Erhalten Sie Zugang zu diesem und mehr als 300000 Büchern ab EUR 5,99 monatlich.
A disquieting and darkly funny play which shines a light on the state of mental-health services in modern Britain. Set in a psychiatric unit, Blue looks at both sides of mental-health care – those who receive it, and those who give it. It explores the difficulties and complexities of life under observation, and shows how beautiful moments can be found even in the most fragile of circumstances. Joe Ward Munrow's play Blue was first performed at Royal Welsh College of Music and Drama, in collaboration with the Royal Court Theatre, before performances at the Gate Theatre, London. The Nick Hern Books Multiplay Drama series features large-cast plays specifically written to be performed by and appeal to young people.
Sie lesen das E-Book in den Legimi-Apps auf:
Seitenzahl: 56
Veröffentlichungsjahr: 2019
Das E-Book (TTS) können Sie hören im Abo „Legimi Premium” in Legimi-Apps auf:
Joe Ward Munrow
BLUE
NICK HERN BOOKS
London
www.nickhernbooks.co.uk
Contents
Introducing Multiplay Drama
Original Production
Thanks
Dedication
Characters
Setting
Blue
About the Author
Copyright and Performing Rights Information
Introducing Multiplay Drama
John O’Donovan
Every year, a great number of original plays are commissioned and performed by drama schools, educational institutions, and youth, student and amateur-theatre companies. Reading them, talking to their writers, seeing them in production, we are always struck by the complexity of their themes, the invention of their storytelling and the calibre of their playwrights.
Some of these plays are revived in professional productions – for instance, Growth by Luke Norris was first seen at the Royal Welsh College before being revised and produced on tour by Paines Plough in their pop-up theatre, Roundabout, and winning a Fringe First Award in Edinburgh – but most haven’t yet had a further life. It seems like the very raison d’être of many of these plays – the creation of large-scale complex pieces for young, large casts – has meant theatre companies, hamstrung by ever-shrinking budgets, haven’t been able to find a way to give the plays the continuing existence that they deserve.
That’s why Nick Hern Books has created Multiplay Drama – a new series aiming to bring back to the fore some of the best plays for large casts we’ve read. Offering ten high-quality plays that originated with various drama schools and youth-theatre companies, it provides a selection of ambitious, complex, dramatic and theatrical plays with one common factor: large casts of rich, exciting characters for teenagers and young adults to perform.
No one-person shows. No knotty two-handers. No triptychs. These are plays with big ideas and need big companies to put them across. From the relatively modest seven-hander Blue to the 75+ speaking characters in katzenmusik, these plays offer multiple perspectives and clamorous takes on some of the most important issues of today.
In making these plays available to read and perform, we’re hoping to see a legion of other drama schools, youth theatres, student-drama societies, sixth-form colleges and amateur-theatre companies gaining ready access to the kinds of plays that interrogate both theatrical storytelling form as vigorously as they question the world we live in today. In every play in this first ‘season’ of the initiative, actors will find roles that are fleshed out and demand self-reflection, that justify their time on the stage and find their place within a larger set of characters.
If your performance group is looking for a play that builds a post-apocalyptic world and focuses on a large group of identifiable characters navigating through a dystopian vision of Britain – we have the play for you; if you prefer a play where a Chorus comes and narrates across time zones and locations, splitting up voices to tell a fragmented story – we have the play for you; if you want to wonder what it’s like to spend every day in a psychiatric unit; or in mourning for a loved one; or even what it’s like to metamorphose into an animal – we have the plays for you…
Multiplay Drama is a great way for plays with large casts to find even larger audiences. Commissioned by some of the most illustrious educational and youth groups in the country, and featuring playwrights whose work has been seen on the most celebrated of stages, these ten plays offer rigorous storytelling, unflinching explorations of contemporary issues, and a willingness to experiment with theatrical form and invest even the smallest of roles with significance and dignity. They are ideal for companies with a lot of performers looking for fresh, modern and dramatic stances on the world we live in today.
John O’Donovan is Consultant Editor at Nick Hern Books.
An exciting new series of large-cast plays, specifically written to be performed by and appeal to older teenagers and young adults.
Blister
The Red Helicopter
Laura Lomas
Robin French
Blue
Skunk
Joe Ward Munrow
Zawe Ashton
katzenmusik
Spooky Action at a Distance
Tom Fowler
Eve Leigh
Landmines
THREE
Phil Davies
Sophie Ellerby
The Real Estate
VS09
Freddie Machin
Hayley Squires
‘Some of the freshest and most relevant theatre being made today is when dynamic next-generation playwrights collaborate with young companies and drama schools. Making these plays available will continue to bring them to life in new and exciting ways. A brilliant initiative.’ Sarah Frankcom, Artistic Director of Manchester’s Royal Exchange Theatre, and Director Designate of LAMDA
www.multiplaydrama.co.uk
Blue was commissioned and first performed by Royal Welsh College of Music and Drama, in collaboration with the Royal Court Theatre, London, at the Bute Theatre, Cardiff, on 22 March 2016. The cast was as follows:
JON
Jack Archer
BOBBY
Sean Elliott
MATTY
George Fletcher
SARAH
Charlie Gillette
RICKY
Nickcolia King-N’Da
ANNA
Hannah Millward
LUCY
Bianca Stephens
CARL
Connor Vickery
Director
Jude Christian
Set & Costume Designer
Anke Lambrechts
Lighting Designer
Sam Smith
Sound Designer
Sam Jones
Assistant Production Manager
Alex Johnson
Stage Manager
Anastasia O’Sullivan
Deputy Stage Manager
Lucy George
Assistant Stage Manager
Hollie Voice
The production was subsequently performed at the Gate Theatre, London.
Thanks
Louise Stephens
Dave Bond
Heather Davies
Jude Christian
For Joe Abel
Characters
ANNA, a new support worker, band three
BOBBY, an experienced support worker, band three
CARL, nurse, band five
JON, diagnosed with depression
LUCY, diagnosed with paranoid schizophrenia
MATTY, diagnosed with bipolar disorder
RICKY, diagnosed with paranoid schizophrenia
SARAH, a clinical psychologist
Setting
An inpatient mental health unit in the UK.
Note on Text
A dash (–) at the beginning of the line indicates a change of speaker.
A slash (/) indicates when the next line should begin.
Speech in [square brackets] is intention and not to be spoken.
1.
– Sits between
– The broken thighs
– Of a pretty song’s
– Attempts
– To fuck itself together.
– Meanders
– Gone
– Went
– Left
– Wending
– Through
– The basin and the river.
– And me and myself
– And the
– Child-proof safety catch.
– That rose
– And rises
– Left and went
– Upped and gone
– And went and left.
– But mainly gone.
– / Of rule words
– Rude worlds
– and weeps and breaks
– And breaks again.
– Shining spinning / sinning upwards
– Singing / upwards
– And sinning / upwards
– But singing / upwards
– And sinning / upwards
– Singing / upwards
– And sinning / upwards.
– Sits there
– A gleaming empty loss
– Crouched and hard
– Spinning
– As