Eight Strokes of the Clock (Annotated) E-Book

Leblanc Maurice

• Herausgeber: Muhammad Humza
• Kategorie: Krimi
• Sprache: Englisch
• Veröffentlichungsjahr: 2022

Beschreibung

Hortense Daniel pushed her window ajar and whispered: "Are you there, Rossigny?" "I am here," replied a voice from the shrubbery at the front of the house. Leaning forward, she saw a rather fat man looking up at her out of a gross red face with its cheeks and chin set in unpleasantly fair whiskers. "Well?" he asked. "Well, I had a great argument with my uncle and aunt last night. They absolutely refuse to sign the document of which my lawyer sent them the draft, or to restore the dowry squandered by my husband." 

Leseprobe

Table Maurice Leblanc BIOGRAPHY

LEBLANC WAS BORN IN Rouen, Normandy, where he was educated at the Lycée Pierre Corneille. After studying in several countries and dropping out of law school, he settled in Paris and began to write fiction, both short crime stories and longer novels; his novels, heavily influenced by writers like Gustave Flaubert and Guy de Maupassant, were critically admired but met with little commercial success.

Leblanc was largely considered little more than a writer of short stories for various French periodicals when the first Arsène Lupin story appeared in a series of short stories serialized in the magazine Je Sais Tout, starting in No. 6, dated 15 July 1905. Clearly created at editorial request under the influence of, and in reaction to, the wildly successful Sherlock Holmes stories, the roguish and glamorous Lupin was a surprise success and Leblanc's fame and fortune beckoned. In total, Leblanc went on to write twenty-one Lupin novels or collections of short stories.

The character of Lupin might have been based by Leblanc on French anarchist Marius Jacob, whose trial made headlines in March 1905; it is also possible that Leblanc had also read Octave Mirbeau's Les 21 jours d'un neurasthénique (1901), which features a gentleman thief named Arthur Lebeau, and seen Mirbeau's comedy Scrupules (1902), whose main character is a gentleman thief. It was not influenced by E. W. Hornung's gentleman thief, A.J. Raffles, created in 1899, whom Leblanc had not read.

By 1907 Leblanc had graduated to writing full-length Lupin novels, and the reviews and sales were so good that Leblanc effectively dedicated the rest of his career to working on the Lupin stories. Like Conan Doyle, who often appeared embarrassed or hindered by the success of Sherlock Holmes and seemed to regard his success in the field of crime fiction as a detraction from his more "respectable" literary ambitions, Leblanc also appeared to have resented Lupin's success. Several times, he tried to create other characters, such as private eye Jim Barnett, but eventually merged them with Lupin. He continued to pen Lupin tales well into the 1930s.

Leblanc also wrote two notable science fiction novels: Les Trois Yeux (1919), in which a scientist makes televisual contact with three-eyed Venusians, and Le Formidable Evènement (1920), in which an earthquake creates a new landmass between England and France.

Leblanc was awarded the Légion d'Honneur for his services to literature, and died in Perpignan in 1941. He was buried in the Montparnasse Cemetery. Georgette Leblanc was his sister.

INFLUENCES

The character Arsène Lupin III, protagonist of the Japanese manga Lupin III beginning in 1967, was written as the grandson of Arsène Lupin, though without permission from Leblanc's estate. This was later the source of a lawsuit, though the copyright on Leblanc's work has since expired. When the anime version was broadcast in France, the character was renamed Edgar, le détective cambrioleur ("Edgar, the Burglar Detective"). The authors of the various Lupin III properties drew on Leblanc's novels as inspiration; notably, the film The Castle of Cagliostro was loosely based on La Comtesse de Cagliostro (The Countess of Cagliostro).

Table of Contents

Title

About

Author's Note

Chapter 1 - ON THE TOP OF THE TOWER

Chapter 2 - THE WATER-BOTTLE

Chapter 3 - THE CASE OF JEAN LOUIS

Chapter 4 - THE TELL-TALE FILM

Chapter 5 - THÉRÈSE AND GERMAINE

Chapter 6 - THE LADY WITH THE HATCHET

Chapter 7 - FOOTPRINTS IN THE SNOW

Chapter 8 - AT THE SIGN OF MERCURY

Author's Note

These adventures were told to me in the old days by Arsène Lupin, as though they had happened to a friend of his, named Prince Rénine. As for me, considering the way in which they were conducted, the actions, the behaviour and the very character of the hero, I find it very difficult not to identify the two friends as one and the same person. Arsène Lupin is gifted with a powerful imagination and is quite capable of attributing to himself adventures which are not his at all and of disowning those which are really his. The reader will judge for himself.

M. L.

Chapter

1

ON THE TOP OF THE TOWER

HORTENSE DANIEL PUSHED her window ajar and whispered:

"Are you there, Rossigny?"

"I am here," replied a voice from the shrubbery at the front of the house.

Leaning forward, she saw a rather fat man looking up at her out of a gross red face with its cheeks and chin set in unpleasantly fair whiskers.

"Well?" he asked.

"Well, I had a great argument with my uncle and aunt last night. They absolutely refuse to sign the document of which my lawyer sent them the draft, or to restore the dowry squandered by my husband."

"But your uncle is responsible by the terms of the marriage-settlement."

"No matter. He refuses."

"Well, what do you propose to do?"

"Are you still determined to run away with me?" she asked, with a laugh.

"More so than ever."

"Your intentions are strictly honourable, remember!"

"Just as you please. You know that I am madly in love with you."

"Unfortunately I am not madly in love with you!"

"Then what made you choose me?"

"Chance. I was bored. I was growing tired of my humdrum existence. So I'm ready to run risks... . Here's my luggage: catch!"

She let down from the window a couple of large leather kit-bags. Rossigny caught them in his arms.

"The die is cast," she whispered. "Go and wait for me with your car at the If cross-roads. I shall come on horseback."

"Hang it, I can't run off with your horse!"

"He will go home by himself."

"Capital!... Oh, by the way... ."

"What is it?"

"Who is this Prince Rénine, who's been here the last three days and whom nobody seems to know?"

"I don't know much about him. My uncle met him at a friend's shoot and asked him here to stay."

"You seem to have made a great impression on him. You went for a long ride with him yesterday. He's a man I don't care for."

"In two hours I shall have left the house in your company. The scandal will cool him off... . Well, we've talked long enough. We have no time to lose."

For a few minutes she stood watching the fat man bending under the weight of her traps as he moved away in the shelter of an empty avenue. Then she closed the window.

Outside, in the park, the huntsmen's horns were sounding the reveille. The hounds burst into frantic baying. It was the opening day of the hunt that morning at the Château de la Marèze, where, every year, in the first week in September, the Comte d'Aigleroche, a mighty hunter before the Lord, and his countess were accustomed to invite a few personal friends and the neighbouring landowners.

Hortense slowly finished dressing, put on a riding-habit, which revealed the lines of her supple figure, and a wide-brimmed felt hat, which encircled her lovely face and auburn hair, and sat down to her writing-desk, at which she wrote to her uncle, M. d'Aigleroche, a farewell letter to be delivered to him that evening. It was a difficult letter to word; and, after beginning it several times, she ended by giving up the idea.

"I will write to him later," she said to herself, "when his anger has cooled down."

And she went downstairs to the dining-room.

Enormous logs were blazing in the hearth of the lofty room. The walls were hung with trophies of rifles and shotguns. The guests were flocking in from every side, shaking hands with the Comte d'Aigleroche, one of those typical country squires, heavily and powerfully built, who lives only for hunting and shooting. He was standing before the fire, with a large glass of old brandy in his hand, drinking the health of each new arrival.

Hortense kissed him absently:

"What, uncle! You who are usually so sober!"

"Pooh!" he said. "A man may surely indulge himself a little once a year!... "

"Aunt will give you a scolding!"

"Your aunt has one of her sick headaches and is not coming down. Besides," he added, gruffly, "it is not her business ... and still less is it yours, my dear child."

Prince Rénine came up to Hortense. He was a young man, very smartly dressed, with a narrow and rather pale face, whose eyes held by turns the gentlest and the harshest, the most friendly and the most satirical expression. He bowed to her, kissed her hand and said:

"May I remind you of your kind promise, dear madame?"

"My promise?"

"Yes, we agreed that we should repeat our delightful excursion of yesterday and try to go over that old boarded-up place the look of which made us so curious. It seems to be known as the Domaine de Halingre."

She answered a little curtly:

"I'm extremely sorry, monsieur, but it would be rather far and I'm feeling a little done up. I shall go for a canter in the park and come indoors again."

There was a pause. Then Serge Rénine said, smiling, with his eyes fixed on hers and in a voice which she alone could hear:

"I am sure that you'll keep your promise and that you'll let me come with you. It would be better."

"For whom? For you, you mean?"

"For you, too, I assure you."

She coloured slightly, but did not reply, shook hands with a few people around her and left the room.

A groom was holding the horse at the foot of the steps. She mounted and set off towards the woods beyond the park.

It was a cool, still morning. Through the leaves, which barely quivered, the sky showed crystalline blue. Hortense rode at a walk down winding avenues which in half an hour brought her to a country-side of ravines and bluffs intersected by the high-road.

She stopped. There was not a sound. Rossigny must have stopped his engine and concealed the car in the thickets around the If cross-roads.

She was five hundred yards at most from that circular space. After hesitating for a few seconds, she dismounted, tied her horse carelessly, so that he could release himself by the least effort and return to the house, shrouded her face in the long brown veil that hung over her shoulders and walked on.

As she expected, she saw Rossigny directly she reached the first turn in the road. He ran up to her and drew her into the coppice!

"Quick, quick! Oh, I was so afraid that you would be late ... or even change your mind! And here you are! It seems too good to be true!"

She smiled:

"You appear to be quite happy to do an idiotic thing!"

"I should think I am happy! And so will you be, I swear you will! Your life will be one long fairy-tale. You shall have every luxury, and all the money you can wish for."

"I want neither money nor luxuries."

"What then?"

"Happiness."

"You can safely leave your happiness to me."

She replied, jestingly:

"I rather doubt the quality of the happiness which you would give me."

"Wait! You'll see! You'll see!"

They had reached the motor. Rossigny, still stammering expressions of delight, started the engine. Hortense stepped in and wrapped herself in a wide cloak. The car followed the narrow, grassy path which led back to the cross-roads and Rossigny was accelerating the speed, when he was suddenly forced to pull up. A shot had rung out from the neighbouring wood, on the right. The car was swerving from side to side.

"A front tire burst," shouted Rossigny, leaping to the ground.

"Not a bit of it!" cried Hortense. "Somebody fired!"

"Impossible, my dear! Don't be so absurd!"

At that moment, two slight shocks were felt and two more reports were heard, one after the other, some way off and still in the wood.

Rossigny snarled:

"The back tires burst now ... both of them... . But who, in the devil's name, can the ruffian be?... Just let me get hold of him, that's all!... "

He clambered up the road-side slope. There was no one there. Moreover, the leaves of the coppice blocked the view.

"Damn it! Damn it!" he swore. "You were right: somebody was firing at the car! Oh, this is a bit thick! We shall be held up for hours! Three tires to mend!... But what are you doing, dear girl?"

Hortense herself had alighted from the car. She ran to him, greatly excited:

"I'm going."

"But why?"

"I want to know. Some one fired. I want to know who it was."

"Don't let us separate, please!"

"Do you think I'm going to wait here for you for hours?"

"What about your running away?... All our plans ... ?"

"We'll discuss that to-morrow. Go back to the house. Take back my things with you... . And good-bye for the present."

She hurried, left him, had the good luck to find her horse and set off at a gallop in a direction leading away from La Marèze.

There was not the least doubt in her mind that the three shots had been fired by Prince Rénine.

"It was he," she muttered, angrily, "it was he. No one else would be capable of such behaviour."

Besides, he had warned her, in his smiling, masterful way, that he would expect her.

She was weeping with rage and humiliation. At that moment, had she found herself face to face with Prince Rénine, she could have struck him with her riding-whip.

Before her was the rugged and picturesque stretch of country which lies between the Orne and the Sarthe, above Alençon, and which is known as Little Switzerland. Steep hills compelled her frequently to moderate her pace, the more so as she had to cover some six miles before reaching her destination. But, though the speed at which she rode became less headlong, though her physical effort gradually slackened, she nevertheless persisted in her indignation against Prince Rénine. She bore him a grudge not only for the unspeakable action of which he had been guilty, but also for his behaviour to her during the last three days, his persistent attentions, his assurance, his air of excessive politeness.

She was nearly there. In the bottom of a valley, an old park-wall, full of cracks and covered with moss and weeds, revealed the ball-turret of a château and a few windows with closed shutters. This was the Domaine de Halingre.

She followed the wall and turned a corner. In the middle of the crescent-shaped space before which lay the entrance-gates, Serge Rénine stood waiting beside his horse.

She sprang to the ground, and, as he stepped forward, hat in hand, thanking her for coming, she cried:

"One word, monsieur, to begin with. Something quite inexplicable happened just now. Three shots were fired at a motor-car in which I was sitting. Did you fire those shots?"

"Yes."

She seemed dumbfounded:

"Then you confess it?"

"You have asked a question, madame, and I have answered it."

"But how dared you? What gave you the right?"

"I was not exercising a right, madame; I was performing a duty!"

"Indeed! And what duty, pray?"

"The duty of protecting you against a man who is trying to profit by your troubles."

"I forbid you to speak like that. I am responsible for my own actions, and I decided upon them in perfect liberty."

"Madame, I overheard your conversation with M. Rossigny this morning and it did not appear to me that you were accompanying him with a light heart. I admit the ruthlessness and bad taste of my interference and I apologise for it humbly; but I risked being taken for a ruffian in order to give you a few hours for reflection."

"I have reflected fully, monsieur. When I have once made up my mind to a thing, I do not change it."

"Yes, madame, you do, sometimes. If not, why are you here instead of there?"

Hortense was confused for a moment. All her anger had subsided. She looked at Rénine with the surprise which one experiences when confronted with certain persons who are unlike their fellows, more capable of performing unusual actions, more generous and disinterested. She realised perfectly that he was acting without any ulterior motive or calculation, that he was, as he had said, merely fulfilling his duty as a gentleman to a woman who has taken the wrong turning.

Speaking very gently, he said:

"I know very little about you, madame, but enough to make me wish to be of use to you. You are twenty-six years old and have lost both your parents. Seven years ago, you became the wife of the Comte d'Aigleroche's nephew by marriage, who proved to be of unsound mind, half insane indeed, and had to be confined. This made it impossible for you to obtain a divorce and compelled you, since your dowry had been squandered, to live with your uncle and at his expense. It's a depressing environment. The count and countess do not agree. Years ago, the count was deserted by his first wife, who ran away with the countess' first husband. The abandoned husband and wife decided out of spite to unite their fortunes, but found nothing but disappointment and ill-will in this second marriage. And you suffer the consequences. They lead a monotonous, narrow, lonely life for eleven months or more out of the year. One day, you met M. Rossigny, who fell in love with you and suggested an elopement. You did not care for him. But you were bored, your youth was being wasted, you longed for the unexpected, for adventure ... in a word, you accepted with the very definite intention of keeping your admirer at arm's length, but also with the rather ingenuous hope that the scandal would force your uncle's hand and make him account for his trusteeship and assure you of an independent existence. That is how you stand. At present you have to choose between placing yourself in M. Rossigny's hands ... or trusting yourself to me."

She raised her eyes to his. What did he mean? What was the purport of this offer which he made so seriously, like a friend who asks nothing but to prove his devotion?

After a moment's silence, he took the two horses by the bridle and tied them up. Then he examined the heavy gates, each of which was strengthened by two planks nailed cross-wise. An electoral poster, dated twenty years earlier, showed that no one had entered the domain since that time.

Rénine tore up one of the iron posts which supported a railing that ran round the crescent and used it as a lever. The rotten planks gave way. One of them uncovered the lock, which he attacked with a big knife, containing a number of blades and implements. A minute later, the gate opened on a waste of bracken which led up to a long, dilapidated building, with a turret at each corner and a sort of a belvedere, built on a taller tower, in the middle.

The Prince turned to Hortense:

"You are in no hurry," he said. "You will form your decision this evening; and, if M. Rossigny succeeds in persuading you for the second time, I give you my word of honour that I shall not cross your path. Until then, grant me the privilege of your company. We made up our minds yesterday to inspect the château. Let us do so. Will you? It is as good a way as any of passing the time and I have a notion that it will not be uninteresting."

He had a way of talking which compelled obedience. He seemed to be commanding and entreating at the same time. Hortense did not even seek to shake off the enervation into which her will was slowly sinking. She followed him to a half-demolished flight of steps at the top of which was a door likewise strengthened by planks nailed in the form of a cross.

Rénine went to work in the same way as before. They entered a spacious hall paved with white and black flagstones, furnished with old sideboards and choir-stalls and adorned with a carved escutcheon which displayed the remains of armorial bearings, representing an eagle standing on a block of stone, all half-hidden behind a veil of cobwebs which hung down over a pair of folding-doors.

"The door of the drawing-room, evidently," said Rénine.

He found this more difficult to open; and it was only by repeatedly charging it with his shoulder that he was able to move one of the doors.

Hortense had not spoken a word. She watched not without surprise this series of forcible entries, which were accomplished with a really masterly skill. He guessed her thoughts and, turning round, said in a serious voice:

"It's child's-play to me. I was a locksmith once."

She seized his arm and whispered:

"Listen!"

"To what?" he asked.

She increased the pressure of her hand, to demand silence. The next moment, he murmured:

"It's really very strange."

"Listen, listen!" Hortense repeated, in bewilderment. "Can it be possible?"

They heard, not far from where they were standing, a sharp sound, the sound of a light tap recurring at regular intervals; and they had only to listen attentively to recognise the ticking of a clock. Yes, it was this and nothing else that broke the profound silence of the dark room; it was indeed the deliberate ticking, rhythmical as the beat of a metronome, produced by a heavy brass pendulum. That was it! And nothing could be more impressive than the measured pulsation of this trivial mechanism, which by some miracle, some inexplicable phenomenon, had continued to live in the heart of the dead château.

"And yet," stammered Hortense, without daring to raise her voice, "no one has entered the house?"

"No one."

"And it is quite impossible for that clock to have kept going for twenty years without being wound up?"

"Quite impossible."

"Then ... ?"

Serge Rénine opened the three windows and threw back the shutters.

He and Hortense were in a drawing-room, as he had thought; and the room showed not the least sign of disorder. The chairs were in their places. Not a piece of furniture was missing. The people who had lived there and who had made it the most individual room in their house had gone away leaving everything just as it was, the books which they used to read, the knick-knacks on the tables and consoles.

Rénine examined the old grandfather's clock, contained in its tall carved case which showed the disk of the pendulum through an oval pane of glass. He opened the door of the clock. The weights hanging from the cords were at their lowest point.

At that moment there was a click. The clock struck eight with a serious note which Hortense was never to forget.

"How extraordinary!" she said.

"Extraordinary indeed," said he, "for the works are exceedingly simple and would hardly keep going for a week."

"And do you see nothing out of the common?"

"No, nothing ... or, at least... ."

He stooped and, from the back of the case, drew a metal tube which was concealed by the weights. Holding it up to the light:

"A telescope," he said, thoughtfully. "Why did they hide it?... And they left it drawn out to its full length... . That's odd... . What does it mean?"

The clock, as is sometimes usual, began to strike a second time, sounding eight strokes. Rénine closed the case and continued his inspection without putting his telescope down. A wide arch led from the drawing-room to a smaller apartment, a sort of smoking-room. This also was furnished, but contained a glass case for guns of which the rack was empty. Hanging on a panel near by was a calendar with the date of the 5th of September.

"Oh," cried Hortense, in astonishment, "the same date as to-day!... They tore off the leaves until the 5th of September... . And this is the anniversary! What an astonishing coincidence!"

"Astonishing," he echoed. "It's the anniversary of their departure ... twenty years ago to-day."

"You must admit," she said, "that all this is incomprehensible.

"Yes, of course ... but, all the same ... perhaps not."

"Have you any idea?"

He waited a few seconds before replying:

"What puzzles me is this telescope hidden, dropped in that corner, at the last moment. I wonder what it was used for... . From the ground-floor windows you see nothing but the trees in the garden ... and the same, I expect, from all the windows... . We are in a valley, without the least open horizon... . To use the telescope, one would have to go up to the top of the house... . Shall we go up?"

She did not hesitate. The mystery surrounding the whole adventure excited her curiosity so keenly that she could think of nothing but accompanying Rénine and assisting him in his investigations.

They went upstairs accordingly, and, on the second floor, came to a landing where they found the spiral staircase leading to the belvedere.

At the top of this was a platform in the open air, but surrounded by a parapet over six feet high.

"There must have been battlements which have been filled in since," observed Prince Rénine. "Look here, there were loop-holes at one time. They may have been blocked."

"In any case," she said, "the telescope was of no use up here either and we may as well go down again."

"I don't agree," he said. "Logic tells us that there must have been some gap through which the country could be seen and this was the spot where the telescope was used."

He hoisted himself by his wrists to the top of the parapet and then saw that this point of vantage commanded the whole of the valley, including the park, with its tall trees marking the horizon; and, beyond, a depression in a wood surmounting a hill, at a distance of some seven or eight hundred yards, stood another tower, squat and in ruins, covered with ivy from top to bottom.

Rénine resumed his inspection. He seemed to consider that the key to the problem lay in the use to which the telescope was put and that the problem would be solved if only they could discover this use.

He studied the loop-holes one after the other. One of them, or rather the place which it had occupied, attracted his attention above the rest. In the middle of the layer of plaster, which had served to block it, there was a hollow filled with earth in which plants had grown. He pulled out the plants and removed the earth, thus clearing the mouth of a hole some five inches in diameter, which completely penetrated the wall. On bending forward, Rénine perceived that this deep and narrow opening inevitably carried the eye, above the dense tops of the trees and through the depression in the hill, to the ivy-clad tower.

At the bottom of this channel, in a sort of groove which ran through it like a gutter, the telescope fitted so exactly that it was quite impossible to shift it, however little, either to the right or to the left.

Rénine, after wiping the outside of the lenses, while taking care not to disturb the lie of the instrument by a hair's breadth, put his eye to the small end.

He remained for thirty or forty seconds, gazing attentively and silently. Then he drew himself up and said, in a husky voice:

"It's terrible ... it's really terrible."

"What is?" she asked, anxiously.

"Look."

She bent down but the image was not clear to her and the telescope had to be focussed to suit her sight. The next moment she shuddered and said:

"It's two scarecrows, isn't it, both stuck up on the top? But why?"

"Look again," he said. "Look more carefully under the hats ... the faces... ."

"Oh!" she cried, turning faint with horror, "how awful!"

The field of the telescope, like the circular picture shown by a magic lantern, presented this spectacle: the platform of a broken tower, the walls of which were higher in the more distant part and formed as it were a back-drop, over which surged waves of ivy. In front, amid a cluster of bushes, were two human beings, a man and a woman, leaning back against a heap of fallen stones.

But the words man and woman could hardly be applied to these two forms, these two sinister puppets, which, it is true, wore clothes and hats—or rather shreds of clothes and remnants of hats—but had lost their eyes, their cheeks, their chins, every particle of flesh, until they were actually and positively nothing more than two skeletons.

"Two skeletons," stammered Hortense. "Two skeletons with clothes on. Who carried them up there?"

"Nobody."

"But still... ."

"That man and that woman must have died at the top of the tower, years and years ago ... and their flesh rotted under their clothes and the ravens ate them."

"But it's hideous, hideous!" cried Hortense, pale as death, her face drawn with horror.

* * * * *

HALF AN HOUR LATER, Hortense Daniel and Rénine left the Château de Halingre. Before their departure, they had gone as far as the ivy-grown tower, the remains of an old donjon-keep more than half demolished. The inside was empty. There seemed to have been a way of climbing to the top, at a comparatively recent period, by means of wooden stairs and ladders which now lay broken and scattered over the ground. The tower backed against the wall which marked the end of the park.

A curious fact, which surprised Hortense, was that Prince Rénine had neglected to pursue a more minute enquiry, as though the matter had lost all interest for him. He did not even speak of it any longer; and, in the inn at which they stopped and took a light meal in the nearest village, it was she who asked the landlord about the abandoned château. But she learnt nothing from him, for the man was new to the district and could give her no particulars. He did not even know the name of the owner.

They turned their horses' heads towards La Marèze. Again and again Hortense recalled the squalid sight which had met their eyes. But Rénine, who was in a lively mood and full of attentions to his companion, seemed utterly indifferent to those questions.

"But, after all," she exclaimed, impatiently, "we can't leave the matter there! It calls for a solution."

"As you say," he replied, "a solution is called for. M. Rossigny has to know where he stands and you have to decide what to do about him."

She shrugged her shoulders: "He's of no importance for the moment. The thing to-day... ."

"Is what?"

"Is to know what those two dead bodies are."

"Still, Rossigny... ."

"Rossigny can wait. But I can't. You have shown me a mystery which is now the only thing that matters. What do you intend to do?"

"To do?"

"Yes. There are two bodies... . You'll inform the police, I suppose."

"Gracious goodness!" he exclaimed, laughing. "What for?"

"Well, there's a riddle that has to be cleared up at all costs, a terrible tragedy."

"We don't need any one to do that."

"What! Do you mean to say that you understand it?"

"Almost as plainly as though I had read it in a book, told in full detail, with explanatory illustrations. It's all so simple!"

She looked at him askance, wondering if he was making fun of her. But he seemed quite serious.

"Well?" she asked, quivering with curiosity.