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- Herausgeber: Booksell-Verlag
- Kategorie: Gesellschafts- und Liebesromane
- Sprache: Englisch
In "The Husbands of Edith," George Barr McCutcheon delivers a captivating exploration of marital dynamics through the lens of early 20th-century society. This novel combines elements of romance and satire, skillfully intertwining humor with poignant social commentary. Set against the backdrop of the Gilded Age, it examines the expectations placed upon men and women in their matrimonial roles, spotlighting the complexities of love, fidelity, and societal pressure. McCutcheon'Äôs prose showcases his wit and keen observational skill, drawing readers into a world where the characters'Äô desires and choices conflict with societal conventions. George Barr McCutcheon, an influential American author and playwright, was known for his keen sense of social intricacies and an ability to capture the zeitgeist of his era. Growing up in an era marked by rapid change and the burgeoning feminist movement, McCutcheon's insights into gender norms and relationships were perhaps informed by his personal experiences and observations of society at large. His previous works, steeped in the cultural landscape of his time, further enhance the thematic depth found in this novel. Readers seeking a rich tapestry of character-driven narrative and social critique will find "The Husbands of Edith" a thought-provoking journey. McCutcheon's engaging storytelling invites reflection on both historical and contemporary marital relationships, making it a delightful and relevant read for anyone interested in the evolution of human connections.
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Veröffentlichungsjahr: 2019
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The Husbands of Edith
Table of Contents
ILLUSTRATIONS
CHAPTER I
HUSBANDS AND WIFE.
Brock was breakfasting out-of-doors in the cheerful little garden of the Hôtel Chatham. The sun streamed warmly upon the concrete floor of the court just beyond the row of palms and oleanders that fringed the rail against which his Herald rested, that he might read as he ran, so to speak. He was the only person having déjeuner on the "terrace," as he named it to the obsequious waiter who always attended him. Charles was the magnet that drew Brock to the Chatham (that excellent French hotel with the excellent English name). It is beside the question to remark that one is obliged to reverse the English when directing a cocher to the Chatham. The Paris cabman looks blank and more than usually unintelligent when directed to drive to the Chatham, but his face radiates with joy when his fare is inspired to substitute Sha-t'am, with distinct emphasis on the final syllable. Then he cracks his whip and lashes his sorry nag, with passive appreciation of his own astuteness, all the way to the Rue Daunou. The street is so short that he almost invariably takes one to it instead of to the hotel itself. But one must say Sha-t'am!
Charles was standing, alert but pensive, quite near at hand, ready to replenish the bowl with honey (Brock was especially fond of it), but with his eyes cocked inquiringly, even eagerly, in the direction of an upstairs window across the court, beyond which a thoughtless guest of the establishment was making her toilette in blissful ignorance of the fact that the flimsy curtains were not tightly drawn. Brock had gone to the Chatham for years just because Charles was a fixture there. Charles spoke the most execrably picturesque English, served with a punctiliousness that savoured almost of the overbearing, and boasted that he had acquired the art of making American cocktails in the Waldorf during a five weeks' residence in the United States.
It was a lazy morning. Brock was happy. He was even interested when a porter came forth and unravelled a long roll of garden hose, with which he abruptly began to splash water upon the concrete surface of the court without regard for distance or direction. Moreover, he proceeded to water the palms at Brock's elbow, operating from a spot no less than twenty feet away. He likewise was casting inquiring glances at divers windows—few if any at the plants—until the faithful Charles restored him to earth by means of certain subdued injunctions and less moderate gesticulations, from which it could be readily gathered that "M'sieur was eating, not bathing." Whereupon the utterly uncrushed porter splashed water at right angles, much to Brock's relief, while all his fellow porters, free or engaged, took up the quarrel with rare disregard for cause or justice. A femme de chambre, from a convenient window, joined in the hubbub without in the least knowing what it was all about. Monsieur's comfort must be preserved: that seemed to be the issue in which, at once, all were united. "M'sieur will pardon the boy," apologised Charles in deepest humility, taking much for granted. "It will be very warm to-day. Your serviette, M'sieur—it is damp. Pardon!" He flew away and back with another napkin. "Of course, M'sieur, the Chatham is not the Waldorf," he announced deprecatingly. "Parbleu," beating himself on the forehead, "I forgot! M'sieur does not like the Waldorf. Eh, bien, Paris is not New York, no." Having sufficiently humbled Paris, he withdrew into the background, rubbing his hands as if he were cleansing them of something unsightly. Brock spread one of the buttered biscuits with honey and inwardly admitted that Paris was not New York.
He was a good-looking chap of thirty or thereabouts, an American to the core,—bright-eyed, keen-witted, smooth-faced, virile. From boyhood's earliest days he had spent a portion of his summers in Europe. Two or three years of his life had been employed in the Beaux Arts,—fruitful years, for Brock had not wasted his opportunities. He had gone in for architecture and building. To-day he stood high among the younger men in New York,—prosperous, successful, and a menace to the old cry that a son of the rich cannot thrive in his father's domain. Nowadays he came to the Old World for his breathing spells. He was able to combine dawdling and development without sacrificing one for the other, wherein lies the proof that his vacations were not akin to those taken by most of us.
The fortnight in Paris was to be followed by a week in St. Petersburg and a brief tour of Sweden and Norway. His stay in the gay city was drawing to a close. That very morning he expected to book for St. Petersburg, leaving in three days.
Suddenly his glance fell upon a name in the society column before him, "Roxbury Medcroft." His face lighted up with genuine pleasure. An old friend, a boon companion in bygone days, was this same Medcroft,—a broad-minded, broad-gauged young Englishman who had profited by a stay of some years in the States. They had studied together in Paris and they had toiled together in New York. This is what he read: "Mr. and Mrs. Roxbury Medcroft, of London, are stopping at the Ritz, en route to Vienna. Mr. Medcroft will attend the meeting of Austrian Architects, to be held there next week, and, with his wife, will afterwards spend a fortnight in the German Alps, the guests of the Alfred Rodneys, of Seattle."
"Dear old Rox, I must look him up at once," mused Brock. "The Rodneys of Seattle? Never heard of 'em." He looked at his watch, signed his check, deposited the usual franc, acknowledged Charles's well-practised smile of thanks, and pushed back his chair, his gaze travelling involuntarily toward the portals of the American bar across the court, just beyond the concierge's quarters. Simultaneously a tall figure emerged from the bar, casting eager glances in all directions,—a tall figure in a checked suit, bowler hat, white reindeer gloves, high collar, and grey spats. Brock came to his feet quickly. The monocle dropped from the other's eye, and his long legs carried him eagerly toward the American.
"Medcroft! Bless your heart! I was just on the point of looking you up at the Ritz. It's good to see you," Brock cried as they clasped hands.
"Of all the men and of all the times, Brock, you are the most opportune," exclaimed the other. "I saw that you were here and bolted my breakfast to catch you. These beastly telephones never work. Oh, I say, old man, have you finished yours?"
"Quite—but luckily I didn't have to bolt it. You're off for Vienna, I see. Sit down, Rox. Won't you have another egg and a cup of coffee? Do!"
"Thanks and no to everything you suggest. Wot you doing for the next half-hour or so? I'm in a deuce of a dilemma and you've got to help me out of it." The Englishman looked at his watch and fumbled it nervously as he replaced it in his upper coat pocket. "That's a good fellow, Brock. You will be the ever present help in time of trouble, won't you?"
"My letter of credit is at your disposal, old man," said Brock promptly. He meant it. It readily may be seen from this that their friendship is no small item to be considered in the development of this tale.
"My dear fellow, that's the very thing I'm eager to thrust upon you—my letter of credit," exclaimed the other.
"What's that?" demanded Brock.
"I say, Brock, can't we go up to your rooms? Dead secret, you know. Really, old chap, I mean it. No one must get a breath of it. That's why I'm whispering. I'm not a lunatic, so don't stare like that. I'd do as much for you if the conditions were reversed."
"I dare say you would, Rox, but what the devil is it you want me to do?"
"Do I appear to be agitated?"
"Well, I should say so."
"Well, I am. You know how I loathe asking a favour of anyone. Besides, it's rather an extraordinary one I'm going to ask of you. Came to me in a flash this morning when I saw your name in the paper. Sort of inspiration, 'pon my word. I think Edith sees it the same as I, although I haven't had time to go into it thoroughly with her. She's ripping, you know; pluck to the very core."
Brock's face expressed bewilderment and perplexity.
"Won't you have another drink, old man?" he asked gently.
"Another? Hang it all, I haven't had one in a week. Come along. I must talk it all over with you before I introduce you to her. You must be prepared."
"Introduce me to whom?" demanded Brock, pricking up his ears. He was following Medcroft to the elevator.
"To my wife—Edith," said Medcroft, annoyed by the other's obtuseness.
"Does it require preparation for an ordeal so charming?" laughed Brock. He was recalling the fact that Medcroft had married a beautiful Philadelphia girl some years ago in London, a young lady whom he had never seen, so thoroughly expatriated had she become in consequence of almost a lifetime residence in England. He remembered now that she was rich and that he had sent her a ridiculously expensive present and a congratulatory cablegram at the time of the wedding. Also, it occurred to him that the Medcrofts had asked him to visit them at their shooting-box for several seasons in succession, and that their town house was always open to him. While he had not ignored the invitations, he had never responded in person. He began to experience twinges of remorse: Medcroft was such a good fellow!
The Londoner did not respond to the innocuous query. He merely stared in a preoccupied, determined manner at the succeeding étages as they slipped downward. At the fourth floor they disembarked, and Brock led the way to his rooms, overlooking the inner court. Once inside, with the door closed, he turned upon the Englishman.
"Now, what's up, Rox? Are you in trouble?" he demanded.
"Are we quite alone?" Medcroft glanced significantly at the transom and the half-closed bathroom door. With a laugh, Brock led him into the bathroom and out, and then closed the transom.
"You're darned mysterious," he said, pointing to a chair near the window. Medcroft drew another close up and seated himself.
"Brock," he said, lowering his voice and leaning forward impressively, "I want you to go to Vienna in my place." Brock stared hard. "You are a godsend, old man. You're just in time to do me the greatest of favours. It's utterly impossible for me to go to Vienna as I had planned, and yet it is equally unwise for me to give up the project. You see, I've just got to be in London and Vienna at the same time."
"It will require something more than a stretch of the imagination to do that, old man. But I'm game, and my plans are such that they can be changed readily to oblige a friend. I shan't mind the trip in the least and I'll be only too happy to help you out! 'Gad, I thought by your manner that you were in some frightful difficulty. Have a cigaret."
"By Jove, Brock, you're a brick," cried Medcroft, shaking the other's hand vigorously. At the same time his face expressed considerable uncertainty and no little doubt as to the further welfare of his as yet partially divulged proposition.
"It's easy to be a brick, my boy, if it involves no more than the changing of a single letter in one's name. I'd like to attend the convention, anyway," said Brock amiably.
"Well, you see, Brock," said Medcroft lamely, "I fear you don't quite appreciate the situation. I want you to pose as Roxbury Medcroft."
"You—What do you mean?"
"I thought you'd find that a facer. That's just it: you are to go to Vienna as Roxbury Medcroft, not as yourself. Ha, ha! Ripping, eh?"
"'Pon my soul, Rox, you are not in earnest?"
"Never more so."
"But, my dear fellow—"
"You won't do it? That's what your tone means," in despair.
"It isn't that, and you know it. I've got nothing to lose. It's you that will have to suffer. You're known all over Europe. What will be said when the trick is discovered? 'Gad, man!"
"Then you will go?" with beaming eyes. "I knew it would appeal to you, as an American."
"What does it all mean?"
"It's all very simple, if one looks at it from the right angle, Brock. Up to last night, I was blissfully committed to the most delightful of outings, so to speak. At ten o'clock everything was changed. Mrs. Medcroft and I sat up all night discussing the situation with the messenger—my solicitor, by the way. The Vienna trip is out of the question, so far as I am concerned. It is of vital importance that I should return to London to-night, but is even more vitally important that the world should say that I am in Vienna. See what I mean?"
"No, I'm hanged if I do."
"What I have just heard from London makes me shudder to think of the consequences if I go on east to-night. I may as well tell you that there is a plot on foot to perpetrate a gigantic fraud against the people. The County Council is to be hoodwinked out and out into moving forward certain building projects, involving millions of the people's money. Our firm has opposed a certain band of grafters, and when I left England it was pretty well settled that we had blocked their game. They have learned of my proposed absence and intend to steal a march on us while I am away. Without assuming too much credit to myself, I may say that I, your old friend, Roxbury, I am the one man who has proved the real thorn in the sides of these scoundrels. With me out of the way, they feel that they can secure the adoption of all these infamous measures. My partners and the leaders on our side have sent for me to return secretly. They won't bring the matter to issue if they find that I've returned; it would be suicidal. Therefore it is necessary that we steal a march on 'em. I know the inside workings of the scheme. If I can steal back and keep under cover as an advisory chief, so to speak, we can well afford to let 'em rush the matter through, for then we can spring the coup and defeat them for good and all. But, don't you see, old man, unless they know that I've gone to Vienna they won't undertake the thing. That's why I'm asking you to go on to Vienna and pose as Roxbury Medcroft while I steal back to London and set the charge under these demmed bloodsuckers. Really, you know, it's a terribly serious matter, Brock. It means fortune and honour to me, as well as millions to the rate-payers of Greater London. All you've got to do is to register at the Bristol, get interviewed by the papers, attend one or two sessions of the convention, which lasts three days, and then go off into the mountains with the Rodneys,—the society reporters will do the rest."
"With the Rodneys? My dear fellow, suppose that they object to the substitution! Really, you know, it's not to be thought of."
"Deuce take it, man, the Rodneys are not to know that there has been a substitution. Perfectly simple, can't you see?"
"I'm damned if I do."
"What a stupid ass you are, Brock! The Rodneys have never laid eyes on me. They know of me as Edith's husband, that's all. They are to take you in as Medcroft, of course."
At this point Brock set up an emphatic remonstrance. He began by laughing his friend to scorn; then, as Medcroft persisted, went so far as to take him severely to task for the proposed imposition on the unsuspecting Rodneys, to say nothing of the trick he would play upon the convention of architects.
