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- Herausgeber: Styx Classics
- Kategorie: Gesellschafts- und Liebesromane
- Sprache: Englisch
"The Cone" is a short story that revolves around themes of adultery, revenge, and violence. It narrates the tale of a manager at an ironworks who discovers his wife is having an affair with an artist. He takes the artist on a tour of the furnaces, leading to a suspenseful and deadly confrontation. The story's vivid descriptions of the industrial landscape and the gradual build-up of tension are notable highlights.
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Veröffentlichungsjahr: 2017
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The Cone
H. G. Wells
The night was hot and overcast, the sky red-rimmed with the lingering sunset of midsummer. They sat at the open window, trying to fancy the air was fresher there. The trees and shrubs of the garden stood stiff and dark; beyond in the roadway a gas-lamp burnt, bright orange against the hazy blue of the evening. Farther were the three lights of the railway signal against the lowering sky. The man and woman spoke to one another in low tones.
"He does not suspect?" said the man, a little nervously.
"Not he," she said peevishly, as though that too irritated her. "He thinks of nothing but the works and the prices of fuel. He has no imagination, no poetry."
"None of these men of iron have," he said sententiously. "They have no hearts."
"He has not," she said. She turned her discontented face towards the window. The distant sound of a roaring and rushing drew nearer and grew in volume; the house quivered; one heard the metallic rattle of the tender. As the train passed, there was a glare of light above the cutting and a driving tumult of smoke; one, two, three, four, five, six, seven, eight black oblongs—eight trucks—passed across the dim grey of the embankment, and were suddenly extinguished one by one in the throat of the tunnel, which, with the last, seemed to swallow down train, smoke, and sound in one abrupt gulp.
"This country was all fresh and beautiful once," he said; "and now—it is Gehenna. Down that way—nothing but pot-banks and chimneys belching fire and dust into the face of heaven… But what does it matter? An end comes, an end to all this cruelty… To-morrow." He spoke the last word in a whisper.
"To-morrow," she said, speaking in a whisper too, and still staring out of the window.
"Dear!" he said, putting his hand on hers.
She turned with a start, and their eyes searched one another's. Hers softened to his gaze. "My dear one!" she said, and then: "It seems so strange—that you should have come into my life like this—to open—" She paused.
"To open?" he said.
"All this wonderful world"—she hesitated, and spoke still more softly— "this world of love to me."
Then suddenly the door clicked and closed. They turned their heads, and he started violently back. In the shadow of the room stood a great shadowy figure-silent. They saw the face dimly in the half-light, with unexpressive dark patches under the pent-house brows. [...]
