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Six plays by some of the most exciting and distinctive female voices in British theatre, exploring the heartbreaking truth about the lives of women in the criminal justice system. The plays were commissioned and premiered by Clean Break, a theatre and education company working with women whose lives have been affected by the criminal justice system. Included in this volume: Fatal Light by Chloë Moss, about a young mother's inability to cope with separation from her daughter. Taken by Winsome Pinnock, about a mother confronted by the child she had to give up. Dream Pill by Rebecca Prichard, about two children forced into prostitution. Doris Day by E V Crowe, about two police officers and their different expectations of the job. Dancing Bears by Sam Holcroft, about the twisted loyalties and violence in teenage gangs. That Almost Unnameable Lust by Rebecca Lenkiewicz, about a writer holding workshops with older women in a prison. The plays were first performed at Soho Theatre, London, in November 2010.
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CHARGED
Six short plays
EV Crowe
Sam Holcroft
Rebecca Lenkiewicz
Chloë Moss
Winsome Pinnock
Rebecca Prichard
NICK HERN BOOKS
London
www.nickhernbooks.co.uk
Contents
Title Page
Original Production
Dream PillRebecca Prichard
Fatal LightChloë Moss
TakenWinsome Pinnock
Dancing BearsSam Holcroft
That Almost Unnameable LustRebecca Lenkiewicz
Doris DayEV Crowe
About the Authors
Copyright and Performing Rights Information
The six plays in Charged were produced by Clean Break and first performed in two cycles of three plays each at Soho Theatre, London, on 10 November 2010. The cast was as follows:
Dream Pill
BOLA
Danielle Vitalis
TUNDE
Samantha Pearl
Director
Tessa Walker
Fatal Light
AINE
Isabelle Mason
JAY
Rebecca Scroggs
KERRY
Ony Uhiara
MAGGIE
Ashley McGuire
POLICEWOMAN
Emma Noakes
Director
Lucy Morrison
Taken
DELLA
Beatie Edney
NANA NOLA
Janet Henfrey
NOLA
Rebecca Oldfield
Director
Caroline Steinbeis
Dancing Bears
AARON
Emmanuella Cole
ANGRY/BABYMOTHER
Danielle Vitalis
DEAN/RAZOR KAY
Ony Uhiara
RETARD/CHARITY
Samantha Pearl
Director
Tessa Walker
That Almost Unnameable Lust
KATHERINE
Janet Henfrey
LIZ
Beatie Edney
WRITER
Rebecca Oldfield
Director
Caroline Steinbeis
Doris Day
ANNA
Rebecca Scroggs
DAISY
Emma Noakes
Director
Lucy Morrison
Designer
Soutra Gilmour
Lighting Designer
Johanna Town
Sound Designer
Emma Laxton
DREAM PILL
Rebecca Prichard
Characters
TUNDE
BOLA
Setting
A basement.
TUNDE is silently weeping into an old cushion shared between two mats. BOLA is concerned and looks between TUNDE and the audience, caught between a feeling of exposure and the possibility of help.
BOLA
I don’t know why she’s crying
She just has days like this (
Shrugs
.) she’s just having a bad day
(
To the audience
.) Why are you here?
BOLA
moves her mat a little farther from
TUNDE.
Tunde, I’m putting my mat over here
Tunde, I’m going to put my mat here but you can still touch it
You want me to comb your hair?
Why are you crying?
There’s a room she doesn’t like. Someone called her a bad name de.
BOLA
sees an empty chair in the audience
.
Are we allowed to sit here?
Tunde.
Tunde.
We can sit with them.
TUNDE doesn’t move, and BOLA is unsure.
BOLA comes forward but then retreats a little to wait for TUNDE.
Yeah. Those mats are hard
(To TUNDE.) Do you want to come and sit?
TUNDE
is curious but does not move, she remains watching
BOLA
however
.
You didn’t do nothing to them. Sometimes the men that come are angry but you didn’t do nothing to them
Want me to paint your eyes?
(
To the audience
.) You can ask her a question She might come over here
BOLA
approaches the audience
, TUNDE
follows a little distance behind
.
I’m nine she’s ten
Do you know what her whole name is? It’s Yetunde. If you call her Tunde she says she doesn’t mind but really she does
TUNDE
shrugs
.
She’s quiet. I’m loud
TUNDE
(
Quietly
.) I’m loud too
BOLA
I look after her sometimes
They look at one another, smile a bit
.
But it depends. Sometimes she looks after me.
TUNDE
Yeah
BOLA
sees someone in the audience who has long hair
.
BOLA
(To a woman in the audience.) You got long hair.
(To TUNDE.) She got long hair
(To the woman.) Can I touch your hair?
She reaches out almost to touch it then withdraws
.
Why do you have long hair? Does it hurt? I know someone that had long hair but she cut it off because people were always pulling it. Has anyone ever pulled your hair?
She got long hair
TUNDE
is amazed
BOLA
almost touched someone in the audience and has not been told off
.
She approaches. She holds a necklace in her hand that’s broken. She shows it to the audience
.
(As if the audience member broke it.)You broke it.
You’ll pay!
Not really!
They laugh a little and
TUNDE
places the broken necklace in a hiding place
.
(
To audience member
.) I have a big belly
She mimes a protruding belly
.
It’s got no hairs though
BOLA
and
TUNDE
approach the audience again
.
Are you spirits?
TUNDE
We’re not spirits
BOLA
We’re real
She’s ten. I’m nine
TUNDE
No, I’m nine too
BOLA
When will you be ten?
TUNDE
shrugs
.
TUNDE
Soon.
BOLA
What will you get?
TUNDE
Sparkly clothes
BOLA
I’m going to get clothes.
BOLA
nods as if to say ‘Good?’
TUNDE
Yeah, it’s good
BOLA
Yeah.
BOLA
crouches down to inspect the audience’s shoes
. TUNDE
copies her but is not quite as bold
.
(
To the audience
.) I like your shoes. They’re nice. I like what you’re wearing. It’s nice.
TUNDE
Are you going to work here?
BOLA
…if you are going to work you should probably change your clothes
TUNDE
Yeah.
BOLA
Get set
TUNDE
Baff up bit
BOLA
You will like working here
TUNDE
We like it, is alright
BOLA
Iss easy. Is better than washin’ feets
TUNDE
Is better than that.
BOLA
You can relax here
TUNDE
You can unwind
All day long
BOLA
Unless it’s night-time
TUNDE
You can see films and
BOLA
You can see yourself in a film, like dream
TUNDE
Or play games
BOLA
And if you are sad you can hear music
BOLA
turns on a small transistor radio, a favourite song of theirs is playing, and they call out the name of the singer:
BOTH
Beyoncé!
BOLA
is about to raise the volume on the radio. A reverberating sound as Dawud throws a box down the stairs offstage. Both
TUNDE
and
BOLA
freeze and startle but then pretend not to
. TUNDE
turns the music down
. TUNDE
and
BOLA
go and peer up the stairs
.
BOLA
You’ll bring him down
TUNDE
No he’s going back up
BOLA
He will come down again
Pause
. BOLA
eyes
TUNDE
slightly authoritatively
.
You got to drink more water
TUNDE
sips from a litre bottle of water in the corner
.
She forgets
Another sound of Dawud shifting and moving things around
.
(
To audience
.) Das okay
TUNDE
Das jus Dedeh
BOLA
He is bossman
TUNDE
He nice but
BOLA
He shouts all the time.
TUNDE
He shout so he forgot how to speak
They wait for the audience’s reaction
.
BOLA
He brings us gifts. You will like him
TUNDE
Yeah sometimes he will bring you gifts
BOLA
Sometimes we sleep with Dedeh
…sometimes he just sleeps with me
TUNDE
And me as well
BOLA
But he never touches us
He just takes his watch off
TUNDE
Yeah, and in the mornings he coughs
BOLA
He lets us watch de screen
TUNDE
He can let you sit with men
BOLA
He will let you sit with men
TUNDE
(
Miming someone weighted down
.) Some are heavy
BOLA
They get eyes that are open but never look at nobody
TUNDE
People are sad because their clothes are too heavy for them. When they take them off they go ‘phpphoo’. Their skin is cold and white with blue bits
BOLA
Their eyes are like this
Demonstrates shifty eyes gliding over surroundings without landing on anything
.
TUNDE
Yeah, they got eyes like this
She demonstrates small distant eyes with her fingers
.
They begin to imitate how the English accent is different from their own accents
.
BOLA
They say ‘down’
TUNDE
‘Round’
BOLA
‘Brown’
TUNDE
‘Sit down’
BOLA
‘Come round’
TUNDE
‘Your skin is brown’
BOLA
Their blood is white and sticky
I can tell you how to make them go quick. Just go ‘yeah-yeah-yeah’ like that
Or you can make a pose
TUNDE
(
Something that indicates anal
.) Boom boom
BOLA
(
Something that indicates frontal
.) Bang bang
TUNDE
(
Something that indicates oral
.) Yum yum
They make various poses during the above and laugh at one another
.
BOLA
You don’t have to touch them you can jus’ dance for them
TUNDE
Yeah you can dance like this
They switch on the radio again. They dance around, pulling moves
.
BOLA
Bang bang
TUNDE
Boom boom
BOLA
Yum yum
TUNDE
We move for you
BOLA
We get Bakassi
TUNDE
We get move
More sounds offstage of loading and unloading gear
. BOLA
and
TUNDE
turn the music down to listen, reminded of their ‘work’
.
BOLA
You must change
BOLA
pulls out a glittery dress for
TUNDE.
Dedeh brought dis for you…
TUNDE
Or you can wear’t?
BOLA
He will get mad.
TUNDE
shrugs
.
He says you are lazy. (
To the audience
.) He says she is lazy.
TUNDE
(
Shrugs
.) I am lazy.
Pause
. TUNDE
approaches the audience
.
Sometimes Dedeh threatens to beat us
BOLA
But it doesn’t hurt when he beats us
TUNDE
Yeah we just say it doesn’t really hurt
BOLA
Because he’s a bit gay
TUNDE
Yeah he’s gay
They glance at each other and wonder if the audience will let them get away with saying this, they laugh a bit
.
BOLA
He says that one day he’ll set fire to this room But he won’t
TUNDE
Will he?
BOLA
He can’t set fire to room because all our stuff’s here
BOLA
runs to their ‘hiding place’ in the room and draws out a necklace and amulet
.
TUNDE
Important sturvs
Dis tings we found here
BOLA
Dis a necklace dat protect you against demon
TUNDE
Is necklace we get for protection
BOLA
Dis one – (
The necklace
.) my antie gave me
TUNDE
She gave ha with a wish
BOLA
Das blessing
She say
Ki Olorun Ki Ofu Li
BOTH
Emmi Gigun [
‘May God bless you with a long life’
]
TUNDE
Do you know what it means?
BOLA
Is blessing
TUNDE
Antie.
BOLA
Dis a shoe we found
TUNDE
also wants the audience’s attention so shows something she has found
.
TUNDE
Dis a link for button… (
She holds the cufflink to her ear as an earring
.)
BOLA
She don’t know my antie but she misses her as well. Because I told her about my antie. You miss her too isn’t it?
TUNDE
Yeah
BOLA
But she don’t know ha
She have no antie, is not ha real antie
TUNDE
But she like antie
She smell of paffin
BOLA
Paraffin for lamp
They breathe in, enjoying imagining the smell
.
TUNDE
And cooking
BOLA
She get smooth back from all de children she carry. Dey smooth a special place for me to sit, vey comfortable. When she sleep she talk for ha, but is my antie
TUNDE
Do you know that it is dangerous to talk in your sleep?
Cos if you talk in your sleep, spirits can enter de
BOLA
Dedeh talks in his sleep – is dangerous
TUNDE
He doesn’t know it’s dangerous
BOLA
Yeah. Sometimes he talks in his sleep, he goes like this
Mmmngh
TUNDE
Nnngh Mama
BOLA
I’m not bad Mama
They laugh a bit
.
TUNDE
It’s because he has problem – e nor kolo [
crazy
]
BOLA
It’s because he’s sad inside.
TUNDE
Dis a shoe we found here. After we was sleeping
BOLA
It wasn’t de before
TUNDE
Is a shoe we found
They hold and inspect the man’s shoe, and offer it to the audience to inspect
.
BOLA
And dis a cigarette… butt… a cigarette butt
TUNDE
Dey was not de when we was sleeping. It is ghosts… dey enta
BOLA
Is because – she talks in ha sleep so demon – dey enta here
TUNDE
They make smoke
BOLA
points to an air vent
.
BOLA
They come through there
TUNDE
points to the stairs
.
TUNDE
Dey leave de. Dey are from de sound in dis pipe. They make sound from de throat
BOLA
Dey come through here – (
Indicates vent again
.) They travel de – (
Indicates pipe
.) they leave de – (
Indicates exit
.)
TUNDE
Das why we get protection. Das why we use dis
TUNDE
holds the amulet
.
Ha antie get one too. She hold it for protection
BOLA
Is blessed – De priest bless it. She gave us dis
Have you ever been to winch? She like madam. You go pay dem for protection before you go on journey, is like blessing. Dey protect you from demon and hex.
My antie take me to protect me on long journey, she pay dem
TUNDE
First you mus be in a darken room
BOLA
No no no wait – first you must – de madam,
she must see you for daylight – she look at you, look you up and down.
TUNDE
Oh yeah
BOLA
Your antie take you
BOLA
positions
TUNDE.
Tan de, tan de [
stand there
]
BOLA
pretends to be the madame
. TUNDE
pretends to be
BOLA. BOLA
leans back, arms folded, and regards
TUNDE
as if she were a bad smell, and occasionally pokes and prods her
.
Hmmmmmmmm – (
She clicks her tongue or some other mannerism, skeptically
.) No bad. No bad. Tun [
turn
]. Tun. Comot for hia. Mm. Show me you teeth. Mm
TUNDE
smiles wanly to show her teeth
.
TUNDE
Ha breath tink. De woman get dead animal fe mout’
BOLA
(As Madame.) Na bad. She strong. Nothing do her, she not bad at all.
TUNDE
Ha teeth – ’e be like say God put dem for mouth wid bat – dey confuse.
BOLA
(
As Madame
.) Tun. Dis ha nylon na be silk, her diesel na be four-star unleaded, but she dey kampke, na endurance go test ha when she go UK’s.
If she stay here ’e no go betta for her – she juss dey here laik dele [
being idle
], myself I got green cad, visa, papas, passport, immigration – na wahala [
trouble
] – Lady, I have bin dey myself – shine your eye – (
She shows off or rattles jewellery
.) Pepper don rested and crested wid me [
I’ve made a lot of money
], seen, I get pound I get dollar, I get euro, I get lira, do you know Folake’s child, dat speak five langwish, she speak am all, she get euro like turn water fe tap
Mek you kuku tink on it. I get so much money, smell me – (
She sniffs her armpit or hand
.) I stink of it. We arrange all fe you – no wahala, no long ting [
no problem
], you nor lift hair –but I – you must – abeg mek you add extra – I say make you add extra, na so so wahala for carry pickin, de trouble wey my eye see nor be small. I mus’ settle priest, police, custom, soljah, dem nor chop [
consume or eat
] dollar small-small
TUNDE
De madame – she sell heap and powder
BOLA
Dagbo visa [
fake visa
]
TUNDE
Barks and herbs
BOLA
SIM card
TUNDE
Medicine for constipation
BOLA
Battery and freshna
TUNDE
Paper for Yankee and Jand
BOLA
If you fit fe journey den de madam go take you to priest
TUNDE
Dis how priest protect you from demon
BOLA
She tek you – dem put you in darken room
TUNDE
You mus’ wash
You have fe drink whisky
TUNDE
pretends to take a clipping of
BOLA
’s hair
.
Dem take clipping of your hair
BOLA
Dey draw circle round you
She mimes drawing a circle
.
Dey take your cloth
TUNDE
No no no – you must undress. Dey take your panties
BOLA
Dey put it for jar. Dey cut you here and here
TUNDE
Dey go put am for shrine
BOLA
No dey float jar for water, because your journey you go fly ova water
TUNDE
And you must swear –
BOLA
Swear
TUNDE
You pay back de contrac’
BOLA
Ev’ry dollar, cos if you ansa boss –
TUNDE
If you nor wuk hard
BOLA
If you nor earn Oga [
boss
] money
TUNDE
If you speak out
BOLA
If you run away
TUNDE
If you ansa
BOLA
Dey go chase you down
They go up close to the audience, warning them directly
.
TUNDE
Demon can enta your mind
BOLA
Dey can enta your dream
TUNDE
Dey can punish you
BOLA
Dey can steal you thought and mek you mad
TUNDE
Dey can dry up you thot
BOLA
Kill you, wake you, kill you ’gain
TUNDE
Give you disease
BOLA
AIDS
TUNDE
Dey can kill you mama
BOLA
Leave her bodi wey by roadside
TUNDE
Dat she torn apart by dog
BOLA
Yeah – zombie can enta your dream. Tunde has seen zombie
when she sleep with Dedeh
She see inside ha own dream
For film
Tell dem
She hear sound
TUNDE
No…
De is – you can jus’ see dey fingers, dey touch you. When you are sleeping. When you take pill. Dey get fingers dat are white like bones. De flesh rot way. Dey touch you hair wey you left am for priest. You can hear dey breath, is heavy. Cuz dey are dead.
BOLA
She say you can be wake, dey can wake you but you still sleeping. You cannot move. Only you eye.
Tunde can make herself die and come back to life like spirit
TUNDE
shakes her head as if to say not really, but this is partly out of embarrassment
.
Like abiku
TUNDE
No is you
No you do that
BOLA
She can put spells on people. (
To
TUNDE.) Isn’t it?
TUNDE
is unsure whether to accept this
.
You know this sound – (She puts her ear to a pipe or imitates its sound.) That’s where she goes (To TUNDE.)… you said
(To audience.) And she goes where the dreams in the dream pills are born
(Beat.) One time, one time
she had a faint into a trance
TUNDE
Yeah – I fell to the ground –
BOLA
Show them
Her eyes go went all inside – (Demonstrates.) You just saw the whites of her eyes.
TUNDE
feels proud of her new status as a spirit, but also exposed
.
Show them what you did with your eyes
TUNDE
briefly imitates herself before a trance
.
What do you see?
TUNDE
Nothing. Just faces
BOLA
But sometimes they hold onto her, and they talk to her
What do they say?
TUNDE
They say this world is not real
They say the people of this world don’t really want us here
And we going home
BOLA
Will you go back?
BOLA waits expectantly for a reply. Again TUNDE is unsure how far to enter this idea.
Sometimes she just falls into a trance, but she can’t just choose, can you?
TUNDE
simply stares back at
BOLA.
She can’t fall into trance whenever she wants because the spirits decide when to call her, and she has to be careful because they might not let her back so…
As
BOLA
speaks
TUNDE
allows her eyes to retreat, showing just the whites of her eyes, and she falls to the floor behind
BOLA. BOLA
is shocked and goes to inspect her. She looks at her flickering eyes and puts her hand near
TUNDE
’s nose to feel for any breath
.
Tunde? Tunde?
Just as she is about to listen to
TUNDE
’s heart
TUNDE
jumps up with a roar and
BOLA
rolls away and they collapse laughing
.
TUNDE
Ra!
BOLA
Ah!
They play-fight a little, then become serious again
.
TUNDE
Dem touch you, pick you as you sleep, move you
BOLA
You nor know
TUNDE
Dey leave mark on you body
BOLA
You nor wan sleep. You ketch fear
Dis why you get special pill
TUNDE
Dream pills
BOLA
Is a special pill for protection – Dedeh give it
TUNDE
Is a pill which catch demon inside
It make you faint
It go like this
Demon move
They look like dis
She imitates something which could either be a spiritual state or, equally, a sexual one
.
De eyes go like dis
(She imitates an ecstatic fluttering of eyelids.) for film
BOLA
Yeah – dey flutter and dey roll
TUNDE
Dedeh can capture dem inside screen
BOLA
And we get mark
See?
TUNDE
Yeah – when you wake you have mark
They show the audience marks on their arms
.
BOLA
Here and here
TUNDE
and here
They show the audience other marks they have found on their bodies – on their hands, backs or legs. These could be friction burns, bite marks, bruises or other strange marks
.
Dis were not here before
BOLA
Dey are real, because if you go to their place, when you sleeping, they can mark you
TUNDE
Is it?
They wait for a response
.
BOLA
They nor know
Dedeh says you wake up in a place, diff’rent place, wid diff’rent room and it is still real. Is dat true? Are we still real?
TUNDE
Are you?
BOLA
and
TUNDE
receive no reassurance from the audience. They transfer their fears onto the pipes and vents in the room
.
BOLA
Zombie enta de
TUNDE
Dey leave de
BOLA
Dey are in pipes
TUNDE
Dey hold meetings
BOLA
Dey talk
TUNDE
Dey chant
BOLA
It is in de throat
Dats why we wan leave dis room
TUNDE
Das why
BOLA
Dedeh says one day he will fly us home
TUNDE
We tell him we nor like dis room
BOLA
We tell him we wan fly home
TUNDE
He say he will fly us home
BOLA
Do you know when you take off in a plane pessin look smaller dan you hand
TUNDE
Dedeh says we go fly from here
BOLA
De first time she saw screen was when she fly. She thot it was a dream coming from de back of a person’s head, because de TV was in the seat. Ca she a bush person
TUNDE
No you are
BOLA
