Amedeo Modigliani: 140 Master Drawings E-Book

Blagoy Kiroff

• Herausgeber: Blagoy Kiroff
• Kategorie: Geisteswissenschaft
• Sprache: Englisch

Veröffentlichungsjahr: 2015

Beschreibung

Amedeo Modigliani was the essence of a tragic artist. He sketched furiously, sometimes drawing over 100 sketches in a day, but many of his works were lost, given away, or in some cases, destroyed by Modigliani himself. His favorite subject was by far the human form, painting the likenesses of other artists, such as Pablo Picasso, Diego Rivera, Max Jacob, and Juan Gris, who all sat for the artist. His formal works are characterized an elongation of the human form and mask-like faces, and his work is so unlike any other of his time that it still defies classification. During his time, other artists imitated him by engaging in a self-destructive lifestyle, and still today, his fame lives on in 9 novels and dozen films.

Leseprobe

Amedeo Modigliani:

140 Master Drawings

By Blagoy Kiroff

––––––––

First Edition

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Amedeo Modigliani: 140 Master Drawings

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Copyright © 2015 by Blagoy Kiroff

Table of Contents

Title Page

Copyright Page

Foreword

Drawings

Foreword

Amedeo Modigliani was the epitome of a tragic artist. Born to a bourgeois family in Italy, he later shunned his academic upbringing and willingly devolved into a poverty stricken vagabond. He was formally educated as a life painter in his teens, quickly developing a life-long infatuation with nudes. In 1902 he moved to Florence to study at the Academia di Belle Arti, at the “Free School of Nude Studies,” and a year later he moved to Venice as a fledgling artist, where he smoked hashish for the first time. It was only after he discovered narcotics that he developed the philosophical belief that the only path to creativity was through defiance of social norms and disorder in life. Thus began a life long suffering with corrupted beauty, which would ultimately end with his untimely death and the suicide of his grief-stricken wife and their unborn child.

Modigliani contracted tuberculosis at an early age, and was constantly stricken by his deteriorated health, which may be one reason why he so willingly engaged in self-destructive behavior. Living in Paris, he had affairs with women, drank heavily, smoked hashish, and drank absinthe. In a drunken stupor, he would often strip naked at social gatherings. He was against all of the excesses of a Bourgeois lifestyle, and thus stripped them from his life, even destroying paintings that he had made in his earlier years.

Although he purposely created a life in which chaos, poverty, and trouble lurked in every corner, he was a prolific artist. He sketched furiously, sometimes drawing over 100 sketches in a day, but many of his works were lost, given away, or in some cases, destroyed by Modigliani himself. His favorite subject was by far the human form, painting the likenesses of other artists, such as Pablo Picasso, Diego Rivera, Max Jacob, and Juan Gris, who all sat for the artist. His formal works are characterized an elongation of the human form and mask-like faces, and his work is so unlike any other of his time that it still defies classification. During his time, other artists emulated him by engaging in a self-destructive lifestyle, and today, his legacy lives on in nine novels and dozen films.

Drawings

Anna Akhmatova as Acrobat

1911, Black pencil

Study for The Amazon

1909, Charcoal on paper

Detail

Naked Woman

1908, Grease pencil on paper

Detail

Naked Woman Three Quarters Right

1908, Wax crayon on paper

Detail

Nu Assis

1914, Pencil and watercolor on paper