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- Herausgeber: Longo Edizioni
- Kategorie: Gesellschafts- und Liebesromane
- Sprache: Englisch
- Veröffentlichungsjahr: 2016
The Odyssey is one of two major ancient Greek epic poems attributed to Homer. It is, in part, a sequel to the Iliad, the other work ascribed to Homer. The poem is fundamental to the modern Western canon, and is the second oldest extant work of Western literature, the Iliad being the oldest. Scholars believe it was composed near the end of the 8th century BC, somewhere in Ionia, the Greek coastal region of Anatolia. The poem mainly focuses on the Greek hero Odysseus (known as Ulysses in Roman myths) and his journey home after the fall of Troy. It takes Odysseus ten years to reach Ithaca after the ten-year Trojan War. In his absence, it is assumed he has died, and his wife Penelope and son Telemachus must deal with a group of unruly suitors, the Mnesteres or Proci, who compete for Penelope's hand in marriage. It continues to be read in the Homeric Greek and translated into modern languages around the world. Many scholars believe that the original poem was composed in an oral tradition by an aoidos (epic poet/singer), perhaps a rhapsode (professional performer), and was more likely intended to be heard than read. The details of the ancient oral performance, and the story's conversion to a written work inspire continual debate among scholars. The Odyssey was written in a poetic dialect of Greek—a literary amalgam of Aeolic Greek, Ionic Greek, and other Ancient Greek dialects—and comprises 12,110 lines of dactylic hexameter. Among the most noteworthy elements of the text are its non-linear plot, and the influence on events of choices made by women and slaves, besides the actions of fighting men. In the English language as well as many others, the word Odyssey has come to refer to an epic voyage.
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The Odyssey
Homer
(fl. 850 B.C.)
Introductory Note
BY the ancient Greeks the authorship of their two great epic poems, the “Iliad” and the “Odyssey,” was ascribed to Homer. Tradition as to the birthplace of this poet varied greatly, but the place most favored was Smyrna in Asia Minor. It was related also that the poet was blind, that he made his home in the island of Chios, and that he died in Ios. 1
The siege of Troy, which forms the subject of the “Iliad,” and is the occasion of the wanderings of Odysseus, is unknown to history. Modern archaeological research has, indeed, unearthed in Asia Minor a site which may plausibly be identified with the Homeric city, and it is entirely possible that here there once occurred a struggle between two peoples inhabiting the shores of the Aegean Sea. 2
Whatever may be the truth as to the method of composition of the two epics, it may safely be surmised that they were preceded by a mass of legend that had in time gained a certain amount of cohesion and become in a sense national. But the constituent elements of this legend would have come together from a great variety of sources; and many incidents in both poems can be paralleled in the folk-tales of widely scattered peoples. Thus the story of the blinding of the Cyclops, Polyphemus, is found as a separate tale in several countries where no Greek influence can be traced; the adventure in the isle of Circe appears in an Indian collection of tales; the descent into Hades is told by the South Sea Islanders; and the central situation of the return of a far-traveled warrior to a wife who fails to recognize him occurs in stories all over the world. In the “Odyssey,” these and a hundred other incidents are combined into a single plot of the most admirable structure, with almost perfect unity of atmosphere, the whole being placed in the social setting of the kingly age of Greece. 3
Until comparatively recent times it had been all but universally believed that both the “Iliad” and the “Odyssey” were the work of a single author, who conceived and executed the whole plan of each. But in 1795 F. A. Wolf argued that in the tenth century B. C., when he supposed the poems to have been composed, writing was not used by the Greeks for literary purposes, and that therefore they must have been handed down orally and so have undergone many changes. The unity which he perceived in both epics he conceived to have been due to the art of later revisers, working upon more or less detached poems by various authors. Since his time controversy has raged over this “Homeric question” and there is yet no prospect of agreement. The extreme view that the poems are mere aggregations of separate lays of different authorship is falling out of favor; no two scholars agreeing in their analysis of the epics into their supposed constituent lays. On the other hand, it is admitted that there are clear evidences that parts of the poems belong to different dates; and the tendency is to credit the composition of two shorter epics dealing respectively with the Wrath of Achilles and the Return of Odysseus to an author of great artistic genius, and to conjecture that episodes were added by imitators, now at this point and now at that, over a considerable stretch of time, bringing them finally to their present form and length. 4
The twenty-four books of the “Odyssey” fall naturally into six groups of four (though these are not to be regarded as involving breaks in the structure), and a short account of each of these groups will serve as a guide to the contents of the poem. The first four books are occupied with the adventures of Telemachus, the son of Odysseus. (i) When the poem opens, it is the tenth year since the fall of Troy, and Odysseus has not yet returned to his home in the island of Ithaca, but is detained in Ogygia, an island in the west, by the nymph Calypso. Meantime, at home, his wife Penelope is beset by suitors who feast riotously in the house of the absent warrior. (ii) Failing in an attempt to get the Ithacans to help him to assert his rights, Telemachus sets out for Pylus under the guidance of the goddess Athene, who is disguised as Mentor, a friendly chief. (iii) Nestor, the aged king of Pylus, receives them hospitably; and while he is banqueting his guests the supposed Mentor vanishes and it is recognized that he was the guardian goddess of the family of Odysseus. From Pylus, Telemachus sets out for Sparta, accompanied by the son of Nestor, Peisistratus. (iv) In Sparta they are received by Menelaus and the famous Helen, now restored to her husband, and learn that Odysseus is in Ogygia. Telemachus decides to return to Ithaca, where the suitors are plotting his death. 5
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
