The Erotic Orient E-Book

Hans-Jürgen Döpp

• Herausgeber: Parkstone International
• Kategorie: Erotik
• Sprache: Englisch
• Veröffentlichungsjahr: 2019

Seitenzahl: 31

Beschreibung

The Erotic Orient

Leseprobe

Layout:

Baseline Co. Ltd

Ho-Chi-Minh-City, Vietnam

© Parkstone Press International, New York, USA

© Confidential Concepts, worldwide, USA

© Image-Barwww.image-bar.com

All rights reserved.

No part of this publication may be reproduced or adapted without the permission of the copyright holder, throughout the world. Unless otherwise specified, copyright on the works reproduced lies with the respective photographers, artists, heirs or estates. Despite intensive research, it has not always been possible to establish copyright ownership. Where this is the case, we would appreciate notification.

ISBN: 978-1-64461-895-0

Hans-Jürgen Döpp

Contents

CHINESE EROTICISM

Bound happiness

JAPANESE EROTIC ENGRAVINGS

Between the sublime and the grotesque

LIST OF ILLUSTRATIONS

Chinese Eroticism

Japanese Eroticism

CHINESE EROTICISM

Bound happiness

Chinese eroticism

The aim of Taoist art and culture was to reach a state of harmony that would lead Man, confronted by a chaotic universe, towards a new serenity. In this spiritual context, love represented for the Chinese a force which was supposed to unite sky and earth in balance and maintain the reproductive cycle of nature. Eroticism thus became an art of living and formed an integral part of religion (to the extent that such western notions can be applied to philosophical thoughts of this kind).

Taoist religion assumes that pleasure and love are pure. ‘In order to gain some understanding of Chinese eroticism,’ writes Etiemble, a great connoisseur of Chinese art, ‘We need to distance ourselves from the notion of sin and the duality between the corrupt body and the holy spirit.’ This ideology lies at the very base of Christianity. Erotic Chinese art reflects the extent to which we are ‘morally corrupt’ and ‘full of prejudices.’

The Yin-Yang pairing introduces us directly into the world of Chinese eroticism: ‘The path of Yin and Yang’ signifies nothing less than the sexual act itself. One of the best-known sayings of ancient Chinese philosophy, ‘Yi yin yi yang cheh we tao’ (‘On the one side yin, on the other yang, this is the essence of Tao’) indicates the fact that sex between a man and a woman expresses the same harmony as the changes between day and night, or summer and winter. Sex symbolizes the order of the world, the moral order, while our culture stigmatizes it as evil.

In this sense, master Tung-huan wrote in his Art of Love: ‘Man is the most sublime creature under the skies. Nothing which he enjoys can be compared to the act of sexual union. Formulated according to the harmony between the sky and the earth, it rules Yin and dominates Yang. Those who understand the sense of these words can preserve their essence and prolong their life. Those who do not grasp their true significance are heading towards their doom.’ The split in the Universe between Yin and Yang is all the more important because these two inseparable principles mutually influence each other.

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We know of a great many Chinese manuals whose purpose was to provide an education in the art of love-making for young couples; this education would cover desire, morality, and religion. In these texts, the sexual act is always referred to metaphorically, with terms such as ‘the war of flowers,’ ‘lighting the great candle’ or ‘games of cloud and rain.’ They are also full of images referring to various sexual positions:

- unfurling silk

- the curled-up dragon

- the union of kingfishers

- fluttering butterflies

- bamboo stalks at the altar

- the pair of dancing phoenixes

- the galloping tournament horse

- the leap of the white tiger

- cat and mouse in the same hole