0,49 €
Niedrigster Preis in 30 Tagen: 1,99 €
Niedrigster Preis in 30 Tagen: 1,99 €
Mehr erfahren.
- Herausgeber: Booksell-Verlag
- Kategorie: Gesellschafts- und Liebesromane
- Sprache: Englisch
A.E.W. Mason's "The Dean's Elbow" intricately weaves a tapestry of academic life, societal expectations, and personal redemption within the hallowed halls of an English university. Set against the backdrop of early 20th-century England, Mason's prose captures both the eccentric charm of its characters and the underlying tensions of a rapidly changing society. The narrative seamlessly intertwines elements of mystery and psychological drama, showcasing Mason's ability to fuse humor and pathos while exploring themes of love, duty, and the quest for authenticity. A prominent author and playwright, A.E.W. Mason drew from his own experiences at the University of Cambridge, allowing him to vividly portray the academic milieu. His keen observations of the human condition, along with his diverse background in journalism and literature, inform the nuanced characterizations and social commentary found in this novel. Mason'Äôs status as a member of the literary circle that included celebrated contemporaries positions him well to address the complexities of university life and personal aspiration with both wit and empathy. "The Dean's Elbow" is a captivating read for those interested in character-driven narratives that challenge conventional societal norms. Mason's blend of humor and seriousness makes this book not only a delightful literary experience but also a thought-provoking exploration of personal integrity against the backdrop of institutional pressures. Readers seeking a richly layered story will find themselves engrossed in Mason's engaging world.
Das E-Book können Sie in Legimi-Apps oder einer beliebigen App lesen, die das folgende Format unterstützen:
Veröffentlichungsjahr: 2021
Ähnliche
The Dean's Elbow
Table of Contents
I. —WHERE ENGLAND BEGINS
The miracle of yesterday! Incredible—yet proved true now by every sound and sight and physical sensation. Mona Lightfoot uttered a little crow of delight; took her hands from the tiller to clap them together, and the small cutter slipped up into the wind and hung, her great sail flapping and all the life gone out of her.
The young man in the bows, who was fishing his spinnaker out of the sail-locker, hooted his derision and, running over the crown of the cabin roof, sprang down into the cockpit.
"Have I done wrong?" Mona asked with a penitence which was more than half mockery.
"So much wrong that if this ship carried a yard arm we should be making at once for the three-mile limit."
He brought the cutter on her course again with the sails full and bye.
"Keep her so with the leach of the sail just quiver ing and between the buoys and the beacon." The young man was very nautical in his talk on this first morning of his holiday, and Mona Lightfoot laughed with pleasure. He had the boyishness of other young men; and for every sign that he was really like other young men her mind was eagerly alert.
The cutter slid down the long channel of Poole Harbour; the dingy little yellow tavern, "The Margate Hoy," was no longer distinguishable upon the quay, and the cluster of deserted buildings which in those far-off days of the early nineties was Poole, dwindled over the counter into a blur. It was seven o'clock on a cool, silver morning in the first week of September, England's month. In a gap of land on the western side Corfe Castle black upon its pyramid stood out from the wall of the Purbeck Hills; on the east the pine trees and white sand of Canford Cliffs struck a milder and more modern note of history. The smooth lagoon of the harbour had the soft gleam of a mirror and split before the stem of the cutter with the tinkle of breaking glass. The sky spread dappled overhead, and the earth still very silent below it; and the air, fresh and lively, held the sure promise of a mellow sunlit day.
The fairway curved in the midst of a little fleet of fishing boats and pleasure yachts towards the narrows between the big hotel upon the point and Brownsea Island. It seemed to Mona Lightfoot that she was passing through a gateway into a new and magical world. The kick of the tiller in her unpractised hands was a sheer delight.
"I have the loveliest feeling that I am playing truant," she cried to the young man, who was now polishing the shining brass of his little ship with the care of a good groom for his horse. He looked at her with a quick smile of appreciation, which lit up a face of quite commonplace looks with a surprising grace.
"I, too," he answered, and gazed about him, smell ing the sea. The yellow sand cliffs of Bournemouth, and a steamer smoking alongside the pier, dropped away upon their left. Studland's prettiness, the chalk arches and Old Harry, the chalk pillar, were deployed upon their right. And, white calling to white, in a diagonal line with Old Harry, the towering chalk down of the Isle of Wight caught the first of the sun light, spilt some of it upon the jagged Needles at its feet and tossed the rest across the bay to warm Old Harry.
"Keep her straight, Mona, now between the striped buoys and the black cones," he cried. "I'll have finished in a minute or two. Then I'll relieve you at the tiller and you can cook our breakfasts."
The Sea Flower was at once treasure and romance to young Mark Thewliss. Each increase in a steadily rising salary had been set aside for years against her building; the enthralling library of small boats and their adventures and their equipment had been studied as though each one of them was a classic, so that the exquisite creature might have no tiny omission or faulty taste to reproach him with; and when she at last took the sea from a slip at Salcombe in Devonshire, Thewliss passed his examination as master-mariner rather that she might be fitly commanded than to gratify any aspiration of his own. Sea Flower was now in her second year, a cutter of nine tons by Thames measurement, built of oak, coppered below the water line, with a teak deck, a lead keel—nothing but lead would satisfy Mark Thewliss, though the expense of it cramped him for a whole year of his working life—and a set of sails dainty enough for any racer in the Solent. He had had her built with a spoon bow, a broad beam and a long counter so that she might be safe in a heavy sea with a strong following wind; and since she was meant for single-handed cruising, every sheet was brought aft to the cockpit. She was painted black with a gold line, and she answered to her tiller as a polo pony to a touch of the snaffle.
Sea Flower had this great merit too. Being built for single-handed work, she had no forecastle. She could afford an unexpectedly spacious saloon with a cambered roof and two little doors at the forward end of it, that on the left opening into a tiny kitchen and pan try, that on the right into a lavatory. There was even a bath under the floor. Two steps led down from the cockpit, giving thus six feet of headroom in the saloon; and the mahogany doors were edged with rubber and watertight. She had a small tank of drinking water at the back of one side of the cockpit, and she carried a couple of beakers besides in rockers on her deck. Her larder for fresh meat was arranged after the fashion of the North Sea fishing trawlers—a cask with a lid, screwed to the deck behind the main-mast and ventilated with holes made by a large auger. But on the Sea Flower, the cask was a super-cask—a barrel of ripe oak bound with hoops of brass.
Thewliss stowed his spinnaker sail ready to his hand before he came aft to the cockpit. He was still, indeed, on the camber of the cabin roof when he stopped suddenly with a look of surprise upon his face.
"Have I done wrong again?" Mona Lightfoot asked.
"No," he answered, and again his smile gave life and illumination to his face. "I was remembering that last year I sailed to Cherbourg and Guernsey and the Scilly Isles. And I never realised to this moment what a lonely business it must have been."
He sprang down into the cockpit as he spoke, and so did not see the colour spread over the girl's face and the sudden blossom of tenderness in her eyes.
"That's Durlstone Head," he said with the broad accent of all the longshoremen who had ever lived. He pointed to the great promontory beyond Swanage Bay where a huge stone ball hung poised upon a green shoulder. He told her the legend of that stone ball as it is known to all hands in coasting craft; how the owner of the house upon the head had spent his life having the map of the world and its oceans carved in an exact proportion upon it, and how he had blown out his brains in despair when the work was done, because a tiny islet in the Red Sea was half an inch out of its proper place. "Now cook the breakfast, Mona, or we shall find ourselves in the Race before it's ready. Crisp bacon and coffee hot enough to scald the mouth. You'll find fresh rolls and butter in the cupboard by the settee." He took the tiller from her and added with a laugh:
"We have got the best wind we could wish for. I put it all down to your yachting cap. Run along!"
Mona Lightfoot took a look at herself in the mirror of the saloon before she set about preparing breakfast. She was a tall girl with copper coloured hair and big dark eyes clear as the morning set wide apart under a low broad forehead. She had a straight delicately chiselled nose, a mouth rather large, a short upper lip and a rounded chin. There was too much of character in her face for prettiness; but there were moments when it was lovely; and always it had a curiously appealing look as of one destined somehow for great unhappiness. Even now, as her eyes danced and she set the yachting cap still more jauntily to the thick waves of hair, it was there for those who had eyes to see. A moment later and the blind could almost have seen it. For she caught her breath and stood with her lips parted and a hand upon her heart, like someone on the edge of a perilous dive into dark and unknown waters.
She had planned to sit quietly down somewhere apart—forward for choice, above the hiss and sparkle of the water at the bows—and fix each instant of the miraculous yesterday, with its burnish still upon it, for ever in her memories. A golden pattern which must throw some glimmer of light ahead of her even if the thread of her life led her deep into the catacombs. But there was too much to do. Breakfast had to be cooked—and such a breakfast as would make one sorry for the angels. It had to be eaten and cleared away, and the plates washed and stored safely in their racks—all before some mysterious and hostile thing called "The Race" enveloped them.
Sea Flower was full of gadgets. A small folding table could be set into slots in the floor of the cockpit, and upon this, covered with a fine white cloth, break fast was laid. Coffee of a fragrance unknown within the four walls of a room; bacon in thin crisp slices fried in its fat with eggs, just tinged with brown, lolling on the top of them; hot rolls and fresh butter in a big wedge instead of mean little meagre pats; marmalade with thick cubes of brown peel; and honey in the comb, with Ribston Pippins from Hereford and Cape plums for dessert.
Mona Lightfoot was to see in use now another contrivance of which Mark Thewliss was inordinately vain. From the combing of the cockpit underneath the tiller a long curved steel bar hung down with a hinge at each end. Thewliss lifted the bar until it stood out horizontally, a segment of a circle where springs at the hinges caught it and held it firm. On the inside of this segment there was a steel plate, shaped and fixed to the curve of the bar and notched like the parapet of a castle wall. Thewliss raised this plate until it stood perpendicularly on the bar and clamped it in that position with a couple of strong screws.
"There!" he said proudly when he had finished He was contemplating an arc of steel with grooves like the rowlocks of a boat reaching side by side across the radius of the tiller's movements. He now dropped the long wooden arm into one of these grooves. "You see, she'll sail herself now. Unless the wind changes, she'll keep her course. It's handier than lashing your helm if you are alone and want to go to bed."
He moved to a seat opposite to Mona Lightfoot, and they breakfasted in comfort as the little ship ran past Swanage with the wind fair on her quarter. Mona lifted her eyes to the curve of the parade, where already the visitors were astir. She snuggled her shoulders against the cushions:
"Poor people! I am sorry for them."
"Better than Bexhill, eh?" Thewliss asked with a laugh.
"Oh! A million times!"
Yet but for the wonder of yesterday, Bexhill it would have been for her. The parade and the band, the boarding house and its chance acquaintances, the pier and the cinema—she shut her eyes, as the mere thought of these seaside joys brought upon her a sense of listlessness and fatigue; and opened them with an anxious start to make sure that meanwhile the bay and Durlstone Point, the little ship and its captain had not vanished into space.
"Dreaming?"
"Yes," she answered.
"No time for that! Look!"
He pointed forward; and Mona, gazing out beneath the boom of the big sail, saw a towering and stately promontory slide out beyond Durlstone Point and a jumble of dark water stream in a line from it seawards.
"St. Alban's Head," he cried.
Mona could clap her hands together now, and with a laugh of merriment she did.
"Where England begins," she answered mockingly.
"You'll see. Meanwhile—I hate to mention it, my dear—but if we get into the Race like this, there won't be much of our crockery left when we get out of it."
Mona Lightfoot jumped up in remorse, and carried the breakfast table and its equipment into the cabin. By the time the plates were stowed in their racks, the cups hung up upon their hooks, and she herself out again in the cockpit, the great cliff overhung them, the waves were breaking viciously ahead of them and the roar of tumbling waters was in their ears.
"It won't be so bad," Thewliss shouted. "We're well in shore for one thing. For another the wind must be off shore for the Race to be really up."
But even as he spoke, Sea Flower drove in among the breakers; and Mona had to clutch the combing of the cockpit and set the rubber soles of her shoes firmly upon the floor to keep herself from being thrown across the boat. Thewliss, with the tiller in his hand, did his best. He guided his cutter so far as he could without risking a gybe to the little valleys and passes in the crests of those changing ridges. But from every side they attacked the cutter, slapping it as though it were a wayward urchin, rolling it as though it were a barrel. One moment Mona Lightfoot had an impression of a puppy fighting with a slipper; the next, as the stem dipped into the sea and flung back a sparkling cloud of spray which spattered on the deck, of a horse that drops its head and then tosses a silver mane. Every now and then the big main sail swung inboard and out again with a rattle of its blocks and a jerk upon the sheets which shook the ship; and then in a second the roar and jostle fell away behind them and the cutter was running over a smoothly rippling sea.
Thewliss set the spinnaker now and resumed his seat at the tiller. Far away to the south-west the black mass of Portland lay brooding high over the sun lit passage to the oceans. To the north of it the little wooded pinnacle of the Nothe rose from the smooth mirror of Weymouth Bay with the curious effect of a mirage in the desert. And beside them flitted the Dorset Coast: white cliffs like a chain of pyramids, backed by high slopes of downland, with here and there a mustard field yellow amongst the green, and here and there little villages gleaming like children's toys. And in every small upland dell between the pyramids, thick coppices of trees clustered to the very edge of the cliffs like animals going down to water at a river. To Mona Lightfoot it seemed that she breathed a different air. There was a difference in the very quality of the country's beauty. She sat in an ecstasy, her hands clasped upon her knees, her eyes wide with delight, and a feeling of pity stealing over her now and then for all those poor people to whom the coast line of western England was no more than a succession of names upon a map.
That marvellous yesterday was, after all, only the blossom of which to-day was the opening flower.
II. —AT THE LILY POND
Mona Lightfoot had left Liverpool at eight o'clock in the morning of the first day of her month's holiday. She was twenty-three years old and her position was that of typist, secretary and sole clerk to Mr. Henry Perriton, an accountant of that city in a small way of business. Mr. Perriton, indeed, even at this early hour was on the platform to see his secretary off—an attention which she received with some inward irritation. He was a sandy, insignificant man, ten years older than Mona; and when he raised his hat she noticed for the hundredth time how thin the hair was growing upon his scalp. He raised his hat awkwardly, not really because he wore it in his office and was unaccustomed to take it off, but because he held in one hand a packet of chocolate, in the other a bunch of flowers.
"For me?" cried Mona without achieving any high expression of enthusiasm.
"For you, my dear."
He laid them on the seat of the third class carriage in front of her.
"I shall miss you terribly," he continued. "I never thought when you came to me in January that—well—it would be like this. If only you could have chosen New Brighton for your holiday, or Morecambe, I could have run out week-ends and seen a little of you."
"Yes, but of course it had to be Bexhill."
She was gently indulgent, forgiving him for his ignorance that it must be Bexhill, and not explaining to him that it had to be Bexhill, because since Bexhill was on the south coast, it was necessary to pass through London to reach it.
"I suppose it had," Mr. Perriton answered despondently, and the train moved out of the station.
Mona Lightfoot tried honestly to feel remorse as she contemplated Mr. Perriton's offerings on the seat opposite, but she could not. She was gripped by an excitement of her own. She too knew despondency as the train swept through the Black Country, but she swung out of it into the high spheres of hope. She asked for half an hour, an hour at the most to pay for the last bleak eight months. It wasn't much. She wasn't presumptuous in praying for it. Surely so tiny a prayer would be granted to her.
She had certainly made her plans. As soon as the train stopped at Euston she was out of the carriage with a suit-case in each hand. She climbed into a hansom cab and gave an address in Bloomsbury.
"Miss Tipper wrote to me that I might use her room," she explained to the landlady.
"Yes, miss."
Mary Tipper had been Mona's friend and senior on the staff of the firm of Mardyke and Campion until last December, when William Mardyke, now the entire firm, had in a panic reduced his expenditure by twenty-five per cent.
In Mary Tipper's bedroom Mona washed off the dust of her journey, arrayed herself in her best summer frock, a cunningly simple affair of dark blue silk, with a blue hat to match, put on her tan shoes and stockings, and took into her hand a pair of long tan gloves. She left a note for Mary Tipper saying that she would come back for tea and, stepping up into an omnibus, travelled eastwards to High Holborn.
Where the vast Prudential House now glows in all its assurance over High Holborn, in those days stood Furnival's Inn. A red house, too, but comely and modest and mellowed to a sober russet on which the eyes rested with pleasure. It was built about a quadrangle, with a wall and iron gates upon the street. The traveller could put up there for the night, the resident take chambers by the year. Opposite Furnival's Inn Mona Lightfoot descended and, crossing the road through the crowded traffic of drays, omnibuses, growlers and jingling hansoms, she reached the point where under a long facade of projecting eaves a gate way opened into a court paved with stone and planted with trees. Staple Inn. She walked beneath a second arch and so came, one half of her mind eager with expectation, the other half assured of disappointment, into a lovely corner of Tudor London, hidden away in a wilderness of yellow brick. A little square of oblong windows through which one had glimpses of panelled walls; a pavement of stone flags; a round lily pond where the great flowers floated, their golden hearts like fruit upon their delicate platters which here were white as the breast of a swan, there took on about their edges tender colours of pink and mauve; a tiny garden; a fountain cooling the air; on one side a little hall with stained glass windows, like the hall of a college reduced to a toy; a cupola with a bell above the hall roof and a great clock in the miniature of a tower; on the other side a stone arbour with a couple of steps down to the lily-pond; and everywhere peace, everywhere quiet, as though the lilies had dreamed there in an enchanted sleep ever since Queen Elizabeth had ridden by with her halberdiers and her torch-bearers to St. Paul's Church or Gresham's Exchange. The inner court of Staple Inn; and it was empty as Mona Lightfoot entered it.
She looked at the clock. Well it was barely one. She would wait five, ten minutes. She sat down upon the round stone coping of the pond; and as the hands of the clock crept forward, a sense of desolation crept over her.
"He will have left the office...Perhaps he doesn't come here any more...Five more minutes...I came to London for this...an experiment may be detaining him..." Thus her thoughts ran, and she heard his footsteps on the stone flags behind her, almost before they sounded there at all. She bent forward towards her own reflection in the pond with the colour rosy in her cheeks. She heard him approach, she knew that he stood beside her, almost touching her, quite unaware of her. A little pang of disappointment—she acknowledged it to be quite un reasonable after all these months—mingled with her pleasure. She raised her eyes at last.
"Mark!"
His eyes came slowly down to meet hers.
"Mona!"
There was surprise, there was friendliness in his voice. Mona Lightfoot had been bred in a world where it was wisdom to face facts at once. There was no leap of the heart in Mark's pronunciation of her name.
"I should have known you," he said. "But I was wondering for the thousandth time..."
"I know. Whether you would ever reproduce those delicate colours," she took him up with a laugh, as she pointed to the outspread petals of the lilies.
Mark Thewliss nodded, and laughed in unison. A sudden exhilaration lifted his spirits.
"You are back in London, then?" he cried.
There would be someone once more to whom he could relate his difficulties and ambitions, who by the mere act of listening with all her sympathies in her eyes would smooth out the one and help forward the other, and sometimes by some swift stroke of insight give there and then first-aid.
But Mona shook her head.
"I am only passing through London on my holiday."
"Where to?"
There was a distinct note of disappointment in his voice.
"Bexhill."
"Alone?"
"Yes."
"It sounds—dullish."
Mona shrugged her shoulders.
"It will do as well as anywhere else."
She leaned forward again, looking at her reflection in the pond, and for a few moments Mark Thewliss did not speak or move. The girl's heart began to beat with a suffocating violence, though she could give no reason for its action. She had a premonition that in the silence and sunlight of the court, beside the lovely lily-pond, something tremendous was being born into the world; so that Mark Thewliss' next words fairly startled her by their imbecility.
"What a stroke of luck that you should come to see this old place again just at this hour!"
Mona swung round and stared at him. What absolute idiots even men of genius could be! She turned away again hurriedly; but Mark Thewliss had some powers of perception in human affairs if they were sufficiently emphasised and under lined.
"Oh, I see," he murmured awkwardly.
"Yes—colours," she added resentfully. "Colours by daylight, colours by lamplight—" and he broke in upon her joyously:
"That's where you're wrong, Mona. I'll tell you about it."
Yes, he would tell her about it; and she would listen, and he would go away appeased and confident, and she would go away with her heart drooping and with a feeling that he had annexed all her strength and taken it from her into himself.
"Very well! Tell me!"
"Not here!"
He looked down at her, and again she was conscious that something big had come into being during these few minutes.
"Let's lunch together!" he added.
Mona nodded her head.
"Where shall we go?"
"To the old place."
"Frascati's?"
"Yes."
To both of them Frascati's Restaurant in Oxford Street, with its plush curtains, its gilded hall and its orchestra, was the very symbol of luxury and opulence. Thither the pair of them, both rather lonely people, had gone on rare occasions to celebrate some great public event or some small triumph which touched their own lives. They frankly admired it. They liked its rattle and clatter. They were flattered by being there, a couple out of the throng of Londoners, enjoying themselves in a rather lofty way selecting dishes from a carte du jour and having music played for them whilst they ate.
"But you won't have time," Mona exclaimed regretfully, looking at the clock. "It's half-past one now."
"Time means nothing to me," said Mark Thewliss. "My holiday, too, began at one. Will you come up to my rooms whilst I change?"
Mona rose and followed him through the two courts into Holborn. The unceremonious dress of a later day was not looked upon with favour by the heads of important firms in the city of London; Mark Thewliss wore the high silk hat, the black tail coat and the striped trousers of his period. They crossed the street, entered the quadrangle of Furnival's Inn and climbed the uncarpeted stairway to the top floor.
"You hate my quarters, I know," said Thewliss, as he opened the door into the sitting-room.
Mona stopped upon the threshold and looked around her with disapproval.
"Yes," she declared emphatically.
It was not that the room was slovenly; nor was the furniture broken, nor the carpet threadbare. What offended her was that it was absolutely without character and embellishment. Men no less than women gather trifles about them, the photographs of their friends and first loves, little ornaments picked up in by-ways, favourite books, engravings. Here there was nothing but an inexpensive and drab formality. Not a picture decorated the grey wash upon the walls; and Mark Thewliss had a fastidious and almost feminine appreciation of colour. For the casual visitor there was nothing to be learnt from the aspect of the room about its inhabitant.
But for Mona Lightfoot the mere absence of indications was the surest indication of all. He had used a true word to describe his chambers in Furnival's Inn. They were quarters—the quarters of a man on the march, billeted here for an unimportant night or two during the great advance. She tried and always had tried honestly to be glad of the unsleeping purpose which she divined in him. She was fond of him because of it; the very beginning of her love for him was to be found in it. But she made no pretence to consistency or logic. She wanted him none the less to remain in reach of her—and for young men on the march, women like herself were too heavy a load. The Colonel can do as he will. His baggage goes along in the wagon; but the young soldier carries it on his back.
"I won't keep you five minutes," said Thewliss with a laugh. "You must put up with the place for that time," and he went by a communicating door into his bedroom.
Mona Lightfoot crossed the room to one of the two windows and looked down upon the few yards of gravel which she had seen often enough hundreds of miles away in her little ante-room of an office in Liverpool. She was amazed to find how vividly the scene, dreary enough in all conscience, had been stamped upon her memory. On the right the narrow thoroughfare of Leather Lane. At her feet the scrubby oblong of dusty earth known as Brooke's Market, with its two rows of stunted sycamores set out as if to assure you that the market was a true geometrical figure. And on the other side of the market the long building of grey brick where she had served for two years under Mary Tipper; and whence from time to time she had emerged to dine at Frascati's with Mark Thewliss who was to be afterwards known as the first Baron Thewliss of Kyrle House, Grosvenor Square and Upper Theign in the county of Berkshire.
* * * * *
The house of Mardyke and Campion now covers many thousands of square feet along the by-pass road from London to Slough; but it has lost something of the national significance which it had when it straggled in obscurity at the back of Brooke's Market. For it was the first of all the houses in the world to devote itself to the composition of synthetic dyes. It was already forcing the indigo planters of Assam to ponder for what other industry their land was suitable. It was beginning to put beautiful fabrics within the reach of meagre purses. And since the priceless result of a new industry is often a quite unexpected product, like coal tar from gas, so it was with the makers of synthetic dyes. For by filling the bazaars of the East, from Bagdad to Marrakesch, with the gay colours which give a lively pleasure and enhance good humour, they promoted peace, more surely than treaties could amongst the fanatical children of the sun.
This first firm owed its origin to the insight and adventurous spirit of a Manchester broker, Stuart Campion. Two almost simultaneous discoveries seized upon his imagination, one by Professor Perkins that by oxidation a dye which he called "mauve" could be obtained from crude aniline, the other by Professor Mansfield that benzine could be so separated from coal tar as to give the crude aniline necessary to Perkins. Stuart Campion was inspired to dream of a day not distant when new and as yet nameless shades of colour would add a delicate and joyous amenity to the world—whilst bringing in a handsome profit to the benefactors. He sought and obtained the co operation of Philip Mardyke, a wealthy cloth manufacturer of Bradford, who, by backing one or two unsuccessful musical comedies in the Strand, had shown that he, too, hankered after more colour in his life than the Yorkshire fells afforded him.
The land was bought at the back of Brooke's Market, the laboratories equipped; and Mardyke and Campion set out upon their adventure in the spirit of Queen Elizabeth's sailors. But Queen Elizabeth left her adventurers free. Mardyke and Campion were en tangled at once amongst the traps which our modern governments set for nascent industries. Antiquated patent laws and restrictions on the use of alcohol hampered England, but did not hamper a Germany already equipped for commerce based upon chemical science. By the year 1884 Germany had snatched the lead; the sole owner of Mardyke and Campion was William Mardyke the son of Philip, middle-aged and timorous; and its chief chemist was Mark Thewliss, a man with a brilliant record from Dulwich College and the London University, who caused his employer many hours of agitation.
"A buccaneer, sir," said Mr. William Mardyke across the dinner table to his cronies, banging his fist with the flighty exasperation which he dared not show to his chemist. "A man without reverence. A gambler too! Gad, what he has cost me this year!"
The natural question was asked.
"Why don't you get rid of him, then?"
Mr. William Mardyke had no answer ready. He took refuge in vaguenesses.
"Not so easy—no—not so easy as you think. But some day—yes—some day," he said darkly.
* * * * *
At all events, to-day the buccaneer was going upon his holiday and not quite sure that he was ever going to return to Brooke's Market. He said as much to Mona Lightfoot when he came out from his bedroom attired in a light grey suit and carrying in his hand the kind of straw hat which is known as a gent's boater. It cannot be said that the change improved his appearance. In later years he acquired a curious delicacy and refinement of feature which, joined with the mark of authority, made of him a figure at which all men looked twice. Now he was not merely common place, he was common—a common young man with his thick brown hair growing too low upon his fore head, a fair moustache, and a long face. He had certainly a good strong pair of grey eyes, but they were too little alert to be noticeable. Indeed the only quality he had noticeable at all by the general run of his acquaintances had nothing to do with his looks. It was a curious aloofness peculiar to young people of vast ambitions, indefinable, yet immediately felt. It allowed him to be one of but never one with a group of his equals and associates. It was an aura which all the world could see. It made his friends consider what they had to say before they spoke to him. It led a few, a very few, to prophesy "That young man will go far."
He stood by Mona's side, following the direction of her eyes.
"Very likely I shall never go into that building again," he said with a laugh.
Mona turned to him with consternation upon her face.
"You? Mr. Mardyke can't be getting rid of you!"
"I don't know. He's a funkstick. And I did make a bad break this spring." Thewliss answered with a laugh which had not one note of remorse in it.
"But he couldn't do without you," cried Mona indignantly.
"Well, he has got three weeks to make up his mind about that," said Thewliss. "Let's go to Frascati's. I'll tell you about it there."
But the three weeks had passed before he told her.
III. —AT FRASCATI'S
They walked westward along Oxford Street. It was a day of exotic heat. The sky overhead was quite cloudless and quite colourless, as though the fire of the summer had bleached it. The air was lifeless and stale with the breath of millions of people; no wind blew; there was a smell of tar; and the pavement scorched the feet. At the corner of Tottenham Court Road Mark Thewliss slipped his hand under his companion's arm and held her anxiously.
"You must look to the right here."
"There is a horse and cart in Liverpool," she replied.
They crossed the road, and at the entrance to Frascati's he stopped and drew in his breath. Mona felt his hand tighten on her arm.
"What's the matter?" she asked.
Thewliss awoke with a laugh.
"I was anticipating the first delicious shock of cool green water closing over my parched, tired-out body, as I dived."
"Then you, too, are going to the sea?"
"Yes."
He looked away from her as he answered, and led the way out of the blinding sunlight into the restaurant. "Our old table," she pleaded.
"No other will do for us to-day."
It stood ranged against the wall without an occupant, and Thewliss laughed with pleasure as he saw her take her old place and hitch up her chair. He hung his hat on a branch of the nearest stand and asked:
"You are hungry?"
"Ferocious. I left Liverpool at eight."
"Then we'll have an ambassador's luncheon. First of all—"
"A blue trout," she interrupted.
"Then a grouse."
She looked at him with awe.
"Does it run to that?"
"To-day my name's money."
"Then we'll have a rasher of bacon on the top and a slice of toast underneath, and all frightfully rich."
"And new peas and potatoes, an apple flan to follow, and hock-cup to drink."
"With lots and lots of ice. Adorable!" and Mona closed her eyes in an ecstasy.
Through the first half of that luncheon Mark Thewliss plied her with questions: in the beginning as to why she had chosen Bexhill for her holiday though he clearly didn't want to hear about Bexhill; and then about her life in Liverpool, though he equally clearly did not want to hear about Liverpool. But he wanted the sound of her voice, which was low and full and charming, the play of her features, the smile of her eyes and lips, the little gift of mimicry she had; and he could not have enough of them.
"Seven months," he cried in a low voice. "That's a long time without a friend to talk to!"
Mona had never quite known him in this mood before. He was requiring her companionship as though he drew confidence, even a sense of security, from her neighbourhood. She put that new grace in him together with the doubt he had uttered in Furnival's Inn that he might never return to the laboratory of Mardyke and Campion. And while she answered his questions and rattled on as he wished her to do, her thoughts ran:
"He has risked everything...I am sure of it...He is at some junction of his life whence the unknown roads branch out...He has staked everything on his choice—as all men who without birth or inherited fortune rise to great places must do a hundred times. But between the moment when he stakes and the moment when he knows whether he has won or lost, there's a time of waiting—anxiety that won't sleep—suspense that won't relax its tension...And that time's now...and he wants me."
Her heart beat exultantly. Hopes were loosed from it and fluttered about her, doves from a trap, hopes winged with gold colours and burnished by the sun. She was inspired to gamble, too, to set all upon a single throw, to snatch all or to lose everything. There was her employer in Liverpool and his court ship of her. Should she tell him of it? She had but to lean across the table and say: "Henry Perriton pleads continually for me to marry him. Shall I?" and she put her life to the test of that moment. If he looked at her as he never yet had looked, if he uttered a clamorous "You can't! Mona, you can't!" why, then she trod light-footed, winged, harnessed against all the strokes of fate.
But suppose he just thought the proposition over without the least little movement of revolt and said in the end: "Well—in a way, of course, I shall be sorry. I shall lose something, I recognise that. But on the whole—yes, it's fine! Good luck to you!"
She hesitated, dreading that sort of answer worse than death. But before she could take the risk of the gamble, Mark Thewliss raised the pool—and so high that every stiver of her tiny capital would be garnisheed if she matched herself against him.
"We are both from choice and from temper rather lonely people, Mona, aren't we?" he began in a low voice, looking here and there upon the tablecloth—anywhere but at her. "We have neither of us any one very near us in the way of relations. No one who cares a threepenny bit what becomes of us."
"No one," Mona agreed.
"And we are both quite unrecognised people—just two out of the thousands of holiday-makers scattered about England. There's not a soul, for instance, in this restaurant who has ever heard of either of us. We are free—that's the point, Mona—we are free now."
He took a drink of his hock-cup, as though his throat was parched. She felt his foot pressing against hers under the table.
"What we choose to do now no one will ever know except from ourselves, and we shan't talk," he continued. "But we shall have had a wonderful month to look back upon."
The colour fled from Mona Lightfoot's cheeks. If he never looked at her, she on the other hand never took her eyes from his troubled face. She noticed the little note of shame, of remorse in his voice in that he was not offering all that he could offer, in that he was asking for the supreme sacrifice in return for just four weeks of romantic adventure. But Mona continued to listen, nor did she withdraw her foot from contact with his.
"You," he resumed, "will, after all, have a pretty sad time alone there at Bexhill. The acquaintances of the beach—girls linked arm in arm having the time of their lives—the boys from the offices giving the girls a chance—the pierrot's sentiment and last year's music-hall songs"—he smiled as he sketched the holiday which awaited her, and went on with an accent of tenderness which moved her to tenderness too. "My dear, all that's not for you. A day of it and you'ld be ready to commit suicide. Whilst I—" and he suddenly raised to her a most eager face and desperately pleading eyes—"I have never in my life dreamed that I could want the companionship of anyone as I shall want yours during the next month."
That was it! Companionship—oh, needed without a doubt! The whole aspect of the man clamoured for her. But there it was to end. A month's companionship.
"Only," she asked herself, "need it end there?"
At the end of that month, might he not want it prolonged to a lifetime? Wasn't it for her so to manage that he did want it? Wasn't that just her business in life? A month was an enormous time. After all, this very morning he had not had one thought of this great need which had sprung up hungry within him, as she sat at his side on the stone coping of the lily-pond. The queer sense of something imminent which she had felt in that inner court of Staple Inn was all clear to her now. Well, if a couple of hours could wake such hunger for her comradeship, what might not the slow waxing and waning of a moon beside the sea beget?
"You want to go with me to Bexhill?" she asked.
"No"; and he poured out to her the story of his little cutter.
It was at Poole, waiting, fitted out to the last rope. He fired her with his descriptions of it, of the new world which would open to her the land from the sea, instead of the sea from the land. Something of his own enthusiasm passed into her.
"Where should we go?" she asked, kindling, half persuaded. "Cowes?"
And she saw him draw back in disappointment. For a moment she had a throb of fear that in her excitement she had said "Keowes." There had been a time, no doubt, when such pronunciations had been heard from her lips; but she had long since schooled herself out of them. And in a moment she was reassured. It was her ignorance, not her enunciation, which troubled Mark Thewliss.
"Cowes!" He repeated the name with a pitying disdain. He was at an age when smooth waters meant nothing to him whatever. "We shall go west. England begins west of St. Alban's Head," he cried, with a superb arrogance which suddenly made a boy of him.
Mona clapped her hands together. She did not know St. Alban's Head from Margate Jetty; she had never even heard the name before. But she adored the boyish insolence with which he spoke. It made him one with other young men of spirit. It brought him down to normal. It fed the hope a mean little hope, a disloyal hope she frankly acknowledged it to be, but she could never quite drive it out of her breast—a hope that after all he was not the great man, made for a higher world than hers, which in her most secret thoughts she believed him to be.
"Perhaps after all he may have aimed too high," she said to herself; and Thewliss swept her away upon the cruise. He carried her past Lulworth Cove and its entrance like some high lock when the gates are open; past Osmington Mills, the little creek with the long pitch-black coastguard station on a low shoulder of hill.
"I spent a month there once."
"Alone?" she interrupted.
"Yes."
"And you didn't mind?"
"You were going to spend a month alone at Bexhill."
"For me, it would have been different."
"Why?"
Mona had no answer to that question. She was simply putting herself out of her thoughts and imagining, with a maternal solicitude and pity, twenty-eight solitary days unlightened by any of those foolish little jokes which are the very salt of companionship.
Thewliss brought the cutter towards sunset into Weymouth Harbour by the side of the wooded Nothe.
"I should get you a room there and one at Poole to-night, whilst I slept on the boat to have it ready for an early start in the morning "—he had the tact thus to make consent easier to her; and he carried her over the West Bay to the red cliffs of Devonshire and to Penzance beyond the Lizard. Suddenly she laughed:
"I shall wear a yachting cap."
"We'll buy it this afternoon," said he. "I have an oilskin and a sou'-wester and rubber boots to spare. You have some woollen things, of course, and some rubber-soled shoes. You'll do."
Mona had slid into assenting rather than had actually assented. But she did not take back her word. They bought the yachting cap and a couple of white covers for it. Then she sent Thewliss about his business and went secretly to a shop by herself. She returned to Mary Tipper's lodging for tea.
"I shall give you my address," she said. "I may have a letter or two. Perhaps you will forward them. I'll let you know where I shall be."
Mary Tipper was cast in a commoner mould than Mona Lightfoot. But they had been thrown much together in the office, and a friendship had grown up between them. Mona had not planned to tell her friend of the adventure on which she was entering, but she let slip enough to leave her in no doubt.
"My!" said Mary Tipper when Mona had departed with her suit-cases. "I never did! Mr. Thewliss, too! Such a poker-back! My dear, here's fortune to you! You're too good to be spoilt."
