Tales of a Wayside Inn E-Book

Henry Wadsworth Longfellow

• Herausgeber: Booksell-Verlag
• Kategorie: Poesie und Drama
• Sprache: Englisch

Veröffentlichungsjahr: 2019

Beschreibung

In "Tales of a Wayside Inn," Henry Wadsworth Longfellow masterfully weaves together a tapestry of stories that reflect the cultural and literary milieu of 19th-century America. Composed in a narrative style reminiscent of the epic traditions of the past, the book adopts the structure of a frame narrative, wherein a group of travelers share their tales while resting at a New England inn. Longfellow's use of diverse voices and perspectives showcases his deep engagement with themes of human experience, morality, and the passage of time, inviting readers to reflect on the interconnectedness of their lives amidst the changing landscapes of society. As one of America's foremost poets and a leading figure in the transcendental movement, Longfellow was deeply influenced by the rich oral traditions and folklore of both American and European heritage. Having traveled throughout Europe and drawn inspiration from the works of Dante, Goethe, and the lore of countless other cultures, Longfellow sought to create a distinctly American narrative form that resonated with his contemporaries, while also preserving the beauty of storytelling that transcends time and place. This collection is highly recommended for readers interested in American literary history, folklore, or the evolution of narrative form. Longfellow's accessibility, elegant prose, and profound insights make this work a delightful exploration of the human condition, ensuring its place as a timeless classic that continues to captivate and inspire. In this enriched edition, we have carefully created added value for your reading experience: - A succinct Introduction situates the work's timeless appeal and themes. - The Synopsis outlines the central plot, highlighting key developments without spoiling critical twists. - A detailed Historical Context immerses you in the era's events and influences that shaped the writing. - An Author Biography reveals milestones in the author's life, illuminating the personal insights behind the text. - A thorough Analysis dissects symbols, motifs, and character arcs to unearth underlying meanings. - Reflection questions prompt you to engage personally with the work's messages, connecting them to modern life. - Hand‐picked Memorable Quotes shine a spotlight on moments of literary brilliance. - Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

Leseprobe

Henry Wadsworth Longfellow

Tales of a Wayside Inn

Published by Good Press, 2022

[email protected]

EAN 4057664173782

Table of Contents

PRELUDE.

THE WAYSIDE INN.

THE LANDLORD'S TALE.

PAUL REVERE'S RIDE.

INTERLUDE.

THE STUDENT'S TALE.

THE FALCON OF SER FEDERIGO.

INTERLUDE.

THE SPANISH JEW'S TALE.

THE LEGEND OF RABBI BEN LEVI.

INTERLUDE.

THE SICILIAN'S TALE.

KING ROBERT OF SICILY.

INTERLUDE.

THE MUSICIAN'S TALE.

THE SAGA OF KING OLAF.

INTERLUDE.

THE THEOLOGIAN'S TALE.

TORQUEMADA.

INTERLUDE.

THE POET'S TALE.

THE BIRDS OF KILLINGWORTH.

FINALE.

BIRDS OF PASSAGE.

FLIGHT THE SECOND.

THE CHILDREN'S HOUR.

ENCELADUS.

THE CUMBERLAND.

SNOW-FLAKES.

A DAY OF SUNSHINE.

SOMETHING LEFT UNDONE.

WEARINESS.

A List of Books

Messrs. TICKNOR AND FIELDS.

BOOKS PUBLISHED IN BLUE AND GOLD,

TICKNOR AND FIELDS.

CABINET EDITIONS OF THE POETS.

PRELUDE.

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THE WAYSIDE INN.

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One Autumn night, in Sudbury town,Across the meadows bare and brown,The windows of the wayside innGleamed red with fire-light through the leavesOf woodbine, hanging from the eavesTheir crimson curtains rent and thin.

As ancient is this hostelryAs any in the land may be,Built in the old Colonial day,When men lived in a grander way,With ampler hospitality;A kind of old Hobgoblin Hall,Now somewhat fallen to decay,With weather-stains upon the wall,And stairways worn, and crazy doors,And creaking and uneven floors,And chimneys huge, and tiled and tall.

A region of repose it seems,A place of slumber and of dreams,Remote among the wooded hills!For there no noisy railway speeds,Its torch-race scattering smoke and gleeds;But noon and night, the panting teamsStop under the great oaks, that throwTangles of light and shade below,On roofs and doors and window-sills.Across the road the barns displayTheir lines of stalls, their mows of hay,Through the wide doors the breezes blow,The wattled cocks strut to and fro,And, half effaced by rain and shine,The Red Horse prances on the sign.

Round this old-fashioned, quaint abodeDeep silence reigned, save when a gustWent rushing down the county road,And skeletons of leaves, and dust,A moment quickened by its breath,Shuddered and danced their dance of death,And through the ancient oaks o'erheadMysterious voices moaned and fled.

But from the parlor of the innA pleasant murmur smote the ear,Like water rushing through a weir;Oft interrupted by the dinOf laughter and of loud applause,And, in each intervening pause,The music of a violin.The fire-light, shedding over allThe splendor of its ruddy glow,Filled the whole parlor large and low;It gleamed on wainscot and on wall,It touched with more than wonted graceFair Princess Mary's pictured face;It bronzed the rafters overhead,On the old spinet's ivory keysIt played inaudible melodies,It crowned the sombre clock with flame,The hands, the hours, the maker's name,And painted with a livelier redThe Landlord's coat-of-arms again;And, flashing on the window-pane,Emblazoned with its light and shadeThe jovial rhymes, that still remain,Writ near a century ago,By the great Major Molineaux,Whom Hawthorne has immortal made.

Before the blazing fire of woodErect the rapt musician stood;And ever and anon he bentHis head upon his instrument,And seemed to listen, till he caughtConfessions of its secret thought,—The joy, the triumph, the lament,The exultation and the pain;Then, by the magic of his art,He soothed the throbbings of its heart,And lulled it into peace again.

Around the fireside at their easeThere sat a group of friends, entrancedWith the delicious melodies;Who from the far-off noisy townHad to the wayside inn come down,To rest beneath its old oak-trees.The fire-light on their faces glanced,Their shadows on the wainscot danced,And, though of different lands and speech,Each had his tale to tell, and eachWas anxious to be pleased and please.And while the sweet musician plays,Let me in outline sketch them all,Perchance uncouthly as the blazeWith its uncertain touch portraysTheir shadowy semblance on the wall.

But first the Landlord will I trace;Grave in his aspect and attire;A man of ancient pedigree,A Justice of the Peace was he,Known in all Sudbury as "The Squire."Proud was he of his name and race,Of old Sir William and Sir Hugh,And in the parlor, full in view,His coat-of-arms, well framed and glazed,Upon the wall in colors blazed;He beareth gules upon his shield,A chevron argent in the field,With three wolf's heads, and for the crestA Wyvern part-per-pale addressedUpon a helmet barred; belowThe scroll reads, "By the name of Howe."And over this, no longer bright,Though glimmering with a latent light,Was hung the sword his grandsire bore,In the rebellious days of yore,Down there at Concord in the fight.

A youth was there, of quiet ways,A Student of old books and days,To whom all tongues and lands were known,And yet a lover of his own;With many a social virtue graced,And yet a friend of solitude;A man of such a genial moodThe heart of all things he embraced,And yet of such fastidious taste,He never found the best too good.Books were his passion and delight,And in his upper room at homeStood many a rare and sumptuous tome,In vellum bound, with gold bedight,Great volumes garmented in white,Recalling Florence, Pisa, Rome.He loved the twilight that surroundsThe border-land of old romance;Where glitter hauberk, helm, and lance,And banner waves, and trumpet sounds,And ladies ride with hawk on wrist,And mighty warriors sweep along,Magnified by the purple mist,The dusk of centuries and of song.The chronicles of Charlemagne,Of Merlin and the Mort d'Arthure,Mingled together in his brainWith tales of Flores and Blanchefleur,Sir Ferumbras, Sir Eglamour,Sir Launcelot, Sir Morgadour,Sir Guy, Sir Bevis, Sir Gawain.

A young Sicilian, too, was there;—In sight of Etna born and bred,Some breath of its volcanic airWas glowing in his heart and brain,And, being rebellious to his liege,After Palermo's fatal siege,Across the western seas he fled,In good King Bomba's happy reign.His face was like a summer night,All flooded with a dusky light;His hands were small; his teeth shone whiteAs sea-shells, when he smiled or spoke;His sinews supple and strong as oak;Clean shaven was he as a priest,Who at the mass on Sunday sings,Save that upon his upper lipHis beard, a good palm's length at least,Level and pointed at the tip,Shot sideways, like a swallow's wings.The poets read he o'er and o'er,And most of all the Immortal FourOf Italy; and next to those,The story-telling bard of prose,Who wrote the joyous Tuscan talesOf the Decameron, that makeFiesole's green hills and valesRemembered for Boccaccio's sake.Much too of music was his thought;The melodies and measures fraughtWith sunshine and the open air,Of vineyards and the singing seaOf his beloved Sicily;And much it pleased him to peruseThe songs of the Sicilian muse,—Bucolic songs by Meli sungIn the familiar peasant tongue,That made men say, "Behold! once moreThe pitying gods to earth restoreTheocritus of Syracuse!"

A Spanish Jew from AlicantWith aspect grand and grave was there;Vender of silks and fabrics rare,And attar of rose from the Levant.Like an old Patriarch he appeared,Abraham or Isaac, or at leastSome later Prophet or High-Priest;With lustrous eyes, and olive skin,And, wildly tossed from cheeks and chin,The tumbling cataract of his beard.His garments breathed a spicy scentOf cinnamon and sandal blent,Like the soft aromatic galesThat meet the mariner, who sailsThrough the Moluccas, and the seasThat wash the shores of Celebes.All stories that recorded areBy Pierre Alphonse he knew by heart,And it was rumored he could sayThe Parables of Sandabar,And all the Fables of Pilpay,Or if not all, the greater part!Well versed was he in Hebrew books,Talmud and Targum, and the loreOf Kabala; and evermoreThere was a mystery in his looks;His eyes seemed gazing far away,As if in vision or in tranceHe heard the solemn sackbut play,And saw the Jewish maidens dance.

A Theologian, from the schoolOf Cambridge on the Charles, was there;Skilful alike with tongue and pen,He preached to all men everywhereThe Gospel of the Golden Rule,The New Commandment given to men,Thinking the deed, and not the creed,Would help us in our utmost need.With reverent feet the earth he trod,Nor banished nature from his plan,But studied still with deep researchTo build the Universal Church,Lofty as is the love of God,And ample as the wants of man.

A Poet, too, was there, whose verseWas tender, musical, and terse;The inspiration, the delight,The gleam, the glory, the swift flight,Of thoughts so sudden, that they seemThe revelations of a dream,All these were his; but with them cameNo envy of another's fame;He did not find his sleep less sweetFor music in some neighboring street,Nor rustling hear in every breezeThe laurels of Miltiades.Honor and blessings on his headWhile living, good report when dead,Who, not too eager for renown,Accepts, but does not clutch, the crown!

Last the Musician, as he stoodIllumined by that fire of wood;Fair-haired, blue-eyed, his aspect blithe,His figure tall and straight and lithe,And every feature of his faceRevealing his Norwegian race;A radiance, streaming from within,Around his eyes and forehead beamed,The Angel with the violin,Painted by Raphael, he seemed.He lived in that ideal worldWhose language is not speech, but song;Around him evermore the throngOf elves and sprites their dances whirled;The Strömkarl sang, the cataract hurledIts headlong waters from the height;And mingled in the wild delightThe scream of sea-birds in their flight,The rumor of the forest trees,The plunge of the implacable seas,The tumult of the wind at night,Voices of eld, like trumpets blowing,Old ballads, and wild melodiesThrough mist and darkness pouring forth,Like Elivagar's river flowingOut of the glaciers of the North.

The instrument on which he playedWas in Cremona's workshops made,By a great master of the past,Ere yet was lost the art divine;Fashioned of maple and of pine,That in Tyrolian forests vastHad rocked and wrestled with the blast:Exquisite was it in design,Perfect in each minutest part,A marvel of the lutist's art;And in its hollow chamber, thus,The maker from whose hands it cameHad written his unrivalled name,—"Antonius Stradivarius."

And when he played, the atmosphereWas filled with magic, and the earCaught echoes of that Harp of Gold,Whose music had so weird a sound,The hunted stag forgot to bound,The leaping rivulet backward rolled,The birds came down from bush and tree,The dead came from beneath the sea,The maiden to the harper's knee!

The music ceased; the applause was loud,The pleased musician smiled and bowed;The wood-fire clapped its hands of flame,The shadows on the wainscot stirred,And from the harpsichord there cameA ghostly murmur of acclaim,A sound like that sent down at nightBy birds of passage in their flight,From the remotest distance heard.

Then silence followed; then beganA clamor for the Landlord's tale,—The story promised them of old,They said, but always left untold;And he, although a bashful man,And all his courage seemed to fail,Finding excuse of no avail,Yielded; and thus the story ran.

THE LANDLORD'S TALE.

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PAUL REVERE'S RIDE.

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Listen, my children, and you shall hearOf the midnight ride of Paul Revere,On the eighteenth of April, in Seventy-five;Hardly a man is now aliveWho remembers that famous day and year.

He said to his friend, "If the British marchBy land or sea from the town to-night,Hang a lantern aloft in the belfry archOf the North Church tower as a signal light,—One, if by land, and two, if by sea;And I on the opposite shore will be,Ready to ride and spread the alarmThrough every Middlesex village and farm,For the country-folk to be up and to arm."

Then he said, "Good night!" and with muffled oarSilently rowed to the Charlestown shore,Just as the moon rose over the bay,Where swinging wide at her moorings layThe Somerset, British man-of-war;A phantom ship, with each mast and sparAcross the moon like a prison bar,And a huge black hulk, that was magnifiedBy its own reflection in the tide.

Meanwhile, his friend, through alley and street,Wanders and watches with eager ears,Till in the silence around him he hearsThe muster of men at the barrack door,The sound of arms, and the tramp of feet,And the measured tread of the grenadiers,Marching down to their boats on the shore.

Then he climbed to the tower of the church,Up the wooden stairs, with stealthy tread,To the belfry-chamber overhead,And startled the pigeons from their perchOn the sombre rafters, that round him madeMasses and moving shapes of shade,—Up the trembling ladder, steep and tall,To the highest window in the wall,Where he paused to listen and look downA moment on the roofs of the town,And the moonlight flowing over all.

Beneath, in the churchyard, lay the dead,In their night-encampment on the hill,Wrapped in silence so deep and stillThat he could hear, like a sentinel's tread,The watchful night-wind, as it wentCreeping along from tent to tent,And seeming to whisper, "All is well!"A moment only he feels the spellOf the place and the hour, and the secret dreadOf the lonely belfry and the dead;For suddenly all his thoughts are bentOn a shadowy something far away,Where the river widens to meet the bay,—A line of black that bends and floatsOn the rising tide, like a bridge of boats.

Meanwhile, impatient to mount and ride,Booted and spurred, with a heavy strideOn the opposite shore walked Paul Revere.Now he patted his horse's side,Now gazed at the landscape far and near,Then, impetuous, stamped the earth,And turned and tightened his saddle-girth;But mostly he watched with eager searchThe belfry-tower of the Old North Church,As it rose above the graves on the hill,Lonely and spectral and sombre and still.And lo! as he looks, on the belfry's heightA glimmer, and then a gleam of light!He springs to the saddle, the bridle he turns,But lingers and gazes, till full on his sightA second lamp in the belfry burns!