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In Between Two Windows, his first book of poems, Oli Hazzard takes language out to stretch and flex and bend itself into new shapes. Into the formal straits of sestinas, sonnets and pantoums stray palindromes, mirrored poems, anagrams, allusions and curiosities. His lyrics and satires dance in the spaces that open up between intention and expression, the moment when the horse attempts to throw its rider.
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OLI HAZZARD
for Lucy
Acknowledgements are due to the editors of the following publications in which versions of some of these poems have previously appeared: Best British Poetry 2011 (Salt, 2011), Clinic II, Five Dials, The Forward Book of Poetry 2010, Horizon Review, Lung Jazz: Young British Poets for Oxfam (Cinnamon Press, 2012), New Poetries V (Carcanet, 2011), PN Review, Poetry Salzburg Review, The Salt Book of Younger Poets (Salt, 2011), The Shuffle Anthology II, Warwick Review. I would also like to acknowledge the support of the Arts Council UK for a Writer’s Grant I received from them in 2011.
I would like to thank Maria Hazzard, Robin Hazzard, Greg Normand, Mark Ford, Roddy Lumsden and Michael Schmidt for their encouragement, support and advice.
Title Page
Dedication
Acknowledgements
I
Moving In
The Inability to Recall the Precise Word for Something
True Romance
Rule of Thumb
Mid-Air
Apologia
Entre Chien et Loup
Home Poems
A Few Precepts
Some Shadows
Pantoum in Which Wallace Stevens Gives Me Vertigo
Two Versions of ‘Fabliau of Florida’
Badlands
Four Landscapes
Glasnost
Solfege
A Week in the Life
Are We Not Drawn Onward, We Few, Drawn Onward to New Era?
Outside
Prelude to Growth
II
Sonnet
As Necessity Requires
Arrival
A Walking Bird
To Comprehend a Nectar
Carapace
The Asymmetric
Wyoming
In Absentia
A Later Stage of Discipline
With Hindsight
Three Summaries
Martedi Grasso
Manna
Old-Fashioned Uncouth Measurer
Sphinx
Leaving the City of Acupuncture
Kayak
Notes
About the Author
Also available from Carcanet Press
Copyright
And many standing round a waterfall
See one bow each, yet not the same to all
But each a hand’s breadth from the next.
The sun on falling waters writes the text
Which yet is in the eye or in the thought.
It was a hard thing to undo this knot.
Gerard Manley Hopkins
You take me down to the crease in the hills
Where the farm’s boundaries are smothered
By brambles and the dry stream-bed lies
Like a pelt – we follow it quietly, shoeless,
Listening to the waves at Calpe knead into
The beach, and reaching out my hand to
Touch your hair we are suddenly
Aware of the sensation that we are being
Overheard: yet all there is on this side
Of the valley is the fuzz of telephone
Wires overhead and darkness slowly
Encroaching behind the skin-pink clouds –
The orange trees, after all, seem to clutch themselves
Above the safflowers and alfalfas that
Spring from the ground like cocked eyebrows –
So, stepping onwards – stalking, by now –
Convinced that night is simply the folding over
Of fingers, leaned into a steeple – we hunt
For some burrow, some hood of earth
Where the sound of the sea is as unbroken
As it is within a coiled shell and build
A fire whose voice, like chicks-being-
Incessantly-hatched, will make our
Own seem all the more improbable. But
Now, as I sit alone, crumbling dry leaves
In my palm, it seems all I can dream of is
The onset of sleep. Really, I hardly notice
The rising heat of the circling brush fire that
Flays the whole sky of its stars.
All things are words of some strange tongue
Jorge Luis Borges
The first person you see after leaving your house
One who always wants to know what’s going on
To make money by any means possible
A surgical sponge accidentally left inside a patient’s body
Given to incessant or idiotic laughter
An incestuous desire for one’s sister
The act of mentally undressing someone
One who speaks or offers opinions on matters beyond their knowledge
A secret meeting of people who are hatching a plot
The act of beating or whipping schoolchildren
The categorisation of something that is useless or trivial
Belching with the taste of undigested meat
One who is addicted to abusive speech
The use of foul or abusive language to relieve stress or ease pain
The condition of one who is only amorous when the lights are out
To blind by putting a hot copper basin near someone’s eyes
The act of opening a bottle with a sabre
The habit of dropping in at mealtimes
The act of killing every twentieth person
One who eats frogs
The low rumbling of distant thunder
Someone who hates practising the piano
The practice of writing on one side of the paper
A horse’s attempt to remove its rider
The collective hisses of a disapproving audience
The sensation that someone is mentally undressing you
The act of self-castration
Being likely to make a mistake
One who fakes a smile, as on television
Counting using one’s fingers
The act or attitude of lying down
The smell of rain on dry ground
The space between two windows
The window I saw myself in was a room.
The sun unpacked the buildings. On the deep table
An antique map, bleached of its colours, lay twitching in
The breeze, a drowsy mantis. I drifted beneath a honeycomb of balloons;
Mistook swans for dollops of cream; saw ghosts in
The white of Chinese-burned skin. Those people
Inside looked out at me strangely. They couldn’t
Believe it when I reached out to touch them. I said, We all believe
In the value of pretending one thing is another, don’t we?
We were all a little frightened. But I could not do what
I threatened. Something else was needed to secure it in place.
Said another way, maybe it could have happened.
Said another way, maybe it could have happened,
I threatened. Something else was needed to secure it in place.
We were all a little frightened. But I could not – what?