Journey To The Center Of The Earth(Illustrated) E-Book

Jules Verne.

• Herausgeber: Micheal Smith
• Kategorie: Gesellschafts- und Liebesromane
• Sprache: Englisch
• Veröffentlichungsjahr: 2024

Beschreibung

•  Illustrated Edition: Immerse yourself in the depths of Jules Verne's imagination with 20 stunning illustrations that bring this epic journey to life!
•  Summary, Character List, and Author Biography: Dive deeper into the world of Jules Verne with a comprehensive summary, a handy character list to keep track of the explorers, and an insightful biography of the literary genius himself.

Prepare to be Transfixed by the Wonders of the Subterranean Realm!
Journey to the Center of the Earth is a literary gem that has captivated readers for generations. Join Professor Otto Lidenbrock, his nephew Axel, and their guide Hans as they embark on a daring expedition to the heart of our planet. Descend into the labyrinthine tunnels, navigate treacherous terrain, and encounter prehistoric wonders that defy imagination.
Why You'll Love this Illustrated Edition:
Vivid Visuals: The 20 enchanting illustrations will transport you directly into the thrilling depths of the Earth, making this classic tale even more unforgettable.
Comprehensive Extras: Delve into the story with the added bonus of a detailed summary, a character list to keep track of your favorite explorers, and an enlightening author biography that sheds light on Jules Verne's fascinating life.
Timeless Adventure: Experience the thrill of discovery, danger, and wonder as you journey alongside the intrepid explorers on their quest for the unknown.
A Literary Classic: Jules Verne's imaginative storytelling and groundbreaking science fiction have left an indelible mark on literature. This is your chance to own a piece of literary history!
Rediscover the Magic of "Journey to the Center of the Earth": Whether you're a lifelong fan or discovering this literary treasure for the first time, this illustrated edition is a must-have addition to your collection.
Unearth the Mysteries, Unleash Your Imagination, and Begin Your Journey Today!
Get ready to be spellbound by the epic subterranean odyssey that has inspired generations of readers. Dive into "Journey to the Center of the Earth" and let your imagination run wild as you explore the wonders of the unknown. This illustrated edition is the perfect companion for your adventure-loving soul. Don't miss out—grab your copy now and journey to the center of literary greatness!
 

Leseprobe

JOURNEY TO THE CENTER OF THE EARTH                                        BY                                                                        JULES VERNE

ABOUT VERNE

Jules Gabriel Verne, the visionary French author who navigated the uncharted territories of literary exploration, was born in 1828, in Nantes, France. Often hailed as the "Father of Science Fiction," Verne's life unfolded like an adventurous odyssey, marked by a fervent curiosity that propelled him into the realms of the unknown.

Early Life:

Verne's journey began in the heart of Nantes, a bustling port city that fueled his fascination with the sea. Born into a family of prosperous lawyers, young Jules rebelled against the legal expectations set by his father. Instead, he sought solace in the captivating narratives of adventure and exploration, immersing himself in the tales of Robinson Crusoe and The Arabian Nights.

Literary Beginnings:

Verne first attended law school per his father's wishes, but his passion for storytelling never subsided. Verne made an unlikely connection in Paris with the author of "The Three Musketeers," who recognized Verne's growing talent and encouraged him to pursue his goals of becoming a writer.

Verne's debut novel, "Five Weeks in a Balloon" (1863), marked the inception of his extraordinary literary career. This novel set the stage for a prolific period during which Verne crafted a series of captivating tales, each more audacious than the last.

Voyages Extraordinaires:

The hallmark of Verne's literary legacy is undoubtedly his "Voyages Extraordinaires" series, a collection of 54 novels that transported readers to unexplored corners of the globe and beyond. From the depths of the ocean in "Twenty Thousand Leagues Under the Sea" to the core of the Earth in "Journey to the Center of the Earth," Verne's narratives blended scientific curiosity with an infectious sense of wonder.

Innovative Vision:

Verne's unique gift lay in his ability to foresee technological advancements and scientific discoveries long before they manifested in reality. His predictions, from lunar missions to submarines, earned him a reputation as a prophetic writer whose imagination transcended the constraints of his time.

Personal Quirks:

Beyond his literary achievements, Verne's eccentricities added layers to his enigmatic persona. A meticulous researcher, he adorned his study with maps, globes, and nautical instruments to cultivate an immersive writing environment. His passion for travel extended beyond the pages of his novels, as he embarked on extensive journeys to fuel his insatiable curiosity.

Legacy:

Jules Verne's influence permeates contemporary science fiction, and his legacy endures in the countless adaptations and homages that continue to captivate audiences worldwide. His unparalleled ability to blend adventure, science, and imagination has left an indelible mark on literature, inspiring generations to dream beyond the limits of the known.

Conclusion:

Jules Verne's life, much like his novels, was an exploration of the uncharted territories of the mind. As we celebrate the 1-year anniversary of his birth, we commemorate not just a literary giant but a pioneer who dared to chart courses beyond the conceivable, leaving an enduring legacy that sails through the seas of time.

SUMMARY

Embark on an extraordinary expedition with Jules Verne's timeless classic, "Journey to the Center of the Earth." Join the intrepid Professor Otto Lidenbrock and his eager nephew Axel as they decode an ancient Icelandic manuscript, unveiling a perilous path leading to the Earth's core. A riveting tale of scientific curiosity, daring exploration, and unexpected discoveries awaits, as this dynamic duo descends into a realm of subterranean wonders, encountering prehistoric creatures, vast caverns, and uncharted mysteries. Verne's vivid prose and imaginative prowess transport readers on a journey that transcends the boundaries of time and space. Brace yourself for a literary adventure that plunges deep into the heart of the unknown, captivating the imagination and stirring the spirit of exploration within every reader. "Journey to the Center of the Earth" is a literary masterpiece that continues to resonate, reminding us that the quest for knowledge knows no bounds.

CHARACTERS LIST

Professor Otto Lidenbrock: The central character of the story, Professor Lidenbrock is a passionate and eccentric German scientist who discovers the ancient Icelandic manuscript leading to the extraordinary journey to the Earth's center. His unwavering determination and scientific curiosity drive the expedition.

Axel Lidenbrock: The nephew of Professor Lidenbrock, Axel is a young and cautious mineralogy student. Despite his initial reluctance, Axel becomes an integral part of the expedition, providing a relatable perspective as he grapples with the dangers and wonders beneath the Earth's surface.

Martha: The housekeeper and caretaker of Professor Lidenbrock and Axel. Martha plays a minor role, providing support and expressing concern for the well-being of her employer and Axel as they embark on their daring journey.

Hans Belker: A stoic and resourceful Icelandic guide hired by Professor Lidenbrock and Axel to navigate the treacherous Icelandic terrain and assist in the descent into the Earth's interior. Hans becomes an indispensable member of the team, showcasing his survival skills and deep knowledge of the subterranean world.

Marie: Axel's love interest and later fiancée, Marie is briefly mentioned in the story. Her presence adds a personal dimension to Axel's character, emphasizing the emotional stakes of the perilous journey.

Count Saknussemm: Although not a present character, the mysterious Icelandic alchemist from the past plays a crucial role in the plot. His encoded manuscript serves as the catalyst for the entire adventure, setting Professor Lidenbrock and Axel on their quest.

Graüben: Axel's cousin and love interest, Graüben's character is more prominent in the original manuscript version of the novel. Though her role is reduced in some adaptations, she symbolizes a connection to the surface world and a source of inspiration for Axel.

These characters collectively contribute to the dynamic and multifaceted narrative of "Journey to the Center of the Earth," each bringing their unique qualities to the unfolding adventure.

Contents

I. The Professor And His Family

II. A Mystery to Be Solved at Any Price

III. The Runic Writing Exercises the Professor

IV. The Enemy to Be Starved Into Submission

V. Famine, Then Victory, Followed by Dismay

VI. Exciting Discussions About an Unparalleled Enterprise

VII. A Woman’s Courage

VIII. Serious Preparations for Vertical Descent

IX. Iceland! But What Next?

X. Interesting Conversations with Icelandic Savants

XI. A Guide Found to the Centre of the Earth

XII. A Barren Land

XIII. Hospitality Under the Arctic Circle

XIV. But Arctics Can Be Inhospitable, Too

XV. Snæfells at Last

XVI. Boldly Down the Crater

XVII. Vertical Descent

XVIII. The Wonders of Terrestrial Depths

XIX. Geological Studies In Situ

XX. The First Signs of Distress

XXI. Compassion Fuses the Professor’s Heart

XXII. Total Failure of Water

XXIII. Water Discovered

XXIV. Well Said, Old Mole! Canst Thou Work i’ the Ground So Fast?

XXV. De Profundis

XXVI. The Worst Peril of All

XXVII. Lost in the Bowels of the Earth

XXVIII. The Rescue in the Whispering Gallery

XXIX. Thalatta! Thalatta!

XXX. A New Mare Internum

XXXI. Preparations for a Voyage of Discovery

XXXII. Wonders of the Deep

XXXIII. A Battle of Monsters

XXXIV. The Great Geyser

XXXV. An Electric Storm

XXXVI. Calm Philosophic Discussions

XXXVII. The Liedenbrock Museum of Geology

XXXVIII. The Professor in His Chair Again

XXXIX. Forest Scenery Illuminated by Electricity

XL. Preparations for Blasting a Passage to the Centre of the Earth

XLI. The Great Explosion and the Rush Down Below

XLII. Headlong Speed Upward Through the Horrors of Darkness

XLIII. Shot Out of a Volcano at Last!

XLIV. Sunny Lands in the Blue Mediterranean

XLV. All’s Well That Ends Well

I. The Professor And His Family

On the 24th of May, 1863, my uncle, Professor Liedenbrock, rushed into his little house, No. 19 Königstrasse, one of the oldest streets in the oldest portion of the city of Hamburg.

Martha must have concluded that she was very much behindhand, for the dinner had only just been put into the oven.

“Well, now,” said I to myself, “if that most impatient of men is hungry, what a disturbance he will make!”

“M. Liedenbrock so soon!” cried poor Martha in great alarm, half opening the dining-room door.

“Yes, Martha; but very likely the dinner is not half cooked, for it is not two yet. Saint Michael’s clock has only just struck half-past one.”

“Then why has the master come home so soon?”

“Perhaps he will tell us that himself.”

“Here he is, Monsieur Axel; I will run and hide myself while you argue with him.”

And Martha retreated in safety into her own dominions.

I was left alone. But how was it possible for a man of my undecided turn of mind to argue successfully with so irascible a person as the Professor? With this persuasion I was hurrying away to my own little retreat upstairs, when the street door creaked upon its hinges; heavy feet made the whole flight of stairs to shake; and the master of the house, passing rapidly through the dining-room, threw himself in haste into his own sanctum.

But on his rapid way he had found time to fling his hazel stick into a corner, his rough broadbrim upon the table, and these few emphatic words at his nephew:

“Axel, follow me!”

I had scarcely had time to move when the Professor was again shouting after me:

“What! Have you not come yet?”

And I rushed into my redoubtable master’s study.

Otto Liedenbrock had no mischief in him, I willingly allow that; but unless he very considerably changes as he grows older, at the end he will be a most original character.

He was professor at the Johannæum, and was delivering a series of lectures on mineralogy, in the course of every one of which he broke into a passion once or twice at least. Not at all that he was overanxious about the improvement of his class, or about the degree of attention with which they listened to him, or the success which might eventually crown his labours. Such little matters of detail never troubled him much. His teaching was as the German philosophy calls it, “subjective”; it was to benefit himself, not others. He was a learned egotist. He was a well of science, and the pulleys worked uneasily when you wanted to draw anything out of it. In a word, he was a learned miser.

Germany has not a few professors of this sort.

To his misfortune, my uncle was not gifted with a sufficiently rapid utterance; not, to be sure, when he was talking at home, but certainly in his public delivery; this is a want much to be deplored in a speaker. The fact is, that during the course of his lectures at the Johannæum, the Professor often came to a complete standstill; he fought with wilful words that refused to pass his struggling lips, such words as resist and distend the cheeks, and at last break out into the unasked-for shape of a round and most unscientific oath: then his fury would gradually abate.

Now in mineralogy there are many half-Greek and half-Latin terms, very hard to articulate, and which would be most trying to a poet’s measures. I don’t wish to say a word against so respectable a science, far be that from me. True, in the august presence of rhombohedral crystals, retinasphaltic resins, gehlenites, fassaites, molybdenites, tungstates of manganese, and titanite of zirconium, why, the most facile of tongues may make a slip now and then.

It therefore happened that this venial fault of my uncle’s came to be pretty well understood in time, and an unfair advantage was taken of it; the students laid wait for him in dangerous places, and when he began to stumble, loud was the laughter, which is not in good taste, not even in Germans. And if there was always a full audience to honour the Liedenbrock courses, I should be sorry to conjecture how many came to make merry at my uncle’s expense.

Nevertheless my good uncle was a man of deep learning⁠—a fact I am most anxious to assert and reassert. Sometimes he might irretrievably injure a specimen by his too great ardour in handling it; but still he united the genius of a true geologist with the keen eye of the mineralogist. Armed with his hammer, his steel pointer, his magnetic needles, his blowpipe, and his bottle of nitric acid, he was a powerful man of science. He would refer any mineral to its proper place among the six hundred1 elementary substances now enumerated, by its fracture, its appearance, its hardness, its fusibility, its sonorousness, its smell, and its taste.

The name of Liedenbrock was honourably mentioned in colleges and learned societies. Humphry Davy,2 Humboldt, Captain Sir John Franklin, General Sabine, never failed to call upon him on their way through Hamburg. Becquerel, Ebelman, Brewster, Dumas, Milne-Edwards, Saint-Claire-Deville frequently consulted him upon the most difficult problems in chemistry, a science which was indebted to him for considerable discoveries, for in 1853 there had appeared at Leipzig an imposing folio by Otto Liedenbrock, entitled, A Treatise Upon Transcendental Chemistry, with plates; a work, however, which failed to cover its expenses.

To all these titles to honour let me add that my uncle was the curator of the museum of mineralogy formed by M. Struve, the Russian ambassador; a most valuable collection, the fame of which is European.

Such was the gentleman who addressed me in that impetuous manner. Fancy a tall, spare man, of an iron constitution, and with a fair complexion which took off a good ten years from the fifty he must own to. His restless eyes were in incessant motion behind his full-sized spectacles. His long, thin nose was like a knife blade. Boys have been heard to remark that that organ was magnetised and attracted iron filings. But this was merely a mischievous report; it had no attraction except for snuff, which it seemed to draw to itself in great quantities.

When I have added, to complete my portrait, that my uncle walked by mathematical strides of a yard and a half, and that in walking he kept his fists firmly closed, a sure sign of an irritable temperament, I think I shall have said enough to disenchant anyone who should by mistake have coveted much of his company.

He lived in his own little house in Königstrasse, a structure half brick and half wood, with a gable cut into steps; it looked upon one of those winding canals which intersect each other in the middle of the ancient quarter of Hamburg, and which the great fire of 1842 had fortunately spared.

It is true that the old house stood slightly off the perpendicular, and bulged out a little towards the street; its roof sloped a little to one side, like the cap over the left ear of a Tugendbund student; its lines wanted accuracy; but after all, it stood firm, thanks to an old elm which buttressed it in front, and which often in spring sent its young sprays through the window panes.

My uncle was tolerably well off for a German professor. The house was his own, and everything in it. The living contents were his goddaughter Gräuben, a young Virlandaise of seventeen, Martha, and myself. As his nephew and an orphan, I became his laboratory assistant.

I freely confess that I was exceedingly fond of geology and all its kindred sciences; the blood of a mineralogist was in my veins, and in the midst of my specimens I was always happy.

In a word, a man might live happily enough in the little old house in the Königstrasse, in spite of the restless impatience of its master, for although he was a little too excitable⁠—he was very fond of me. But the man had no notion how to wait; nature herself was too slow for him. In April, after he had planted in the terracotta pots outside his window seedling plants of mignonette and convolvulus, he would go and give them a little pull by their leaves to make them grow faster. In dealing with such a strange individual there was nothing for it but prompt obedience. I therefore rushed after him.

II. A Mystery to Be Solved at Any Price

That study of his was a museum, and nothing else. Specimens of everything known in mineralogy lay there in their places in perfect order, and correctly named, divided into inflammable, metallic, and lithoid minerals.

How well I knew all these bits of science! Many a time, instead of enjoying the company of lads of my own age, I had preferred dusting these graphites, anthracites, coals, lignites, and peats! And there were bitumens, resins, organic salts, to be protected from the least grain of dust; and metals, from iron to gold, metals whose current value altogether disappeared in the presence of the republican equality of scientific specimens; and stones too, enough to rebuild entirely the house in Königstrasse, even with a handsome additional room, which would have suited me admirably.

But on entering this study now I thought of none of all these wonders; my uncle alone filled my thoughts. He had thrown himself into a velvet easy-chair, and was grasping between his hands a book over which he bent, pondering with intense admiration.

“Here’s a remarkable book! What a wonderful book!” he was exclaiming.

These ejaculations brought to my mind the fact that my uncle was liable to occasional fits of bibliomania; but no old book had any value in his eyes unless it had the virtue of being nowhere else to be found, or, at any rate, of being illegible.

“Well, now; don’t you see it yet? Why I have got a priceless treasure, that I found his morning, in rummaging in old Hevelius’s shop, the Jew.”

“Magnificent!” I replied, with a good imitation of enthusiasm.

What was the good of all this fuss about an old quarto, bound in rough calf, a yellow, faded volume, with a ragged seal depending from it?

But for all that there was no lull yet in the admiring exclamations of the Professor.

“See,” he went on, both asking the questions and supplying the answers. “Isn’t it a beauty? Yes; splendid! Did you ever see such a binding? Doesn’t the book open easily? Yes; it stops open anywhere. But does it shut equally well? Yes; for the binding and the leaves are flush, all in a straight line, and no gaps or openings anywhere. And look at its back, after seven hundred years. Why, Bozerian, Closs, or Purgold might have been proud of such a binding!”

While rapidly making these comments my uncle kept opening and shutting the old tome. I really could do no less than ask a question about its contents, although I did not feel the slightest interest.

“And what is the title of this marvellous work?” I asked with an affected eagerness which he must have been very blind not to see through.

“This work,” replied my uncle, firing up with renewed enthusiasm, “this work is the Heims Kringla of Snorre Turlleson, the most famous Icelandic author of the twelfth century! It is the chronicle of the Norwegian princes who ruled in Iceland.”

“Indeed;” I cried, keeping up wonderfully, “of course it is a German translation?”

“What!” sharply replied the Professor, “a translation! What should I do with a translation? This is the Icelandic original, in the magnificent idiomatic vernacular, which is both rich and simple, and admits of an infinite variety of grammatical combinations and verbal modifications.”

“Like German.” I happily ventured.

“Yes,” replied my uncle, shrugging his shoulders; “but, in addition to all this, the Icelandic has three numbers like the Greek, and irregular declensions of nouns proper like the Latin.”

“Ah!” said I, a little moved out of my indifference; “and is the type good?”

“Type! What do you mean by talking of type, wretched Axel? Type! Do you take it for a printed book, you ignorant fool? It is a manuscript, a Runic manuscript.”

“Runic?”

“Yes. Do you want me to explain what that is?”

“Of course not,” I replied in the tone of an injured man. But my uncle persevered, and told me, against my will, of many things I cared nothing about.

“Runic characters were in use in Iceland in former ages. They were invented, it is said, by Odin himself. Look there, and wonder, impious young man, and admire these letters, the invention of the Scandinavian god!”

Well, well! Not knowing what to say, I was going to prostrate myself before this wonderful book, a way of answering equally pleasing to gods and kings, and which has the advantage of never giving them any embarrassment, when a little incident happened to divert conversation into another channel.

This was the appearance of a dirty slip of parchment, which slipped out of the volume and fell upon the floor.

My uncle pounced upon this shred with incredible avidity. An old document, enclosed an immemorial time within the folds of this old book, had for him an immeasurable value.

“What’s this?” he cried.

And he laid out upon the table a piece of parchment, five inches by three, and along which were traced certain mysterious characters.

Here is the exact facsimile. I think it important to let these strange signs be publicly known, for they were the means of drawing on Professor Liedenbrock and his nephew to undertake the most wonderful expedition of the nineteenth century.

The Professor mused a few moments over this series of characters; then raising his spectacles he pronounced:

“These are Runic letters; they are exactly like those of the manuscript of Snorre Turlleson. But, what on earth is their meaning?”

Runic letters appearing to my mind to be an invention of the learned to mystify this poor world, I was not sorry to see my uncle suffering the pangs of mystification. At least, so it seemed to me, judging from his fingers, which were beginning to work with terrible energy.

“It is certainly old Icelandic,” he muttered between his teeth.

And Professor Liedenbrock must have known, for he was acknowledged to be quite a polyglot. Not that he could speak fluently in the two thousand languages and twelve thousand dialects which are spoken on the earth, but he knew at least his share of them.

So he was going, in the presence of this difficulty, to give way to all the impetuosity of his character, and I was preparing for a violent outbreak, when two o’clock struck by the little timepiece over the fireplace.

At that moment our good housekeeper Martha opened the study door, saying:

“Dinner is ready!”

I am afraid he sent that soup to where it would boil away to nothing, and Martha took to her heels for safety. I followed her, and hardly knowing how I got there I found myself seated in my usual place.

I waited a few minutes. No Professor came. Never within my remembrance had he missed the important ceremonial of dinner. And yet what a good dinner it was! There was parsley soup, an omelette of ham garnished with spiced sorrel, a fillet of veal with compote of prunes; for dessert, crystallised fruit; the whole washed down with sweet Moselle.

All this my uncle was going to sacrifice to a bit of old parchment. As an affectionate and attentive nephew I considered it my duty to eat for him as well as for myself, which I did conscientiously.

“I have never known such a thing,” said Martha. “M. Liedenbrock is not at table!”

“Who could have believed it?” I said, with my mouth full.

“Something serious is going to happen,” said the servant, shaking her head.

My opinion was, that nothing more serious would happen than an awful scene when my uncle should have discovered that his dinner was devoured. I had come to the last of the fruit when a very loud voice tore me away from the pleasures of my dessert. With one spring I bounded out of the dining-room into the study.

III. The Runic Writing Exercises the Professor

“Undoubtedly it is Runic,” said the Professor, bending his brows; “but there is a secret in it, and I mean to discover the key.”

A violent gesture finished the sentence.

“Sit there,” he added, holding out his fist towards the table. “Sit there, and write.”

I was seated in a trice.

“Now I will dictate to you every letter of our alphabet which corresponds with each of these Icelandic characters. We will see what that will give us. But, by St. Michael, if you should dare to deceive me⁠—”

The dictation commenced. I did my best. Every letter was given me one after the other, with the following remarkable result:

m̄.rnlls esrevel seecIde

sgtssmf vnteief niedrke

kt,samn atrateS saodrrn

emtnaeI nvaect rrilSa

Atsaar .nvcrc ieaabs

ccrmi eevtVl frAntv

dt,iac oseibo KediiI

When this work was ended my uncle tore the paper from me and examined it attentively for a long time.

“What does it all mean?” he kept repeating mechanically.

Upon my honour I could not have enlightened him. Besides he did not ask me, and he went on talking to himself.

“This is what is called a cryptogram, or cipher,” he said, “in which letters are purposely thrown in confusion, which if properly arranged would reveal their sense. Only think that under this jargon there may lie concealed the clue to some great discovery!”

As for me, I was of opinion that there was nothing at all, in it; though, of course, I took care not to say so.

Then the Professor took the book and the parchment, and diligently compared them together.

“These two writings are not by the same hand,” he said; “the cipher is of later date than the book, an undoubted proof of which I see in a moment. The first letter is a double m, a letter which is not to be found in Turlleson’s book, and which was only added to the alphabet in the fourteenth century. Therefore there are two hundred years between the manuscript and the document.”

I admitted that this was a strictly logical conclusion.

“I am therefore led to imagine,” continued my uncle, “that some possessor of this book wrote these mysterious letters. But who was that possessor? Is his name nowhere to be found in the manuscript?”

My uncle raised his spectacles, took up a strong lens, and carefully examined the blank pages of the book. On the front of the second, the title-page, he noticed a sort of stain which looked like an ink blot. But in looking at it very closely he thought he could distinguish some half-effaced letters. My uncle at once fastened upon this as the centre of interest, and he laboured at that blot, until by the help of his microscope he ended by making out the following Runic characters which he read without difficulty.

“Arne Saknussemm!” he cried in triumph. “Why that is the name of another Icelander, a savant of the sixteenth century, a celebrated alchemist!”

I gazed at my uncle with satisfactory admiration.

“Those alchemists,” he resumed, “Avicenna, Bacon, Lully, Paracelsus, were the real and only savants of their time. They made discoveries at which we are astonished. Has not this Saknussemm concealed under his cryptogram some surprising invention? It is so; it must be so!”

The Professor’s imagination took fire at this hypothesis.

“No doubt,” I ventured to reply, “but what interest would he have in thus hiding so marvellous a discovery?”

“Why? Why? How can I tell? Did not Galileo do the same by Saturn? We shall see. I will get at the secret of this document, and I will neither sleep nor eat until I have found it out.”

My comment on this was a half-suppressed “Oh!”

“Nor you either, Axel,” he added.

“The deuce!” said I to myself; “then it is lucky I have eaten two dinners today!”

“First of all we must find out the key to this cipher; that cannot be difficult.”

At these words I quickly raised my head; but my uncle went on soliloquising.

“There’s nothing easier. In this document there are a hundred and thirty-two letters, viz., seventy-seven consonants and fifty-five vowels. This is the proportion found in southern languages, whilst northern tongues are much richer in consonants; therefore this is in a southern language.”

These were very fair conclusions, I thought.

“But what language is it?”

Here I looked for a display of learning, but I met instead with profound analysis.

“This Saknussemm,” he went on, “was a very well-informed man; now since he was not writing in his own mother tongue, he would naturally select that which was currently adopted by the choice spirits of the sixteenth century; I mean Latin. If I am mistaken, I can but try Spanish, French, Italian, Greek, or Hebrew. But the savants of the sixteenth century generally wrote in Latin. I am therefore entitled to pronounce this, a priori, to be Latin. It is Latin.”

I jumped up in my chair. My Latin memories rose in revolt against the notion that these barbarous words could belong to the sweet language of Virgil.

“Yes, it is Latin,” my uncle went on; “but it is Latin confused and in disorder.”

“Very well,” thought I, “if you can bring order out of that confusion, my dear uncle, you are a clever man.”

“Let us examine carefully,” said he again, taking up the leaf upon which I had written. “Here is a series of one hundred and thirty-two letters in apparent disorder. There are words consisting of consonants only, as nrrlls; others, on the other hand, in which vowels predominate, as for instance the fifth, unteief, or the last but one, oseibo. Now this arrangement has evidently not been premeditated; it has arisen mathematically in obedience to the unknown law which has ruled in the succession of these letters. It appears to me a certainty that the original sentence was written in a proper manner, and afterwards distorted by a law which we have yet to discover. Whoever possesses the key of this cipher will read it with fluency. What is that key? Axel, have you got it?”

I answered not a word, and for a very good reason. My eyes had fallen upon a charming picture, suspended against the wall, the portrait of Gräuben. My uncle’s ward was at that time at Altona, staying with a relation, and in her absence I was very downhearted; for I may confess it to you now, the pretty Virlandaise and the professor’s nephew loved each other with a patience and a calmness entirely German. We had become engaged unknown to my uncle, who was too much taken up with geology to be able to enter into such feelings as ours. Gräuben was a lovely blue-eyed blonde, rather given to gravity and seriousness; but that did not prevent her from loving me very sincerely. As for me, I adored her, if there is such a word in the German language. Thus it happened that the picture of my pretty Virlandaise threw me in a moment out of the world of realities into that of memory and fancy.

There looked down upon me the faithful companion of my labours and my recreations. Every day she helped me to arrange my uncle’s precious specimens; she and I labelled them together. Mademoiselle Gräuben was an accomplished mineralogist; she could have taught a few things to a savant. She was fond of investigating abstruse scientific questions. What pleasant hours we have spent in study; and how often I envied the very stones which she handled with her charming fingers.

Then, when our leisure hours came, we used to go out together and turn into the shady avenues by the Alster, and went happily side by side up to the old windmill, which forms such an improvement to the landscape at the head of the lake. On the road we chatted hand in hand; I told her amusing tales at which she laughed heartily. Then we reached the banks of the Elbe, and after having bid goodbye to the swan, sailing gracefully amidst the white water lilies, we returned to the quay by the steamer.

That is just where I was in my dream, when my uncle with a vehement thump on the table dragged me back to the realities of life.

“Come,” said he, “the very first idea which would come into anyone’s head to confuse the letters of a sentence would be to write the words vertically instead of horizontally.”

“Indeed!” said I.

“Now we must see what would be the effect of that, Axel; put down upon this paper any sentence you like, only instead of arranging the letters in the usual way, one after the other, place them in succession in vertical columns, so as to group them together in five or six vertical lines.”

I caught his meaning, and immediately produced the following literary wonder:

I y l o a u

l o l w r b

o u , n G e

v w m d r n

e e y e a !

“Good,” said the professor, without reading them, “now set down those words in a horizontal line.”

I obeyed, and with this result:

Iyloau lolwrb ou,nGe vwmdrn eeyea!

“Excellent!” said my uncle, taking the paper hastily out of my hands. “This begins to look just like an ancient document: the vowels and the consonants are grouped together in equal disorder; there are even capitals in the middle of words, and commas too, just as in Saknussemm’s parchment.”

I considered these remarks very clever.

“Now,” said my uncle, looking straight at me, “to read the sentence which you have just written, and with which I am wholly unacquainted, I shall only have to take the first letter of each word, then the second, the third, and so forth.”

And my uncle, to his great astonishment, and my much greater, read:

“I love you well, my own dear Gräuben!”

“Hallo!” cried the Professor.

Yes, indeed, without knowing what I was about, like an awkward and unlucky lover, I had compromised myself by writing this unfortunate sentence.

“Aha! you are in love with Gräuben?” he said, with the right look for a guardian.

“Yes; no!” I stammered.

“You love Gräuben,” he went on once or twice dreamily. “Well, let us apply the process I have suggested to the document in question.”

My uncle, falling back into his absorbing contemplations, had already forgotten my imprudent words. I merely say imprudent, for the great mind of so learned a man of course had no place for love affairs, and happily the grand business of the document gained me the victory.

Just as the moment of the supreme experiment arrived the Professor’s eyes flashed right through his spectacles. There was a quivering in his fingers as he grasped the old parchment. He was deeply moved. At last he gave a preliminary cough, and with profound gravity, naming in succession the first, then the second letter of each word, he dictated me the following:

m̄essvnkaSenrA.icefdoK.segnittamvrtnecertserrette,rotaisadva,ednecsedsadnelacartniiilvIsiratracSarbmvtabiledmekmeretarcsilvcoIsleffenSnI.

I confess I felt considerably excited in coming to the end; these letters named, one at a time, had carried no sense to my mind; I therefore waited for the Professor with great pomp to unfold the magnificent but hidden Latin of this mysterious phrase.

But who could have foretold the result? A violent thump made the furniture rattle, and spilt some ink, and my pen dropped from between my fingers.

“That’s not it,” cried my uncle, “there’s no sense in it.”

Then darting out like a shot, bowling downstairs like an avalanche, he rushed into the Königstrasse and fled.

IV. The Enemy to Be Starved Into Submission

“He is gone!” cried Martha, running out of her kitchen at the noise of the violent slamming of doors.

“Yes,” I replied, “completely gone.”

“Well; and how about his dinner?” said the old servant.

“He won’t have any.”

“And his supper?”

“He won’t have any.”

“What?” cried Martha, with clasped hands.

“No, my dear Martha, he will eat no more. No one in the house is to eat anything at all. Uncle Liedenbrock is going to make us all fast until he has succeeded in deciphering an undecipherable scrawl.”

“Oh, my dear! Must we then all die of hunger?”

I hardly dared to confess that, with so absolute a ruler as my uncle, this fate was inevitable.

The old servant, visibly moved, returned to the kitchen, moaning piteously.

When I was alone, I thought I would go and tell Gräuben all about it. But how should I be able to escape from the house? The Professor might return at any moment. And suppose he called me? And suppose he tackled me again with this logomachy, which might vainly have been set before ancient Oedipus. And if I did not obey his call, who could answer for what might happen?

The wisest course was to remain where I was. A mineralogist at Besançon had just sent us a collection of siliceous nodules, which I had to classify: so I set to work; I sorted, labelled, and arranged in their own glass case all these hollow specimens, in the cavity of each of which was a nest of little crystals.

But this work did not succeed in absorbing all my attention. That old document kept working in my brain. My head throbbed with excitement, and I felt an undefined uneasiness. I was possessed with a presentiment of coming evil.

In an hour my nodules were all arranged upon successive shelves. Then I dropped down into the old velvet armchair, my head thrown back and my hands joined over it. I lighted my long crooked pipe, with a painting on it of an idle-looking naiad; then I amused myself watching the process of the conversion of the tobacco into carbon, which was by slow degrees making my naiad into a negress. Now and then I listened to hear whether a well-known step was on the stairs. No. Where could my uncle be at that moment? I fancied him running under the noble trees which line the road to Altona, gesticulating, making shots with his cane, thrashing the long grass, cutting the heads off the thistles, and disturbing the contemplative storks in their peaceful solitude.

Would he return in triumph or in discouragement? Which would get the upper hand, he or the secret? I was thus asking myself questions, and mechanically taking between my fingers the sheet of paper mysteriously disfigured with the incomprehensible succession of letters I had written down; and I repeated to myself “What does it all mean?”

I sought to group the letters so as to form words. Quite impossible! When I put them together by twos, threes, fives or sixes, nothing came of it but nonsense. To be sure the fourteenth, fifteenth and sixteenth letters made the English word “ice”; the eighty-third and two following made “sir”; and in the midst of the document, in the second and third lines, I observed the words, “rots,” “mutabile,” “ira,” “net,” “atra.”

“Come now,” I thought, “these words seem to justify my uncle’s view about the language of the document. In the fourth line appeared the word ‘luco,’ which means a sacred wood. It is true that in the third line was the word ‘tabiled,’ which looked like Hebrew, and in the last the purely French words mer, arc, mere.”

All this was enough to drive a poor fellow crazy. Four different languages in this ridiculous sentence! What connection could there possibly be between such words as ice, sir, anger, cruel, sacred wood, changeable, mother, bow, and sea? The first and the last might have something to do with each other; it was not at all surprising that in a document written in Iceland there should be mention of a sea of ice; but it was quite another thing to get to the end of this cryptogram with so small a clue. So I was struggling with an insurmountable difficulty; my brain got heated, my eyes watered over that sheet of paper; its hundred and thirty-two letters seemed to flutter and fly around me like those motes of mingled light and darkness which float in the air around the head when the blood is rushing upwards with undue violence. I was a prey to a kind of hallucination; I was stifling; I wanted air. Unconsciously I fanned myself with the bit of paper, the back and front of which successively came before my eyes. What was my surprise when, in one of those rapid revolutions, at the moment when the back was turned to me I thought I caught sight of the Latin words craterem, terrestre, and others.