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In "My Friend the Murderer", Arthur Conan Doyle presents a tense and morally ambiguous tale set in an Australian prison during the gold rush era. Through a doctor's eyes, we meet a convict whose calm demeanor hides a haunting past. As the man recounts his story, questions of guilt, justice, and redemption blur the line between confession and manipulation, leaving the reader uncertain about where truth really lies.
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In “My Friend the Murderer”, Arthur Conan Doyle presents a tense and morally ambiguous tale set in an Australian prison during the gold rush era. Through a doctor’s eyes, we meet a convict whose calm demeanor hides a haunting past. As the man recounts his story, questions of guilt, justice, and redemption blur the line between confession and manipulation, leaving the reader uncertain about where truth really lies.
Crime, Morality, Deception
This text is a work in the public domain and reflects the norms, values and perspectives of its time. Some readers may find parts of this content offensive or disturbing, given the evolution in social norms and in our collective understanding of issues of equality, human rights and mutual respect. We ask readers to approach this material with an understanding of the historical era in which it was written, recognizing that it may contain language, ideas or descriptions that are incompatible with today's ethical and moral standards.
Names from foreign languages will be preserved in their original form, with no translation.
"Number 43 is no better, Doctor," said the head-warder, in a slightly reproachful accent, looking in round the corner of my door.
"Confound 43!" I responded from behind the pages of the Australian Sketcher.
"And 61 says his tubes are paining him. Couldn't you do anything for him?"
"He is a walking drug-shop," said I. "He has the whole British pharmacopoeia inside him. I believe his tubes are as sound as yours are."
"Then there's 7 and 108, they are chronic," continued the warder, glancing down a blue slip of paper. "And 28 knocked off work yesterday—said lifting things gave him a stitch in his side. I want you to have a look at him, if you don't mind, Doctor. There's 31 too—him that killed John Adamson in the Corinthian brig—he's been carrying on awful in the night, shrieking and yelling, he has, and no stopping him neither."
"All right, I'll have a look at him afterward," I said, tossing my paper carelessly aside, and pouring myself a cup of coffee. "Nothing else to report, I suppose, warder?"
The official protruded his head a little further into the room. "Beg pardon, Doctor," he said, in a confidential tone, "but I notice as 82 has a bit of a cold, and it would be a good excuse for you to visit him and have a chat, maybe."
The cup of coffee was arrested half-way to my lips as I stared in amazement at the man's serious face.
"An excuse?" I said. "An excuse? What the deuce are you talking about, McPherson? You see me trudging about all day at my practice, when I'm not looking after the prisoners, and coming back every night as tired as a dog, and you talk about finding an excuse for doing more work."
"You'd like it, Doctor," said Warder McPherson, insinuating one of his shoulders into the room. "That man's story's worth listening to if you could get him to tell it, though he's not what you'd call free in his speech. Maybe you don't know who 82 is?"
"No, I don't, and I don't care either," I answered, in the conviction that some local ruffian was about to be foisted upon me as a celebrity.
"He's Maloney," said the warder, "him that turned Queen's evidence after the murders at Bluemansdyke."
"You don't say so?" I ejaculated, laying down my cup in astonishment. I had heard of this ghastly series of murders, and read an account of them in a London magazine long before setting foot in the colony. I remembered that the atrocities committed had thrown the Burke and Hare crimes completely into the shade, and that one of the most villainous of the gang had saved his own skin by betraying his companions. "Are you sure?" I asked.
"Oh, yes, it's him right enough. Just you draw him out a bit, and he'll astonish you. He's a man to know, is Maloney; that's to say, in moderation;" and the head grinned, bobbed, and disappeared, leaving me to finish my breakfast and ruminate over what I had heard.
