Edit Like a Pro with iMovie E-Book

Regit .

• Herausgeber: Packt Publishing
• Kategorie: Wissenschaft und neue Technologien
• Sprache: Englisch

Seitenzahl: 412

Veröffentlichungsjahr: 2023

Beschreibung

It’s not about having the shiniest tools; it’s what you do with them. iMovie offers Apple users the ease of creating engaging videos using the free video editing application’s support for macOS, iOS, and iPadOS devices. Complete with step-by-step tutorials for essential tools and concepts and explanations for why you should use them, this practical guide to iMovie will leave you well-prepared for the world of post-production.
This book begins with an introduction to some of the core principles of editing. You’ll learn how to easily make your videos coherent and concise and flex your creative muscles with Magic Movie and the Storyboard mode. Once you grasp how to use iMovie’s full-blown Movie modes for mobile devices and macOS, you’ll be able to use simple editing tools to deliver effective videos from import to export. Finally, you’ll explore Keynote for creating custom titles and animations and building a personal visual brand that makes your videos uniquely yours.
By the end of this iMovie book, you’ll be on your way to becoming a creative problem-solver, using iMovie and other free apps to create high-quality, engaging videos for projects with different visual and technical requirements.

Leseprobe

Edit Like a Pro with iMovie

Leverage Apple’s free editor for iOS, iPadOS 3.0.1, and macOS 10.3.5 and enrich videos with Keynote animations

Regit

BIRMINGHAM—MUMBAI

Edit Like a Pro with iMovie

Copyright © 2023 Packt Publishing

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First published: March 2023

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To everyone who told me I could write, and to Packt, for letting me prove it.

- Regit

Contributors

About the author

Regit is a British YouTuber who, since buying a Mac in 2013, has used iMovie to edit everything from gaming videos to university film and TV projects. Regit holds a BSc Hons. degree in film and television production, and has academic interest in broadcast TV and its economics. Back in the real world, Regit is a keen advocate for consumer rights and sustainability issues.

Thanks to my editors, Keagan and Divya, for accommodating me in this unfamiliar authoring process, and letting me write on Google Docs. Thank you Chayan for asking on r/iMovie whether someone wanted to write a book – and saying yes to me!

Credit is due to forum stalwarts such as Rich839 and Kurt Papke, for their iMovie wisdom; Michael Kinney for his videos on QuickTime editing and Keynote as ‘After Effects-lite’; and to Bruce for moving clip connections!

Thanks to Mrs. GG for teaching me that “English is a confidence game,” and for the guidance of my mother, a former technical author.

On that note, I want to say a special thank you to my parents, for tolerating me longer than anyone else could and for giving me an unconditional place in a loving home.

About the reviewer

Bruce G. Macbryde is an independent trainer for iMovie and Final Cut Pro with over 20 years of experience gained from the various versions of both software packages. Bruce gained a marketing certificate from NSW TAFE in 1984. After obtaining this qualification, he continued with TAFE as a tutor in marketing and market research courses for several years. During a 7-year spell in Wellington, New Zealand, he established an Apple resellership, ECONET, while also teaching courses in Adobe Photoshop, PageMaker, Illustrator, and commercial Microsoft software packages within the New Zealand Polytechnic system. On his return to Sydney, he was employed as a sales manager by the Australian Authorized Apple distributors from 1998 to 2004. He was later employed by Apple-authorized resellers as a training manager for iMovie, Final Cut Pro, and other Apple-developed software from 2004 to 2009. In 2004, he established Wedding Media Productions as a wedding video business in Sydney, Australia. He is a YouTube creator for the VideoTutors channel, with over 500 published video tutorials.

Table of Contents

Preface

Part 1 – Get to KnowVideo Editing

1

Why and How We Edit Videos

Technical requirements

The importance of the editing process

The principles of editing

Coherence – making your video easy to follow

Conciseness – getting to the point quicker

Adding meaning – creating a richer, smoother viewing experience

In-file editing with QuickTime Player on macOS

Using Trim mode

Using Clips mode

Saving your finished video

Why choose QuickTime Player to make edits?

What about iOS and iPadOS?

Summary

2

Automatic and Template Editing with Magic Movie and Storyboards

Technical requirements

Understanding the pros and cons of automatic editing

Why isn’t all editing simple like this?

When does automatic editing help?

Creating a movie with Magic Movie

Adding photos and videos in Magic Movie

Changing graphics styles with the Styles menu

Customizing music in Magic Movie

Using the Edit menu in Magic Movie

Using the Edit menu toolbar

Combining videos with Magic Movie

Exporting a Magic Movie

Using Storyboard mode

Creating a Storyboard mode project

Using the Storyboard editing menu

Using the Storyboard Edit mode

Limitations of Magic Movie and Storyboard mode

Summary

3

Using Movie Mode in iOS and iPadOS

Technical requirements

Creating and setting up a Movie mode project

Why use Movie mode?

Creating a project in Movie mode

The Movie mode interface

Using the Movie mode Media Browser

Adding video in Movie mode

Movie mode project settings

Assembly editing in Movie mode

Using keyboard shortcuts on iOS and iPadOS

Rearranging clips in Movie mode

Editing photos in Movie mode

Using photo animations – the Ken Burns effect

Editing videos in Movie mode

Edit actions in Movie mode

Customizing clips in Movie mode

Using cuts and other transitions

Editing transitions in Movie mode

Using the Precision Editor

Editing audio in Movie mode

Limitations of background audio

Layering sounds in Movie mode

Fading audio for better video

Making smooth audio transitions with J- and L-cuts

Quality control and exporting

Summary

Part 2 – iMovie for macOS

4

Understanding iMovie for macOS – Keyboard Shortcuts and the Magnetic Timeline

Technical requirements

Understanding iMovie for macOS – libraries and events

The iMovie Library

Creating multiple iMovie Libraries

Creating Events in the iMovie Library

What are events used for?

Using the Project Media tab

Adding media from the Photos library

Navigating iMovie with keyboard shortcuts

File and project actions

Timeline and menu navigation

Editing tools

Clip connections and the magnetic timeline

Timelines – tracks versus connections

Understanding the magnetic timeline

Working with connected media

Working with connected audio

Background audio in iMovie for macOS

Summary

5

iMovie Editing Workflow – Import, Edit, and Export

Import – preparing media for editing in iMovie

How to import directly from devices

Using and customizing the iMovie import menu

Marking media as favorited or rejected

Customizing Media Browser settings

iMovie project settings

Deciding your project settings

Checking the project’s frame rate – counting frames

What frame rate should I choose?

The assembly edit

Using the Precision Editor

Using the Clip Trimmer

Using iMovie media

Using the Audio & Video tab

Adding titles

Using maps

Using backgrounds

Using transitions

Editing using the toolbar

Color balance

Color correction

Crop

Creating Ken Burns animations that settle

Other Crop actions

Stabilization

Volume, noise reduction, and equalizer

Speed

Filters and audio effects

Information, Enhance, and Reset All

Copy and paste toolbar edits

Exporting a project

Summary

6

Using iMovie Effects – Overlays and Keyframing

Cutaways – introducing overlays in iMovie

Using cutaways to hide jump cuts

Adding fade transitions to overlays

Creating Opacity effects

Multi-camera editing with cutaways and opacity effects

Syncing multi-camera footage

Editing multi-camera footage

Split screen and blue/green screen effects

Using Green/Blue Screen effects

Using Picture in Picture effects in iMovie

Using Zoom and Swap transitions with PiP

Using keyframe animations on macOS

Using audio keyframes

Using transition effects – speed and color ramping

Combining effects – creating compound clips

Summary

Part 3 – CustomizingYour Videos

7

Integrating Keynote – Titles and Animations

Technical requirements

Creating custom titles with Keynote

Exporting Keynote titles

Importing Keynote files into iMovie

Creating animated titles in Keynote

Exporting animated titles from Keynote

Creating multi-stage animations with Build Order

Building out animations

Exporting, importing, and adjusting multi-stage animations

Creating path animations with Keynote

Using Magic Move animations

Custom transitions using overlays

Creating simple transitions with Magic Move

Exporting and importing multi-stage Magic Move animations

Dead easy animation with Dynamic Backgrounds

Summary

8

Custom Export Formats,ft. Handbrake

Technical requirements

Why all this video jargon?

Working with aspect ratio

Changing aspect ratio with Keynote

Exporting sideways from iMovie

How to install and run Handbrake

Adding a source to Handbrake

Changing video cropping in Handbrake

Exporting from Handbrake

Transcoding multiple files with Handbrake

Using presets in Handbrake

Creating presets in Handbrake

Batch-transcoding a folder of videos

Using Handbrake to compress files

What is ProRes?

Compressing video with Handbrake

Creating a ProRes export from a mobile project

Compressing a master video with Handbrake

Compressing to a specific size with bitrate controls

Disadvantages of using Average Bitrate

Summary

9

Common iMovie Problems and Their Solutions

Technical requirements

Problem – iMovie won’t accept your video format

Solution – transcoding video that iMovie won’t accept

Problem – clips don’t play properly

Solution – “reminding” iMovie of the clips in the project

Problem – iCloud videos are still “downloading”

Solution – tidy up your iCloud storage

Long-term solution – remove project media from iCloud libraries

Problem – audio and video drift out of sync

Solution – change the speed of the audio clip

Problem – editing on iMovie is slow or choppy

Solution 1 – change the project settings

Solution 2 – compound your effects

Solution 3 – split the project into multiple timelines

Problem – iMovie constantly fills hard drive space

Solution – delete render files

Problem – iMovie export has failed

Solution 1 – find and delete the problem frame

Solution 2 – screen-record the project

What if my editing issue isn’t listed here?

General solutions for general problems

Summary

Index

Other Books You May Enjoy

Preface

Master iMovie for iOS, iPadOS, and macOS to create effective and engaging videos from import to export. It’s not about your tools but what you do with them. By teaching you the foundational principles of editing, this book will help you to edit impressive and engaging videos that are uniquely yours.

Who this book is for

Suitable even for absolute beginners, this book includes simple, progressive guides to help you master editing principles. You’ll then build toward a full editing workflow, using iMovie to create simple but effective videos to inform, educate, and entertain your colleagues, friends, and family. For more advanced users such as YouTubers and other online content creators, this book contains valuable tips on stamping your unique identity and brand onto your videos; and customizing them for exporting anywhere.

What this book covers

Chapter 1, Why and How We Edit Videos, explains the importance of the post-production process: creating and refining meaning. We’ll also dip our toes into editing by looking at the basic trimming and splitting tools available in the macOS QuickTime Player.

Chapter 2, Automatic and Template Editing with Magic Movie and Storyboards, starts our journey with iMovie for iOS and iPadOS. We’ll look at how Magic Movie and Storyboard mode can teach you parts of the editing process and even make videos for you.

Chapter 3, Using Movie Mode in iOS and iPadOS, explains the workflow for editing video and sound in a traditional timeline. We’ll start to look at changing what’s seen within the video frame and work with the Precision Editor to help you make your videos better with sound.

Chapter 4, Understanding iMovie for macOS – Keyboard Shortcuts and the Magnetic Timeline, will explain how iMovie’s system of Libraries and Events works on the Mac, as well as running through useful keyboard shortcuts for navigating the app. We’ll also develop an understanding of Apple’s Magnetic Timeline and the idea of connected media.

Chapter 5, iMovie Editing Workflow – Import, Edit, and Export, goes into depth on the video creation process in iMovie for MacOS. We’ll look at best practices for importing footage; using iMovie’s stock media (and where not to); cropping and Ken Burns animations; and how to export a high-quality master file of your video.

Chapter 6, Using iMovie Effects – Overlays and Keyframing, follows on from Chapter 5 by introducing iMovie’s connected video layer. The chapter will explain how to use iMovie’s overlay settings to introduce cutaways and green-screen effects, as well as add and animate pictures in picture. We’ll also make use of cutaways and opacity to create visual effects and edit multi-camera footage.

Chapter 7, Integrating Keynote – Titles and Animations, will teach you to use Keynote to create and export highly-customized titles and animations that will help you put a unique stamp on your videos.

Chapter 8, Custom Export Formats, ft. HandBrake, is all about optimizing your video exports for different websites and maybe even clients. You’ll learn to change the aspect ratio of your videos, rotate videos in iMovie to make portrait videos, and use HandBrake presets to compress multiple videos to the size you need them.

Chapter 9, Common iMovie Problems and Their Solutions, addresses a certainty in editing: things going wrong. This chapter runs through some of the most common issues for iMovie users. We’ll look at how to solve and work around these problems and learn how to avoid them in the future.

To get the most out of this book

This book assumes that you’re familiar with macOS, its basic commands, Finder navigation, and downloading apps through the App Store and files from the internet. There are plenty of guides online for getting used to the Mac. MacMost.com (https://macmost.com/mac-basics) is a long-standing fan favorite.

It will also be beneficial if you are familiar with using iOS/iPadOS, mostly in terms of using the Photos and Files apps. As for iMovie, no prior knowledge is assumed at all – it is what this book is all about, after all.

To follow along, you’ll need to download a .zip file from https://packt.link/hT57O that contains all of this book’s interactive resources. Then, on both mobile devices and Mac, just type the link into your browser’s search bar, then tap or click Download. Make sure to keep the materials in a place you’ll remember so that you can keep coming back to them while you work through the exercises in the book.

Software/hardware covered in the book

Operating system requirements

QuickTime Player

iMovie for iOS/iPadOS version 3.0

iMovie for macOS version 10.3.5

Keynote version 12.1

HandBrake version 1.6

Existential Audio Blackhole 2Ch

macOS 10.15 (Catalina) or later

iOS/iPadOS 15 or later

macOS 12 (Monterey) or later

macOS 12 (Monterey) or later

macOS 12 (Monterey) or later

macOS 10.10 (Yosemite) or later

Notes (for the more advanced reader)

There is one iMovie feature, in particular, this book does not cover: Cinematic mode. Cinematic mode allows you to change what areas of your shot are in focus during the edit. It’s certainly powerful and allows you to draw the audience’s attention to certain people or objects without having to reframe. Unfortunately, it’s only available using iPhone 13 and later – something I don’t have access to. However, if you can access it, do! The following links are Apple’s official guides for editing Cinematic mode clips on iOS/iPadOS (https://support.apple.com/en-gb/guide/imovie-iphone/kna09b78e8dc/ios) and macOS (https://support.apple.com/en-gb/guide/imovie/movafa5244eb/mac).

One wider topic that’s absent from this book is production advice. This is because I’m not a videographer, and I’m never going to pretend to be. I use my iPhone camera because it’s foolproof, but I wouldn’t say that my shots are particularly artistic. If you want to learn how to shoot something beautiful – as well as how to frame, balance, and adjust using more advanced cameras – there are plenty of great resources online. Examples include No Film School (https://nofilmschool.com/rules-of-cinematic-framing-and-composition) and Studio Binder (https://www.studiobinder.com/category/directing/cinematography/). However, I will suggest a couple of rules to live by during production to make the editing process more flexible:

Film more than you need – a wider-framed shot, filmed for much longer than you think you need toFilm in a higher resolution than you need so that even if you reframe or compound effects together on your clip, the end quality of your video will still be high

Finally, know that the websites and resources I suggest in this book are not prescriptive – they’re just examples to get you started. I watch and enjoy far more YouTubers than I refer to, and there are many alternatives to programs such as HandBrake and Blackhole, which you will see in Chapter 8 and Chapter 9, respectively.

If you come out of this book with a passion for editing, fantastic! Going forward, have a look at channels such as This Guy Edits (https://www.youtube.com/user/svenpape) and the work of Walter Murch for guidance on editing fiction narratives. Telling a convincing story – while also convincing an audience it’s real – requires you to juggle loads more considerations when editing: emotion, story continuity, and even tracking how your audience’s eyes will move from one shot to the next.

If what I’ve just said sounds like gobbledygook, please don’t be alarmed. Give the book a read before coming back to these notes. If this book has done its job right, it will make a lot more sense when you read it for the second time.

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Part 1 – Get to Know Video Editing

We are going to start our editing journey by first understanding the point of editing. Without knowing what we’re editing for, the post-production process can seem vague, yet overwhelming.

The tools we’ll use in this part of the book are aimed to introduce editing concepts gradually: we’ll start with the most simple of actions using a program more simple than iMovie. Then, we’ll move on to the entry-level version of iMovie, for iOS and iPadOS. First, we’ll look at tools that do some of the work of editing for you, before using them as inspiration to create our own project.

While editing your own project, you’ll begin to appreciate the importance of taking creative charge of the project, rather than trusting iMovie to create a video for you. You’ll also be gradually introduced to the importance of sound, starting with adding sound to your project, before refining it to smooth out the cuts and other transitions in your video.

This part of the book comprises the following chapters:

Chapter 1, Why and How We Edit VideosChapter 2, Automatic and Template Editing with Magic Movie and StoryboardsChapter 3, Using Movie Mode in iOS and iPadOS

1

Why and How We Edit Videos

Welcome to a book all about iMovie, an editing program that I love and love to tell people about. This book will take you on an editing journey, starting with the basics in the iMovie app for iOS and iPadOS, where you will learn the fundamental actions involved in editing, before using those actions to tell your own stories in simple videos. Underpinning everything will be a focus on the principles of editing – why we edit and what we’re trying to achieve by editing. Knowing what you’re trying to achieve will help you save time and avoid feeling overwhelmed when you edit. In this first chapter, we’ll look at what we try to achieve through editing, and master some basic editing techniques. You’ll also learn how to save time editing on the Mac by performing basic editing within a file using QuickTime Player.

This chapter will start by discussing why editing is a necessary part of the production process, and cannot be avoided. We’ll also look at the principles of editing: establishing coherence (getting clips in the correct order); making the video concise (removing unnecessary parts); and then adding meaning (through titles, animations, and graphics). Editing principles are really important to keep in mind because without them, there is no clear starting point in editing. Without a purpose to center on when editing, the unfamiliar world of an editing program can quickly become stressful and confusing. Knowing and being guided by simple principles will help you to make creative changes that make your video say what it intends to more successfully.

In this chapter, we will learn about the basic actions of editing by using a program that’s simpler than iMovie but still very capable. QuickTime Player is a pre-installed macOS application, and we will use it to make an unfinished, jumbled-up video coherent and concise. We will use QuickTime Player’s Trim and Clips modes to split and remove unnecessary bits of the video, as well as add extra video and an audio track that adds meaning through a voiceover. All of this editing will be done within a file, which is great for saving space and time on your computer. We are not jumping straight into iMovie because, for basic editing, even this comparably simple editing program is more complex than necessary. There is one golden rule in this book, which is to use the simplest tool that gets the job done!

The main topics we’ll cover in this chapter are as follows:

The importance of the editing processThe principles of editingIn-file editing with QuickTime Player on macOS

Technical requirements

To edit with QuickTime Player, you’ll need a Mac computer running macOS Catalina (10.15) or later. QuickTime Player is the macOS default video player that comes pre-installed on your Mac. If you have any file with the .mp4 or .mov extension (which you will if you use the Camera app on an Apple device), it will open automatically in QuickTime when you double-click the file.

Important note

You shouldn’t need to download QuickTime Player. It’s not on the App Store, and you should avoid looking for it on the web. It’s part of the macOS operating system and will be on every Mac. There used to be a version (QuickTime 7) that was available for Windows, but this became unsupported as of 2016. QuickTime downloads advertised online could be scams or viruses, so be careful.

We’ll also be using resources hosted on GitHub. The interactive exercise in this chapter involves putting together different parts of a video called The Timeline. The materials you need for that can be found within the Chapter 1_The Timeline folder within the .zip file provided to you through a download link in the To get the most out of this book section in the Preface. I’d recommend dragging all the files onto your desktop for easy access: when using QuickTime Player, you’ll be doing all of your edits on the desktop. With that, let’s get started on our journey toward editing like a pro.

The importance of the editing process

Why do we need to edit? Can’t we just film something and be done with it? In a word, no. Post-production is a process that’s integral to any video, TV, or film production. A video won’t make it to its intended destination (YouTube, Vimeo, or maybe even a film festival) without some kind of input after it’s been shot. Even if the sum total of your off-camera effort is clicking upload, that’s still a post-production process.

You cannot avoid the post-production process. Film has always been synonymous with editing, but ever since television first arrived, production methods have been developed to reduce the need for tinkering with footage and create almost ready-packaged shows. But editors and post-production houses are still employed to apply finishing touches or make a recorded program fit to a time slot. Live programs still have edited clips played within them. A Tom Scott video impressively recorded in one take still benefits from audio adjustments and captions. Quite simply, editing is everywhere.

But if you can minimize the post-production process to simply clicking upload on what you recorded, why not do that? Well, without editing, you won’t be able to fix any mistakes you made when the video was recorded. Secondly, the video is likely to be full of gaps and hesitations that make the video look unprofessional. Thirdly, an unedited video is unlikely to make its intended point very quickly, or it won’t give the audience enough information. Finally, an unedited video is very likely to be boring, confusing, or both.

They say time is money, but a little bit of time spent editing can make a world of difference to how well your video is perceived. Moreover, editing doesn’t have to be a waste of time if you’re focused and deliberate. To help you focus on editing the most important bits of a video, entry-level editing programs such as iMovie have stripped-down interfaces that help you to prioritize the most important tasks.

iMovie was the first editing app I found, and I stuck with it for three reasons: it’s free, unintimidating, and – unlike most basic software – it grows with you. Once you’ve learned the ropes, there are a lot of avenues available to expand your creativity and begin editing like a pro without the outlay of pro software. Before we jump into using iMovie, though, it’s important to understand why we edit in the first place. Accordingly, this chapter is going to cover the most basic principles of editing. Keeping them in mind will make your video (and by “video,” I mean anything audiovisual – a social media teaser, a tutorial, or a feature film) more engaging and effective.

The principles of editing

Fundamentally, editing creates meaning. Regardless of the type of project, editors start with a load of clips that, although they may look nice, don’t yet tell a coherent story. A video won’t make any sense or carry any meaning until the relevant clips are placed next to each other and in order. The idea of creating meaning can be broken down into these three purposes of editing:

CoherenceConcisenessAdding meaning

As a heads-up, in this section, we will discuss general tools and key terms that are associated with editing and how they link to each of the three principles. Don’t worry if these terms feel vague or disconnected at the moment, as we’ll get the opportunity to put them into practice throughout this book.

Coherence – making your video easy to follow

Putting everything in the right place and in the right order will make your video coherent. It’s easy to appreciate that if you have a random jumble of clips, no one will understand what the video is trying to say. Assembling clips in the right order is a crucial first step, and that’s why in professional post-production, the first stage of editing is called the assembly edit: making sure the whole story is present and in the intended order, for it to then be trimmed down, and added to, to make the video more engaging.

To get all these clips into sequence and play one after another, you’re going to need a space where they can all be placed initially. It’s no use having them as separate files that the viewer needs to close before opening the next one to watch. That’d make for a very tiresome viewing experience! In an editing program, all the clips are placed next to each other in a timeline. The timeline is a blank horizontal canvas. From left to right, it charts increasing time as your video plays. You can add as many clips as you like, and the end of the last clip is where the video ends.

Figure 1.1 – An illustration of the timeline paradigm: the general structure of timeline-based editing programs

In the timeline paradigm (illustrated in Figure 1.1), the structure most editing programs are built around, the timeline sits at the bottom, with a preview window above it. The preview window shows a frame from the video based on where you click with your cursor on the timeline. That cursor location is marked by the playhead, a vertical line running down through the timeline. The timecode tells you how far through the timeline the playhead is. Phew, a lot of key terms in one paragraph. But never fear, we’ll be reviewing these when we put our The Timeline video together in the In-file editing with QuickTime Player on macOS section!

Conciseness – getting to the point quicker

Director Alfred Hitchcock is credited with saying that "drama is life with the dull bits cut out", and that’s what editing does: it turns life, which is continuous (and drags in places), into a collection of the most interesting and relevant bits. That’s what makes drama – the edited version of life – exciting and engaging.

You may have clips in your timeline that are in the right order but don’t add anything to the video. Maybe they go over something that was already explained; maybe you trip over your words; maybe it’s footage of something that isn’t really relevant at all. You should always be asking yourself: does this clip really help my video to tell its story? If the answer is “no,” remove the clip.

In the early days of editing, removing clips meant physically cutting them from a reel of film and throwing them away. Fortunately, in this digital world, you can rearrange and remove clips without degrading their quality or permanently deleting them. If a clip seems better somewhere else, you can move it. If you’d rather it wasn’t there at all, you can delete it. If you change your mind, you can undo your actions. Not having to work in order in editing software is why iMovie and its fellow editing programs are called non-linear editing (NLE) programs: you can go back and make whatever changes you like, whenever you like.

However, it is possible to lose perspective and be a bit too ruthless with removing clips. If you cut too much out, you may find that your storyline or narrative (all videos have a narrative, even factual videos!) becomes confusing because there’s not enough information to connect one bit of the story to the next. In this case, the video is not coherent. You may have deleted too many clips or moved them about too much. You should never fulfill one principle of editing at the expense of another – we need all three!

Adding meaning – creating a richer, smoother viewing experience

After you have a coherent timeline with unnecessary parts removed, you can consider how editing can add meaning to the video. It’s important that you leave this stage till last because coherence and conciseness are like a strong foundation that you need in order to build your video further. Added meaning often comes in the form of information in captions and titles (the ones on news programs or talk shows telling you people’s names and professions, for example, are called lower thirds). You can also add effects to the video or reframe shots to emphasize something in particular. But meaning can also be added through the way that you edit – the rhythm of the video and the way that you cut says a lot about the video’s tone and intended meaning. More discussion on that can be found in the Using cuts and other transitions section of Chapter 3. To learn about reframing, check out the Crop subsection in Chapter 5.

A word to the wise – be careful about being rash and over-enthusiastic when adding stuff to your video. Remember that the core of what you’re trying to do with editing is to make a few effective changes that will make your video better. Once you go past a certain point, each element you add loses its uniqueness and usefulness. Like everything in editing, this point is subjective; some people like more graphics than others. But a good technique is to ask yourself whether something really needs adding. If you can’t think of a good reason, don’t add it. Editing at its purest is simple, purposeful, and instinctive. There’s no need to overcomplicate it.

That was a brief summary of the principles of editing. To put all of this into practice, the next section is going to guide you through making a video coherent and concise, as well as adding meaning through voiceovers, music, and extra context. This can be done entirely within a video file. You don’t even need iMovie!

In-file editing with QuickTime Player on macOS

On macOS, it’s possible to make quite a lot of edits within a video file – meaning that if you just need to (re)move a few sections of your video to tidy it up, you don’t need to go through the much longer import, edit, export workflow that we’ll cover in later chapters.

Using Trim mode

Trimming is the first editing action we’re going to look at. Like most editing terms, it comes from the days of physically cutting bits of film and refers to what you might do with a pair of scissors. Because you’re cutting bits off of a clip, the action of trimming is all about removing the parts of a video you don’t need. Follow these steps to trim a video file in QuickTime Player:

Double-click to open the video file (Chapter-One_the-timeline.mov if you’re following along) and use ⌘ + T to open Trim mode (to access this through the menu bar, it’s Edit | Trim…). Trim mode will bring up a video strip – a basic timeline – that shows your whole video. There is a border highlighting the strip and trim handles at either end. In editing, a handle is something on the timeline you can select and move by dragging left or right.In Trim mode, you can drag the trim handles inward as far as you like to make the video start later or end sooner. When you drag the handle, a tooltip appears above the handle showing the timecode at which you have trimmed the video start or end. If you’re following along with the The Timeline video, drag the trim handle so that the video starts at the title card, as shown in Figure 1.2, not at the color bars before it.

Figure 1.2 – The Timeline video with the trim handles (circled) in the correct place

To make more precise edits in Trim mode, drag a trim handle slowly until the video strip shows a zoomed-in section of the video. Unfortunately, this feature isn’t very well-realized in macOS; it can be difficult to prompt the zoom change because there is no menu command to activate it. If you need to make edits that require you to be pinpoint accurate, you should use Clips mode. We will discuss Clips mode in the next section.When you’re happy, click Trim or press Enter to save the trim changes you’ve made.

Using Clips mode

The other command you can use to make edits in QuickTime, ⌘ + E, allows you to do even more than in Trim mode. Clips mode shows a translucent border around the clip. Instead of using trim handles, the tool used to make changes in this mode is the playhead, shown as a thin, red, vertical line. Take the following steps to see how Clips mode works:

When you play the video (which you can do by pressing the L key or the space bar), the playhead moves along the timeline as the video plays.To stop the playhead, press the space bar again or the K key. It’s good to get into the habit of using the letter keys, because the three main shortcut keys, J (play in reverse), K, and L, allow you to edit more efficiently.To make fine adjustments to the playhead's position, make sure the video is paused. Click on the video strip and use the keyboard arrow keys (← and →) to move left and right. One key press moves the playhead one frame at a time, which can help you to make very precise edits.Alternatively, if you need to move the playhead a larger distance, move your cursor to hover over the thin red line, and its shape will change to that shown in Figure 1.3. You can then click and drag the playhead to your desired location on the video strip.If the playhead ever disappears, press the space bar or L again, and it should reappear.

Figure 1.3 – The playhead adjustment cursor icon

Extra tip – frames

A frame is the smallest unit of time in a video: each second of a video is usually made up of between 24 and 60 frames. In Chapter 5, we’ll look at frame rates and how to check them in an iMovie project on the Mac.

Splitting clips

The main advantage of Clips mode is that it also allows you to split clips. Splitting cuts a clip into two separate pieces, at the playhead’s position. Here’s how to do that in Clips mode:

The ⌘ + Y keyboard shortcut will split the clip at the playhead's position. If you’re following along, use ⌘ + Y twice to cut out one of the color bar sections from the middle of the video.When a split has been made you can select the two pieces of video separately by clicking on either of them. Selected clips are highlighted with a border, as seen in Figure 1.4.

Figure 1.4 – Two splits have been made on either side of the color bars, isolating the bars into their own clip. That clip has been selected

You can delete a clip with the backspace key. If you’re following along, do that for the color bars.If you’re following along, use steps 1-3 again to remove the other section of the video that’s just color bars.

So why use splitting instead of trimming? Trimming only lets you manipulate the in and out points of the video – where the edited version of the video will start and end. Splitting allows you to cut out sections in the middle of your video, like the trick you learn where folding a piece of paper lets you cut a shape out of the middle. Splitting can be helpful if, for example, you misspeak and have to repeat something in the middle of a clip.

Adding video and audio

You thought Clips mode stopped there? Oh no. Not only can you split and reorder your original video, but you can even add other videos and an additional audio track. This is what makes the QuickTime Player genuinely capable as a basic NLE. If you’re following along, you’ve made your The Timeline video coherent and concise; now, you can add meaning with an extra video clip and a voiceover:

To add clips, make sure you’re in Clips mode (⌘ + E). If you’re following along, get the extra clip (extra-clip_part-4_The-Media-Bin.mov) ready next to the QuickTime window (this is why I suggest having the file on your desktop).To add the file to your video, click and drag the file over the video strip. The strip will move to make space for that file on the right or left of the clip, depending on which side you hover the video. Hover the extra clip between the third and fourth clips, as shown in Figure 1.5.

Figure 1.5 – If you hover the clip for long enough, little preview windows will show what’s in the clips on either side

Simply drop the file to place the video – it’s now been added.

As promised, you can also add your own audio track underneath the video. You might do this to complement a vlog with music or to enhance a tutorial with a how-to explanation. Let’s finish off the interactive task by adding this audio:

Drag an audio file (The-Timeline_Audio.mp3 if you’re following along) over the video strip. A new space will appear underneath the video for the audio to go into.Drop the file: you now have an audio track underneath your video that will play at the same time. Figure 1.6 shows how this should look.

Figure 1.6 – Audio added below the QuickTime video strip

When you add the audio, it shows up as a waveform, which is how the clip’s loudness changes over time. Big, relatively consistent waveforms usually mean human speech or loud environmental noise. That’s what you can see in the waveform in Figure 1.6.

Do be aware that if your audio file is longer than the video, it will not stay at its original length; audio will always fit the size of the video in QuickTime by trimming off part of the end. Fear not, though, because you can trim audio files in the same way as video files:

Right-click or ⌃ + click on an audio file and select Open With | QuickTime Player.Type ⌘ + T and use the trim handles to change the in and out points of the clip.Click Done when you’re happy.Save your changes by going to File | Export As | Audio only….Add the new audio clip to the original video.

Check how you’ve done

If you’re following along and have removed the right sections, you don’t need to worry about trimming the audio with QuickTime Player. The The Timeline audio (a mix of voiceover and music) will fit snugly from the beginning to the end of the video.

When you’re done, check The-Timeline_correct-video-audio to see how the final video is intended to look. Remember, editing isn’t an exact science – it’s about making audiences informed and entertained. So don’t worry if your video looks a little different!

Saving your finished video

When you make any changes to a video file, the name of the file will change to Untitled. This is because macOS likes to preserve the original file; your changes automatically become a new file. When you’re happy with your changes and additions, here’s how to save them:

Click Trim (Trim mode), Done (Clips mode), or press Enter to save your changes.Save the new file by going to File | Export As | 1080p… in the menu bar, or save via the prompt when you click the red circle to close the QuickTime Player window.

If you want to only save the audio portion of the video, or remove the audio from a video, you can do this with QuickTime too, by going to Edit | Remove Video (or Audio) in the toolbar. You might want to do this if you have a screen recording with background noise that you don’t want to share.

Why choose QuickTime Player to make edits?

So why would you choose this limited set of tools instead of going straight into iMovie? Well, quite simply, the simpler the system, the smoother it is, and the less that can go wrong. When you make changes as part of QuickTime Player, you can save the file and – usually within a few seconds – have a finished, edited video.

When you edit in an NLE, the process is a lot more complex. First, you need to import footage, which will fill up extra space on your Mac’s hard drive. When you finish editing, you then have to render your changes, which is the process of the NLE turning your timeline into a playable video file. That process can take anywhere from minutes to hours, exponentially longer than just saving changes to a file. So if you’re only planning on making simple changes such as cutting out mistakes and adding audio, or you have to make small edits to tens or hundreds of individual videos, editing within a file via QuickTime Player can save you a huge amount of time.

But, of course, not all edits are going to be that simple. You’ll often need to add extra information through titles or graphics or direct the audience’s attention by zooming into a specific part of the video frame to effectively tell the story you want to. You may have noticed that this happens in the The Timeline video you followed along with. For these kinds of changes, you’ll need to use a proper NLE workflow, which we’ll cover starting inChapter 3 through to Chapter 6.

What about iOS and iPadOS?

Because QuickTime Player is only available on macOS, unfortunately, you can’t split and combine videos using iOS or iPadOS as you would with QuickTime Player. However, you can trim media in the Photos app. The following steps show you how:

Open the Photos app on your device.Tap a video and select Edit at the top right. There you can move the trim handles to change the in and out points of the video, as shown in Figure 1.7.

Figure 1.7 – Trimming video using the Edit menu in the iOS/iPadOS Photos app

Tap Done, and you are given two options: Save Video or Save Video as New Clip. Here’s a bit about each to help you choose:Saving the video lets you play your shortened video in Photos and exports the shortened version if you share the video, but keeps the whole video preserved in case you go back into the Edit menu later or you want to import the whole video to iMovie.Saving the video as a new clip permanently removes the grayed-out footage beyond the trim handles in the new video. The original is saved separately with no changes.

Unfortunately, there is no Clips mode in Photos, meaning that you can’t cut out a section in the middle of your video. Although in-file splitting and combining of clips aren’t possible on mobile devices, there are convenient alternatives within iMovie for iOS and iPadOS. Splitting and combining clips using Magic Movie (which we’ll look at in Chapter 2) is a reasonably quick and easy alternative.

Summary

This chapter has hopefully helped you to see editing in a new light – as a necessary process that is integral to the whole world of video production, from amateur to professional. Fundamentally, editing creates meaning.

To narrow down what is most important to focus on when editing your video, we covered the three key purposes of editing. These are to make a video coherent, so the story it tells makes sense; to make the video concise, so it tells its story efficiently; and to add meaning so that your story becomes richer and has more context. It’s important to ignore anything that doesn’t help you fulfill these principles. That way, you shouldn’t get waylaid or distracted when editing, which is especially important if you’re working toward a deadline.

We also learned about how clips are arranged in the timeline and how the timecode and playhead tell you what part of the video you are looking at. We edited a simple video using QuickTime Player, using trimming and splitting to remove unwanted sections, added new video and audio to the original file, and saved a new file with the edits completed. I hope you’ll now agree that every video tells a story. Thinking about how your narrative is communicated can help make your videos clearer and more impactful. In the next chapter, we will delve further into the idea of storytelling and video structure by looking at Magic Movie and Storyboards mode on iMovie for iOS and iPadOS.