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Poets like Cliff Yates only come along every so often, like eclipses or rare migrating birds, and, like an eclipse or a rare migrating bird, Cliff Yates should be gazed at, parked near, and written about. People often talk about poets being fresh, and they mean fresh like bread, likely to go stale. Cliff Yates is fresh like the very first crack of dawn is fresh: unique unrepeatable, full of promise.' — Ian McMillan
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C L I F FY A T E S
S E L E C T E DP O E M S
This ebook original Selected Poems published 2014 by smith|doorstop Books The Poetry Business, Bank Street Arts, 32-40 Bank Street, Sheffield S1 2DS
www.poetrybusiness.co.ukCopyright © Cliff Yates 2014ISBN 978-1-910367-17-9
Cliff Yates hereby asserts his moral right to be identified as the author of this book.British Library Cataloguing-in-Publication Data. A catalogue record for this book is available from the British Library.
ebook generated by alancoopercreative.co.uk
smith|doorstop Books is a member of Inpress,www.inpressbooks.co.uk. Distributed by Central Books Ltd., 99 Wallis Road, London E9 5LN.
The Poetry Business is an Arts Council National Portfolio Organisation
Contents
from Henry’s Clock (1999)
Tonight in Kidderminster
1959
Waiting for Caroline
Ferret
Visitors
Hank
Apples
Leswell Street
Poem On The Decline of the Carpet Industry
Saturday Afternoon
Henry’s Clock
Oakworth
I’m Sorry, I Didn’t Sleep Last Night
Dance
On the Difficulty of Learning Chinese
Reel-to-Reel
Clara
Playing for Time
Apprentice
Bricks in the Snow
Borth
Telescope
The Day the Lawnmower Caught Fire
from The Pond Poems
Get Me Flowers
Life and Soul of the Party
Meeting the Family
Naked the Philosopher
from 14 Ways of Listening to the Archers
from Frank Freeman’s Dancing School (2009)
Lighthouse
Locked In
Thank You for the Postcard I Read it
Emergency Rations are Tasting Better and Better
Fishing
He Squeezes Tennis Balls to Strengthen his Hands
On the Third Day
Leaves are Just Thin Wood
Summers
The Morning they Set Off it was Snowing
Daglingworth Blues
There Are Mountains but I Can’t See Them
Cross Country
Day Breaks as a Petrol Station
L’Hermitage and a Bird
Hôtel de l’Angleterre
Shoes
Would You Listen to the Safety Instructions Please
At the Smell of the Old Dog
Proportion
Apple Trees in a Gale
Baldwin Road
New White Bike
Hair
Yes
When She Got Back After Her Funeral
Fun
Borneo
Your Limbs Bound and Mouth Full of Cloth
Picking Up Speed
Kidderminster-on-Sea
Climbing the Tree to Pick Fruit he Fell and Lost
Wake Up
Return
Gower Road
Mid-Gallop
Vienna
Rock Cross
Noise
Fireside Bookshop
Knowledge of This Sort Helps Keep Society Together
Still Alive
The Poem
On the Street in Bratislava
Boggle Hole
Fever
I am a Crab
The Science of Predictive Astrology
Snow
Chez Marianne
from Bike, Rain (2013)
Life Studies
Alt St. Johann
Easter
Basque Country
The Chinese Girls Played Cards
Gate
Boat
He Takes Off his Hat and Steps
Chicken
Blackpool North
I Met My Friend
February, Colden Valley
Bike Ride
Shakespeare and Company
fromHenry’s Clock
Tonight in Kidderminster
begins under streetlights and their word is speed.
Two of them, chewing gum with their mouths open,
thumbs in their pockets and feet tapping.
The tall one sees me first, sees the hat. This hat
goes with the hair, the desert boots and jeans,
the shabby raincoat and ripped gold lining.
It goes with the sky before rain and just after,
and with one unforgettable night on Kinver Edge,
eight of us in the back of a mini van.
This hat is my dad’s and I wouldn’t sell it for fifty pounds.
*
They chased me for the hat and lost, turned left
into another story. Fiction.
It begins up an entry, trembling hands
full of someone’s prescription.
Eyes that are needles
sewing the hem on tomorrow’s shroud.
*
Or gramophone needles. The first record
is Stravinsky’s Soldier’s Tale.
The devil’s guest Private Faust
has forgotten The Silent Princess.
He hums along to the drum solo
and dreams only of the fiddle
he traded for a book, words
he could not read, words he can’t remember.
*
Next it’s 4’ 33’,
a bootleg of David Tudor
live in Woodstock, New York 1952.
The duff tape missed the rain
on the roof, traffic in the distance,
the people angrily rising and leaving
but detected the silence, four years
in the making. Listen. No
sound but the lid of the piano.
Tonight in Kidderminster our audience
is the night. The agitated stars cough less
and less discreetly, by the third movement
programmes flutter like moths. Barely visible
to the naked eye, the devil jigs
to the soldier’s fiddle while The Silent Princess
wheels the plough across the night sky
and the pole star stays where it is.
1959
I have the 1950’s in the palm of my hand.
It is a plastic Austin Seven,
inside my glove with the hand-brake on.
Such a pale yellow, almost transparent.
There’s smog on the way to school again.
My brother holds my hand across the road.
I like American comics: Jughead,
Mutt and Jeff, Sad Sack. What’s a fire hydrant?
I re-read the punch lines. Sometimes
I get it, sometimes I don’t. I even read
the adverts on the back, fill in my address.
There’s a dead hedgehog in the road.
Paul turns it over with his foot - I dared him.
What’s the ‘zip code’ for Birmingham?
Waiting for Caroline
Outside Readings on Blackwell Street,
bikes in one window, jokes in this one:
nail through your finger, Frankenstein,
invisible ink. She looked great
behind the gym at dinner time.
Her friends were in the long jump pit,
out of sight of the dinner ladies,
holding down Andy and giving him love
bites. Outside Fletcher’s, Mr Fletcher
humps potatoes, sings in Italian. She’s late.
I’ve been set up. Like Cary Grant
in North by North West.
I’ll hear it
before I see it: the crop duster –
out of the sun above the multi-storey
dipping dangerously over the Seven Stars.
I’ll make it to the Red Cross on Silver Street,
under the ambulance, hands over my ears…
On the way home the fat man in the black suit
will climb on the Stourport bus with his cello.
I imagine her coming round the corner
by the Riverboat: she’s run from the bus stop
but she’s not sweating, she’s smiling
like the girl in the Flake advert.
I’ll tell John I didn’t turn up
and if Frog says anything I’ll hit him.
Ferret
My ferret is a very British ferret,
shy and retiring unless provoked.
I keep him in a special case, separate
from the snakes, strapped to the petrol tank
of my BSA 500. This gives me
a special feeling, like wellingtons
with a dinner jacket, or pumps.
I tried to feed him sardines but he wouldn’t.
I think he’s got a hormone imbalance.
He chewed through the lawnmower
cable once. If it had been switched on,
it would have served him right.
Then he found the bonemeal in the shed.
I heard him cough from the greenhouse and my wife
nearly fell off the ladder. The river’s flooded.
It hasn’t stopped raining since Christmas.
Visitors
Late at night in the middle of summer
Hart Crane knocks at my door. Water
streams from his hair.
He sits in the kitchen, warming his hands
on a coffee as about his feet a puddle gathers.
Shivering Hart Crane stares
at the floor tiles
as if playing chess, determined
to win before his argosy drowns.
Outside the window, the moth stirs,
raises its wings, settles again. Hart Crane
wipes his mouth with the back of his hand
and the doorbell goes – Captain Ahab,
wiping his boot on the mat. Water
pours from his beard.
Opposite Hart Crane, harpoon
between his knees, he flinches
at the white cup, will not look at the sugar.
Condensation gathers on the windows.
I dim the light, open the back door
to a solitary bat divebombing the lawn.
Hank
(for Brendan Cleary)
Woke up this morning in Arizona,
a filling station on the highway,
under someone’s pick-up, dismantling the gear-box
which is a joke
because I’m the kind of bloke
who starts looking
for the left-handed hammer.
My name is Hank, I smoke roll-ups,
call you Bud and have a wife called Gloria
who hangs endless items of clothing
on the washing line out front
when she’s not in the kitchen
singing along to Country and Western
on the radio.
Men just turn up and say, ‘How’s it going Hank?’