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- Herausgeber: George Eliot
- Kategorie: Poesie und Drama
- Sprache: Englisch
- Veröffentlichungsjahr: 2016
Caterina Sarti is the orphaned daughter of an Italian music master who has been brought up by the aristocratic Cheverel family. In love with the Cheverel heir, Anthony Wybrow, her hopes of marrying him are frustrated by the discovery that not only has Anthony merely been playing with her affections, but his family will never accept her as their equal. Mr. Gilfil, the faithful vicar, rescues Caterina from her despair, but not before she has been irrevocably damaged by her unkind treatment. A masterly evocation of tragic love, Mr. Gilfil's Love Story also reflects George Eliot's deep ambivalence towards the upper classes.Elegant and expressive,this is the most original work of fiction George Eliot ever wrote.
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Mr. Gilfil's Love Story
by
George Eliot
To the best of our knowledge, the text of this
work is in the “Public Domain”.
HOWEVER, copyright law varies in other countries, and the work may still be under
copyright in the country from which you are accessing this website. It is your
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downloading this work.
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Epilogue
Chapter 1
When old Mr. Gilfil died, thirty years ago, there was general sorrow in Shepperton; and if black cloth had not been hung round the pulpit and reading-desk, by order of his nephew and principal legatee, the parishioners would certainly have subscribed the necessary sum out of their own pockets, rather than allow such a tribute of respect to be wanting. All the farmers’ wives brought out their black bombasines; and Mrs. Jennings, at the Wharf, by appearing the first Sunday after Mr. Gilfil’s death in her salmon-coloured ribbons and green shawl, excited the severest remark. To be sure, Mrs. Jennings was a new-comer, and town-bred, so that she could hardly be expected to have very clear notions of what was proper; but, as Mrs. Higgins observed in an undertone to Mrs. Parrot when they were coming out of church, ‘Her husband, who’d been born i’ the parish, might ha’ told her better.’ An unreadiness to put on black on all available occasions, or too great an alacrity in putting it off, argued, in Mrs. Higgins’s opinion, a dangerous levity of character, and an unnatural insensibility to the essential fitness of things.
‘Some folks can’t a-bear to put off their colours,’ she remarked; ‘but that was never the way i’ my family. Why, Mrs. Parrot, from the time I was married, till Mr. Higgins died, nine years ago come Candlemas, I niver was out o’ black two year together!’
‘Ah,’ said Mrs. Parrot, who was conscious of inferiority in this respect, ‘there isn’t many families as have had so many deaths as yours, Mrs. Higgins.’
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