Ai Weiwei: Sunflower Seeds E-Book

• Herausgeber: Tate Publishing
• Kategorie: Geisteswissenschaft
• Sprache: Englisch
• Veröffentlichungsjahr: 2013

Beschreibung

Born in Beijing in 1957, Ai Weiwei is one of the most influential artists at work today and has exhibited widely in Asia, Europe and North America. He is the first artist living and working in the Asia-Pacific region to be commissioned as part of The Unilever Series to create an artwork for the vast Turbine Hall at Tate Modern. Ai Weiwei has said liberty is about the right to question everything. His works in a wide range of media are characterized by social and political engagement and a constantly enquiring mind. Whether as an artist, curator, critic, designer or architect, he has played a key part in contemporary Chinese art and culture of the past two decades, not least through his collaboration with architects Herzog & de Meuron in designing the 'Bird's Nest' stadium for the 2008 Beijing Olympics.This book provides important insights into the creative processes of this exciting and dynamic contemporary artist. The ebook includes two specially made films.

Leseprobe

CONTENTS

Title PageIntroduction Juliet BinghamAi Weiwei’s Relevance Carol Yinghua LuA Conversation Ai Weiwei, Juliet Bingham and Marko Daniel@aiwwCopyright

JULIET BINGHAM

INTRODUCTION

Ai Weiwei in Jingdezhen, southern China, 2010

1 Studio House, Beijing 1999

Instead of putting a personal mark on something as an artist, you set up a structure, you make room for possibilities.1

Ai Weiwei’s house and studio complex, FAKE Design, is located in Beijing’s northeast Caochangdi district, a semi-industrial area near the city’s fifth ring road and not far from Beijing Capital International Airport. The studio bustles with activity day and night, while at its centre Ai’s nonchalant presence belies his radical thinking and incessant output. The constant stream of visitors to the studio includes musicians, actors, collectors, curators, architects, academics, fashion designers, journalists and film crews, many of whom are informally photographed by Ai and their images posted directly onto the internet, part of his approach to making his life and art transparent.

Before it was shut down by the Chinese authorities in May 2009, Ai had a popular blog on which he posted thousands of documentary images of his life alongside poignant social and political commentaries. He now avidly uses Twitter, on which he currently has over fifty thousand followers, to communicate his philosophical and political views.2 A number of assistants live within the studio compound in their own apartments, while others arrive each day to work on various projects, from Ai’s ongoing citizen’s investigation into the thousands of children who were killed in the Wenchuan Earthquake in Sichuan Province on 12 May 2008 (a disaster compounded by the collapse of inadequately built schools) to preparations for myriad international exhibitions, commissions and biennales. The studio has a cook, vegetable garden, chickens, ducks and idle dogs, not to mention the many ‘rescue’ cats. In fact, cat welfare is the subject of the Studio’s most recent hard-hitting documentary distributed via the internet, San Hua, which reveals the cruelty of the Chinese cat-trafficking trade.3 Ai’s other, larger studios are located further outside the city, and accommodate skilled craftsmen who produce his ‘dysfunctional’ sculptures using ancient Chinese furniture and complex temple-wood structures. Ai also has his own kiln and a dedicated team in Jingdezhen, the ‘porcelain city’ in southern China’s Jiangxi Province, producing his varied ceramic works and continually experimenting with new ceramic forms.

2 Studio House, Beijing 1999