Semiotics for Beginners E-Book

Bruno Osimo

• Herausgeber: Bruno Osimo
• Kategorie: Geisteswissenschaft
• Sprache: Englisch

Veröffentlichungsjahr: 2026

Beschreibung

Hardly anyone knows what semiotics is. It is a pity, because it is a discipline that helps us to understand many things in life, not only philosophical, abstract things, but also the everyday things that happen to each of us. I do not want to make the mistake here of immediately trying to say what it is with big difficult words, and in this way gambling on the trust of the reader who is so kindly willing to follow me in these first lines. I will only say that semiotics is about understanding the sense of life, the sense of things.

Leseprobe

Bruno Osimo

Semiotics for Beginners

Survival guide for the ordinary citizen

Copyright © Bruno Osimo 2021 (Italian edition), 2022 (English edition)

Bruno Osimo is an author/translator who publishes himself

Printing on sale by Kindle Direct Publishing

ISBN 9788831462815 for the hardcover

ISBN 9788831462822 for the ebook

Contact the author-publisher-translator: [email protected]

Summary

Summary

Part One – basic concepts

What semiotics is

Three types of reasoning: abduction, induction, deduction

Modelling. X stands for Y

Sign – interpretant – object

Similarity: the icon

Contiguity: the index

Culture-specificity: the symbol

Significance – subjective conception of the sign – entropy

Signification

Actualisation – evolution of internal signs

Inner language and verbal language – continuous and discrete

Continuous and discrete – encoding and decoding

Sense – the evolution of external signs

Selection/combination – similarity/contiguity – paradigm/syntagm

The unsaid – the script – the pattern

Verbal and nonverbal text

Text as a process between minds

Practical horizontal discourse and poetic vertical discourse

System – culture – unsaid

Metacommunication and metalanguage

Intertextuality

Subjective perception of culture

Between identity and intertextuality

System – entropy

Conjecture – actualisation

Cultural specificity of the frame

Political correctness and denialism

Taste as an individual ideology

Analogue and digital – continuous and discrete

Trope as an evolutionary engine of sense

Conclusions

Second part – Glossary

Abduction

Actualisation

Analogical

Coding

Combination

Conjecture

Contiguity

Continuous

Cultural system

Culture

Culture-specificity

Decoding

Deduction

Denialism

Digital

Discrete

Entropy

Evolution of external signs

Evolution of internal signs

Frame

Icon

Individual ideology

Index

Induction

Inner language

Interpretant

Intertextuality

Meaning

Metacommunication

Metalanguage

Model

Modelling

nonverbal text

Numerical

Object

Paradigmatic

Pattern

Poetic vertical speech

Practical horizontal speech

Process, Text as a – between minds

Processual understanding of the text

Representation

Script

Selection

Self, sense of –

Sense

Sign

Significance

Signification

Similarity

Symbol

Syntagmatics

Subjective conception of the sign

Taste

Text

To stand for

Triad

Trope

Understanding

Unsaid

Verbal language

Verbal text

Biographical note on the author

By the same publisher

Introduction

Hardly anyone knows what semiotics is.

It is a pity, because it is a discipline that helps us to understand many things in life, not only philosophical, abstract things, but also the everyday things that happen to each of us.

I do not want to make the mistake here of immediately trying to say what it is with big difficult words, and in this way gambling on the trust of the reader who is so kindly willing to follow me in these first lines.

I will only say that semiotics is about understanding the sense of life, the sense of things.

We are used to using this word, ‘sense’, and this already qualifies us as budding semioticians.

‘But what is its sense?’, ’What you say makes no sense’ are phrases that we exchange, and which denounce that each of us looks for a sense in what is around us.

Semiotics tries to explain this sense, how it arises, what it springs from, what are the fundamental elements that create it.

This book isn't for professors or academics. It's for the everyday person trying to navigate a world of tricky advertisements, aggressive mass media, and dishonest salespeople. To truly understand the meaning behind these messages, you need the right tools. I've done my best to create and share a toolbox for anyone who wants to give it a try. Happy reading!

Deiva Marina, 17 October 2022

Part One – Basic concepts

1

What semiotics is

While linguistics studies languages, semiotics studies how languages ​​work in context.

It could be said that linguistics studies the action of language.

Semiotics, on the other hand, studies the reaction to language.

Linguistics – and in particular semantics – is concerned with meaning, while semiotics is concerned with sense.

The latter is not given by the definition in the dictionary, but by the interaction between a text and a context.

The context is ’the situation in which the communicative act takes place; also, the set of knowledge, beliefs, presuppositions shared by the sender and the receiver, which guide the understanding of the communicative act’.

Semiotics deals with the interaction from which a sense arises.

Communication never occurs in the sterile environment described by grammar books: artificial situations are created there that serve to provide examples for those who have to learn a language.

We often talk about grammar rules. The learner ends up convinced that these rules were created before the language, but this is not the case.

From the beginning, ordinary people have communicated first through gestures, then through sounds, and eventually through words, which emerge naturally from everyday life.

Eventually, grammarians try to put order in the spontaneous phenomenon of the language and identify certain regularities or constants, which they define as ’rules’.

Here, we pay no attention to rules, concentrating instead on the reasoning we employ when interpreting communications and crafting our own.

For this reason, the next chapter looks at the three styles of reasoning.