3,56 €
"Dead Girl Dancing" is a widely accessible treatise on grief and loss. The poems in this debut collection, sprinkled with slant rhyme and sound, provide catharsis for those who've experienced death and loss.
Das E-Book können Sie in Legimi-Apps oder einer beliebigen App lesen, die das folgende Format unterstützen:
Seitenzahl: 31
Veröffentlichungsjahr: 2021
Dead Girl Dancing
Mike L. Nichols
Copyright © 2021 Mike L. Nichols
Publisher: tredition GmbH, Halenreie 40-44, 22359 Hamburg,
Germany
ISBN
Paperback:
978-3-347-18172-4
Hardcover:
978-3-347-18173-1
eBook:
978-3-347-18174-8
Printed on demand in many countries
All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law. For permission requests, write to the publisher.
Dead Girl Dancing
for the living, because grief does not die
Contents
I
Tradition
Yellow Means Be Ready to Stop
Grave Children
Between Deaths
Would it Be Okay
Numbers Game - 1984
Dead Girl Dancing
Pull the Covers to Your Chin
Sesame Street
A Brief Ceremony
Unfinished
Now
My Mother is a Skeleton pt I
I’ve Misplaced My Basket
Escort Service
Keep It Holy
American Way
Never is Longer
She Looks So Peaceful, Like She’s Only Sleeping
II
Flap Method
Let There Be Light
Shroud
Go with the Flow
Magic Number
Proximate C.O. D.
Perspective
Spilling
Hide and Seek is Not Fun for Me
I Decide to Attend the Services
My Mother is a Skeleton pt II
2 a.m.
Night Terrors
I’m Still Not Tall Enough to Reach
Full Circle
There’s Nothing On TV at 5 pm
What Does Rage Consume for Fuel
This House is Cold
Neolithic Period
Tradition
The line of loved ones
leads to a satin
bedded corpse.
A gauntlet of
consideration & kindness
wherein those forming rank
suffer the blows.
Yellow Means Be Ready To Stop
I should feel uneasy
in this ever-darkening bedroom
on the evening of your funeral
gazing in your dresser mirror
watching you push up your tiny
coffin lid and smooth down your
yellow dress while turning
your unsmiling eyes
to mine.
You were bleeding so much
but no one would pay attention to me
and help us. Children are always crying
wolf. Pale and unconcerned, you picked at
the lace on your yellow dress. We were
too little to understand how important,
like gravity, you were to me.
I dream you,
playing in our sandbox.
Clouds drift in, darken the yard.
The wind moans, whirs the weeping
willow leaves and pushes
at your yellow dress.
It blows you away
grain by grain.
Leaves behind your
perfect impression
in sand and cat shit.
Grave Children
See the child grown. Lonely,
in a pasture empty. He wavers.
He wears his snowman sweater,
not warm, itchy. He knows the cold
is gnawing past his edges but he doesn’t feel
that. The anger sometimes ambushes him
while he stands shivering to breathe lilacs
on the almost summer lawn where she is
buried – untouchable – fifty feet below.
He knows what the cold does. Shrunken scrotum,
sticking eyelashes, nose froze in snot-sicles.
He should go. Nothing here to hold but memory.
And on January’s squeaking snow
memory’s mouth ch-ch-chatters, shatters teeth.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
They told him, “She has gone. Don’t worry.”
Lethal, like Martin Riggs you’ll see her again.
Later – much later. For now stand and suffer
the little children to come unto you.
Their memories like road-squirrel’s bellies
squashed by fatly pulsing vacancies,
Cracking bone Oozing marrow.
When you forget, the absence blind-sides you.
Better to remember then, and smile, silly.
Tamp down your erupting rage.
Swallow that curdled milk of malice.
Her aspect now an emptiness. Death is distance
and a nice shearing will strip away scratchy sweaters,
exposing the poorly mended wounds of these
witnesses, of lambs led to slaughter.