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Barbara Obermeier

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Beschreibung

Photoshop Elements lets you edit and enhance your digital photographs and images with professional quality tools. Whether you're a professional photographer or a beginner, Photoshop Elements 7 For Dummies gives you the scoop on using this full-featured photo-editing program. You'll find out how to transform your ordinary photos into visually stunning creations. This book gives you the tools to enhance your images, fix flaws, share pictures online, correct small problems with Quick Fix, keep track of images with the Project Bin, take charge with Shortcuts, present your photos as a slideshow, use Web hosting, animate images, and create movie files. You'll also learn to: * Use the Organizer to move around efficiently in Elements * Correct color, brightness, contrast, and exposure * Use Adobe's free Photoshop.com service * Streamline your work using shortcuts * Work with bitmap, grayscale, and indexed color modes * Create albums and import images * Follow creative applications for filters and effects * Prepare images for printing * Turn your photos into postcards, calendars, greeting cards, and photo albums * Straighten crooked lines, crop for effect, or fix color, sharpness, red-eye, and contrast Photoshop Elements 7 For Dummies shows you how to use all the Elements of great image editing, management, and photo fun. Whether you're concerned about color profile embedding or just want to put your kid's photo on a calendar, you'll learn how with this book!

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Photoshop Elements 7 For Dummies®

Table of Contents

Introduction
About This Book
Conventions Used in This Book
How This Book Is Organized
Part I: Getting Started
Part II: Getting Organized
Part III: Selecting and Correcting Photos
Part IV: Exploring Your Inner Artist
Part V: Printing, Creating, and Sharing
Part VI: The Part of Tens
Icons Used in This Book
Where to Go from Here
Part I: Getting Started
Chapter 1: Getting to Know the Work Area
Launching Photoshop Elements 7
Getting Around in Full Edit Mode
Jumping to Full Edit mode
Examining the image window
Moving through the menu bar
Uncovering the context menus
Using the Tools panel
Playing with panels
Selecting tool options from the Options bar
Juggling all your interface options
Looking at shortcuts
Changing Workspaces
Using Quick Edit mode
Using creation tools
Using the Project Bin
Creating different views of an image
Hiding the Project Bin
Using Bin Actions
Retracing Your Steps
Using the Undo History panel
Reverting to the last save
Getting a Helping Hand
Using Help
Using PDFs from the installation CD
Using ToolTips
Chapter 2: Getting Ready to Edit
Controlling the Editing Environment
Launching and navigating Preferences
Checking out all the Preferences panes
Controlling the Organizing Environment
Understanding the Photoshop Elements Organizer
Navigating Organizer preferences
Setting preferences in all the panes
Customizing Presets
Getting Familiar with Color
Introducing color channels
Understanding bit depth
Getting Color Right
Calibrating your monitor
Choosing a color workspace
Understanding how profiles work
Chapter 3: Working with Resolutions, Color Modes, and File Formats
The Ubiquitous Pixels
Understanding resolution
Understanding image dimensions
The Art of Resampling
Changing image size and resolution
Understanding the results of resampling
Choosing a Resolution for Print or Onscreen
Go Ahead — Make My Mode!
Converting to Bitmap mode
Converting to Grayscale mode
Converting to Indexed Color mode
Saving Files with Purpose
Using the Save/Save As dialog box
Saving files for the Web
Understanding file formats
File formats at a glance
Audio and video formats supported in Elements
Part II: Getting Organized
Chapter 4: Getting Your Images
Digital Cameras versus Scanners and Film Cameras
Grabbing Images from Your Camera
Choosing a file format
Using the AutoPlay Wizard
Using Adobe Photoshop Elements 7.0 – Photo Downloader
Resizing images from digital cameras
Using a Scanner
Preparing before you scan
Understanding image requirements
Using scanner plug-ins
Scanning many photos at a time
Getting Files from Storage Media
Using Online Services
Phoning In Your Images
Creating Images from Scratch
A Basic Primer on Camera Raw
Understanding Camera Raw
Acquiring Camera Raw images
Chapter 5: Viewing and Finding Your Images
The Many Faces of the Organizer
Adding files to the default Organizer view
Changing the Organizer display
Viewing photos in a slide show (Full Screen view)
Moving around the Image Window
Zooming in and out of images
Viewing multiple documents
Using pan and zoom
Using the Navigator panel
Sorting Your Photos
Using sort commands
Sorting media types
Using Search Options
Searching by date
Searching for untagged items
Searching collections
Searching captions and notes
Searching by history
Searching metadata
Searching faces
Chapter 6: Organizing and Managing Your Photos
Organizing Groups of Images with Keyword Tags
Creating a new keyword tag
Working with keyword tags
Cataloging Files
Splitting a big catalog into smaller catalogs
Importing photos to a new catalog
Switching to a different catalog
Creating Albums
Rating images
Adding rated files to an album
Hiding Files That Get in the Way
Stacking ’em up
Creating versions
Sticking Digital Notes on Your Photos
Automating Your Organization
Automating common tasks when you export
Renaming files
Protecting Your Photos
Backing up your catalog
Backing up photos and files
Part III: Selecting and Correcting Photos
Chapter 7: Making and Modifying Selections
Defining Selections
Creating Rectangular and Elliptical Selections
Perfecting squares and circles with Shift and Alt/Option
Applying marquee options
Making Freeform Selections with the Lasso Tools
Selecting with the Lasso tool
Getting straight with the Polygonal Lasso tool
Snapping with the Magnetic Lasso tool
Working Wizardry with the Magic Wand
Talking about tolerance
Wielding the wand to select
Modifying Your Selections
Adding to a selection
Subtracting from a selection
Intersecting two selections
Avoiding key collisions
Painting with the Selection Brush
Painting with the Quick Selection Brush
Working with the Cookie Cutter Tool
Eliminating with the Eraser Tools
The Eraser tool
The Background Eraser tool
The Magic Eraser tool
Using the Magic Extractor Command
Using the Select Menu
Selecting all or nothing
Reselecting a selection
Inversing a selection
Feathering a selection
Refining the edges of a selection
Using the Modify commands
Applying the Grow and Similar commands
Saving and loading selections
Chapter 8: Working with Layers
Getting to Know Layers
Anatomy of a Layers panel
Using the Layer and Select menus
Working with Different Layer Types
Image layers
Adjustment layers
Fill layers
Shape layers
Type layers
Tackling Layer Basics
Creating a new layer from scratch
Using Layer via Copy and Layer via Cut
Duplicating layers
Dragging and dropping layers
Using the Paste into Selection command
Moving a Layer’s Content
Transforming Layers
Flattening and Merging Layers
Flattening layers
Merging layers
Chapter 9: Simple Image Makeovers
Cropping and Straightening Images
Cutting away with the Crop tool
Cropping with a selection border
Straightening images
Using the Divide Scanned Photos command
Employing One-Step Auto Fixes
Auto Smart Fix
Auto Levels
Auto Contrast
Auto Color Correction
Auto Sharpen
Auto Red Eye Fix
Editing with Quick Fix
Cloning with the Clone Stamp Tool
Retouching with the Healing Brush
Zeroing In with the Spot Healing Brush
Lightening and Darkening with Dodge and Burn Tools
Smudging Away Rough Spots
Softening with the Blur Tool
Focusing with the Sharpen Tool
Sponging Color On and Off
Replacing One Color with Another
Chapter 10: Correcting Contrast, Color, and Clarity
Adjusting Lighting
Fixing lighting with Shadows/Highlights
Using Brightness/Contrast
Pinpointing proper contrast with Levels
Adjusting Color
Removing colorcasts automatically
Adjusting with Hue/Saturation
Eliminating color with Remove Color
Switching colors with Replace Color
Correcting with Color Curves
Adjusting skin tones
Defringing layers
Correcting with Color Variations
Adjusting color temperature with photo filters
Mapping your colors
Adjusting Clarity
Removing noise, artifacts, dust, and scratches
Blurring when you need to
Sharpening for better focus
Working Intelligently with the Smart Brush tools
Part IV: Exploring Your Inner Artist
Chapter 11: Playing with Filters, Effects, Styles, and More
Having Fun with Filters
Applying filters
Corrective or destructive filters
One-step or multistep filters
Fading a filter
Selectively applying a filter
Working in the Filter Gallery
Distorting with the Liquify Filter
Correcting Camera Distortion
Dressing Up with Photo and Text Effects
Adding Shadows, Glows, and More
Applying layer styles
Working with layer styles
Mixing It Up with Blend Modes
General blend modes
Darken blend modes
Lighten blend modes
Lighting blend modes
Inverter blend modes
HSL blend modes
Using Photomerge
Photomerge Panorama
Photomerge Group Shot
Photomerge Faces
Photomerge Scene Cleaner
Chapter 12: Drawing and Painting
Choosing Color
Working with the Color Picker
Dipping into the Color Swatches panel
Sampling with the Eyedropper tool
Getting Artsy with the Pencil and Brush Tools
Drawing with the Pencil tool
Painting with the Brush tool
Creating your own brush
Using the Impressionist Brush
Filling and Outlining Selections
Fill ’er up
Outlining with the Stroke command
Splashing On Color with the Paint Bucket Tool
Working with Multicolored Gradients
Applying a preset gradient
Customizing gradients
Working with Patterns
Applying a preset pattern
Creating a new pattern
Creating Shapes of All Sorts
Drawing a shape
Drawing multiple shapes
Specifying Geometry options
Editing shapes
Chapter 13: Working with Type
Understanding Type Basics
Creating Point Type
Creating Paragraph Type
Specifying Type Options
Editing Text
Simplifying Type
Masking with Type
Stylizing and Warping Type
Adjusting type opacity
Applying filters to your type
Painting your type with color and gradients
Warping your type
Part V: Printing, Creating, and Sharing
Chapter 14: Getting It on Paper
Getting Pictures Ready for Printing
Working with Color Printer Profiles
Understanding how Elements uses color profiles
Converting color to a printer profile
Printing to Epson Inkjet Printers
Automatic profile selection for Epson printers
Selecting a printer profile
Printing with a custom profile
Printing to HP Inkjet Printers
Printing to Canon Printers
Submitting Files to Service Centers
Using Online Printing Services
Exploring Other Print Options
Chapter 15: Showing It Onscreen
Getting Familiar with the Elements Sharing and Printing Options
Creating a Slide Show
Creating a project
Exporting to slides and video
Opening multipage PDF files in Elements
Writing Creations to CDs and DVDs
Showing Your Files on the Web
Creating an online photo album
Flip ’Em Over with Flipbooks
Chapter 16: Making Creations and Sharing
Getting a Grip on Assembling Creations
Creating a Photo Book
Greetings!
Creating CD and DVD Labels
Spreading the Love through Sharing
Going online with photoshop.com
Ordering prints online
E-mailing creations
Using Photo Mail
Part VI: The Part of Tens
Chapter 17: Ten Tips for Composing Better Photos
Find a Focal Point
Use the Rule of Thirds
Cut the Clutter
Frame Your Shot
Employ Contrast
Use Leading Lines
Experiment with Viewpoints
Use Light
Give Direction
Consider Direction of Movement
Chapter 18: Ten More Project Ideas
Wallpaper and Screen Savers
Flyers, Ads, and Online Auctions
Clothes, Hats, and More
Posters
Household and Business Inventories
Project Documentation
School Reports and Projects
Wait — There’s More

Photoshop® Elements 7 For Dummies®

by Barbara Obermeier and Ted Padova

Photoshop® Elements 7 For Dummies®

Published byWiley Publishing, Inc.111 River St.Hoboken, NJ 07030-5774www.wiley.com

Copyright © 2009 by Wiley Publishing, Inc., Indianapolis, Indiana

Published by Wiley Publishing, Inc., Indianapolis, Indiana

Published simultaneously in Canada

No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600. Requests to the Publisher for permission should be addressed to the Legal Department, Wiley Publishing, Inc., 10475 Crosspoint Blvd., Indianapolis, IN 46256, (317) 572-3447, fax (317) 572-4355, or online at http://www.wiley.com/go/permissions.

Trademarks: Wiley, the Wiley Publishing logo, For Dummies, the Dummies Man logo, A Reference for the Rest of Us!, The Dummies Way, Dummies Daily, The Fun and Easy Way, Dummies.com, Making Everything Easier, and related trade dress are trademarks or registered trademarks of John Wiley & Sons, Inc. and/or its affiliates in the United States and other countries, and may not be used without written permission. All other trademarks are the property of their respective owners. Wiley Publishing, Inc., is not associated with any product or vendor mentioned in this book.

Limit of Liability/Disclaimer of Warranty: The publisher and the author make no representations or warranties with respect to the accuracy or completeness of the contents of this work and specifically disclaim all warranties, including without limitation warranties of fitness for a particular purpose. No warranty may be created or extended by sales or promotional materials. The advice and strategies contained herein may not be suitable for every situation. This work is sold with the understanding that the publisher is not engaged in rendering legal, accounting, or other professional services. If professional assistance is required, the services of a competent professional person should be sought. Neither the publisher nor the author shall be liable for damages arising herefrom. The fact that an organization or Website is referred to in this work as a citation and/or a potential source of further information does not mean that the author or the publisher endorses the information the organization or Website may provide or recommendations it may make. Further, readers should be aware that Internet Websites listed in this work may have changed or disappeared between when this work was written and when it is read.

For general information on our other products and services, please contact our Customer Care Department within the U.S. at 877-762-2974, outside the U.S. at 317-572-3993, or fax 317-572-4002.

For technical support, please visit www.wiley.com/techsupport.

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Library of Congress Control Number: 2008937853

ISBN: 978-0-470-44788-8

Manufactured in the United States of America

10 9 8 7 6 5 4 3 2 1

About the Authors

Barbara Obermeier is the principal of Obermeier Design, a graphic design studio in Ventura, California. She is the author of Photoshop CS3 All-in-One Desk Reference For Dummies and has contributed as author or coauthor on numerous books on Photoshop, Photoshop Elements, Illustrator, and PowerPoint. She is currently a faculty member in the Graphic Design Department at Brooks Institute.

Ted Padova is the former chief executive officer and managing partner of The Image Source Digital Imaging and Photo Finishing Centers of Ventura and Thousand Oaks, California. He has been involved in digital imaging since founding a service bureau in 1990. He retired from his company in 2005 and now spends his time writing and speaking on Acrobat, PDF forms, and LiveCycle Designer forms.

Ted has written more than 30 computer books and is the world’s leading author on Adobe Acrobat. He has written books on Adobe Acrobat, Adobe Photoshop, Adobe Photoshop Elements, Adobe Reader, Microsoft PowerPoint, and Adobe Illustrator. Recent books published by John Wiley and Sons includeAdobe Acrobat PDF Bible, Acrobat and LiveCycle Designer Forms Bible, Adobe Creative Suite Bible, Color Correction for Digital Photographers Only, Color Correction for Digital Photographers For Dummies, and Microsoft PowerPoint 2007 For Dummies — Just the Steps.

Authors’ Acknowledgments

The authors would like to thank our excellent project editor, Kim Darosett, who kept us and this book on track; Bob Woerner, our great Executive Editor; Andy Cummings, Dummies Royalty; Dennis Cohen, technical editing wizard; Laura Miller, copy editor, who made what we wrote sound better; and all the dedicated production staff at Wiley. Additionally, we would like to thank Don Mason of Don Mason Photography, Bakersfield California for helping us out with some tone corrections and his expert advice on digital color correction.

Barbara Obermeier: A special thanks to Ted Padova, my coauthor, and friend, who always reminds me there is still a 1 in 53 million chance that we can win the lottery.

Ted Padova: My first choice always in coauthoring a book is to do the job with Barbara Obermeier. There’s no one I’d rather work with, and I thank Barbara for initially putting together this project and asking me to join her.

Publisher’s Acknowledgments

We’re proud of this book; please send us your comments through our online registration form located at http://dummies.custhelp.com. For other comments, please contact our Customer Care Department within the U.S. at 877-762-2974, outside the U.S. at 317-572-3993, or fax 317-572-4002.

Some of the people who helped bring this book to market include the following:

Acquisitions and Editorial

Project Editor: Kim Darosett

Executive Editor: Bob Woerner

Copy Editor: Laura Miller

Technical Editor: Dennis Cohen

Editorial Manager: Leah Cameron

Editorial Assistant: Amanda Foxworth

Sr. Editorial Assistant: Cherie Case

Cartoons: Rich Tennant (www.the5thwave.com)

Composition Services

Project Coordinator: Kristie Rees

Layout and Graphics: Claudia Bell, Carl Byers, Melissa K. Jester, Ronald Terry, Christine Williams

Proofreader: Melanie Hoffman

Indexer: Potomac Indexing, LLC

Publishing and Editorial for Technology Dummies

Richard Swadley, Vice President and Executive Group Publisher

Andy Cummings, Vice President and Publisher

Mary Bednarek, Executive Acquisitions Director

Mary C. Corder, Editorial Director

Publishing for Consumer Dummies

Diane Graves Steele, Vice President and Publisher

Composition Services

Gerry Fahey, Vice President of Production Services

Debbie Stailey, Director of Composition Services

Introduction

What was once a consumer-grade, low-level program for beginning image editors and a junior cousin to the powerful Adobe Photoshop program has evolved and matured to stand on its own merits now in version 7.0 for Windows and (as is often the case with the release of this program) later on the Macintosh. As of this writing, Elements is available on the Mac only in version 6. However, Adobe’s history with Photoshop Elements is that the Mac version typically follows several months after the Windows release.

You won’t find much comparison between Adobe Photoshop Elements and Adobe Photoshop in this book, nor will you see any suggestions that you should consider using Photoshop for one thing or another. We don’t make suggestions simply because Photoshop Elements is a powerful tool that satisfies many needs of amateurs and professionals alike.

Why should you buy Elements (and, ultimately, this book)? The range of people who can benefit from using Elements is wide and includes a vast audience. From beginning image editors to intermediate users to more advanced amateurs and professionals, Elements has something for everyone. We’ll even stick our necks out a little and suggest that many Photoshop users can benefit greatly by adding Elements to their software tool cabinets. Why? Because Elements offers some wonderful creation and sharing tools that Photoshop hasn’t yet dreamed of supporting. For example, in Photoshop Elements 7, you can create postcards, greeting cards, and photo albums with just a few mouse clicks. You can place orders with online service centers that professionally print your photo creations. All these opportunities are available in Elements, and we cover these and many more creation ideas in Chapters 15 and 16.

To set your frame of mind to thinking in Photoshop Elements terms, don’t think of the program as a scaled-down version of Adobe Photoshop; those days are gone. If you’re a digital photographer and you shoot your pictures in JPEG or Camera Raw format, Elements has the tools for you to open, edit, and massage your pictures into professional images. If you worry about color profile embedding, forget it. Elements can handle the task for you, as we explain in Chapter 4, where we talk about Camera Raw, and in Chapter 14, where we talk about color profiling and printing. For the professional, Photoshop Elements has just about everything you need to create final images for color printing and commercial printing.

If you’re a beginner or an intermediate user, you’ll find some of the Photoshop Elements quick-fix operations a breeze to use to help you enhance your images, as we explain in Chapters 9 and 10. And, when it comes time for you to print some homemade greeting cards and photo albums — whether you’re a beginner, an intermediate user, or a professional user — Elements provides you with easy-to-follow steps to package your creations, as we cover in Chapters 15 and 16. In addition, the wonderful new sharing services available free to you on Photoshop.com are your gateway to keeping family, friends, and clients connected to your photos, as we explain in Chapter 16.

About This Book

This book is an effort to provide, in about 400 pages, as much of a comprehensive view of a wildly feature-rich program as we can. There’s a lot to Elements, and we try to offer you as much as possible within our limited amount of space. We begged for more pages, but alas, our publisher wants to get this book in your hands in full color and with an attractive price tag. Therefore, even though we may skip over a few little things, all you need to know about using Photoshop Elements for designing images for print, sharing, Web hosting, versatile packaging, e-mailing, and more is covered in the pages ahead.

As we said, Photoshop Elements has something for just about everyone. Hence, we know that our audience is large and that not everyone will use every tool, command, or method described in this book. Therefore, we added a lot of cross-references in the text, in case you want to jump around. You can go to just about any chapter and start reading; and, if some concept needs more explanation, we point you in the right direction for getting some background when it’s necessary.

Conventions Used in This Book

Throughout this book, we point you to menus where commands are accessed frequently. A couple of things to remember are the references for where to go when we detail steps in a procedure. For accessing a menu command, you may see a sentence like this one:

Choose File⇒Get Photos⇒From Files and Folders.

When you see commands like this one mentioned, we’re asking you to click the File menu to open the drop-down menu, click the menu command labeled Get Photos, and then choose the command From Files and Folders from the submenu that appears.

Another convention we use refers to context menus. A context menu jumps up at your cursor position and shows you a menu similar to the menu you select at the top of the Elements workspace. To open a context menu, right-click the mouse (Shift-click on the Mac).

A third item relates to using keystrokes on your keyboard. When we mention that some keys need to be pressed on your keyboard, the text is described like this:

Press Alt+Shift+Ctrl+S

In this case, you hold down the Alt key, the Shift key, and the Control key and then press the S key. Then, release all the keys at the same time.

How This Book Is Organized

This book is divided into logical parts where related features are nested together in chapters within six different parts of the book.

Part I: Getting Started

If you just bought a digital camera and you’re new to image editing in a program like Photoshop Elements, you’re probably tempted to jump into fixing and editing your pictures. The essentials usually aren’t the most exciting part of any program or book. That’s true with this book, too: The more mundane issues related to understanding some basics are assembled in the first three chapters. Although some bits of information aren’t as exciting as in many other chapters, you must understand them before you start editing images. Be sure to review the first three chapters before you dive into the other chapters.

In Part I, we talk about the tools, menus, commands, preferences, workspaces, and features that help you move around easily in the program. The more you pick up in the preliminary chapters, the more easily you can adapt to the Elements way of working.

Part II: Getting Organized

In Part II, we talk about getting photos in Elements, organizing your files, searching for files, and grouping your photos, and we give you much more information related to the Photoshop Elements Organizer. The Organizer is your central workplace, and knowing a great deal about using the Organizer window helps you move around much faster in the program.

Part III: Selecting and Correcting Photos

Part III relates to creating and manipulating selections. There’s a lot to making selections in photos, but after you figure it out (by reading Chapter 7), you can cut out a figure in a picture and drop it into another picture, drop different backgrounds into pictures, or isolate an area that needs some brightness and contrast adjustment. In Chapter 8, we talk about layers and how to create and manage them in Elements. In many other chapters, we refer you to Chapter 8 because you need to work with layers for many other tasks you do in Elements.

In Chapter 9, we talk about fixing image flaws and problems. That picture you took with your digital camera may be underexposed or overexposed, or it may need some work to remove dust and scratches. Maybe it needs a little sharpening, or some other imperfection requires editing. All the know-hows and how-tos are in this chapter.

In Chapter 10, we cover how to correct color problems, brightness, and contrast. We show you ways to quickly fix photos, as well as some methods for custom image corrections.

Part IV: Exploring Your Inner Artist

This part is designed to bring out the artist in you. Considering the easy application of Elements filter effects, you can turn a photo image into a drawing or apply a huge number of different effects to change the look of your image.

In Chapter 12, we talk about drawing and painting so that you can let your artistic expression run wild. We follow up in Chapter 13 by talking about adding text to photos so that you can create your own layouts, posters, cards, and more.

Part V: Printing, Creating, and Sharing

One critical chapter in this book is Chapter 14, in which we talk about printing your pictures. If your prints don’t look the way they do on your monitor, you need to read and reread this chapter.

If screen viewing is of interest to you, we cover a number of different options for viewing your pictures onscreen in Chapter 15. For slide shows, Web-hosted images, animated images, photo viewing on your TV, and even creating movie files, this chapter shows you the many ways you can view your Elements images onscreen.

We wrap up this part with Chapter 16, in which we describe how to make creations and share files by using the new Photoshop.com service provided by Adobe Systems. You have a number of different options for making creations to share or print.

Part VI: The Part of Tens

The last part of the book contains the Part of Tens chapters. We offer ten tips for composing better images and give you ten more project ideas to try with Elements.

Icons Used in This Book

In the margins throughout this book, you see icons indicating that something important is stated in the respective text.

This icon informs you that the item discussed is a new feature in Photoshop Elements 7.

A Tip tells you about an alternative method for a procedure, by giving you a shortcut, a workaround, or some other type of helpful information related to working on tasks in the section being discussed.

Pay particular attention when you see the Warning icon. This icon indicates possible side-effects you might encounter when performing certain operations in Elements.

This icon is a heads-up for something you may want to commit to memory. Usually, it tells you about a shortcut for a repetitive task, where remembering a procedure can save you time.

Elements is a computer program, after all. No matter how hard we try to simplify our explanation of features, we can’t entirely avoid the technical information. If we think that a topic is complex, we use this icon to alert you that we’re moving into a complex subject. You won’t see many of these icons in the book because we try our best to give you the details in nontechnical terms.

Where to Go from Here

As we say earlier in the Introduction, the first part of this book serves as a foundation for all the other chapters. Try to spend a little time reading through the three chapters in Part I. After that, feel free to jump around and pay special attention to the cross-referenced chapters, in case you get stuck on a concept.

When you need a little extra help, refer to Chapter 1, where we talk about using the online help documents available in Elements.

If you have some questions, comments, suggestions, or complaints, go to

http://support.wiley.com

We hope you have much success and enjoyment in using Adobe Photoshop Elements 7, and it’s our sincere wish that the pages ahead provide you with an informative and helpful view of the program.

Part I

Getting Started

In this part . . .

Here you have it: a computer book specifically designed to help you get the most out of a computer software program — and not just any software program, but a powerful one with many complicated features. You probably want to jump in and perform some spiffy editing operations to get that prize photo looking the best you can. Inasmuch as we try to accommodate you in setting forth a how-to book in a nonlinear fashion, where you can freely move around and read about the techniques you want to use without having to read each chapter in order, you have to understand a few basics for editing your photos.

In this first part of the book, we talk about some essentials to help you fully understand all the parts ahead. We first talk about your Photoshop Elements working environment and describe the many tools and features you can use for all your Elements sessions. We also cover the very important task of getting color set for optimum viewing on your computer monitor and describe some essentials you need to know about color as it relates to photo images. Part I contains some important information that you should plan to carefully review and understand before going too far into all the Elements features. Don’t pass up this part. Turn the page and start getting acquainted with the Adobe Photoshop Elements basics.

Chapter 1

Getting to Know the Work Area

In This Chapter

Opening Photoshop Elements

Understanding the Elements workspace

Changing workspace views

Working with the Project Bin

Using the Undo History panel

Accessing Help documents

Using keyboard shortcuts

When you first launch Photoshop Elements, you arrive at a Welcome screen. The Welcome screen offers you several choices for opening up some different editing modes, special Elements tasks that you can perform, and an opportunity to sign up for an Adobe Web-hosted service.

When it comes to editing a photograph, you find quite a collection of tools, panels, buttons, and options in the Photoshop Elements Edit mode. Just a quick glance at the Elements workspace when you enter Full Edit mode shows you some of the power that Elements offers with just a click of your mouse. With all the possibilities, navigating the Elements workspaces and engaging in an editing session can be intimidating. To ease your introduction to the many options for editing your pictures, we break them down for you in this chapter.

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!