Dorset Folk Tales E-Book

Tim Laycock

• Herausgeber: The History Press
• Kategorie: Fantasy und Science-Fiction
• Sprache: Englisch

Veröffentlichungsjahr: 2011

Beschreibung

The spectacular and varied landscape of Dorset, with its giants, hill forts, Jurassic coast and ancient buildings is the source and inspiration for many curious stories that have been passed down in families and village communities for generations. This book contains a rich and diverse collection of those ancient legends rooted in the oral tradition. From the absorbing tales of the Old King of Corfe and the Thorncombe Thorn to the intriguing Buttons on a Card and George Pitman and the Dragon, these illustrated stories bring alive the landscape of the county's rolling hills and coastline. Dorset actor, singer and storyteller Tim Laycock has a lifelong interest in the folklore and oral traditions of the county. Many of the stories in this collection have been passed on to him by Dorset residents, and appear here in print for the first time.

Leseprobe

CONTENTS

Title Page

Acknowledgements

Introduction

1 Horse Sense

2 Maurice Green’s Blue Pig

3 The Thorncombe Thorn

4 The Beggars’ Wedding

5 Jack and the Boat

6 Jack and the Coffee Mill

7 The Portland Quarryman

8 Mrs Jeans and the Soldiers

9 The Fox and the Keys

10 Colonel Broadrepp’s Tale

11 Little Dicky Milburn

12 Billy Gray’s Gang

13 The Old King of Corfe

14 Buttons on a Card

15 Auction of Contents

16 The Devil’s Three Jumps

17 Giant Grumble

18 The Skipper’s Teeth

19 A Trafalgar Tale

20 The Poor Workhouse Boy

21 The Abbey Bells

22 George Pitman and the Dragon

23 The Landlady of the Pilot Boat

24 The Wonderful Crocodile

25 There’s Only Thee and Me in the Room

26 The Mummers

27 William and the Bull

Bibliography

Copyright

ACKNOWLEDGEMENTS

I have gathered these stories and songs during a lifetime of living, working and playing in Dorset, and very often when I retell the tales and sing the songs I can see and hear the person who gave the story to me. Several of these stories come from people who were recognised as storytellers and performers in their own communities, such at Netta Taylor at Uploders; but most are from people who would never regard themselves as storytellers, but who value the oral history, village memories and anecdotes of their family, village or area. Many of the stories were collected while working in day centres on projects for ArtCare and Artsreach – Dorset’s Rural Touring Scheme; I would particularly like to thank Ian Scott and Angie Green of Artsreach, who supported two projects, one to collect stories in six Dorset villages, and the other, ‘The Story Tree’, to encourage and develop storytelling in the county. I have also spent a great deal of time performing stories in village halls, libraries and schools all over Dorset, and I would like to take this opportunity to thank the many teachers, librarians and village hall organisers who have helped to keep the oral history of Dorset alive; and to the audiences who have participated, often very actively, in these performances. The work that I have done in the county for Natural England, the Dorset Wildlife Trust, the National Trust and Dorset County Council has helped to contribute facts, stories and anecdotes to this collection – for this I thank you. I would also like to acknowledge the Sting in the Tale Festival of Storytelling, held in Dorset during August, which continues to do a great job in encouraging storytelling of all kinds in the county.

The staff at the Dorset County Museum and the Dorset History Centre have provided help and directed me to many interesting aspects of Dorset folk life, and I would like to thank them, especially Roger Peers, the former curator at the County Museum, and Jon Murden, the current director.

William Barnes and Thomas Hardy were both deeply interested in the folk life of Dorset, and several tales in this collection either influenced their writing or are derived from their poems and stories. I would like to thank all my friends in the William Barnes Society, the Thomas Hardy Society and the New Hardy Players for the support and inspiration that they have provided.

The songs in this book are mostly from the folk song collection of the Hammond Brothers – Robert and Henry – which is lodged with the English Folk Dance and Song Society. I would like to acknowledge the tremendous help and inspiration that I have always received from the staff at the Vaughan Williams Memorial Library at Cecil Sharp House: in particular the librarian, Malcolm Taylor. He is a real enthusiast for traditional music and has been instrumental in getting all the Hammond songs onto the Take 6 website, where they are available for anyone who is interested in the old songs of Dorset.

I would like to thank Michelle Tilly for the lovely illustrations she has provided for this book. Thanks also to Angela Laycock; Douglas Laycock; Dorothy Coombes; Mr Chipp; Colin Thompson; John Hodgson; Pippa Brindley; Tracy Cooper; Lal Hitchcock; Christine Pfaff; Nancy Scott; Taffy Thomas; Sarah Harbige; Hannah Worthington; Sue Clifford and Angela King at Common Ground; and to all the people and places who have contributed tales and anecdotes to this collection. As William Barnes said:

Why, tidden vields an’ runnen brooks,

Nor trees in Spring an’ fall;

An’ tidden woody slopes an’ nooks,

Do touch us most of all;

An’ tidden ivy that do cling

By housen big an’ wold, O,

But this is, after all, the thing,–

The pleace a teale’s a-twold o’

INTRODUCTION

Dorset is justly celebrated for its wonderfully varied landscapes, and the variety of stories, tales, legends and yarns to be found in the county is similarly diverse. I have been listening to legends, telling tales and making music in Dorset for many years now, and the stories here are a small selection of those told around the county. The oral tradition of stories, song, dance, customs and local lore still continues; after all, despite all the many and varied media attractions of the twenty-first century, there is nothing more compelling than a good tale well told. Many of the stories in this collection have been told to me at festivals, church events, village hall entertainments, even on street corners and of course, occasionally, in pubs. Particular mention should be made of the role of the Women’s Institute in recording and keeping alive many fascinating stories, anecdotes and facts about village life in the area, that are very often stranger than fiction. In some cases the stories come originally from tellers of national repute such as Ruth Tongue; but mostly they are from Dorset folk who love their county and take a great interest in the past, present and future doings of their friends, acquaintances and former residents of their communities.

1

HORSE SENSE

There were these two old farmers; one was coming from Sturminster market in his trap, while the other was going in his cart, with two pigs under a net. They met on that narrow bridge in Hammoon (you know where I mean?) and they stopped. Whoooaa!

‘Morning Benjamin,’ said James.

‘Mornin’ James,’ said old Ben.

‘Tell me, Ben, when your horse had the staggers and the gaspings last November, what did ‘ee give him?’ asked the first farmer.

His neighbour replied, ‘I give him an ‘andful of ball bearings and a pint of axle oil.’

‘Thank’ee Benjamin, much obliged,’ said the first, as he whipped up his horse and went on his way.

Three weeks later they met on the same bridge. Whooaaa!

‘Morning Benjamin,’ said James.

‘Mornin’ James,’ replied his neighbour.

‘Now Ben, do ‘ee remember last time we met, I asked you what you gave your horse when it had the staggers and the gaspings, and you said you give him a handful of ball bearings and a pint of axle oil?’

Ben replied that he did.

‘Well,’ says James indignantly, ‘I done that, and my horse died!’

Ben looked at him in amazement, ‘Well, blow me,’ he exclaimed, ‘that’s queer! So did mine!’

Stories about horses are still commonplace in Dorset, even though the vast majority of farmwork nowadays is done by machinery. There are plenty of horses still to be seen in the county, although most of them are much lighter than the old workhorses used on the farms. There was always a certain mystique attached to the art of horsemanship, and the curing of equine ills. One very unusual tale about a horse with magical powers was told to Ruth Tongue by D. Barnett of Broadstone in 1928, when the majority of farmwork in Dorset was still horse- and steam-powered.

At one time there were orchards all over Dorset. Every village, every farm, had them. There was an old widow who lived down near Wareham, she had two orchards that produced wonderful apples every autumn; so many, that she had to get her friends and neighbours to come round to help pick them. They were the most delicious apples that anyone had ever tasted, and that’s saying something. When she took them into Wareham market to sell them, she made enough money to keep her comfortable for the rest of the year.

This old widow was very old-fashioned, and kept up the old ways. Every night she would put out a bowl of cream and another of spring water, for she knew that there were those who guarded orchards, and she wanted to do right by them.

Some folk thought she put the cream out for the birds, or the hedgehogs, or the badgers that came snuffling through at night; but you and I know it was for Lazy Lawrence, a dainty little colt-pixie that lived in those parts. Strange name for such a lively creature really; he could run like the wind, and jump hedges as if they were only inches high. Very few people had ever seen him, but more than a few boys and girls had felt the nip of his teeth when they crope into orchards at night to scrump a few apples. You couldn’t make the slightest sound if you wanted to scrump, because Lazy Lawrence would hear you and come at a gallop. Most importantly, whatever you did, you could never look into his eyes. Blazing green, they were, and if once he caught you in his gaze, you’d be transfixed to the spot until he pleased to let you go. That’s why the older folk knew a rhyme that went:

Lazy Lawrence, let me go,

Don’t make me wait an hour or so

Now it so happened there was an old conjuror lived on Purbeck, black-hearted old fella he was, and he’d heard about the old widow’s apples. He decided to help himself, but being in the conjuring trade he knew all about Lazy Lawrence, and was wary of those green eyes and sharp teeth. So one night he climbed into a great apple hamper and conjured up a spell that sent the hamper tumbling into the middle of the orchard, and then another that sent all the widow’s apples raining down onto the ground in a great circle, and some of ‘em flying into the hamper itself. One particularly large one – a Warrior I believe – struck the old conjuror such a blow on his head that he yelled out, and that was his big mistake. Lazy Lawrence heard him, and was over the hedge and into the orchard in an instant, kicking the hamper all over the place, conjuror and all, and, when he tried to climb out, Lazy Lawrence caught him with those green eyes and made him stand still as a statue, surrounded by all the widow’s apples.

Well, next morning – what a sight! There was the conjuror, unable to move, with all the apples in a great circle round him, and the hamper broken all to pieces. And round the apples they could clearly see a circle of hoofprints, so they knew ‘twas Lazy Lawrence that had helped the widow. They could have called the conjuror all sorts of names, or slung mud at him, but they didn’t, because they knew that would break the spell and the conjuror would have been free. Instead, they made him wait there until the dew was dried by the sun and the footprints disappeared; and then he was able to make his way, all kicked and bruised, off down the road towards Wareham. The folk all set to and brought baskets and pails for the widow’s apples, took them into the market, and sold them for a very good price. Well, as they say:

An apple a day keeps the doctor away … and also the conjuror!

The Hobby Colt

I mind when I was a hobby colt, a hobby colt so gay,

And when my mother weaned me I thought that I should die,

Poor old horse, poor old horse.

I mind when I was a brewer’s horse, a brewer’s horse so gay,

I jumped right into the mashing tub and drank up all the beer

I mind when I was a gentleman’s horse, a gentleman’s horse so gay,

I had the best of all the corn and the finest of the hay

This song was collected by Robert and Henry Hammond from Beatrice Crawford, aged thirteen, at West Milton in May 1906. The Hammonds collected hundreds of folk songs in Dorset, and Beatrice seems to have been their youngest informant – most of the singers were elderly people, including Beatrice’s grandmother, who contributed eleven folk songs, most of them old ballads.

2

MAURICE GREEN’S BLUE PIG

Every year at the Horticultural Show there was a competition for the finest pig in the village and every year since anyone could remember Maurice Green’s pigs had won the prize, although Mrs Pike complained that her eldest daughter Susan should have won, because she was the greatest pig she’d ever known.

Anyway, Maurice had won so often, he came to regard the prize as his right and began to take it for granted, although this particular year he’d decided to improve his chances by getting some blue paint to smarten up the railings round the pigsty. Stratton’s paint it was – best quality. Of course, he hadn’t actually done it, but the paint was in the bucket, ready mixed.

Well, on the night before the revels Maurice went down to the Talbot to have his customary pint, and young Stacey was in there with some of his cronies, playing darts. Proper blabbermouth he was, so as soon as he sees Maurice he calls out, ‘Hey Maurice, some of us got money on Tucker’s pig for tomorrow!’

Well they tried to shut him up, but the cat was out of the bag. Oh yes, the damage was done.

‘Tucker? Who’s Tucker?’

‘You know him, Maurice,’ said the landlord, anxious not to aggravate one of his regulars; ‘works for the parson; newish fella – only been in the village twelve years; lives in that cottage behind the recreation field.’

And then Maurice did something that the regulars in the Talbot had never seen before; he left his pint unfinished and walked out, saying, ‘Right: I’m off to see Tucker’s pig!’

Maurice went straight home. Mrs Green was surprised to see him back before closing time and said, ‘Tucker’s just been round here to see your pig; said it was a neighbourly call, as you was so famous for your pigs.’

‘Tucker? What did he do? What did he say?’

‘Not a lot: prodded her with a stick, sniffed and grunted, stirred his stick in your blue paint, and went on.’

‘I’m off to see Tucker’s pig,’ says Maurice. Mrs Green was worried; she’d been married to Maurice for nigh on forty years, but they was a strange lot, the Greens, and she couldn’t pretend to know exactly what he was thinking; but she could sense when there was trouble brewing.

Maurice went down the lane past the recreation field towards Tucker’s house. Tucker saw him coming and snuck round the corner behind the shed. Mrs Tucker came out. ‘Can I help you?’ she said, nice as apple pie.

‘I’ve come to see Tucker’s pig,’ says Maurice gruffly.

‘Oh, she’s in the sty, she’s just been washed,’ says Mrs Tucker.

Maurice went round, with Mrs Tucker following nervously. A huge porker lay resplendent on a bed of straw. Its skin shone, and a strange, sweet smell filled the air. Maurice sniffed suspiciously – he knew the smell, though he couldn’t quite put his finger on it. ‘What d’you wash him with?’ he asked at last.

‘Wright’s Coal Tar Soap,’ says Mrs T, ‘and then finish off with baby powder!’

‘Oh well, I suppose that’s because you’re incomers, and you don’t know how we do things round here,’ says Maurice. ‘We always bed ‘em down in lavender!’ But his heart felt like a lump of lead; he knew he was in trouble. Without another word he turned and went straight home, and the first thing he said to his wife was ‘Baby powder!’

‘Don’t be daft, Maurice,’ says Mrs Green, ‘you of all people should know we’ve had no call for that for twenty years!’ But she could see he was upset, so she says, ‘You go and wash the pig – here, use my Palmolive soap, and I’ll get you some lavender.’

‘We haven’t got any!’ says Maurice, nearly in tears.

‘Don’t you fret,’ says his wife, ‘Parson’s got plenty; he won’t miss a bunch or two.’

So Maurice went into the sty and looked at his pig, and somehow she seemed to have lost weight since that morning; and he washed her with missus’ Palmolive soap, and dried her using missus’ best tablecloth, but somehow his heart wasn’t in it. Mrs Green came back with an armful of lavender and they bedded the pig down.

‘Go to bed Maurice’, she said, ‘you’ll feel better about it in the morning.’ But she was worried; she never quite knew what he was thinking, and some of the Greens had curious ways. Some people even said they had the gift, and she was never quite sure they weren’t right about that.

Well, later on that night, when his missus was sleeping sound, Maurice slipped quietly out of bed and tiptoed downstairs with boots in hand, so as not to make any noise. He let himself out, and walked quietly along the land past the recreation field to Tucker’s. On the way he took his penknife and cut a hazel switch from the hedge. When he got there he took the switch and scratched a circle in the dust in front of the sty, and planted the stick in the middle. He meant to curse Tucker’s pig, but in the end he couldn’t quite do it; he couldn’t bring himself to wish evil on another man’s pig. Just then, St Mary’s Church clock struck twelve midnight. All of a sudden the hazel switch came alive and started to tear around inside the circle like a wild thing. Maurice took to his heels and fled; he ran down the lane full pelt, up his steps and in through his own front door. He was in such a hurry that he kicked over the bucket of blue paint, but he didn’t stop to clear it up, he just dived under the covers and there he stayed ‘til morning.

Well, round about six in the morning there was the most tremendous knocking on the front door, and there was the milkman from Bartlett’s farm: ‘Maurice get up quick, get up, your pig’s turned blue!’

Well it was true; the pig had rolled in the paint and was blue from head to foot. They did their best with the scrubbing brush and the carbolic, but ‘twas all to no avail; Stratton’s Best Paint did what it said on the tin – didn’t come off in a hurry!

So Maurice Green’s pig didn’t win that year at the Horticultural Show; the judges didn’t like the blue paint. But neither did Tucker’s pig, because the judges were very suspicious of the blue paint – the exact same colour as the pig – on his walking stick. In the end, they gave the prize to the parson’s housekeeper. Her pig was only a little black runt, but they felt sorry for her because her lavender bushes were in such a poor state.

The belief that misfortune and sickness could be caused by the ill-wish of another person was widely held in Dorset until very recently. People who kept to old and reclusive ways were likely to be suspected of witchcraft, sympathetic magic or conjuring. William Barnes’ poem ‘A Witch’ chronicles how the spell cast by an over-looker blights a farmer and his stock; and Thomas Hardy draws on local legends of conjurors and cunning men in The Mayor of Casterbridge and The Withered Arm. Many people who would not regard themselves as superstitious still take the sensible precaution of placing a horseshoe over the door, and avoid walking under ladders, or place a bowl of water or cream in the back garden or orchard for anyone that might need it. Plenty of people still believe that warts can be charmed away, either by the exchange of money or by rubbing the affected area with raw meat and then burying the meat, or by rubbing it with the inside of broad bean pods or banana skins. One old man in Stour Provost was known for charming warts. His method was to take a penny from the person afflicted, mutter some words, and bury the penny in the mortar of the church wall. Local children got to know of this and would dig out the pennies to spend on sweets!

3

THE THORNCOMBE THORN

Not many stories are completely new; most have their roots in other, earlier tales. But very few have such deep and vital roots as this one, reaching back to the Bible on the one hand and to the legends of King Arthur and the Knights of the Round Table on the other. If that isn’t a sufficient pedigree, the story also gave a name to the village where it was recounted to me ten years ago by a retired gardener. We sat together in his small cottage on a dark October afternoon, and he showed me a photograph of himself as a fresh-faced apprentice gardener, sitting on a very ornate garden bench. This is Sonny’s story of the history of that bench.