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"The poetry is densely peopled, clamorous with voices, tender, furious and cut with an edge of hilarious clarity… the bravado, the assurance, of the beautiful-but-damned." – Sian Hughes, Poetry Review Animal People is the new collection by distinguished poet Carol Rumens. Often inspired by and infused with the weathers of various seasons of the year, many poems also feature a strong sense of place, whether it be the dramatic mountain rock-scapes of Snowdonia or the gritty streets of London and Hull. The key to the collection is the sequence 'On the Spectrum', which explores what it is to be 'on the autistic spectrum'. Drawing on personal and family experience, this poem is infused with the author's characteristic empathy, curiosity and humanity. There is a strong sense of commemoration in this collection, of time passing and of the challenges of mortality, and also a number of brilliant pieces that are influenced by translations or re-readings of classic works of literature.
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Seitenzahl: 48
Veröffentlichungsjahr: 2016
Animal People
I.M. Yurij Georgievich Drobyshev, b. Leningrad,
June, 1932, d. Pentir, Gwynedd, November, 2015.
Seren is the book imprint of
Poetry Wales Press Ltd.
57 Nolton Street, Bridgend, Wales, CF31 3AE
www.serenbooks.com
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The right of Carol Rumens to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act, 1988.
© Carol Rumens 2016
ISBN: 978-1-78172-318-0
ebook: 978-1-78172-319-7
Kindle: 978-1-78172-320-3
A CIP record for this title is available from the British Library.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted at any time or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the copyright holder.
The publisher acknowledges the financial assistance of the Welsh Books Council.
Cover Image: Joseph Albert “Wettlauf des Igels und des Hasen, 1862”
Printed in Bembo by Latimer Trend & Company Ltd, Plymouth.
Author Website:www.carolrumens.co.uk
On Standby
An Artistic Family
Easter Snow
The Teacher and the Ghosts
Spring Forward, Fall Back: a Gwynedd Skein
The Homeless Ship
March Morning, Pearson Park
Remote Bermudas
1. School Trip
2. Keats’s Reach
3. The Campus of Time-Enough
4. Lumen de Lumine
The Big Bang Year
Her to Apollo
Glosa on ‘Woman of Spring’
Two Birthday Cards
1. Under Moel Rhiwen
2. White Night
Fire, Stone, Snowdonia
Praying with the Imam at Summerfade
The Reddish Wheel-Barrow
Happy Seventieth-Birthday Blues, Mr Zimmerman
All Souls’ Saturday Night
Owls of the Ukraine
The Search
John Rodker Composes a Cold Elegy for Isaac Rosenberg
Pyramid Text
Zootoca Vivipara
House Clearance
Song of The Obsolete
Home Thoughts from the Cow-Shed
Figurine
Danae, Dinarii
It’s Time for the Weather!
A Christmas Stocking
Happy Christmas, Sister Dympna
Small Facts
In Memory of a Rationalist
From an Evening Walk-Diary
Marshalsea Quadrille
A Few Study-Notes
Hamlet
The Ship of State
Footnote
Three Fado
Laundry Blue
The Hare and the Hedgehog
On the Spectrum
About Animal People
Acknowledgements
Pass me that small pencil, sharpened nicely
At both ends, a pencil with two eyes,
And up for anything – a screed, a scribble.
The gold and navy stripes, still visible,
Might be school uniform – the low-slung tie
Of anti-fashion, mocking and awry.
The pupils do their time; some pencils sidle
Off desks and drop and vanish. But the word
Is out, this pencil says, when a bright-voiced
Young teacher names the mist in someone’s head.
And the kid stares, and sees the point at last.
A pencil starts from scratch, like anyone.
It knows hard graft, despair and knuckled tension,
A shadow flickering like a footballer’s –
Designed for transfer. It diminishes,
But leaves hard copy, proofed by crossings-out,
Forensics of the rubber, and the bruise
Of graphite on our fingers. If you’ve never
Nibbled at a pencil-top, you’ve never
Tasted words.
Pass me the pencil! Yes,
I’ll leave it by the keyboard, just in case…
We were girl-wives with an idea of beauty so simple
it featured cushions and coffee-mugs, and, once,
the matching of wallpaper to high aspiration –
a frieze. On bands of coarse cord-trim she pearled
French knots – pale green on blue, maroon on grey; she plotted
hearth-rugs in black-and-white geometries famous
as Modern Art. I favoured stripped-pine floorboards,
clashed with acrylics; she preferred Axminster’s
Turkey-red with the dark-oak Jacobean
of nineteen-thirties marriage. Both of us relished
the irony of Woolworth’s ‘wrought-iron’ planters.
She liked to quote what a teacher said about her:
“She’ll have a beautiful home. She’s so artistic.”
The beauty we could buy was decoration’s
trivia, and we laughed about that, too.
“If you want a beautiful home, marry a wealthy man.”
Neither of us did, but we went on being artistic.
I see it, more and more often,
and farther back: – the drip of Liquid Lino
on the beaks and wings of her customised Flying Ducks,
the squirrel buttons, blue, for a girl’s first cardie,
and the delicate green-and-gold Greek-key design
of our famous frieze, the best in the Wallpaper Book,
lifting the child-long day in her tiny dining-room.
“There was a man of double deed
Sowed his garden full of seed...”
Anon.
“And so I’ve found my native country…”
Attila József
There was a man of double deed
Sowed his garden full of snow,
Lit a stove he could not feed,
Sired a child he could not grow,
Who fashioned birds from wooden blocks,
And when their wings fused flight to dark,
And when the dark swept through the locks,
Fetched a book and made an ark.
But who could sail so deep a ship,
Or marry beast to bolting beast,
Dance as he would his flimsy whip
Over the backs of the deceased?
Poets must tell the truth, you said:
The poor must, too, although they lie.
We listen at your iron bed,
Under the tunnel of the sky,
And ask you softly what you need –
Blue roller-skates? A football team?
But you are far and far indeed.
And all the stumbling magi bring
Is the smoke-haze of a dream,
A floating girl, a greasy bear,
A courtyard echo-echoing
The snowy wing-beats of your heart
Towards the deficit of air
Predicted in your natal chart.
afterA Christmas Carolby Charles Dickens
There were two, a boy and a girl.
He tried to say they were fine children
but the words choked. A lie of such magnitude.
This boy is Ignorance. This girl is Want.
He sat up, startled. The room was itself, bright;
the time on his wrist as it should be.
Boxing-Day trade outside. Girls and boys
in their smart affordable brands,
shopping, texting, playing; time
on their side. Beware them both and all
of their degree but most of all beware