The Sea-Gull E-Book

Anton Pavlovich Chekhov

• Herausgeber: libreka classics
• Kategorie: Geisteswissenschaft
• Sprache: Englisch
• Veröffentlichungsjahr: 2019

Seitenzahl: 98

Beschreibung

libreka classics – These are classics of literary history, reissued and made available to a wide audience. Immerse yourself in well-known and popular titles!

Leseprobe

Titel: The Sea-Gull

von William Shakespeare, H. G. Wells, Henry Van Dyke, Thomas Carlyle, Oscar Wilde, Joseph Conrad, Henry James, Anthony Hope, Henry Fielding, Giraldus Cambrensis, Daniel Defoe, Grammaticus Saxo, Edgar Rice Burroughs, Hugh Lofting, Agatha Christie, Sinclair Lewis, Eugène Brieux, Upton Sinclair, Booth Tarkington, Sax Rohmer, Jack London, Anna Katharine Green, Sara Jeannette Duncan, Xenophon, Alexandre Dumas père, John William Draper, Alice Christiana Thompson Meynell, Bram Stoker, Honoré de Balzac, William Congreve, Louis de Rougemont, Nikolai Vasilievich Gogol, Rolf Boldrewood, François Rabelais, Lysander Spooner, B. M. Bower, Henry Rider Haggard, William Hickling Prescott, Lafcadio Hearn, Robert Herrick, Jane Austen, Mark Twain, Mary Roberts Rinehart, Charles Babbage, Kate Douglas Smith Wiggin, Frank L. Packard, George Meredith, John Merle Coulter, Irvin S. Cobb, Edwin Mims, John Tyndall, Various, Charles Darwin, Sidney Lanier, Henry Lawson, Niccolò Machiavelli, George W. Crile, Théophile Gautier, Noah Brooks, James Thomson, Zane Grey, J. M. Synge, Virginia Woolf, Conrad Aiken, Edna St. Vincent Millay, Helen Cody Wetmore, Ayn Rand, Sir Thomas Malory, Gustave Flaubert, Edmond Rostand, Charlotte Brontë, Edith Wharton, Giles Lytton Strachey, Myrtle Reed, Ernest Bramah, Jules Verne, H. L. Mencken, H. Stanley Redgrove, Victor Lefebure, Edna Lyall, John Masefield, Charles Kingsley, Robert Burns, Edgar Lee Masters, Victor [pseud.] Appleton, Ellis Parker Butler, Mary Lamb, Charles Lamb, Johann Wolfgang von Goethe, Kenneth Grahame, Charles Dickens, John Ruskin, John Galt, James J. Davis, Owen Wister, William Blades, Sir Hall Caine, Sir Max Beerbohm, Baron Edward John Moreton Drax Plunkett Dunsany, Bret Harte, E. Phillips Oppenheim, Thomas Henry Huxley, A. B. Paterson, John N. Reynolds, Walter Dill Scott, Hans Gustav Adolf Gross, T. S. Eliot, Walt Whitman, Arthur Ransome, Jane Addams, Elizabeth, David Lindsay, Helen Bannerman, Charles A. Oliver, J. M. Barrie, Robert F. Murray, Andrew Lang, Jerome K. Jerome, Francis Thompson, Sydney Waterlow, Andrew Dickson White, Benjamin N. Cardozo, Karl Marx, Edouard Louis Emmanuel Julien Le Roy, Margaret Hill McCarter, Sir Donald Mackenzie Wallace, Howard Trueman, L. M. Montgomery, Frank T. Bullen, Baron Alfred Tennyson Tennyson, Jonathan Nield, Henry Wadsworth Longfellow, Charles Reade, Ouida, Washington Irving, Benjamin Louis Eulalie de Bonneville, Sir Walter Scott, Stewart Edward White, Arthur Hugh Clough, Baron Edward Bulwer Lytton Lytton, C.-F. Volney, T. Troward, graf Leo Tolstoy, Christopher Morley, James Madison, Alexander Hamilton, John Jay, Gilbert White, Percival Lowell, Frederick Marryat, Robert Graves, Thomas Holmes, Wilkie Collins, Maria Edgeworth, Katherine Mansfield, E. Nesbit, Olive Schreiner, Jeronimo Lobo, O. Henry, James Slough Zerbe, Donald Ogden Stewart, Johanna Spyri, Eleanor H. Porter, William Tatem Tilden, Sol Plaatje, Rafael Sabatini, William Makepeace Thackeray, George Gissing, Maksim Gorky, Baron Thomas Babington Macaulay Macaulay, H. G. Keene, Saki, R. B. Cunninghame Graham, Thomas Hughes, David Nunes Carvalho, Vicente Blasco Ibáñez, Carry Amelia Nation, John Fiske, Bernard Shaw, Elbridge Streeter Brooks, William Holmes McGuffey, Edward Everett Hale, Louis Ginzberg, Chester K. Steele, Christopher Marlowe, Plato, John Lord, Shakespeare, Martin Luther, Frances Hodgson Burnett, Howard Pyle, Charles Morris, Edward Carpenter, Maurice Leblanc, James Boswell, William Osler, William Ernest Henley, Theron Q. Dumont, Horatio Alger, Abraham Myerson, Joel Benton, Eden Phillpotts, Anonymous, Robert Louis Stevenson, Lloyd Osbourne, Cleland Boyd McAfee, Robert Williams Wood, H. C. Andersen, Edna Ferber, James Stephens, John Jacob Astor, Alexandre Dumas fils, Hilda Conkling, J. Storer Clouston, Julian Hawthorne, Ernest Albert Savage, Mary Eleanor Wilkins Freeman, Fernando de Rojas, Richard Harding Davis, Charles Whibley, Thomas Dixon, Sir Arthur Conan Doyle, George MacDonald, Thomas H. Burgoyne, Belle M. Wagner, Émile Gaboriau, à Kempis Thomas, United States. Central Intelligence Agency, Herbert Darling Foster, John Chipman Farrar, Lucius Apuleius, Olive Gilbert, Sojourner Truth, Arthur Judson Brown, Burbank L. Todd, Gaston Leroux, Margaret Sanger, Jr. Martin Luther King, Mary Johnston, S. A. Reilly, G. K. Chesterton, Elizabeth Cleghorn Gaskell, George Iles, E. W. Hornung, Edward Huntington Williams, Henry Smith Williams, Nathaniel W. Stephenson, Ellen Marriage, Homer, Anton Pavlovich Chekhov, J. F. C. Hecker, John Milton, Natalie Sumner Lincoln, Baroness Emmuska Orczy Orczy

ISBN 978-3-7429-1696-9

Alle Rechte vorbehalten.

Es ist ohne vorherige schriftliche Erlaubnis nicht gestattet, dieses Werk im Ganzen oder in Teilen zu vervielfältigen oder zu veröffentlichen.

THE SEA-GULL

by Anton Checkov

A Play In Four Acts

Contents

CHARACTERSTHE SEA-GULL

ACT I

ACT II

ACT III

ACT IV

CHARACTERS

IRINA ABKADINA, an actress

CONSTANTINE TREPLIEFF, her son

PETER SORIN, her brother

NINA ZARIETCHNAYA, a young girl, the daughter of a rich landowner

ILIA SHAMRAEFF, the manager of SORIN'S estate

PAULINA, his wife

MASHA, their daughter

BORIS TRIGORIN, an author

EUGENE DORN, a doctor

SIMON MEDVIEDENKO, a schoolmaster

JACOB, a workman

A COOK

A MAIDSERVANT

The scene is laid on SORIN'S estate. Two years elapse between the third and fourth acts.

THE SEA-GULL

ACT I

The scene is laid in the park on SORIN'S estate. A broad avenue of trees leads away from the audience toward a lake which lies lost in the depths of the park. The avenue is obstructed by a rough stage, temporarily erected for the performance of amateur theatricals, and which screens the lake from view. There is a dense growth of bushes to the left and right of the stage. A few chairs and a little table are placed in front of the stage. The sun has just set. JACOB and some other workmen are heard hammering and coughing on the stage behind the lowered curtain.

MASHA and MEDVIEDENKO come in from the left, returning from a walk.

MEDVIEDENKO. Why do you always wear mourning?

MASHA. I dress in black to match my life. I am unhappy.

MEDVIEDENKO. Why should you be unhappy? [Thinking it over] I don't understand it. You are healthy, and though your father is not rich, he has a good competency. My life is far harder than yours. I only have twenty-three roubles a month to live on, but I don't wear mourning. [They sit down].

MASHA. Happiness does not depend on riches; poor men are often happy.

MEDVIEDENKO. In theory, yes, but not in reality. Take my case, for instance; my mother, my two sisters, my little brother and I must all live somehow on my salary of twenty-three roubles a month. We have to eat and drink, I take it. You wouldn't have us go without tea and sugar, would you? Or tobacco? Answer me that, if you can.

MASHA. [Looking in the direction of the stage] The play will soon begin.

MEDVIEDENKO. Yes, Nina Zarietchnaya is going to act in Treplieff's play. They love one another, and their two souls will unite to-night in the effort to interpret the same idea by different means. There is no ground on which your soul and mine can meet. I love you. Too restless and sad to stay at home, I tramp here every day, six miles and back, to be met only by your indifference. I am poor, my family is large, you can have no inducement to marry a man who cannot even find sufficient food for his own mouth.

MASHA. It is not that. [She takes snuff] I am touched by your affection, but I cannot return it, that is all. [She offers him the snuff-box] Will you take some?

MEDVIEDENKO. No, thank you. [A pause.]

MASHA. The air is sultry; a storm is brewing for to-night. You do nothing but moralise or else talk about money. To you, poverty is the greatest misfortune that can befall a man, but I think it is a thousand times easier to go begging in rags than to—You wouldn't understand that, though.

SORIN leaning on a cane, and TREPLIEFF come in.

SORIN. For some reason, my boy, country life doesn't suit me, and I am sure I shall never get used to it. Last night I went to bed at ten and woke at nine this morning, feeling as if, from oversleep, my brain had stuck to my skull. [Laughing] And yet I accidentally dropped off to sleep again after dinner, and feel utterly done up at this moment. It is like a nightmare.

TREPLIEFF. There is no doubt that you should live in town. [He catches sight of MASHA and MEDVIEDENKO] You shall be called when the play begins, my friends, but you must not stay here now. Go away, please.

SORIN. Miss Masha, will you kindly ask your father to leave the dog unchained? It howled so last night that my sister was unable to sleep.

MASHA. You must speak to my father yourself. Please excuse me; I can't do so. [To MEDVIEDENKO] Come, let us go.

MEDVIEDENKO. You will let us know when the play begins?

MASHA and MEDVIEDENKO go out.

SORIN. I foresee that that dog is going to howl all night again. It is always this way in the country; I have never been able to live as I like here. I come down for a month's holiday, to rest and all, and am plagued so by their nonsense that I long to escape after the first day. [Laughing] I have always been glad to get away from this place, but I have been retired now, and this was the only place I had to come to. Willy-nilly, one must live somewhere.

JACOB. [To TREPLIEFF] We are going to take a swim, Mr. Constantine.

TREPLIEFF. Very well, but you must be back in ten minutes.

JACOB. We will, sir.

TREPLIEFF. [Looking at the stage] Just like a real theatre! See, there we have the curtain, the foreground, the background, and all. No artificial scenery is needed. The eye travels direct to the lake, and rests on the horizon. The curtain will be raised as the moon rises at half-past eight.

SORIN. Splendid!

TREPLIEFF. Of course the whole effect will be ruined if Nina is late. She should be here by now, but her father and stepmother watch her so closely that it is like stealing her from a prison to get her away from home. [He straightens SORIN'S collar] Your hair and beard are all on end. Oughtn't you to have them trimmed?

SORIN. [Smoothing his beard] They are the tragedy of my existence. Even when I was young I always looked as if I were drunk, and all. Women have never liked me. [Sitting down] Why is my sister out of temper?

TREPLIEFF. Why? Because she is jealous and bored. [Sitting down beside SORIN] She is not acting this evening, but Nina is, and so she has set herself against me, and against the performance of the play, and against the play itself, which she hates without ever having read it.

SORIN. [Laughing] Does she, really?

TREPLIEFF. Yes, she is furious because Nina is going to have a success on this little stage. [Looking at his watch] My mother is a psychological curiosity. Without doubt brilliant and talented, capable of sobbing over a novel, of reciting all Nekrasoff's poetry by heart, and of nursing the sick like an angel of heaven, you should see what happens if any one begins praising Duse to her! She alone must be praised and written about, raved over, her marvellous acting in "La Dame aux Camelias" extolled to the skies. As she cannot get all that rubbish in the country, she grows peevish and cross, and thinks we are all against her, and to blame for it all. She is superstitious, too. She dreads burning three candles, and fears the thirteenth day of the month. Then she is stingy. I know for a fact that she has seventy thousand roubles in a bank at Odessa, but she is ready to burst into tears if you ask her to lend you a penny.

SORIN. You have taken it into your head that your mother dislikes your play, and the thought of it has excited you, and all. Keep calm; your mother adores you.