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In Rosalind Easton's lively and inventive debut collection, everyday objects are invested with glamour and drama: a mascara wand and a pair of peacock suede stilettos are brought to life in poems exploring the complexities of relationships, and a Mayfair lingerie store provides the setting for a transformative bra fitting experience. A diverse range of literary and cultural references inspires several poems, with the poet's grandmother coming back to life as a book to 'play intellectual drinking games with Shakespeare', and Richard Burton and Elizabeth Taylor taking over the running of a secondary school. In other poems, Tilda Swinton's magazine photo shoot as David Bowie sparks an exploration of the relationship between history and identity, and a night at the Shepherd's Bush Empire with Suede becomes a celebration of the enduring power of teenage memories.
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Published 2021 by
Smith|Doorstop Books
The Poetry Business
Campo House,
54 Campo Lane,
Sheffield S1 2EG
Copyright © Rosalind Easton
All Rights Reserved
ISBN 978-1-912196-41-8
ePub ISBN 978-1-912196-51-7
Typeset by The Poetry Business
Printed by People for Print
Smith|Doorstop Books are a member of Inpress:
www.inpressbooks.co.uk
Distributed by NBN International, 1 Deltic Avenue,
Rooksley, Milton Keynes MK13 8LD
The Poetry Business gratefully acknowledges the support of
Arts Council England.
Found in Translation
Campagnolo Super Record
Did I Dent Your Car with My Head?
Girl as Bike
Bra Fitting, Mayfair
Lunchtime on Threadneedle Street
The Light Museum
Drinks Party, London Skyline
The Music Stand
The Microphone
The Undiminished Magnificence of Brett Anderson
Tilda Swinton as David Bowie
Richard Burton and Elizabeth Taylor Take Over the Academy
Backstage
Closet
Peacock Suede Stilettos
Black Mascara (Waterproof)
for my nieces
Anabel, Georgia and Margot
i.m. Nora Newton (1929–2015)
A grandam’s name is little less in love
than is the doting title of a mother;
they are as children but one step below …
Richard III
Of course I should have realised you’d come back
as a book. It was in Hatchards on Piccadilly, in the Classics
section; the shelves were out of alphabetical order –
Galsworthy, Trollope, Austen, Eliot side-by-side.
Just as I was thinking I wonder, I heard
your laugh, and there you were – a slender, sparkling volume,
looking quite at home in such illustrious company,
your handwritten name running down the spine. Evelyn Waugh
was serving at the till. There’s no charge, he said.
She’s been waiting for you. I took you home and put you
next to Dickens and Gaskell, hoping you’d find some people there
you could get on with. In the evenings I’d sit cross-legged on the carpet
with a glass of wine, listening, enthralled, to you in your element:
on the poetry shelf, Milton’s pages ruffled with pride to hear
that you’d learnt Lycidas by heart at seventeen; Wordsworth acknowledged
that your annotations on ‘The Prelude’ had deepened his understanding.
Best of all was the intellectually superior drinking game
with Shakespeare: he’d call out the number of a sonnet,
you’d recite it, word-perfect, your reward a shot of apricot brandy.
You read my childhood favourites to me again, your drama-school voice
(not a trace of Manchester left in it) still just right, somehow, for
The Famous Five and Malory Towers, but I liked your New Jersey drawl
for Judy Blume’s Freckle Juice best, which brought you to the attention
of George Gershwin and Judy Garland and Frank Sinatra
sleeping off champagne hangovers in Biography; the four of you sang
