The Head of the House of Coombe - Frances Hodgson Burnett - E-Book

The Head of the House of Coombe E-Book

Frances Hodgson Burnett

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Beschreibung

Frances Eliza Hodgson Burnett (24 November 1849 – 29 October 1924) was a British-American novelist and playwright. She is best known for the three children's novels Little Lord Fauntleroy (published in 1885–1886), A Little Princess (1905), and The Secret Garden (1911).Frances Eliza Hodgson was born in Cheetham, Manchester, England. After her father died in 1852, the family fell on straitened circumstances and in 1865 immigrated to the United States, settling near Knoxville, Tennessee. There Frances began writing to help earn money for the family, publishing stories in magazines from the age of 19. In 1870, her mother died, and in 1872 Frances married Swan Burnett, who became a medical doctor. The Burnetts lived for two years in Paris, where their two sons were born, before returning to the United States to live in Washington, D.C., Burnett then began to write novels, the first of which (That Lass o' Lowrie's), was published to good reviews. Little Lord Fauntleroy was published in 1886 and made her a popular writer of children's fiction, although her romantic adult novels written in the 1890s were also popular. She wrote and helped to produce stage versions of Little Lord Fauntleroy and A Little Princess.Burnett enjoyed socializing and lived a lavish lifestyle. Beginning in the 1880s, she began to travel to England frequently and in the 1890s bought a home there, where she wrote The Secret Garden. Her oldest son, Lionel, died of tuberculosis in 1890, which caused a relapse of the depression she had struggled with for much of her life. She divorced Swan Burnett in 1898, married Stephen Townsend in 1900, and divorced him in 1902. A few years later she settled in Nassau County, Long Island, where she died in 1924 and is buried in Roslyn Cemetery.In 1936 a memorial sculpture by Bessie Potter Vonnoh was erected in her honour in Central Park's Conservatory Garden. The statue depicts her two famous Secret Garden characters, Mary and Dickon.

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The Head of the House of Coombe

Frances Hodgson Burnett

CHAPTER I

The history of the circumstances about to be related began many years ago or so it seems in these days. It began, at least, years before the world being rocked to and fro revealed in the pause between each of its heavings some startling suggestion of a new arrangement of its kaleidoscopic particles, and then immediately a re-arrangement, and another and another until all belief in a permanency of design seemed lost, and the inhabitants of the earth waited, helplessly gazing at changing stars and colours in a degree of mental chaos.

Its opening incidents may be dated from a period when people still had reason to believe in permanency and had indeed many of them sometimes through ingenuousness, sometimes through stupidity of type acquired a singular confidence in the importance and stability of their possessions, desires, ambitions and forms of conviction.

London at the time, in common with other great capitals, felt itself rather final though priding itself on being much more fluid and adaptable than it had been fifty years previously. In speaking of itself it at least dealt with fixed customs, and conditions and established facts connected with them which gave rise to brilliant or dull witticisms.

One of these, heard not infrequently, was to the effect that in London one might live under an umbrella if one lived under it in the right neighbourhood and on the right side of the street, which axiom is the reason that a certain child through the first six years of her life sat on certain days staring out of a window in a small, dingy room on the top floor of a slice of a house on a narrow but highly fashionable London street and looked on at the passing of motors, carriages and people in the dull afternoon grayness.

The room was exalted above its station by being called The Day Nursery and another room equally dingy and uninviting was known as The Night Nursery. The slice of a house was inhabited by the very pretty Mrs. Gareth-Lawless, its inordinate rent being reluctantly paid by her apparently with the assistance of those "ravens" who are expected to supply the truly deserving. The rent was inordinate only from the standpoint of one regarding it soberly in connection with the character of the house itself which was a gaudy little kennel crowded between two comparatively stately mansions. On one side lived an inordinately rich South African millionaire, and on the other an inordinately exalted person of title, which facts combined to form sufficient grounds for a certain inordinateness of rent.

Mrs. Gareth-Lawless was also, it may be stated, of the fibre which must live on the right side of the street or dissolve into nothingness since as nearly nothingness as an embodied entity can achieve had Nature seemingly created her at the outset. So light and airy was the fair, slim, physical presentation of her being to the earthly vision, and so almost impalpably diaphanous the texture and form of mind and character to be observed by human perception, that among such friends and enemies as so slight a thing could claim she was prettily known as "Feather". Her real name, "Amabel", was not half as charming and whimsical in its appropriateness. "Feather" she adored being called and as it was the fashion among the amazing if amusing circle in which she spent her life, to call its acquaintances fantastic pet names selected from among the world of birds, beasts and fishes or inanimate objects "Feather" she floated through her curious existence. And it so happened that she was the mother of the child who so often stared out of the window of the dingy and comfortless Day Nursery, too much a child to be more than vaguely conscious in a chaotic way that a certain feeling which at times raged within her and made her little body hot and restless was founded on something like actual hate for a special man who had certainly taken no deliberate steps to cause her detestation.

* * * * *

"Feather" had not been called by that delicious name when she married Robert Gareth-Lawless who was a beautiful and irresponsibly rather than deliberately bad young man. She was known as Amabel Darrel and the loveliest girl in the lovely corner of the island of Jersey where her father, a country doctor, had begotten a large family of lovely creatures and brought them up on the appallingly inadequate proceeds of his totally inadequate practice. Pretty female things must be disposed of early lest their market value decline. Therefore a well-born young man even without obvious resources represents a sail in the offing which is naturally welcomed as possibly belonging to a bark which may at least bear away a burden which the back carrying it as part of its pack will willingly shuffle on to other shoulders. It is all very well for a man with six lovely daughters to regard them as capital if he has money or position or generous relations or if he has energy and an ingenious unfatigued mind. But a man who is tired and neither clever nor important in any degree and who has reared his brood in one of the Channel Islands with a faded, silly, unattractive wife as his only aid in any difficulty, is wise in leaving the whole hopeless situation to chance and luck. Sometimes luck comes without assistance but almost invariably it does not.

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!

Lesen Sie weiter in der vollständigen Ausgabe!