Photoshop Elements 2025 For Dummies - Barbara Obermeier - E-Book

Photoshop Elements 2025 For Dummies E-Book

Barbara Obermeier

0,0
19,99 €

-100%
Sammeln Sie Punkte in unserem Gutscheinprogramm und kaufen Sie E-Books und Hörbücher mit bis zu 100% Rabatt.
Mehr erfahren.
Beschreibung

Ignite your creativity with Photoshop Elements

Introducing the latest edition of Photoshop Elements 2025 For Dummies, updated for the newest version of Adobe's affordable and beginner-friendly photo editing software. With this comprehensive guide at your fingertips, you'll unlock the potential of Elements, turning ordinary photos into extraordinary images. Packed with all the essential photo editing tools, this software empowers you to brush up snapshots, create like-worthy social media posts, and create artistic masterpieces. In this easy-to-understand guide, you'll find instructions on using editing tools, working with layers, making one-click fixes, brightening colors, adding filters, and beyond.

  • Master the basics of Photoshop Elements and make basic edits in Quick Mode
  • Learn advanced editing techniques such as background replacement, stylize type, apply blend modes, social meda sharing, and other creative tricks,
  • Discover the latest AI features such as depth of field, change object color, and combine photos
  • Utilize camera raw to transform your camera's image data into stunning photographs

Perfect for non-professional photographers and graphic designers new to Elements or looking for a refresh, this best-selling Dummies guide is your essential companion for getting started with Elements and learning insider tips to create images that “pop.”

Sie lesen das E-Book in den Legimi-Apps auf:

Android
iOS
von Legimi
zertifizierten E-Readern

Seitenzahl: 494

Veröffentlichungsjahr: 2024

Bewertungen
0,0
0
0
0
0
0
Mehr Informationen
Mehr Informationen
Legimi prüft nicht, ob Rezensionen von Nutzern stammen, die den betreffenden Titel tatsächlich gekauft oder gelesen/gehört haben. Wir entfernen aber gefälschte Rezensionen.



Photoshop® Elements 2025 For Dummies®

To view this book's Cheat Sheet, simply go to www.dummies.com and search for “Photoshop Elements 2025 For Dummies Cheat Sheet” in the Search box.

Table of Contents

Cover

Title Page

Copyright

Introduction

Adobe Photoshop Elements 2025 New Features

About This Book

Icons Used in This Book

Beyond the Book

Where to Go from Here

Part 1: Getting Started with Photoshop Elements 2025

Chapter 1: Exploring the Photo Editor

Examining the Photo Editor

Using the Photo Bin

Using Some Creative Features

Controlling the Editing Environment

Chapter 2: Getting Familiar with the Organizer

Touring the Organizer

Organizing Photos and Media on a Hard Drive

Adding Images to the Organizer

Navigating the Media Browser

Setting Organizer Preferences

Chapter 3: Organizing Your Pictures

Organizing Groups of Images with Tags

Rating Images with Stars

Adding Images to an Album

Adding People in the Media Browser

Chapter 4: Viewing and Finding Your Images

Cataloging Files

Switching to a Different View

Viewing Photos in Memories (Slideshow)

Searching for Photos

Part 2: Selecting and Correcting Photos

Chapter 5: Editing Camera Raw Images

Launching the Camera Raw Editor

Understanding Camera Raw

Getting Familiar with the Raw Editor

Getting Familiar with the Panels

Working with Filmstrips

Working with Profiles

Opening Non-Raw Images in the Camera Raw Editor

Changing Image Defaults

Working with XML Files and Preferences

Chapter 6: Making and Modifying Selections

Defining Selections

Creating Rectangular and Elliptical Selections

Making Freeform Selections with the Lasso Tools

Working Wizardry with the Magic Wand

Modifying Your Selections

Painting with the Selection Brush

Painting with the Quick Selection Tool

Selecting with the Auto Selection Tool

Selecting Your Subject, Background, or Sky with One-Click Selecting

Fine-Tuning with the Refine Selection Brush

Working with the Cookie Cutter Tool

Eliminating with the Eraser Tools

Using the Select Menu

Chapter 7: Working with Layers

Getting to Know Layers

Tackling Layer Basics

Moving a Layer’s Content

Transforming Layers

Flattening and Merging Layers

Chapter 8: Simple Image Makeovers

Cropping and Straightening Images

Recomposing Images

Employing One-Step Auto Fixes

Editing in Quick Mode

Fixing Small Imperfections with Tools

Chapter 9: Correcting Contrast, Color, and Clarity

Editing Your Photos Using a Logical Workflow

Adjusting Lighting

Adjusting Color

Adjusting Clarity

Working Intelligently with the Smart Brush Tools

Part 3: Exploring Your Inner Artist

Chapter 10: Playing with Filters, Effects, Styles, and More

Having Fun with Filters

Correcting Camera Distortion

Exploring Elements’ Unique Filters

Dressing Up with Photo and Text Effects

Adding Shadows, Glows, and More

Mixing It Up with Blending Modes

Using Photomerge

Chapter 11: Drawing, Painting, and Typing

Choosing Color

Getting Artsy with the Pencil and Brush Tools

Filling and Outlining Selections

Splashing on Color with the Paint Bucket Tool

Working with Gradients and Patterns

Creating Shapes of All Sorts

Creating Type

Specifying Type Options

Editing Text

Enhancing Type

Part 4: Printing, Creating, and Sharing

Chapter 12: Getting It on Paper

Getting Pictures Ready for Printing

Working with Color Printer Profiles

Getting Familiar with the Print Dialog Box

Chapter 13: Sharing Your Work

Using the Share Panel

Chapter 14: Making Creations

Checking Out the Create Panel

Grasping Creation-Assembly Basics

Creating a Quote Graphic

Creating a Memories Video

Creating a PDF Slideshow

Making Additional Creations

Part 5: The Part of Tens

Chapter 15: The Ten Best Guided Edits

Correct Skin Tone

Sharpen

Object Removal

Perfect Portrait

Replace Background

Remove a Color Cast

Levels

Resize Your Photo

Recompose

Move & Scale Object

Chapter 16: Ten (or So) More Project Ideas

Screen Savers

Flyers, Ads, and Online Auctions

Clothes, Hats, and More

Posters

Household and Business Inventories

Project Documentation

School Reports and Projects

Blogs

Wait — There’s More

Index

About the Authors

Connect with Dummies

End User License Agreement

List of Illustrations

Chapter 1

FIGURE 1-1: The Photo Editor workspace.

FIGURE 1-2: Tool Options provide more editing features for tools selected in th...

FIGURE 1-3: The image window displays an open file undocked within the Elements...

FIGURE 1-4: Click the readout on the status bar to see file information.

FIGURE 1-5: From the pop-up menu on the status bar, choose commands to show mor...

FIGURE 1-6: A contextual menu for a Rectangular Marquee selection.

FIGURE 1-7: Additional tools within a tool group are available in the Tool Opti...

FIGURE 1-8: The Tools panel with keystroke equivalents to access a tool from th...

FIGURE 1-9: The Layers panel with a Background and three layers.

FIGURE 1-10: The Layers panel pop-up menu.

FIGURE 1-11: Actions panel opened in a group of floating windows.

FIGURE 1-12: Open the Photo Bin Options pop-up menu to display various actions ...

FIGURE 1-13: Click the Guided tab to open the Guided Edit panel.

FIGURE 1-14: Images for a Model A Ford found on Adobe Stock.

FIGURE 1-15: The General pane in the Preferences dialog box.

FIGURE 1-16: The Preset Manager dialog box provides a central area where you ca...

Chapter 2

FIGURE 2-1: The Organizer workspace.

FIGURE 2-2: Organize photos and media in folders and subfolders on your hard dr...

FIGURE 2-3: The Get Photos and Videos from Files and Folders dialog box (Window...

FIGURE 2-4: The Elements Organizer – Photo Downloader opens.

FIGURE 2-5: Folder names appear in the Import panel.

FIGURE 2-6: Photos are displayed in a Tree view in the Import panel. The Hide P...

FIGURE 2-7: Open the Organizer’s Preferences and deselect all the Media-Analysi...

Chapter 3

FIGURE 3-1: The Tags panel in the Organizer.

FIGURE 3-2: The Create Keyword Tag dialog box.

FIGURE 3-3: The Tags panel after adding a tag in the Keywords category.

FIGURE 3-4: Photos rated with stars.

FIGURE 3-5: Click the plus (+) icon to open the drop-down list and then choose ...

FIGURE 3-6: Drag photos to the items window in the Add New Album Content panel.

FIGURE 3-7: Click Add Name and type a name.

FIGURE 3-8: Photos tagged with names.

Chapter 4

FIGURE 4-1: The Catalog Manager dialog box.

FIGURE 4-2: The wizard provides options for selecting the destination media for...

FIGURE 4-3: The first photo in Full Screen view opens with a number of tool and...

FIGURE 4-4: Click Film Strip to see mini thumbnails of the photos in the slides...

FIGURE 4-5: Click Search to display the Search overlay window.

FIGURE 4-6: Choose Find ⇒ By Details (Metadata) in the Organizer to open the di...

FIGURE 4-7: Mark the object you want to search and then click the Search Object...

Chapter 5

FIGURE 5-1: The Camera Raw Editor user interface.

FIGURE 5-2: The Camera Raw Editor tools.

FIGURE 5-3: The Crop panel.

FIGURE 5-4: The Panel Bin showing a list of panels.

FIGURE 5-5: The Basic panel with the sliders at defaults.

FIGURE 5-6: The red overlay shows clipping.

FIGURE 5-7: Click the Detail text in the Panel Bin to open the Detail panel.

FIGURE 5-8: Press Alt/Option when adjusting Masking.

FIGURE 5-9: To make a noncontiguous selection, press Ctrl/⌘ and click each imag...

FIGURE 5-10: Right-click a thumbnail to open a context menu.

FIGURE 5-11: Profile thumbnails displayed after clicking the Browse icon.

FIGURE 5-12: Open a context menu on a profile thumbnail.

FIGURE 5-13: A number of profiles added to the Favorites list.

FIGURE 5-14: Press Ctrl/⌘+K to open the Preferences dialog box.

FIGURE 5-15: Click the first icon in the top-right corner to open the Save Opti...

Chapter 6

FIGURE 6-1: Use the Rectangular Marquee tool to create rectangular selections.

FIGURE 6-2: The Elliptical Marquee tool is perfect for selecting round objects....

FIGURE 6-3: Apply Marquee settings in the Tool Options.

FIGURE 6-4: Feathering creates soft-edged selections.

FIGURE 6-5: The Lasso tool makes freeform selections.

FIGURE 6-6: After you close the polygonal lasso line, Elements creates a select...

FIGURE 6-7: The Magic Wand selects pixels based on a specified Tolerance settin...

FIGURE 6-8: The Selection Brush allows you to make a selection (right) by creat...

FIGURE 6-9: Paint a selection with the Quick Selection tool.

FIGURE 6-10: The Auto Selection tool easily and quickly selects your object.

FIGURE 6-11: The Select Subject command analyzes and selects people, animals, c...

FIGURE 6-12: Use the Refine Selection Brush to fine-tune your selection.

FIGURE 6-13: Crop your photo into interesting shapes with the Cookie Cutter.

FIGURE 6-14: Erase either to your background color (left) or to transparency (r...

FIGURE 6-15: The Background Eraser erases similarly colored pixels sampled by t...

FIGURE 6-16: Fine-tune your selection with Refine Edge.

Chapter 7

FIGURE 7-1: Layers enable you to easily create composite images.

FIGURE 7-2: The Layers panel controls layers in your image.

FIGURE 7-3: We created this effect by using blend modes and opacity options.

FIGURE 7-4: When you cut a selection from a layer, take note of the resulting h...

FIGURE 7-5: Flattening combines all your layers into a single background.

Chapter 8

FIGURE 8-1: The shield and Rule of Thirds overlay allow for easy framing of you...

FIGURE 8-2: The Perspective Crop tool crops while correcting keystone distortio...

FIGURE 8-3: Brush over areas you want to protect and remove in your image.

FIGURE 8-4: Recompose your image to your desired size and aspect ratio without ...

FIGURE 8-5: In a hurry? Apply the Auto Smart Fix command to quickly improve an ...

FIGURE 8-6: Apply Auto Smart Tone to quickly adjust the tonal values in an imag...

FIGURE 8-7: Auto Levels adjusts the overall contrast of an image.

FIGURE 8-8: The Auto Contrast command adjusts contrast without messing up color...

FIGURE 8-9: The Auto Haze Removal command works wonders on hazy images.

FIGURE 8-10: Use Auto Color Correction to remove a color cast.

FIGURE 8-11: Use Auto Sharpen to improve focus.

FIGURE 8-12: The Auto Red Eye Fix and the Red Eye tools detect and destroy drea...

FIGURE 8-13: Quick mode enables you to view before-and-after previews of your i...

FIGURE 8-14: The Clone Stamp tool enables you to realistically duplicate soft-e...

FIGURE 8-15: Wipe out ten years in two minutes with the Healing Brush tool.

FIGURE 8-16: Eliminate kids on swings and other objects with the Content-Aware ...

FIGURE 8-17: Eliminate distracting objects with the new Remove tool.

FIGURE 8-18: Recompose your image by using the Content-Aware Move tool.

FIGURE 8-19: Use the Dodge and Burn tools to lighten and darken small areas.

FIGURE 8-20: The Smudge tool can make your images appear to be painted.

FIGURE 8-21: The Blur tool can be used to emphasize a focal point.

FIGURE 8-22: Reserve the Sharpen tool for small areas, such as eyes.

FIGURE 8-23: The Sponge tool increases or decreases the intensity of the color ...

Chapter 9

FIGURE 9-1: Correct the lighting in your images with the Shadows/Highlights adj...

FIGURE 9-2: The Brightness/Contrast adjustment is best reserved for correcting ...

FIGURE 9-3: The Levels histogram displays the distribution of brightness levels...

FIGURE 9-4: Improve the contrast of an image with the intelligent Levels comman...

FIGURE 9-5: Get rid of nasty color shifts with the Remove Color Cast command.

FIGURE 9-6: Adjust the color, intensity, or brightness of your image with the H...

FIGURE 9-7: Wash away color with the Convert to Black and White command.

FIGURE 9-8: The Replace Color command enables you to replace one color with ano...

FIGURE 9-9: Change the color of desired objects within an image with the new Ch...

FIGURE 9-10: The Color Curves adjustment provides both basic and advanced adjus...

FIGURE 9-11: Color Curves improves tonal range in color images.

FIGURE 9-12: Give your friends and family a complexion makeover with the Adjust...

FIGURE 9-13: Remove the colored halo around your selections with the Defringe c...

FIGURE 9-14: Get rid of haze with the Haze Removal command.

FIGURE 9-15: Change the colors in your image by remapping them to other values....

FIGURE 9-16: Use the Lens Blur filter to create a shallow depth-of-field effect...

FIGURE 9-17: Sharpening mimics an increase in focus by increasing contrast betw...

FIGURE 9-18: The Adjust Sharpness dialog box.

FIGURE 9-19: Fix images with the Open Closed Eyes feature.

FIGURE 9-20: Use the Colorize Photo feature to bring life to black-and-white im...

FIGURE 9-21: The Smooth Skin feature quickly softens wrinkles and blemishes.

FIGURE 9-22: The Adjust Facial Features command easily modifies facial characte...

FIGURE 9-23: Add animated content to your static images with the Moving Overlay...

FIGURE 9-24: Create animated GIFs or MP4 files easily with the Moving Photos en...

FIGURE 9-25: Give selected areas of your image movement with the Moving Element...

FIGURE 9-26: The Smart Brush enables you to paint on adjustments.

FIGURE 9-27: The Detail Smart Brush lets you paint on a variety of special effe...

Chapter 10

FIGURE 10-1: Use filters to correct image imperfections or to completely transf...

FIGURE 10-2: Apply and edit multiple filters in the Filter Gallery.

FIGURE 10-3: The Liquify filter enables you to interactively distort your image...

FIGURE 10-4: The Correct Camera Distortion filter fixes distortions caused by c...

FIGURE 10-5: The Comic filter turns a photo into an illustration.

FIGURE 10-6: Create an image worthy of a graphic novel.

FIGURE 10-7: Create a cartoon-like image with the Pen and Ink filter.

FIGURE 10-8: Enhance your images by adding effects.

FIGURE 10-9: The Double Exposure edit enables you to creatively merge two photo...

FIGURE 10-10: Add dimension by applying shadows and bevels to your object or ty...

FIGURE 10-11: The Graphics panel provides an abundance of backgrounds and frame...

FIGURE 10-12: The Dissolve blending mode allows pixels from one layer to peek r...

FIGURE 10-13: These blending modes darken your image layers.

FIGURE 10-14: These blending modes lighten your image layers.

FIGURE 10-15: Some blending modes adjust the lighting between your image layers...

FIGURE 10-16: Difference and Exclusion blending modes invert colors.

FIGURE 10-17: Some blending modes mix colors based on the actual hue, richness,...

FIGURE 10-18: Combine multiple images into a single panorama with Photomerge Pa...

FIGURE 10-19: Select the two images that you want to composite.

FIGURE 10-20: Composite two images seamlessly with Combine Photos.

Chapter 11

FIGURE 11-1: Choose your desired color from the Color Picker.

FIGURE 11-2: Choose and store colors in the Color Swatches panel.

FIGURE 11-3: The Eyedropper tool enables you to sample color from your image to...

FIGURE 11-4: You can use the Pencil tool for digital drawings.

FIGURE 11-5: Choose from other brush libraries.

FIGURE 11-6: Change brush options to create a custom brush.

FIGURE 11-7: The Impressionist Brush turns your photo into a painting.

FIGURE 11-8: Fill your selection or layer with color or a pattern.

FIGURE 11-9: Stroke a selection to create a colored border.

FIGURE 11-10: The Paint Bucket tool makes a selection and fills it at the same ...

FIGURE 11-11: We filled our sun selection with a radial Orange, Yellow gradient...

FIGURE 11-12: Fill your selection with one of the many Elements preset patterns...

FIGURE 11-13: Elements images can be vector-based (left) or pixel-based (right)...

FIGURE 11-14: Custom shapes run the gamut from animals to food.

FIGURE 11-15: Paragraph type automatically wraps to fit within your bounding bo...

FIGURE 11-16: Specify your type options, such as font family and size, before y...

FIGURE 11-17: The Anti-aliasing option softens the edges of your type.

FIGURE 11-18: You can vary the opacity of type layers to allow the underlying l...

FIGURE 11-19: Applying a motion blur to type can make it appear as fast as the ...

FIGURE 11-20: Bring your type to life with color (left) or a gradient (right).

FIGURE 11-21: Text remains fully editable after you apply distortions with the ...

FIGURE 11-22: Easily add text and graphics with Text Overlay Templates.

Chapter 12

FIGURE 12-1: The Print dialog box (Mac).

FIGURE 12-2: The More Options dialog box (Windows and Mac).

Chapter 13

FIGURE 13-1: The Share panel as it appears in the Organizer (left) and Photo Ed...

FIGURE 13-2: Set the Quality slider to a medium setting for faster uploads to y...

FIGURE 13-3: Add recipients from your Address Book.

FIGURE 13-4: A photo uploaded to a Facebook account.

FIGURE 13-5: Adobe Elements (Beta) web page.

Chapter 14

FIGURE 14-1: The Create panel from the Organizer (left) and from the Photo Edit...

FIGURE 14-2: The Fujifilm home page.

FIGURE 14-3: Subgroups offer you several style choices and pricing information.

FIGURE 14-4: Select a theme for your creation.

FIGURE 14-5: The Pages panel.

FIGURE 14-6: The Layouts panel offers choices for many layouts.

FIGURE 14-7: Advanced mode provides you with the Photo Editor tools to edit pho...

FIGURE 14-8: The first panel for the Quote Graphic creation.

FIGURE 14-9: Choose from a variety of social media and common photo and documen...

FIGURE 14-10: The Background/Effects panel.

FIGURE 14-11: Final edited photo using the Quote Graphic creation.

FIGURE 14-12: Click a Theme to apply to the video.

Chapter 15

FIGURE 15-1: The Correct Skin Tone edit removes color casts from your people’s ...

FIGURE 15-2: Remove objects for your desired composition.

FIGURE 15-3: Swap out your original background with a new one.

FIGURE 15-4: Eliminate color casts from your images.

FIGURE 15-5: Adjust the contrast in your images with the Levels Guided Edit.

FIGURE 15-6: Resize your image without losing important content.

FIGURE 15-7: Move and scale your subject seamlessly.

Guide

Cover

Table of Contents

Title Page

Copyright

Begin Reading

Index

About the Authors

Pages

i

ii

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

17

18

19

20

21

22

23

24

25

26

27

28

29

30

31

33

34

35

36

37

38

39

40

41

42

43

44

45

46

47

48

49

50

51

52

53

54

55

56

57

58

59

60

61

62

63

64

65

66

67

68

69

71

72

73

74

75

76

77

78

79

80

81

82

83

84

85

86

87

88

89

90

91

92

93

94

95

96

97

98

99

100

101

102

103

104

105

106

107

108

109

110

111

112

113

114

115

116

117

118

119

120

121

122

123

124

125

126

127

129

130

131

132

133

134

135

136

137

138

139

140

141

142

143

145

146

147

148

149

150

151

152

153

154

155

156

157

158

159

160

161

162

163

164

165

166

167

168

169

170

171

172

173

174

175

176

177

178

179

180

181

182

183

184

185

186

187

188

189

190

191

192

193

194

195

196

197

198

199

200

201

202

203

204

205

206

207

208

209

210

211

212

213

214

215

216

217

218

219

220

221

222

223

224

225

226

227

228

229

230

231

232

233

234

235

236

237

238

239

240

241

242

243

244

245

246

247

248

249

250

251

252

253

254

255

256

257

258

259

260

261

262

263

264

265

266

267

268

269

270

271

272

273

274

275

276

277

278

279

280

281

282

283

284

285

286

287

288

289

290

291

292

293

294

295

296

297

298

299

300

301

302

303

304

305

306

307

308

309

310

311

312

313

315

316

317

318

319

320

321

322

323

324

325

326

327

328

329

330

331

332

333

334

335

336

337

338

339

341

342

343

344

345

346

347

348

349

350

351

352

353

354

355

356

357

Photoshop® Elements 2025 For Dummies®

Published by: John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030-5774, www.wiley.com

Copyright © 2025 by John Wiley & Sons, Inc. All rights reserved, including rights for text and data mining and training of artificial technologies or similar technologies.

Media and software compilation copyright © 2025 by John Wiley & Sons, Inc. All rights reserved, including rights for text and data mining and training of artificial technologies or similar technologies.

Published simultaneously in Canada

No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without the prior written permission of the Publisher. Requests to the Publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030, (201) 748-6011, fax (201) 748-6008, or online at http://www.wiley.com/go/permissions.

Trademarks: Wiley, For Dummies, the Dummies Man logo, Dummies.com, Making Everything Easier, and related trade dress are trademarks or registered trademarks of John Wiley & Sons, Inc. and may not be used without written permission. Photoshop is a registered trademark of Adobe in the United States and/or other countries. All other trademarks are the property of their respective owners. John Wiley & Sons, Inc. is not associated with any product or vendor mentioned in this book.

LIMIT OF LIABILITY/DISCLAIMER OF WARRANTY: THE PUBLISHER AND THE AUTHOR MAKE NO REPRESENTATIONS OR WARRANTIES WITH RESPECT TO THE ACCURACY OR COMPLETENESS OF THE CONTENTS OF THIS WORK AND SPECIFICALLY DISCLAIM ALL WARRANTIES, INCLUDING WITHOUT LIMITATION WARRANTIES OF FITNESS FOR A PARTICULAR PURPOSE. NO WARRANTY MAY BE CREATED OR EXTENDED BY SALES OR PROMOTIONAL MATERIALS. THE ADVICE AND STRATEGIES CONTAINED HEREIN MAY NOT BE SUITABLE FOR EVERY SITUATION. THIS WORK IS SOLD WITH THE UNDERSTANDING THAT THE PUBLISHER IS NOT ENGAGED IN RENDERING LEGAL, ACCOUNTING, OR OTHER PROFESSIONAL SERVICES. IF PROFESSIONAL ASSISTANCE IS REQUIRED, THE SERVICES OF A COMPETENT PROFESSIONAL PERSON SHOULD BE SOUGHT. NEITHER THE PUBLISHER NOR THE AUTHOR SHALL BE LIABLE FOR DAMAGES ARISING HEREFROM. THE FACT THAT AN ORGANIZATION OR WEBSITE IS REFERRED TO IN THIS WORK AS A CITATION AND/OR A POTENTIAL SOURCE OF FURTHER INFORMATION DOES NOT MEAN THAT THE AUTHOR OR THE PUBLISHER ENDORSES THE INFORMATION THE ORGANIZATION OR WEBSITE MAY PROVIDE OR RECOMMENDATIONS IT MAY MAKE. FURTHER, READERS SHOULD BE AWARE THAT INTERNET WEBSITES LISTED IN THIS WORK MAY HAVE CHANGED OR DISAPPEARED BETWEEN WHEN THIS WORK WAS WRITTEN AND WHEN IT IS READ.

For general information on our other products and services, please contact our Customer Care Department within the U.S. at 877-762-2974, outside the U.S. at 317-572-3993, or fax 317-572-4002. For technical support, please visit https://hub.wiley.com/community/support/dummies.

Wiley publishes in a variety of print and electronic formats and by print-on-demand. Some material included with standard print versions of this book may not be included in e-books or in print-on-demand. If this book refers to media that is not included in the version you purchased, you may download this material at http://booksupport.wiley.com. For more information about Wiley products, visit www.wiley.com.

Library of Congress Control Number: 2024948062

ISBN 978-1-394-29631-6 (pbk); ISBN 978-1-394-29632-3 (ebk); ISBN 978-1-394-29633-0 (ebk)

Introduction

This book is about Photoshop Elements 2025. Quite a few of the past Photoshop Elements upgrades dealt with improvements in performance and modifications to the user interface. This new upgrade to Photoshop Elements focuses more on robust new features and much less on performance and interface changes.

Another big change in terms of Photoshop Elements 2025 For Dummies is our modification of the material in this book. We decided to offer you fewer printed pages to help reduce the cost of the book. Rather than rehash a lot of old material in printed form, we point you to the Elements Help menu when you need more information on a given topic. When you need additional information, open the Help Menu and choose Photoshop Elements Help.

Adobe Photoshop Elements 2025 New Features

If you are an experienced user of Photoshop Elements and have upgraded the program through several recent versions, you no doubt know many of Adobe’s additions for AI features. Adobe calls its version of artificial intelligence Adobe Sensei. We’ve seen some enhancements over the past several years for implementing Adobe Sensei features with tools and menu commands. In this new upgrade, you’ll find some extraordinary and very welcome new AI features that include the following:

ChatBot:

When you choose Help ⇒  Photoshop Elements Help, click the chat symbol in the lower-right corner of the window. This command opens an AI-generated chat window where you can interact with Adobe Virtual Assistant to get help.

Change Object Color:

Users often seek to change the color of objects in photos using editing applications, for various purposes. The new Change Object Color feature helps users select an object and change its color.

Quick Actions:

Quick Actions have been useful in exposing and giving the flavor of some powerful but hidden features in Photoshop Elements. Adobe continues to leverage a highly discoverable Quick Action panel to surface the suite of motion-in-photos related features. Four new Quick Actions have been added in Elements 2025.

Updated content:

In Photoshop Elements 2025, you will find many updated and new textures and graphics.

Remove tool:

You can use the new AI Remove tool to remove distracting objects in the photo.

Elements Organizer: GIF Playback:

Double-click a GIF image in the Organizer to preview the GIF animation.

Elements Organizer: Filter using Media Types:

Four new icons appear at the top of the Organizer Media Browser. Click one of the icons to filter media types associated with the selected icon.

Elements Organizer: Sync Sorting Order:

You can now sync the sorting order in Albums to the same sorting order you select in the Organizer.

Combine Photos:

The new Combine Photos feature helps users extract objects from multiple sources and apply them to the destination to create an output.

Depth of Field filter:

The new AI-based Depth of Field filter helps users add realistic depth using a depth map and helps simulate the background blur or depth-of-field effect that a user gets from using a lens with a fast aperture.

About This Book

Throughout this book, especially in step lists, we point you to menus for keyboard commands. For accessing a menu command, you may see something like this:

Choose File ⇒ Get Photos ⇒ From Files and Folders.

In this case, the command means to click the File menu to open its drop-down menu, click the menu command labeled Get Photos, and then choose the command From Files and Folders from the submenu that appears. It’s that simple.

We also refer to context menus, which jump up at your cursor position and show you a menu of options related to whatever you’re doing at the time. To open a context menu, just right-click the mouse, or Ctrl+click on a Mac if you don’t have a two-button mouse.

When we mention that keys need to be pressed on your keyboard, the text looks like this:

Press Alt+Shift+Ctrl+S (Option+Shift+⌘ +S on the Mac).

In this case, this command means to hold down the Alt key on Windows or the Option key on the Mac, and then the Shift key, and then the Ctrl key on Windows or the ⌘ key on the Mac; then press the S key. You then release all the keys at the same time.

Icons Used in This Book

In the margins throughout this book, you see icons indicating that something is important, as follows:

This icon informs you that this item is a new feature in Photoshop Elements 2025.

Pay particular attention when you see the Warning icon. This icon indicates possible side effects or damage to your image that you might encounter when performing certain operations in Elements.

This icon is a heads-up for some information you may want to commit to memory. Usually, it tells you about a shortcut for a repetitive task that can save you time.

A Tip tells you about an alternative method for a procedure, giving you a shortcut, a work-around, or some other type of helpful information.

Elements is a computer program, after all. No matter how hard we try to simplify our explanation of features, we can’t entirely avoid some technical information. If a topic is a little on the technical side, we use this icon to alert you that we’re moving into a complex subject. You won’t see many of these icons in the book because we try our best to give you the details in nontechnical terms.

Beyond the Book

In addition to what you’re reading right now, this product also comes with a free, online Cheat Sheet that includes a detailed look at the Elements photo-editing workspace, Tool Panel shortcuts, tricks for selecting objects, and more. To get this Cheat Sheet, simply go to www.dummies.com and type Photoshop Elements 2025 For Dummies Cheat Sheet in the Search box.

Where to Go from Here

Try to spend a little time reading through Chapter 1, Exploring the Photo Editor. After you know how to edit and save photos, feel free to jump around and pay special attention to the cross-referenced chapters, in case you get stuck on a concept. Look over Chapter 3, where we talk about organizing and searching photos. When it comes to editing photos, look over Chapter 5 carefully. Everything begins with adjusting photos for brightness, contrast, and color. In Chapter 5, you learn that using the Camera Raw Editor is your first stop when editing a photo for any kind of output. If you’re ready to jump into more advanced tasks, check out Parts 2 and 3, where you find out how to make selections; layer images and effects together; add filters and type; and much, much more.

We hope you have much success and enjoyment in using Adobe Photoshop Elements 2025, and it’s our sincere wish that the pages ahead provide you with an informative and helpful view of the program.

Part 1

Getting Started with Photoshop Elements 2025

IN THIS PART …

Tour the Photo Editor interface so that you know how to switch among images and navigate the many panels and options.

Discover the basic features of the Organizer interface.

Import images from your computer, camera, or scanner into the Organizer.

Tag images with keywords, faces, places, or events so that you can easily find images.

View your pictures in the Media Browser and change views.

Use the Organizer’s search features to pinpoint the images you need.

Chapter 1

Exploring the Photo Editor

IN THIS CHAPTER

Examining the Editor workspace

Using the Photo Bin

Using Creative Effects

Launching Preferences

Customizing the presets

Photoshop Elements has two workspaces: the Organizer, which we discuss in Chapter 2, and the Photo Editor, introduced in this chapter. You manage and arrange your photos in the Organizer, and you edit photos in the Photo Editor.

In this chapter, you look at the Photo Editor, where you can refine your photo-editing skills. You discover the Photo Editor’s workspace in depth as well as how to access the Photo Editor’s three editing modes: Quick, Guided, and Advanced. You access these three workspaces by clicking the tabs above the image window.

Examining the Photo Editor

Before you begin editing photos, you’ll find it helpful to look over the Photo Editor and figure out how to move around the workspace. When the Photo Editor is in Advanced mode, you find the following (as labeled in Figure 1-1):

Menu bar:

As does just about every other program you launch, Elements supports drop-down lists. The menus are logically constructed and identified to provide commands for working with your pictures (including many commands that you don’t find supported in tools and on panels). A quick glimpse at the menu names gives you a hint of what might be contained in a given menu list. Throughout this book, we point you to the menu bar whenever it’s helpful. Most of the menu commands you find in Elements 2025 are the same as those found in earlier versions of Elements.

Create panel:

When you open the Create panel and choose an option, you leave the current editing mode. For example, when in Advanced mode, choose Create ⇒ Photo Collage, and all the options that were available in the Photo Editor temporarily disappear when the Creation Wizard opens. To return to the Photo Editor, complete the creation or cancel the wizard.

Chapter 14

guides you through the options in the Create panel.

Photo Editor modes:

The Photo Editor has three modes. The Advanced mode is shown in

Figure 1-1

. You find a detailed look at Quick mode in

Chapter 8

. An introduction to Guided mode appears later in this chapter, in the “

Using Some Creative Features

” section.

Part 2

and

3

of the book covers all the different features of Advanced mode, including making selections, creating composites from several images, drawing, adding text, and exploring creative flourishes with filters and effects.

Features buttons:

On Windows, you find three buttons in the top-right corner. These buttons are used to (1) minimize the window; (2) maximize/minimize the window; and (3) close the application. On Apple Macintosh, the same three buttons appear, but they are placed in the top-left corner of the window.

Share menu:

The Share menu works similarly to the Create menu and offers options for sharing your images.

Chapter 13

focuses on the Share menu.

Panel Bin:

Figure 1-1

shows the Layers panel. You change panels by clicking the icons at the bottom of the Panel Bin. (The icons are described in item S.)

Creations

(things you make) are also contained in the Panel Bin when you click the Create button (item E).

Open menu: When you have several files open in the Photo Editor, the Open menu is one way to switch among these files. To use this menu, click the down-pointing arrow adjacent to the Open button and, from the drop-down list, choose the image you want to move to the foreground. Note: The Open menu also offers you an option to create a new, blank file.

In Figure 1-1, several files are open, as indicated by the tabs at the top of the image window. You can also place an open file in the foreground in the image window in these other ways:

Click a tab at the top of the image window to move the image to the foreground.

Click a photo in the Photo Bin (see item K).

Open the Window menu and choose a photo listed at the bottom of the menu.

File tabs: Multiple photos opened in the Photo Editor appear in different tabs at the top of the window by default.

In technical-speak, this is a docked position, meaning that the photos are docked in the image window. You can click a tab and drag it down to undock the photo. To undock photos, you must change a preference setting in the General Preferences by checking Allow Floating Windows in Advanced mode. (See “Controlling the Editing Environment,” later in this chapter, for more on changing preferences.) Doing so makes the photo appear as a floating window. You might want to float windows when copying and pasting image data between two or more photos. You can also view all open files in a floating window without choosing All Floating from the Layout pop-up menu (item M). To use this menu command, you must first enable the Preferences to allow floating windows.

Tools panel:

Here you find the Photo Editor toolbox, where you click a tool and apply an edit to the photo. See “

Selecting the tools

” and “

Selecting from the Tool Options

,” later in this chapter.

Document Information Pop-up Menu:

Click to open a pop-up menu displaying document information.

Photo Bin/Tool Options:Figure 1-1 shows the Photo Bin open. Click the Tool Options button, and a set of Tool Options replaces the Photo Bin. You can also open the Tool Options by clicking a tool in the Tools panel.

Tool Options enable you to specify how the selected tool works. For example, the Tool Options for the Brush tool, as shown in Figure 1-2, enable you to select from a few different brush styles, set the size of your brush, and much more. (You discover how the specific tools work in the relevant chapters later in this book. For example, you find out how the Brush tool works in Chapter 11, which covers drawing, painting, and typing.)

Each tool in the Tools panel supports various tool options. To return to the Photo Bin, click the Photo Bin button at the bottom left of the window.

Undo/Redo:

These commands are so useful that they have an extra-prominent place in the Photo Editor interface. You can also press Ctrl+Z (⌘ +Z on the Mac) for Undo and Ctrl+Y (⌘ +Y) for Redo.

Rotate:

Click the Rotate left tool to rotate counterclockwise 90 degrees. Click the down-pointing arrow on the Rotate tool and choose the Rotate Right tool to rotate a photo 90 degrees clockwise.

Layout:

When you have multiple photos open in the Photo Editor, the Layout pop-up menu enables you to choose how the photos display in the image window (such as rows, columns, as a grid, and so on). To return to the tabbed view, choose Default from the Layout pop-up menu.

Organizer:

Click the Organizer button to open the Organizer, which we cover in detail in

Chapter 2

. Elements makes it very easy for you to toggle back and forth between the Organizer and the Photo Editor by clicking their respective buttons at the bottom of the windows.

Home Screen:

Opens the Elements Home Screen window.

Media Window:

The active document is shown in this window.

Panels:

Click the icons to open the panels that include Layers, Effects, Filters, Styles, Graphics, and a category named More that’s a collection of other, different panels.

More menu:

To open additional panels, click the three dots to open a pop-up menu of choices. The panels you open from the Panel Options menu appear as floating windows and can’t be docked in the Panel Bin.

The description of the Photo Editor workspace is brief in this chapter. Most of the options you have for using tools, panels, and menu commands are discussed in later chapters. For now, try to get a feel for what the Photo Editor provides and how to move among many of the Photo Editor features.

Photo by Ted Padova

FIGURE 1-1: The Photo Editor workspace.

FIGURE 1-2: Tool Options provide more editing features for tools selected in the Tools panel.

Examining the image window

Not surprisingly, the image window’s tools and features are most useful when an image is open in the window. To open an image in the image window, shown in Figure 1-3, follow these steps:

Choose File ⇒ Open.

The standard Open dialog box appears; it works like any ordinary Open dialog box that you find in other applications.

You can always click one or more photos in the Organizer and click the Editor button to open the selected photos in the Photo Editor.

Navigate your hard drive (by using methods you know to open folders) and then select a picture.

If you haven’t yet downloaded digital camera images or acquired scanned photos and want an image to experiment with, you can use a sample image. Both your operating system and Photoshop Elements typically provide sample images:

On your operating system, sample images are typically found in your Pictures folder, which is one of the default folders in both Windows and macOS installations.

In Elements, you can store photos anywhere on your hard drive and access them in your Organizer.

Select a picture and click Open.

The photo opens in a new image window in Elements.

You can open as many image windows in Elements as your computer memory can handle. When each new file is opened, a thumbnail image is added to the Photo Bin at the bottom of the workspace (refer to Figure 1-1).

Photo: Courtany Jensen; Model: Hudson Jensen

FIGURE 1-3: The image window displays an open file undocked within the Elements workspace.

Notice that in Figure 1-1, filenames appear as tabs above the image window when the windows are docked and not appearing as floating windows. Additionally, photo thumbnails appear in the Photo Bin. To bring a photo forward, click the filename in a tab or simply click a thumbnail in the Photo Bin. To close a photo, click the X adjacent to the filename or choose File ⇒ Close.

To close a photo in the image window but keep it open in the Panel Bin, click the Minimize button on a floating document window in the top-right corner (Windows) or the center button in the top-left corner (Mac). Note that in order to minimize the photo and keep it in the Photo Bin, you must set the General Preferences (Ctrl/⌘   + K) to Allow Floating Documents in Advanced Mode. Make sure the documents are in floating windows and then you can minimize them individually.

By default, all document windows are attached within the Elements document window. You can change the document windows to floating windows (meaning that they are free floating and unattached to the document window) by choosing Preferences and, in the General Preferences, selecting the Allow Floating Documents in Advanced Mode check box. Floating windows are available only when you are using the Advanced mode in the Photo Editor.

Here’s a look at important items in the image window, as shown in Figure 1-3:

Filename:

Appears above the image window for each file open in the Photo Editor.

Close button:

Click the

X

to the right of the filename (Windows) or the left of the filename (Mac) to close the file.

Scroll bars:

These become active when you zoom in on an image. You can click the scroll arrows, move the scroll bar, or grab the Hand tool in the Tools panel and drag within the window to move the image.

Magnification box:

See at a glance how much you’ve zoomed in or out.

Information box: You can choose what information this readout displays by choosing one of the options from the pop-up menu, which we discuss in more detail later in this section.

When you’re working on an image in Elements, you always want to know the physical image size, the image resolution, and the color mode. (Size is the physical size of the image. Image resolution is the number of pixels in your image. Color mode is a mode such as RGB for red, green, and blue, grayscale for black and white, and so on.) Regardless of which menu option you select from the status bar, you can quickly glimpse these essential stats by clicking the Information box (not the right-pointing arrow but the box itself), which displays a pop-up menu like the one shown in Figure 1-4.

Sizing the Window:

You can also resize the window by dragging any corner in or out when the image is undocked and not viewed as a tab.

To undock windows, press Ctrl/⌘ +K to open the Photo Editor Preferences. Click General in the Left pane and select the box where you see Allow Floating Documents in Advanced Mode. You must be in Advanced mode to view documents undocked.

FIGURE 1-4: Click the readout on the status bar to see file information.

Now that you’re familiar with the overall image window, we want to introduce you to the Information box’s pop-up menu, which enables you to choose what details appear in the Information box. Click the right-pointing arrow to open the menu, shown in Figure 1-5.

FIGURE 1-5: From the pop-up menu on the status bar, choose commands to show more information about your file.

Here’s the lowdown on the options you find on the pop-up menu:

Document Sizes:

Shows you the saved file size.

Document Profile:

Shows you the color profile used with the file. Understanding color profiles is important when printing files. Turn to

Chapter 12

for more information on using color profiles.

Document Dimensions:

When selected, this option shows you the physical size in your default unit of measure, such as inches.

Current Selected Layer:

When you click a layer in the Layers panel and choose Current Selected Layer, the layer name appears as the readout.

Scratch Sizes:

Displays the amount of memory on your hard drive that’s consumed by all documents open in Elements. For example, 20M/200M indicates that the open documents consume 20 megabytes and that a total of 200 megabytes is available for Elements to edit your images. When you add more content to a file, such as new layers, the first figure grows while the second figure remains static. If you find that Elements runs slowly, check your scratch sizes to see whether the complexity of your file is part of the problem. If so, you might clear some of your history or merge a few layers (see

Chapter 7

) to free space.

Efficiency: Indicates how many operations you’re performing in RAM, as opposed to using your scratch disk (space on your hard drive). When the number is 100 percent, you’re working in RAM. When the number drops below 100 percent, you’re using the scratch disk.

If you continually work below 100 percent, it’s a good indication that you need to buy more RAM to increase your efficiency. If you have multiple applications open, quit all other programs to conserve RAM.

Timing:

Indicates the time it took to complete the last operation.

Current Tool:

Shows the name of the tool selected from the Tools panel.

Why is the information in this pop-up menu important? Suppose you have a great photo you want to add to your Facebook account and you examine the photo to find the physical size of 8 x 10 inches at 300 pixels per inch (ppi). You also find that the saved file size is more than 20MB. At a quick glance, you know you want to resize or crop the photo to perhaps 4 x 6 inches at 72 ppi. (Doing so drops the file size from more than 20MB to around 365K.) Changing the resolution dramatically reduces the file size. For now, realize that the pop-up menu shows you information that can be helpful when preparing files for print and display.

Don’t worry about trying to understand all these terms. The important thing to know is that you can visit the pop-up menu and change the items at will during your editing sessions.

Uncovering the contextual menus

Contextual menus are common to many programs, and Photoshop Elements is no exception. They’re those little menus that appear when you right-click, offering commands and tools related to whatever area or tool you right-clicked. If you have a one-button mouse on the Mac, press Ctrl+click to open a context menu.

The contextual menus are your solution when you’re in doubt about where to find a command on a menu. You just right-click an item and a pop-up menu opens.

Because contextual menus provide commands related to the tool you’re using or the object or location you’re clicking, the menu commands change according to the tool or feature you’re using and where you click at the moment you open a contextual menu. For example, in Figure 1-6, you can see the contextual menu that appears after we create a selection marquee using the Rectangular Marquee Selection tool and right-click anywhere in the image window. Notice that the commands are all related to selections. Other selection tools, like the Quick Selection tool and Magic Wand, offer you different menu choices from a contextual menu.

Selecting the tools

More often than not, clicking a tool on the Tools panel is your first step in editing operations. (If you’re not familiar with the Tools panel, refer to the upcoming Figure 1-8.) In panel hierarchy terms, you typically first click a tool on the Tools panel and then use another panel to fine-tune how the tool works.

FIGURE 1-6: A contextual menu for a Rectangular Marquee selection.

Sometimes when you select a tool in the Tools panel, you find additional tools in the Tool Options area. For example, you may click the Rectangular Marquee tool in order to access the Elliptical Marquee tool in the Tool Options, directly below the image window. The Brush tool, Impressionist Brush, and Color Replacement tool, plus the Brush Mode and Airbrush Mode, are all shown in Figure 1-7 and are all in the Tools panel; and the Rectangular Marquee tool and Elliptical Marquee tool appear in the Tool Options panel when one of those tools is selected. See the following section for more about the Tool Options area.

Ted Padova (Book Author)

FIGURE 1-7: Additional tools within a tool group are available in the Tool Options.

An additional tool introduced in this version of Photoshop Elements is the Remove tool. The tool appears in the same area as the Spot Healing Brush. Click the Spot Healing Brush and, in the Tool Options, select the Remove tool. To remove an object in a photo, draw with the Remove tool around the item you want to remove. When you release the mouse button, click the check mark, and the Photo Editor does its best to fill the removed area with the background.

Keep in mind that if you don’t find a tool in the Tools panel, look in the Tool Options for additional tools within a tool group.

You can easily access tools in Elements by pressing shortcut keys on your keyboard. For a quick glance at the key that selects each tool in the Tools panel, look over Figure 1-8.

The following tips can help you find your way around the Tools panel with keyboard shortcuts:

To select tools within a tool group by using keystrokes, press the respective key to access the tool.

For example, press the L key to select the Lasso tool. Press L again to select the Magnetic Lasso tool — the next tool in the group. Press L again and you select the Polygon Lasso tool.

Whether you have to press the Shift key to select tools is controlled by a preference setting.

To change the default setting so that you need to press Shift, choose Edit ⇒ Preferences ⇒ General or press Ctrl+K. (Choose Adobe Photoshop Elements Editor ⇒ Preferences ⇒ General or press ⌘ +K on the Mac.) Then, in General Preferences, deselect the Use Shift Key for Tool Switch check box.

The shortcuts work for you at all times, except when you’re typing text with the cursor active inside a text block.

Be certain to click the Tools panel to select a tool when you finish editing text, or select the Commit blue check mark to end using the Text tool.

The tools are varied, and you may find that you don’t use all the tools in the Tools panel in your workflow. Rather than describe the tool functions here, we address the tools in the rest of this book as they pertain to their respective Elements tasks.

Selecting from the Tool Options

When you click a tool on the Tools panel, the Tool Options box appears at the bottom of the workspace and offers you choices specific to the selected tool. (Refer to Figure 1-7, which shows the Marquee Selection tool options.) In addition to providing you with choices for selecting tools within a tool group, you can adjust settings for a selected tool.

You can find many of these fine-tuning adjustments in the Tool Options for most of the tools you select in the Tools panel.

FIGURE 1-8: The Tools panel with keystroke equivalents to access a tool from the keyboard.

Playing with panels

The panels are where you control features such as layers, effects, and more. In the Photo Editor, you open these panels in the Panel Bin:

Layers: The Layers panel displays all the layers you’ve added to a photo. We talk much more about layers in Chapter 7. For now, look at how the different panels are designed. In the Layers panel, you find various tools at the top left and an icon with horizontal lines in the top-right corner, to the right of the Trash icon (as shown in Figure 1-9).

FIGURE 1-9: The Layers panel with a Background and three layers.

You can select multiple layers and click the folder icon at the top of the Layers panel to create a new layer group. All the grouped layers are nested in a folder.

When you click the icon at the top right, a pop-up menu appears (see Figure 1-10), which shows menu items supporting the tasks you perform in the Layers panel.

Effects:

At the bottom of the Panel Bin, click the

fx

button to open the Effects panel. The Effects panel contains tabs offering a number of choices for applying a number of different effects to your pictures. You simply click an effect thumbnail you want when you edit the photo. We cover applying effects in

Chapter 10

.

Filters:

Click Filters to open the panel where you can apply a number of different filter effects to the open image. For more on using Filters, see

Chapter 10

.

Styles:

Click Styles, and you find a drop-down menu listing numerous styles. Open a category and click a style to apply to an image. In some respects, this panel behaves similarly to Filters. For more on Styles, see

Chapter 10

.

FIGURE 1-10: The Layers panel pop-up menu.

Graphics:

The Graphics panel contains several menus where you can choose among a huge assortment of graphic illustrations that can also be added to your photos. For more information on using the Graphics panel, see

Chapter 10

.

More: Click the down-pointing arrow at the bottom of the Panel Bin to the right of the More button, and a pop-up menu opens, allowing you to choose additional panels. The Layers, Effects, Filters, Styles, Graphics, and Favorites panels are docked in the Panel Bin and can’t be removed.

The panels you open from the pop-up menu shown in Figure 1-11 open as floating panels. These are your options:

Actions: Actions enable you to automate a series of edits to your pictures. In Figure 1-11, you can see the Actions that are supported when you open the More menu and select the Actions tab. As with other panels, a pop-up menu is supported, and it offers Load, Replace, Reset, and Clear options so that you can modify Actions.

Elements still doesn’t support recording your own series of editing steps and capturing the steps as an Action. However, most of the Actions that are created in Adobe Photoshop can be loaded in Elements.

You can find a number of free downloadable Actions on the internet. Just search for Photoshop Actions and explore the many downloads available to you.

Adjustments:

The Adjustments panel works only when you have an Adjustment layer. For details about using the Adjustments panel and Adjustment layers, see

Chapter 7

.

Color Swatches:

This panel displays color swatches you might use for coloring and painting that we cover in

Chapter 11

.

FIGURE 1-11: Actions panel opened in a group of floating windows.

Favorites:

Opens the Favorites panel where you find a list of items you designated as a favorite edit.

Histogram:

Open this panel to display a histogram of the photo in the foreground. We talk more about histograms in

Chapter 9

.

History:

Choose this item to display the History panel. You can go back multiple steps to, for example, undo edits from many previous steps.

Info:

The Info panel provides readouts for different color values and physical dimensions of your photos.

Navigator:

The Navigator panel helps you zoom in and move around on a photo in the image window.

Custom Workspace:

When you choose Custom Workspace, you can dock and undock panels. This option enables you to configure a custom workspace to your liking.

Create/Share panel: