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"We've stepped out of a safe line somewhere ..." A screen adaptation of Algernon Blackwood's celebrated story by Wayne Kyle Spitzer.
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Veröffentlichungsjahr: 2018
ALGERNON BLACKWOOD’S
T H E W I L L O W S
Screenplay
by
Wayne K. Spitzer
––––––––
Based Upon “The Willows”
and Other Works by
Algernon Blackwood
––––––––
First Draft
(un-formatted)
Jan 12, 2008
Title Page
Algernon Blackwood's "The Willows" | A Scriptment
1247825
WGA Registration no#
ACT 1, SCENE 1
EXT. A MIGHTY RIVER. DAY.
Opening Image / Titles sequence. Aerial view rushing headlong over a winding Canadian river. Camera flies at dizzying speed over rapids, through sunlit mist. We hear an ecstatic, almost painful shriek which seems to tear through Nature itself. We hear the hum of some region beyond, which becomes a roar! Camera dips and climbs, swooping around river boulders, spiraling between crags, diving into the current and out again, like a dolphin. A base hum builds, inexorably, as we see a triangle-shaped spit of land appear—the point of which divides the river—draw near. The small island is crowded with willow bushes. We rush to a halt on a FIGURE IN A HOODED PARKA, standing immobile before the bushes with its back turned toward us. The figure begins to turn around....
SLAM-CUT TO:
ACT 1, SCENE 2
INT. NEW YORK SUBWAY. DAY.
The L-train rushes past. Cut briefly to conductor’s POV as the train roars down the track. ABRAHAM O’MALLY, 39, thin, pale, and clean-shaven, awakens as if from dream, still gripping the pole. He is wedged between other commuters. A subway beggar is pleading...
SUBWAY BEGGAR:
Ladies and gentlemen, please, anything would help.
I am a victim of identity theft and starving. Also I
have difficulty breathing due to emphysema...
ABE looks past the man at a beautiful young woman in a long, black coat, seated at the front of the car. She swipes the hair out of her eyes as she reads her magazine. A small flower is tucked above her ear. Another train swoops close outside the window, mesmerizing ABE with its blur of fluorescent faces. He looks at his watch as the conductor calls the next stop. As he gathers his briefcase and disembarks, we hear the beggar continue...
SUBWAY BEGGAR:
Ladies and gentlemen, please. I am both starving
and suffocating...
Out on the platform ABE pauses before a street musician, who is sitting cross-legged on a small rug, playing Pan Pipes. ABE looks down at him almost adoringly, pale-blue eyes sparkling. He lays a bill in the basket and hustles off. As the L-train leaves yet another train blasts past on the opposite side of the platform.
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