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Jeremy Dixon's first full poetry collection A Voice Coming From Then starts from his teenage suicide attempt and expands to encompass themes of bullying, queerphobia, acceptance and support. Includes unexpected typography, collage, humour, magic, discotheques and frequent appearances from the Victorian demon, Spring-heeled Jack. Content Warning: Some poems in this book deal with themes and expressions of physical and verbal bullying, swearing, homophobia, homophobic language, queerphobia, attempted suicide and suicide. 'A moving, haunting collection that is remarkable for both its startling depictions and visual inventiveness, Jeremy Dixon brings us to the edge and says: 'listen'. I recommend you listen' - Natalie Ann Holborow 'A work of powerful vulnerability and queer resilience... holds difficult material with tenderness, precision and formal playfulness. Dixon's invocation to, 'clap and cheer and cradle your younger self' in a world where 'no system can guarantee safety' unsentimentally, but urgently, extends a hand of experience' - Caleb Parkin 'A rallying cry not just for inclusion but for love, in so many forms' - Katherine Stansfield
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Veröffentlichungsjahr: 2021
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Some poems in this book deal with themes and expressions of physical and verbal bullying, swearing, homophobia, homophobic language, queerphobia, attempted suicide and suicide.
// a note on content warnings
For me content warnings really work. If I am not prepared then sometimes just seeing the word suicide has an emotional effect. The poems do not go into graphic detail but some of them do include the themes mentioned above. Please feel free not to read any further or to come back later if, or when, you are ready.
// a note on the use of the word queer
Queer is a word loaded with emotional and historical meanings, some people see it as a slur, others reclaim it as a source of pride. I use it in this book to identify those who exist outside of heterosexualism and to embrace wider ideas of strangeness, inclusivity, activism and acceptance.
// a note on the use of italic text
Using italic text in the body of a poem indicates that those words have been quoted from another person or from a book, diary, letter, interview or social media post.
for he who lives more lives than one more deaths than one must dieOscar WildeThe Ballad of Reading Gaol
dedicated to Wednesday 13 June 1979 and to all those who we have lostand to those who remain and to my family
INTRODUCTION
casting the runes with Spring-Heeled Jack
wraiths
Sunday School
before the motorway
the friendly
dear Jack
last three months in England
in the back with Spring-Heeled Jack
buddies
bless you hay fever
sidelines
Trojans
Jeremy
13 June 1979 with Spring-Heeled Jack
the recidivist
numbers
a consultant child psychiatrist’s letter…
form tutor
sister
consent
mother
The Uncanny X-Men #134
ode to Bronski Beat in an elevator
student union disco
alternative night
on Choctaw Ridge with Spring-Heeled Jack
where trade began
gentlemen | dynion
Tabernacle Lane
so I asked Donna Summer and she said…
the Editor
heart-shaped
nightclubbing with Spring-Heeled Jack
Tobias and the Angel, 1989-90
Plasturton Gardens
1999 with Spring-Heeled Jack
Paronella Park
how deep they dive
a voice coming from then
outside
blessed vacancies
behind my counsellor’s left shoulder
beginners yoga with Spring-Heeled Jack
the nexus of multiple realities
retired child psychiatrist
at Camp Crystal Lake with Spring-Heeled Jack
I’m learning to shout ‘Oi!’
another Jeremy
The Proscribed Royalist, 1651
im
the Intercession
his fire eyes flame
blister packs
ON THIS DAY…
REMEMBERING…
RESOURCES
NOTES
ACKNOWLEDGEMENTS
THANK YOUS
On Wednesday 13 June 1979, three months after my 15th birthday, I waited until dad drove mum into Cardiff for her night shift as a Staff Nurse then went into the kitchen and stole the paracetamol tablets she stored under the sink. After taking them I fell asleep on the sofa in my bedroom. I woke up suddenly at about 2am and proceeded to vomit for the next six hours, which is probably why I am still alive today.
This is the note that at the time I didn’t understand myself enough to write…
we are here from the futurewe are here in the past
our demon fingers scraping out your throat
where pills still taste the samestill absorb your teenage spit
so even when you can’t remember your body
be grateful for the gallbladderthat your gut can still pulse
be grateful for a liverstrong enough to cope
be grateful for our gag reflexfor the stomach that overruled
this is a bindingto keep us safe
so this is a poem where I meet Anne Sextonwhen I am three years old and lost
I am three years old and lost and she grabs mein the foyer of the Royal Festival Hall in London
Anne Sexton grabbing me when I run awayfrom my mother in the foyer of the Royal Festival Hall
and I run straight into the sheer legs of Anne Sextontalking to men a circle of men around her I run
straight into her legs and she laughsdrops down level with my face and laughs
picks me up and swings me on her hipsswaying on Anne Sexton’s hips as she strides
the foyer of the Royal Festival Hall lookingfor a mother and recognising my mother
