThingsHassan Abdulrazzak
SkunkZawe Ashton
smallHolly Robinson
Spooky Action at a DistanceEve Leigh
Space GirlHelen Stanley
THREESophie Ellerby
The VillageAbi Falase & Tatenda Shamiso
VS09Hayley Squires
Wellington 24Rachel Harper
www.multiplaydrama.co.uk
HORIZON was first performed at the Bush Theatre, London, on 11 August 2022. It was a Bush Community Production from the 14-17 Bush Young Company 2022.
Director
Abigail Sol
Movement Consultant
DK Fashola
Sound Designer
Elliot Popeau George
Lighting Designer
Ariane Nixon
Co-producer
Katie Greenall
Holly Smith
Stage Manager
Maja Lach
Designer
Peter Butler
Production Manager
Ruth Burgon
Characters
LUCY
MELODY
MILES
BIANCA
NIA
TOBY
ELLA
ALEX
KENNY
CRESSIE
Notes on the Text
The Investigators are played by the cast.
The Investigators exist in the shadows. They are always hidden in darkness and obscured. They use live microphones to interview the students.
A slash ( / ) marks an overlapping line. After the slash, the next person’s line should come in (over the rest of the other person’s line).
A dash ( – ) marks an interruption. The next person’s line should interrupt straight away.
Italics mark an emphasised word or phrase.
Please see the Appendix for a chronological timeline of the events of the play.
Scene One
Day Three.
Darkness.
Suddenly, the space is filled with urgent, insistent music.
The lights rise to the dim glow of streetlights in the dead of the night.
MELODY and CRESSIE run around and across the stage, fleeing for their lives.
Blackout.
Scene Two
Statement One.
Supernatural Anomalies Agency (SAA).
NIA stands in front of us.
The INVESTIGATORS hold microphones, lurking round the margins of the space. We can barely see them.
INVESTIGATOR 1 is played by the actor playing CRESSIE.
INVESTIGATOR 2 is played by the actor playing MELODY.
