13,99 €
Secrets of exposure revealed, with a bonus color checker card included Exposure is the number one topic that digital photographers want to know about. This full-color book fits in your camera bag and provides all the information you need on this very important aspect of digital photography. Exposure involves combining ISO, aperture, and shutter speed in different variations to accomplish your vision of the perfect image. Exposure Digital Field Guide takes you through the complex techniques of good exposure, taking you from hobbyist to serious amateur photographer. * Explains how to adjust shutter speed and aperture to control the amount of light hitting the camera's light sensor * Teaches you how to "see the light" for the perfect exposure * Helps you gain confidence as you move from automatic controls into manipulating the elements of exposure for specific results * Packed with stunning full-color photographs to illustrate what you can achieve * Provides suggested settings for various shooting situations and subjects * Includes a tear-out color checker card to help you maintain true color * Fits in your camera bag for ready reference in the field Exposure Digital Field Guide helps you master one of the most complex and intricate elements of digital photography.
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Seitenzahl: 364
Veröffentlichungsjahr: 2009
Table of Contents
Chapter 1: Understanding Exposure
Defining Exposure
Stop
Exposure value
Equivalent Exposures
Exposure Modes
Program auto mode
Shutter speed priority mode
Aperture priority mode
Manual mode
Metering Light
Camera Metering Modes
Spot metering
Center-weighted metering
Scene metering
Exposure Compensation
Exposure Compensation versus Flash Compensation
Bracketing Your Exposures
Using the Histogram
Using the Clipping Information
File Formats
RAW
TIFF
JPEG
Chapter 2: Working with Light
Direction of Light
Front lighting
Back lighting
Overhead lighting
Side lighting
Intensity of Light
Color of Light
Color temperature
White balance
Daylight
Tungsten or incandescent light
Fluorescent light
Using a Flash
Fill light
Color gels
Chapter 3: Shutter Speed
Controlling the Shutter Speed
Camera controls
When Shutter Speed Is More Important Than Aperture
Freezing the Action
Superfast shutter speeds
Very fast shutter speeds
Fast shutter speeds
Normal shutter speeds
Slow shutter speeds
Very slow shutter speeds
Panning
Chapter 4: Aperture
Controlling the Aperture
Understanding f-stops
Camera controls
Program auto mode
Aperture priority mode
Manual mode
Depth of Field
Defining the depth of field
Controlling the depth of field
Shallow depth of field
Middle depth of field
Deep depth of field
Aperture versus Shutter Speed
Understanding Lens Limitations
Lens speeds
Diffraction
Variable and constant aperture lenses
Macro lenses, aperture, and depth of field
Chapter 5: ISO
Understanding ISO and Light Sensitivity
Digital Noise
High ISO Noise Reduction
Noise reduction through exposure
Noise reduction using software or camera settings
Using a Higher ISO
Chapter 6: Event Photography
Exposure Considerations
Shooting outdoors
Shooting inside
Checking the exposure
Concert Photography
The Right Equipment for the Job
Camera
Lenses
Accessories
Shooting Events
Shooting Tips
Chapter 7: Portrait Photography
Exposure Considerations
Aperture
Shutter speed
Considering Lighting and Location
Indoors
Outdoors
Portrait tones
Working with People
Children
Groups
The Right Equipment for the Job
Lenses
Lights
Other accessories
Shooting Portraits
Shooting Tips
Chapter 8: Landscape and Nature Photography
Exposure Considerations
When to shoot
Shoot in Aperture priority mode
Metering modes
Shooting snow
Checking the exposure
The Right Equipment for the Job
Lenses
Accessories
Macro Nature Photography
Panoramic Photography
Shooting Landscapes and Nature Photographs
Shooting Tips
Chapter 9: Night and Low-Light Photography
Exposure Considerations
Long shutter speeds
Wide open aperture
High ISO
The Right Equipment for the Job
Cameras and lenses
Accessories
Photographing Light Trails and Fireworks
Photographing Silhouettes
Sunrise and Sunset Photography
Shooting at Night and in Low Light
Shooting Tips
Chapter 10: Sports and Action Photography
Exposure Considerations
Shooting outside during the day
Shooting inside
Shooting outside at night
The Right Equipment for the Job
Cameras
Lenses
Accessories
Shooting Sports and Action Photographs
Get into position
Figure out which mode to use
Get good non-action action shots
Shooting Tips
Chapter 11: Wedding Photography
Exposure Considerations
The bride and groom
Shooting inside
Exposing for movement
Evaluating exposure
The Right Equipment for the Job
Camera bodies
Lenses
Dedicated flash
Accessories
Shooting a Wedding
Getting ready for the bride
Getting ready for the groom
The ceremony
The formal portraits
The reception
Shooting Tips
Chatper 12: Wildlife and Animal Photography
Exposure Consideration
Using Aperture priority mode
Picking the right metering mode
The Right Equipment for the Job
Cameras
Lenses
Accessories
Pet Photography
Shooting Wildlife and Animal Photographs
Shooting Tips
Chapter 13: Creative Exposure
Exposure Considerations
High exposure
Underexposure
Using Exposure to Create a Mood
Using ISO Noise Creatively
Appendix A: Software
Adobe Camera Raw
Photoshop
Library module
Develop module
Appendix B:How to Use the Gray Card and Color Checker
Exposure Digital Field Guide
Alan Hess
Exposure Digital Field Guide
Published by:Wiley Publishing, Inc.10475 Crosspoint BoulevardIndianapolis, IN 46256www.wiley.com
Copyright © 2010 by Wiley Publishing, Inc., Indianapolis, Indiana
Published simultaneously in Canada
ISBN: 978-0-470-53490-8
Manufactured in the United States of America
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About the Author
Alan Hess is a San Diego based commercial photographer specializing in concert and event based photography, but has photographed everything from portraits to products. He is the author of two previous Digital Field Guides, the Sony Alpha DSLR-A700 Digital Field Guide and the Sony Alpha DSLR-A200 Digital Field Guide.
His concert and backstage images have appeared in numerous online and print publications and have been used for promotional purposes and music packaging.
He is a member of the National Press Photographers Association and the National Association of Photoshop Professionals and Nikon Professional Services.
Alan is a key contributor to the Lexar Pro Photographer Web site and has written articles on concert photography and technology. Alan has taught concert photography at Photoshop World and has taught photography, digital photography workflow using Adobe Bridge and Adobe Photoshop Lightroom at Essy’s Studio in San Diego.
Alan can be contacted through his Web site www.alanhessphotography.com where he writes a regular blog.
Credits
Acquisitions Editor
Courtney Allen
Technical Editor
Haje Jan Kamps
Senior Copy Editor
Kim Heusel
Editorial Director
Robyn Siesky
Editorial Manager
Cricket Krengel
Business Manager
Amy Knies
Senior Marketing Manager
Sandy Smith
Vice President and Executive Group Publisher
Richard Swadley
Vice President and Executive Publisher
Barry Pruett
Project Coordinator
Kristie Rees
Graphics and Production Specialists
Carrie A. Cesavice
Jennifer Henry
Andrea Hornberger
Jennifer Mayberry
Quality Control Technician
Laura Albert
Proofreading and Indexing
Cindy BallewTy Koontz
Acknowledgments
Special thanks to my wife for her amazing patience as I wrote this book. I know that I am not the easiest person to get along with when facing deadlines.
I would like to thank my parents, brothers, sisters-in-law, and all the nephews and nieces for being the supporting family that everyone should be lucky enough to have.
Thanks to all my family and friends for allowing me to always be pointing a camera at you and letting me use the photos in this book.
Special thanks to Brian Ross, David Baron, and Maya at PR Photo — you all opened new doors and shooting opportunities for me, and I thank you.
My deepest gratitude to Courtney and Cricket for all their guidance; this is our third book together and I am glad for all your help. Thanks to Haje Jan Kamps and Kim Heusel for all their hard work as well.
For Nadra
Introduction
This Digital Field Guide is not camera specific or even brand specific, it is all about exposure, but what does that actually mean? Exposure is a very simple concept — allow the light sensitive sensor (film) to be exposed to the light that is reflected from the scene you want to capture. That’s the basics of taking a photograph. When you press the shutter release the camera opens the shutter and the light travels through the lens and is allowed to reach that sensor and you have a photograph.
As photographers you get to control the amount of light that reaches the sensor by controlling how long the shutter is open and how big a hole the light enters through. You also get to decide how much the signal from the sensor is amplified and it is those decisions that are the essence to taking photographs and getting a proper exposure.
I get a lot of questions about photography both through my blog at www.alanhessphotography.com and in person when out photographing. Most of the time the questions are about how I managed to capture a certain image or what settings I use for my photos. The answer is pretty simple: I use the best exposure settings for the situation.
In this book, I start by covering exactly what an exposure is and what controls you have to adjust it. It explains how your camera measures light and what each of the settings mean, as well as which of the metering modes works best for different situations. It also covers the exposure modes found on most cameras and when the best time to use them is.
Next up is all about light. Because photography is capturing light, it is important to understand the direction, color, and intensity of light in any scene. It is only after you can see and understand the light, that you can really go about capturing it. Shutter speed, aperture, and ISO are also covered in detail. Each of these sections not only cover the controls you have at your disposal, but the pros and cons of each one.
After the generalities of shutter speed, aperture and light are covered, it is time to get a little more specific starting with event photography, which includes one of my favorite photographic subjects — concert photography. I also cover outdoor events, indoor events, and those that take place all day long. You will learn about the exposure considerations and what can be done to get the best images possible.
Next is all about shooting people, from individual to group portraits, from shooting outside to dealing with studio lights. How to deal with the exposure problems that arise when shooting portraits is covered along with the best ways to check your exposures are all covered here.
Shooting landscapes and nature is also covered — from the exposure considerations when shooting landscapes and nature photography to controlling the depth of field to make sure that the whole landscape is in focus and even what the best times to shoot landscapes are.
Low light and night photography is up next. By definition, low light and night photography deals with photography when there is minimal light. Photographing light trails and fire works as well as how to shoot those beautiful sunrises and sunsets are all covered, as well as a look at the best way to shoot a silhouette, a technique that will let you use silhouettes creatively from now on.
While you normally use long shutter speeds when photographing in lower light, when it comes to sports and action photography, the opposite is often true. You use very short shutter speeds to freeze the action. How fast of a shutter speed is needed and what are the consequences are covered in this chapter. It doesn’t matter if you are shooting your kids playing a soccer game or if you are on the sidelines of a high school, college, or professional football game, the basics are the same.
Everybody loves a wedding; it is a time of joy and happiness…unless you are photographing the event. Wedding photography can be a very stressful experience for a photographer, with only one chance to get it right. Weddings can also be a real challenge when it comes to getting proper exposures due to the traditional bright white dress and dark tuxedos. In this chapter I cover the problems and the solutions with shooting weddings that will hopefully help if you ever find yourself as the wedding photographer.
Wildlife and animal photography is another favorite to photograph. It can range from photographing pets to taking a trip to the local zoo or an animal park, but the skills you need to get great shots are the same.
Finally, you get a look at some creative exposure options — the different ways to achieve your artistic vision and some fun ways to experiment during the image creation.
Because this book is all about digital photography I also spend some time at the end covering some of the software options and a bit about what can be done in post processing to adjust your exposure. However, even with the advances in software and the amazing things that can be done on a computer these days, remember it is still best to get the exposure right in the camera first.
This Digital Field Guide includes a new feature; a gray card/color checker that can be removed and used to help you get true and accurate colors in your images.
One quick note: this book is made specifically to go with you. It isn’t some tabletop tome that can’t leave the house, its made to go in your camera bag, so dog ear the pages, use a highlighter to underline the parts that are important to you, but the main thing is for you to take the book with you, use it as a guide when out shooting. And, if you really love the book and don’t want to get it worn and torn, I have no problem with you buying two.
Chapter 1: Understanding Exposure
Photography is the art of capturing light. You use your camera’s lens to focus the light and the sensor to record the light, creating an exposure. As a photographer, your job is to decide how much light the sensor is allowed to record, how long the shutter is opened, and how big the opening is in the lens to let in light. You also get to decide how sensitive the sensor is to light. All these factors let you control the exposure. You need to understand the exposure modes and light metering to help get the proper exposures and how to use the histogram to check your exposures. Picking the right file type to store your image is also important because it can make a big difference if you need to adjust the exposure in post processing.
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!