Pharos, The Egyptian E-Book

Guy Broothby

• Herausgeber: Greenbooks editore
• Kategorie: Gesellschafts- und Liebesromane
• Sprache: Englisch

Veröffentlichungsjahr: 2021

Beschreibung

A mummy's revenge novel from the turn of the 19th century.

Leseprobe

Guy Broothby

PHAROS, THE EGYPTIAN

ISBN 979-12-5971-716-0

Greenbooks editore

Digital edition

May 2021

www.greenbooks-editore.com

ISBN: 979-12-5971-716-0

This ebook was created with StreetLib Writehttp://write.streetlib.com

Index

PHAROS, THE EGYPTIAN

PHAROS, THE EGYPTIAN

CHAPTER I.

If ever a man in this world had a terrible—I might almost go so far as to add a shameful— story to relate, surely I, Cyril Forrester, am the one. How strange—indeed, how most unbelievable—it is I do not think I even realised myself until I sat down to write it. The question the world will in all probability ask when it has read it is, why it should have been told at all. It is possible it may be of opinion that I should have served my generation just as well had I allowed it to remain locked up in my own bosom for all time. This, however, my conscience would not permit. There are numberless reasons, all of them important and some imperative beyond all telling, why I should make my confession, though God knows I am coward enough to shrink from the task. And if you consider for a moment, I think you will understand why. In the first place, the telling of the story can only have the effect of depriving me of the affection of those I love, the respect of those whose good opinion I have hitherto prized so highly, the sympathy of my most faithful friends, and, what is an equal sacrifice as far as I am personally concerned—though it is, perhaps, of less importance to others—the fame I have won for myself after so hard a struggle. All this is swept away like drift-wood before a rising tide, and as a result I retire into voluntary exile, a man burdened with a life-long sorrow. How I have suffered, both in body and mind, none will ever understand. That I have been punished is also certain, how heavily you, my two old friends, will be able to guess when you have read my story. With the writing of it I have severed the last link that binds me to the civilized world. Henceforth I shall be a wanderer and an outcast,

and but for one reason could wish myself dead. But that is enough of regret; let me commence my story.

Two years ago, as you both have terrible reason to remember, there occurred in Europe what may, perhaps, be justly termed the most calamitous period in its history, a time so heart- breaking, that scarcely a man or woman can look back upon it without experiencing the keenest sorrow. Needless to say I refer to the outbreak of the plague among us, that terrible pestilence which swept Europe from end to end, depopulated its greatest cities, filled every burial-place to overflowing, and caused such misery and desolation in all ranks of life as has never before been known among us. Few homes were there, even in this fair England of ours, but suffered some bereavement; few families but mourn a loss the wound of which has even now barely healed. And it is my part in this dreadful business that I have forced myself with so much bitter humiliation to relate. Let me begin at the very beginning, tell everything plainly and straightforwardly, offer nothing in extenuation of my conduct, and trust only to the world to judge me, if such a thing be possible, with an unbiassed mind.

I date my misery from a wet, miserable night in the last week of March—a night without a glimpse of the moon, which, on that particular evening, was almost at its full. There had been but one solitary hour of painting-light all day; short as it was, however, it was sufficient for my purpose. My picture for the Academy was finished, and now all that remained was to pack it up and send it in. It was, as you remember, my eighth, and in every way my most successful effort. The subject I had chosen had enthralled me from the moment it had first entered my head, and the hours of thought and preparation it had entailed will always rank among the happiest of my life. It represented Merenptah, the Pharaoh of the Exodus, learning from the magicians the effect of his obstinacy in the death of his first-born son. The canvas showed him seated on his throne, clad in his robes of state. His head was pushed a little forward, his chin rested in his hand, while his eyes looked straight before him as though he were endeavouring to peer into the future in the hope of reading there the answer to the troubled thoughts inside his brain. Behind him stood the sorcerers, one of whom had found courage to announce the baneful tidings.

The land of Egypt has always possessed a singular attraction for me—a taste which, doubtless, I inherit from my poor father, who, as you are aware, was one of the greatest authorities upon the subject the world has ever known.

As I have said, it was a miserable night, dark as the pit of Tophet. A biting wind whistled through the streets, the pavements were dotted with umbrella-laden figures, the kennels ran like mill-sluices, while the roads were only a succession of lamp-lit puddles through which the wheeled traffic splashed continuously. For some reason—perhaps because the work upon which I had been so long and happily engaged was finished and I felt lonely without it to occupy my mind—I was stricken with a fit of the blues. Convinced that my own company would not take me out of it, I left my studio in search of more congenial society. This was soon forthcoming; and you will remember, Betford and Trevelyan, that we dined together at a little restaurant in the neighbourhood of Leicester Square, and followed the dinner up with a visit to a theatre. As ill-luck would have it, I was in the minority in the choice of a place of entertainment. The result was disastrous. Instead of ridding myself of my melancholy, as I had hoped to do, I intensified it, and when, at the end of the evening, I bade you farewell in the Strand, my spirits had reached a lower level than they had attained all day. I remember distinctly standing beneath a gas-lamp at the corner of Villiers Street, as the clocks were striking midnight, feeling disinclined to return to my abode and go to bed, and yet equally at a loss to know in what manner I should employ myself until there was some likelihood of

slumber visiting my eyelids. To help me make up my mind I lit a fresh cigar and strolled down toward the river. On the pavement, at the foot of the steps leading to Hungerford Bridge, a poor tattered creature, yet still possessing some pretensions to gentlemanly address, came from beneath the archway and begged of me, assuring me most solemnly that, as far as he was concerned, the game was played out, and if I did not comply with his request, he would forthwith end his troubles in the river. I gave him something—I can not now remember what—and then, crossing the road, made my way along the Embankment toward Cleopatra's Needle. The rain had ceased for the moment, and in the north a few stars were shining. The myriad lights of the Embankment were reflected in the river like lines of dancing fire, and I remember that behind me a train was rolling across the bridge from Charing Cross with a noise like distant thunder. I suppose I must have been thinking of my picture, and of the land and period which had given me the idea. At any rate, I know that on this occasion the ancient monument in front of which I soon found myself affected me as it had never done before. I thought of the centuries that had passed since those hieroglyphics were carved upon the stone, of the changes the world had seen since that giant monolith first saw the light of day. Leaning my elbows on the parapet, I was so absorbed in my own thoughts that when a sudden cry of "Help, help!" rang out from the river it was with a sensible shock that I returned to the commonplace and found myself standing where I was. A moment later I was all action. The cry had come from the other side of the Needle. I accordingly hastened to the steps farthest from me, shouting, as I went, in my excitement, that a man was drowning. It might have all been part of some evil dream—the long line of silent Embankment on either side, the swiftly-flowing river, and that despairing appeal for help coming so suddenly out of the black darkness. Then I became aware that I was not alone on the steps. There was another man there, and he stood motionless, peering out into the dark stream, scarcely a dozen paces from me.

I had reached the top of the steps and was about to descend them in order to accost him, when something occurred which stopped me and held me spell-bound. The moon had emerged from its pall of cloud and was now shining clear and bright across the river. Thirty seconds must have elapsed since we had heard the cry for assistance, and now, as I looked, the drowning man was washed in at the foot of the steps upon which we stood. It would have needed but the least movement on the part of the man below me to have caught him as he swept by and to have saved him from a watery death. To my amazement, however—and even now, after this lapse of time, my gorge rises at the very thought of it—the other did not offer to help, but drew himself back. Before I could return my eyes, the wretched suicide had passed out of sight and had vanished into the darkness again. As he did so a pronounced chuckle of enjoyment reached me from the man below—a burst of merriment so out of place and so detestable that I could scarcely believe I heard aright. I can not hope to make you understand how it affected me. A second later a fit of blind fury overtook me, and, under the influence of it, I ran down the steps and seized the murderer—for such I shall always consider him—by the arm.

"Are you a man or a fiend," I cried in jerks, "that you could so allow another to perish when you might have saved him? His death is upon your conscience, brute and monster that you are!"

So extreme was my emotion that I trembled under it like a man with the palsy.

Then the other turned his head and looked at me; and, as he did so, a great shudder, accompanied by an indescribable feeling of nausea, passed over me. What occasioned it I could not tell, nor could I remember having felt anything of the kind before. When it

departed, my eyes fixed themselves on the individual before me. Connecting him in some way with the unenviable sensation I had just experienced, I endeavoured to withdraw them again, but in vain. The others gaze was riveted upon me—so firmly, indeed, that it required but small imagination to believe it eating into my brain. Good Heavens! how well I recollect that night and every incident connected with it! I believe I shall remember it through all eternity. If only I had known enough to have taken him by the throat then and there, and had dashed his brains out on the stones, or to have seized him in my arms and hurled him down the steps into the river below, how much happier I should have been! I might have earned eternal punishment, it is true, but I should at least have saved myself and the world in general from such misery as the human brain can scarcely realise. But I did not know, the opportunity was lost, and, in that brief instant of time, millions of my fellow-creatures were consigned unwittingly to their doom.

After long association with an individual, it is difficult, if not impossible, to set down with any degree of exactness a description of the effect his personality in the first instance had upon me. In this case I find it more than usually difficult, for the reason that, as I came more under his influence, the original effect wore off and quite another was substituted for it.

His height was considerably below the average, his skull was as small as his shoulders were broad. But it was not of his stature, his shoulders, or the size of the head which caused the curious effect I have elsewhere described. It was his eyes, the shape of his face, the multitudinous wrinkles that lined it, and, above all, the extraordinary colour of his skin, that rendered his appearance so repulsive. To understand what I mean you must think first of old ivory, and then endeavour to realise what the complexion of a corpse would be like after lying in an hermetically sealed tomb for many years. Blend the two and you will have some dim notion of the idea I am trying to convey. His eyes were small, deeply sunken, and in repose apparently devoid of light and even of life. He wore a heavy fur coat, and, for the reason that he disdained the customary headgear of polite society, and had substituted for it a curious description of cap, I argued that he was a man who boasted a will of his own, and who did not permit himself to be bound by arbitrary rules. But, however plain these things may have been, his age was a good deal more difficult to determine. It was certainly not less than seventy, and one might have been excused had one even set it down at a hundred. He walked feebly, supporting himself with a stick, upon which his thin yellow fist was clutched till the knuckles stood out and shone like billiard balls in the moonlight.

Under the influence of his mysterious personality, I stood speechless for some moments, forgetful of everything—the hour, the place, and even his inhumanity to the drowning wretch in the river below. By the time I recovered myself he was gone, and I could see him crossing the road and moving swiftly away in the direction of Charing Cross. Drawing my hand across my forehead, which was clammy with the sweat of real fear, I looked again at the river. A police boat was pulling toward the steps, and by the light of the lantern on board I could make out the body of a man. My nerves, already strained to breaking pitch, were not capable of standing any further shock. I accordingly turned upon my heel and hurried from the place with all the speed at my command.

Such was my first meeting with the man whom I afterward came to know as Pharos the Egyptian.

CHAPTER II.

As you are aware, my picture that year was hung in an excellent position, was favourably received by those for whose criticism I had any sort of respect, attracted its fair share of attention from the general public, and, as a result, brought me as near contentment as a man can well hope or expect to be in this world. Before it had been twenty-four hours "on the line," I had received several tempting offers for it; but as I had set my heart on obtaining a certain sum, and was determined not to accept less, you may suppose I did not give them much attention. If I received what I wanted, I promised myself a treat I had been looking forward to all my life. In that case I would take a long holiday, and, instead of spending the next winter in England, would start for Egypt in the autumn, taking in Italy en route, make my way up the Nile, and be home again, all being well, in the spring, or, at latest, during the early days of summer.

Ever since I first became an exhibitor at Burlington House, I have made it a rule to studiously avoid visiting the gallery after varnishing day. My reasons would interest no one, but they were sufficiently strong to induce me to adhere to them. This year, however, I was led into doing so in a quite unintentional fashion, and as that exception vitally concerns this narrative, I must narrate in detail the circumstances that led up to it.

On a certain Friday early in June, I was sitting in my studio, after lunch, wondering what I should do with myself during the afternoon, when a knock sounded at the door, and a moment later, after I had invited whoever stood outside to enter, my old friend, George Merridew, his wife, son, and three daughters, trooped into the room. They were plainly up from the country, and, as usual, were doing the sights at express speed. George Merridew, as you know, stands six feet in his stockings, and is broad in proportion. His face is red, his eyes blue, and he carries with him wherever he goes the air of a prosperous country squire, which he certainly is. Like many other big men, he is unconscious of his strength, and when he shakes hands with you, you have reason to remember the fact for five minutes afterward. His wife is small, and, as some folks declare, looks younger than her eldest daughter, who is a tennis champion, a golfer, and boasts a supreme contempt for Royal Academicians and, for that matter, for artists generally. The son is at Oxford, a nice enough young fellow with limpid blue eyes, who, to his father's disgust, takes no sort of interest in fox-hunting, racing, football, or any other sport, and has openly asserted his intention of entering the Church in the near future. There are two other girls, Gwendoline and Ethel—the latter, by the way, promises to be a second edition of her mother—who, at present, are in the advanced schoolroom stage, dine with their parents, except on state occasions, and play duets together on the piano with a conscientious regard for time and fingering that gives their father no small amount of pleasure, but with other people rather detracts from the beauty of the performance.

"Thank goodness we have got you at last!" cried Merridew, as he rushed forward and gripped my hand with a cordiality that made me suffer in silent agony for minutes afterward. "But, my dear fellow, what on earth induces you to live in a place that's so difficult to find? We have been all round the neighbourhood, here, there, and everywhere, making inquiries, and shouldn't have found you now had it not been for an intelligent butcher-boy, who put us on the right scent and enabled us to run you to earth at last."

"Such is fame, you see," I answered with a smile. "One should be humble when one reflects that the knowledge of one's address is confined to a butcher-boy.—How do you do, Mrs.

Merridew? I am sorry you should have had so much difficulty in discovering my poor abode."

I shook hands with the rest of the family, and when I had done so, waited to be informed as to the reason of their visit.

"Now, look here," said the squire, as he spoke producing an enormous gold repeater from his pocket, which by sheer force of habit he held in his hand, though he never once looked at it, during the time he was speaking. "I'll tell you what we're going to do. In the first place you're to take us to the Academy to see your picture, which every one is talking about, and at the same time to act as showman and tell us who's who. After that you'll dine with us at the Langham, and go to the theatre afterward. No, no, it's not a bit of use you're pretending you've got another engagement. We don't come up to town very often, but when we do we enjoy ourselves, and—why, man alive! just consider—I haven't seen you since last autumn, and if you think I am going to let you escape now, you're very much mistaken. Such a thing is not to be thought of—is it, mother?"

Thus appealed to, Mrs. Merridew was kind enough to say that she hoped I would comply with her husband's wishes. The daughters murmured something, which I have no doubt was intended to be a complimentary expression of their feelings, while the son commenced a remark, failed to make himself intelligible, and then lapsed into silence again.

Thus hemmed in, it remained for me to invent a valid excuse, or to fall in with their plans. I effected a compromise, informed them that I should be much pleased to accompany them to the Academy, but that it was quite impossible I should dine with them afterward, or even visit the theatre in their company, having, as was quite true, already accepted an invitation for that evening. Five minutes later the matter was settled, and we were making our way toward Piccadilly and Burlington House.

In the light of all that has happened since, I can only regard my behaviour on that occasion with a contemptuous sort of pity. The minutest details connected with that afternoon's amusement are as clearly photographed upon my brain as if they had occurred but yesterday. If I close my eyes for a moment, I can see, just as I saw it then, the hawkers selling catalogues in the busy street outside, the great courtyard with the lines of waiting carriages, the fashionable crowd ascending and descending the stairs, and inside the rooms that surging mass of well-dressed humanity so characteristic of London and the season. When we had fought our way to the vestibule, I was for doing the round of the rooms in the orthodox fashion. This, however, it appeared, was by no means to George Merridew's taste. He received my suggestion with appropriate scorn.

"Come, come, old fellow," he replied, "we're first going to see your picture. It was that which brought us here; and, as soon as I have told you what I think of it, the rest of the daubs may go hang as far as I am concerned."

Now, it is an indisputable fact that, whatever Nature may, or may not, have done for me, she has at least endowed me with an extremely sensitive disposition. My feelings, therefore, may be imagined when I tell you that my old friend spoke in a voice that was quite audible above the polite murmur of the crowd, and which must have penetrated to the farthest end of the room. Not content with that, he saluted me with a sounding smack on the back, bidding me, at the same time, consign my modesty to the winds, for everybody knew—by everybody, I presume he meant his neighbours in the country—that I was the rising man of the day, and would inevitably be elected President before I died. To avert this flood of idiotic compliment,

and feeling myself growing hot from head to foot, I took him by the arm and conducted him hastily through the room toward that portion of the building where my picture was displayed.

Whether the work was good, bad, or indifferent, the public at least paid me the compliment of bestowing their attention upon it, and their behaviour on this occasion was no exception to the rule. I hope I shall not be considered more conceited than my fellows; at the risk of it, however, I must confess to a feeling of pride as I glanced, first at the crowd wedged in before the rail, and then at the party by my side. George Merridew's face alone was worth the trouble and time I had spent upon the canvas. His eyes were opened to their fullest extent: his lips were also parted, but no sound came from them. Even the face of my formidable friend, the tennis champion, betrayed a measure of interest that, in the light of her previous behaviour, was more than flattering. For some moments we stood together on the outskirts of the throng. Then those who were directly in front moved away, and my friends immediately stepped into the gap and took their places. As there was no reason why I should follow their example, I remained outside, watching the faces and noting the different effects the picture produced upon them.

I had not been alone more than a few seconds, however, before I became sensible of a curious sensation. It was accompanied by a lowering of the pulse that was quite perceptible, followed by an extraordinary feeling of nausea. I battled against it in vain. The room and its occupants began to swim before me. I tottered, and at length, being unable any longer to support myself, sat down on the seat behind me. When I looked up again I could scarcely credit the evidence of my senses. Approaching me from the crowd, leaning upon his stick, just as I remembered him on the previous occasion, and dressed in the same extraordinary fashion, was the old man whose personality had given me such a shock at the foot of Cleopatra's Needle. His face was as thin and as wrinkled as I had seen it then, and I also noticed that he wore the same indescribable look of cruelty and cunning that I remembered so well. One thing was quite plain, however profoundly I may have been affected by my proximity to this singular being: I was not the only one who came within the sphere of his influence. Indeed, it was strange to notice the manner in which the polite crowd drew away from him, and the different expressions upon their faces as they stepped aside in order to give him room to pass. Had he been a snake, they could scarcely have shown a more unanimous desire to withdraw from his neighbourhood. On this occasion he was evidently not alone. I gathered this from the fact that, as soon as he had emerged from the crowd, he paused as if to wait for a companion. A moment later a woman come to his side—a woman who carried herself like a daughter of the gods; the most beautiful creature, I can safely assert, that I have ever seen either in this or any other country. If her companion's height was below the average, hers was at least several inches above it. But it was neither her stature, the exquisite symmetry of her figure, the beauty of her face, the luxuriance of her hair, nor the elegance of her attire that fascinated me. It was the expression I saw in her dark, lustrous eyes.

It is essential to my profession that I should be continually studying the human face, attempting to obtain from it some clew as to the character of the owner, and learning to read in it the workings of the mind within. And what I read in this woman's face was a sorrow that nothing could assuage, a hopelessness that was not limited to this earth, but was fast passing into the Eternal.

Having once freed herself from the crowd, who, you may be sure, turned and stared after her as if she were some rare and beautiful animal, she took her place at her companion's side, and they passed along the room together, finally disappearing through the archway at the farther

end. A moment later the eldest of my friend's daughters joined me. I had never credited her with the possession of so much emotion as she displayed at that moment.

"Mr. Forrester," she said, "I want you to tell me if you have ever seen anything so awful as that old man's face?"

"I think I can safely say that I never have," I answered; and then, in an attempt to conceal the emotion I was still feeling, added, "I wonder who he can be?"

"I can not imagine," she continued, "but I'm certain of this, that I never want to see him again."

At that moment we were joined by the remainder of the family.

"By Jove! Forrester," said the squire, but without his usual heartiness, "I don't know what is coming to this place. Did you see that little chap in the fur coat and skullcap who came out of the crowd just now with that fine-looking woman behind him? You may scarcely credit it, but his face gave me quite a turn. I haven't got over it yet."

"The girl with him was very beautiful," murmured his wife gently; "but there was something about her face that struck me as being very sad. I should like to know what relationship she bears to him."

"His granddaughter, I should imagine," said Miss Merridew, who was still watching the entrance to the next room as if she expected them to return.

"Nonsense!" cried the squire impatiently. "His great-granddaughter, you mean. I'll stake my reputation that the old fellow is as old as Methuselah. What say you, Forrester?"

I can not now remember what answer I returned. I only know that we presently found ourselves on the pavement of Piccadilly, saying good-bye, and expressing our thanks in an aimless sort of fashion for the pleasure we had derived from each other's society.

Having seen them safely on their way toward Regent Street, I strolled along Piccadilly in the direction of my studio, thinking as I went of that terrible old man whose personality had twice given me such a shock, and also of the beautiful woman, his companion. The effect they had produced upon me must have been something out of the common, for I soon discovered that I could think of nothing else. It was in vain I looked in at my club and attempted to engage in conversation with friends, or that, when I reached home, I threw myself into an easy-chair and endeavoured to interest myself in a book. Out of the centre of every page peered that wicked old face, with its pallid, wrinkled skin, and lack-lustre eyes. For upward of an hour I wrestled with the feeling, but without success. The man's image was not conducive to peace of mind, and I knew very well that unless I found some distraction I should be dreaming of him at night. Accordingly I rose from my chair and crossed the room to a table on which stood a large Satsuma bowl, in which it was my custom to place the invitations I received. That evening fortune favoured me. I had the choice of four houses. Two I rejected without a second thought; between the others I scarcely knew how to decide. Though I was not aware of it, my evil destiny, for the second time that day, was standing at my elbow, egging me on to ruin. It appeared I had the choice of a dance in the Cromwell Road, another in Belgrave Square; private theatricals in Queen's Gate, and a musical "at home" in Eaton Square. I did not feel equal to dances or private theatricals, and, thinking music would soothe my troubled mind, I decided for Eaton Square, and in so doing brought about the misery and downfall of my life.

Nine o'clock that evening, accordingly, found me ascending the staircase of Medenham House, greeting my hostess in the anteroom, and passing thence into the great drawing-room beyond. There is not a more conspicuous power within the range of her hobby than her ladyship, and at her house one hears all that is newest and most likely to be famous in the musical world. Many now celebrated artistes owe much of what they have since achieved to the helping hand she held out to them when they were struggling up the rugged hill of fame.

On entering the room I looked about me in the hope of finding some one I knew, but for some moments was unsuccessful. Then I espied, seated in a corner, almost hidden by a magnificent palm, a man with whom I possessed some slight acquaintance. I strolled toward him, and after a few moments' conversation took my place at his side. He had himself achieved considerable success as an amateur violinist, and was a distant relative of our hostess.

"I suppose, like the rest of us, you have come to hear Lady Medenham's latest prodigy?" he said, after the usual polite nothings had been said.

"I am ashamed to confess I have heard nothing at all about him," I answered.

"Her, my dear sir," he replied, with a little laugh. "Our hostess says she is marvellous." "A pianist?"

"Indeed, no! A violinist, and with, I believe, the additional advantage of being a very beautiful woman. Lady Medenham met her in Munich, and she has raved about her ever since. Needless to say, she invited her to visit her as soon as she reached London."

What the connection could have been it is impossible to say, but by some occult reasoning I instantly associated this new wonder with the magnificent creature I had seen at Burlington House that afternoon.

"You have already made her acquaintance, I presume?" I said in a tone of mild curiosity.

"No such luck," he answered. "I have not been permitted that pleasure. From all accounts, however, she is really very wonderful. All the people I have met who have heard her declare they have never known anything like her playing. And the funniest part of it is, she is accompanied everywhere by a man who is as physically repulsive as she is beautiful."

"A little old man with an extraordinary complexion, deep-set, horrible eyes, who wears a fur coat and a peculiar cap in the height of the season, and looks at least a hundred years old?"

"From all accounts you describe him exactly. Where did you meet him?"

"I saw them both at the Academy this afternoon," I answered. "She is, as you say, very beautiful; but she scarcely struck me as being English."

"She is not. She is Hungarian, I believe, but she has travelled a great deal and speaks English perfectly."

"And her companion—what nation has the honour of claiming him as her son?"

"Ah, that I can not tell you! He is a mystery, for no one seems to know anything about him. Nor is it at all certain what relationship he bears to the woman. But see, here is Lord Medenham. The performance is evidently about to commence."

As he spoke there was a general turning of heads in the direction of the anteroom, and almost simultaneously my hostess entered the room, accompanied by the exquisite creature I had seen emerging from the crowd before my picture that afternoon. If she had looked beautiful then, she was doubly so now. Dressed to perfection, as on the previous occasion, she towered head and shoulders above Lady Medenham, who is generally considered tall for her sex, and carried herself with a more imperial grace than is boasted by any empress I have ever seen.

A few paces behind her followed the man who had been her companion that afternoon. On this occasion also he disdained the orthodox style of dress, wore a black velvet coat, closely buttoned beneath his chin, and upon his head a skullcap of the same material. As on the previous occasions, he walked with a stick, leaning upon it heavily like an old man of ninety. Reaching that portion of the room in which the piano was situated, he dropped into a chair, without waiting for his hostess to seat herself, and, laying his head back, closed his eyes as if the exertion of walking had been too much for him. A servant, who had followed close behind, wrapped a heavy rug about his knees and then withdrew. Meanwhile his beautiful companion stood for a moment looking down at him, and then, with a little gesture the significance of which I could not then interpret, accepted her hostess's invitation and seated herself beside her.

The first item on the programme was a nocturne rendered by the composer, a famous pianist who at the time was delighting all London. He seated himself at the piano and began to play. I am afraid, however, I spared but small attention for his performance. My interest was centred on that huddled-up figure under the fur rug and the beautiful creature at his side. Then a change came, and once more I experienced the same sensation of revulsion that had overwhelmed me twice before. Again I felt sick and giddy; once more a clammy sweat broke out upon my forehead, and at last, unable any longer to control myself, I rose from my seat.

"What on earth is the matter?" inquired my friend, who had been watching me. "Are you ill?"

"I believe I'm going to faint," I replied. "I must get into the air. But there is no necessity for you to come. I shall be all right alone."

So saying I signed him back to his seat, and, slipping quietly from the corner, made my way through the anteroom into the marble corridor beyond. Once there I leant against the balustrading of the staircase and endeavoured to pull myself together. A groom of the chambers, who was passing at the time, seeing there was something amiss, approached and inquired if he could be of service.

"I am feeling a little faint," I replied. "The heat of the drawing-room was too much for me. If you can get me a little brandy I think I shall be quite well in a few moments."

The man departed and presently came back with the spirit I had asked for. With the return of my self-possession I endeavoured to arrive at an understanding of what had occasioned the attack. I was not subject to fainting-fits, but was in every respect as strong as the majority of my fellow-creatures.

"It's all nonsense," I said to myself, "to ascribe it to that old fellow's presence. How could such a thing affect me? At any rate, I'll try the experiment once more."

So saying, I returned to the drawing-room.

I was only just in time, for, as I entered, the lady who had hitherto been seated by her hostess's side rose from her chair and moved toward the piano. As no one else stirred, it was plain that she was going to dispense with the services of an accompanist. Taking her violin

from a table she drew her bow gently across the strings, and, when she had tuned it, stood looking straight before her down the room. How beautiful she was at that moment I can not hope to make you understand. Then she began to play. What the work was I did not then know, but I have since discovered that it was her own. It opened with a movement in the minor—low and infinitely sad. There was a note of unappeasable yearning in it, a cry that might well have been wrung from a heart that was breaking beneath the weight of a deadly sin; a weird, unearthly supplication for mercy from a soul that was beyond redemption or the reach of hope. None but a great musician could have imagined such a theme, and then only under the influence of a supreme despair. While it lasted her audience sat spell-bound. There was scarcely one among them who was not a lover of music, and many were world-famous for their talent. This, however, was such playing as none of us had ever heard before, or, indeed, had even dreamed of. Then by imperceptible gradations the music reached its height and died slowly down, growing fainter and fainter until it expired in a long-drawn sob. Absolute silence greeted its termination. Not a hand was raised; not a word was uttered. If proof were wanting of the effect she had produced, it was to be found in this. The violinist bowed, a trifle disdainfully, I thought, and, having placed her instrument on the table once more, returned to Lady Medenham's side. Then a young German singer and his accompanist crossed the room and took their places at the piano. The famous pianist, who had first played, followed the singer, and when he had resumed his seat the violinist rose and once more took up her instrument.

This time there was no pause. With an abruptness that was startling, she burst into a wild barbaric dance. The notes danced and leaped upon each other in joyous confusion, creating an enthusiasm that was as instantaneous as it was remarkable. It was a tarantella of the wildest description—nay, I should rather say a dance of Satyrs. The player's eyes flashed above the instrument, her lithe, exquisite figure rocked and swayed beneath the spell of the emotion she was conjuring up. Faster and faster her bow swept across the strings, and as before, though now for a very different reason, her audience sat fascinated before her. The first work had been the outcome of despair, this was the music of unqualified happiness, of the peculiar joy of living—nay, of the very essence and existence of life itself. Then it ceased as suddenly as it had begun, and once more she bowed, put down her violin, and approached her hostess. The programme was at an end, and the enthusiastic audience clustered round to congratulate her. For my own part I was curiously ill at ease. In a vague sort of fashion I had appropriated her music to myself, and now I resented the praise the fashionable mob was showering upon her. Accordingly I drew back a little and made up my mind to get through the crowd and slip quietly away. By the time I was able to emerge from my corner, however, there was a movement at the end of the room, and it became evident that the player and her companion were also about to take their departure. Accompanied by Lord and Lady Medenham they approached the spot where I was standing, endeavouring to reach the door. Had it been possible I would have taken shelter behind my palm again in order that my presence might not have been observed. But it was too late. Lady Medenham had caught my eye, and now stopped to speak.

"Mr. Forrester," she said, "we have been permitted a great treat to-night, have we not? You must let me introduce you to the Fräulein Valerie de Vocxqal."

I bowed, and, despite the fact that, regarded in the light of her genius, such a thing was little better than an insult, followed the example of my betters and murmured a complimentary allusion to her playing and the pleasure she had given us. She thanked me, all the time watching me with grave, attentive eyes, into which there had suddenly flashed a light that

was destined to puzzle me for a long time, and the reason of which I could not understand. Then came the crucial moment when Lady Medenham turned to me again, and said:

"Mr. Forrester, Monsieur Pharos has expressed a desire to be introduced to you. I told him yesterday I thought you would be here to-night. May I have the pleasure of making you acquainted with each other?"

Those cold, dead eyes fixed themselves steadily on mine, and, under their influence, I felt as if my brain were freezing.

"I am indeed honoured, sir," he said, "and I trust I may be permitted to express a hope of enlarging our acquaintance. I understand you are the painter of that very wonderful picture I saw at the Academy this afternoon? Allow me to offer you my congratulations upon it. It interested me more deeply than I can say, and on some future date I shall be grateful if you will let me talk to you upon the subject. The knowledge it displayed of the country and the period is remarkable in these days. May I ask how it was acquired?"

"My father was a famous Egyptologist," I replied. "All that I know I learned from him. Are you also familiar with the country?"

"There are few things and fewer countries with which I am not familiar," he replied, somewhat conceitedly, but still watching me and speaking with the same peculiar gravity. "Some day I shall hope to offer you conclusive evidence on that point. In the meantime the hour grows late. I thank you and bid you farewell."

Then, with a bow, he passed on, and a moment later I, too, had quitted the house and was making my way homeward, trying to collect my impressions of the evening as I went.

CHAPTER III.

To infer that my introduction that evening to the beautiful violinist and her diabolical companion, Monsieur Pharos, produced no effect upon me, would be as idle as it would misleading. On leaving Medenham House I was conscious of a variety of sensations, among which attraction for the woman, repugnance for the man, and curiosity as to the history and relationship of both could be most easily distinguished. What was perhaps still more perplexing, considering the small, but none the less genuine, antagonism that existed between us, by the time I reached my own abode I had lost my first intense hatred for the man, and was beginning to look forward, with a degree of interest which a few hours before would have surprised me, to that next meeting which he had prophesied would so soon come to pass. Lightly as I proposed to myself to treat it, his extraordinary individuality must have taken a greater hold upon me than I imagined, for, as in the afternoon, I soon discovered that, try to divert my thoughts from it how I would, I could not dispel his sinister image from my mind. Every detail of the evening's entertainment was vividly photographed upon my brain, and without even the formality of shutting my eyes, I could see the crowded room, the beautiful violinist standing, instrument in hand, beside the piano, and in the chair at her feet her strange companion, huddled up beneath his rug.

By the time I reached home it was considerably past midnight; I was not, however, the least tired, so, exchanging my dress coat for an old velvet painting jacket, for which I entertained a

lasting affection, I lit a cigar and began to promenade the room. It had been a fancy of mine when I first took the studio, which, you must understand, was of more than the usual size, to have it decorated in the Egyptian fashion, and, after my meeting with Pharos, this seemed to have a singular appropriateness. It was as if the quaint images of the gods, which decorated the walls, were watching me with almost human interest, and even the gilded countenance upon the mummy-case, in the alcove at the farther end, wore an expression I had never noticed on it before. It might have been saying: "Ah, my nineteenth century friend, your father stole me from the land of my birth, and from the resting-place the gods decreed for me; but beware, for retribution is pursuing you and is even now close upon your heels."

Cigar in hand, I stopped in my walk and looked at it, thinking as I did so of the country from which it had hailed, and of the changes that had taken place in the world during the time it had lain in its Theban tomb, whence it had emerged in the middle of the nineteenth century, with colouring as fresh, and detail as perfect, as on the day when the hieroglyphs had first left the artist's hand. It was an unusually fine specimen—one of the most perfect, indeed, of its kind ever brought to England, and, under the influence of the interest it now inspired in me, I went to an ancient cabinet on the other side of the room, and, opening a small drawer, took from it a bulky pocketbook, once the property of my father. He it was, as I have already said, who had discovered the mummy in question, and it was from him, at his death, in company with many other Egyptian treasures, that I received it.

As I turned the yellow, time-stained pages in search of the information I wanted, the clock of St. Jude's, in the street behind, struck one, solemnly and deliberately, as though it were conscious of the part it played in the passage of time into eternity. To my surprise the reference was more difficult to find than I had anticipated. Entries there were in hundreds; records of distances travelled, of measurements taken, evidence as to the supposed whereabouts of tombs, translations of hieroglyphics, paintings, and inscriptions, memoranda of amounts paid to Arab sheiks, details of stores and equipments, but for some time no trace of the information for which I was searching. At last, however, it struck me to look in the pocket contained in the cover of the book. My diligence was immediately rewarded, for there, carefully folded and hidden away, was the small square of parchment upon which my father had written the name once borne by the dead man, with a complete translation of the record upon the cartonnage itself. According to the statement here set forth, the coffin contained the mortal remains of a certain Ptahmes, Chief of the King's Magicians—an individual who flourished during the reign of Menptah (Amenepthes of the Greeks, but better known to the nineteenth century as the Pharaoh of the Exodus). For all I knew to the contrary, my silent property might have been one of that band of conjurors who pitted their wits against Moses, and by so doing had caused Pharaoh's heart to be hardened so that he would not let the Children go. Once more I stood looking at the stolid representation of a face before me, guessing at the history of the man within, and wondering whether his success in life had equalled his ambition, or was commensurate with his merits, and whether in that age, so long since dead, his heart had ever been thrilled by thoughts of love.

While wrapped in this brown study, my ears, which on that particular occasion were for some reason abnormally acute, detected the sound of a soft footfall on the polished boards at the farther end of the room. I wheeled sharply round, and a moment later almost fell back against the mummy-case under the influence of my surprise. (How he had got there I could not tell, for I was certain I had locked the door behind me when I entered the house.) It is sufficient, however, that, standing before me, scarcely a dozen feet away, breathing heavily as though he had been running, and with what struck me as a frightened look in his eyes, was no less a person than Monsieur Pharos, the man I had met at the foot of Cleopatra's Needle some

weeks before, at the Academy that afternoon, and at Medenham House only a couple of hours since. Upward of a minute must have elapsed before I could find sufficient voice to inquire the reason of his presence in my room.