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Kathryn Maris borrows rhythms, vocabulary and themes from the Bible in her new collection of poems. Although a sly wit is in evidence, the result is far more than artful parody: it is an approach that ushers in large themes, unfolding them in surprising ways. The first section,'What will the neighbours think?', offers a kaleidoscopic view of the sins and sinners of the modern city and opens, appropriately enough, with a vision of a flood to rival Noah's.The poems feature domestic discord, gossip, suicide, celebrity, and anxieties about children and spouses. It says much about her meticulous poise and tone that we are lured into these scenarios with our sympathies fully engaged. The following sections subvert scripture more directly.A mock-prayer opens: 'My father, who art in heaven,/ sits under an umbrella that is his firmament'; a sonnet begins:'Kyrie eleison! I said it in the pub.'Such burlesque moments mask poignant themes of praise or blame.A skilful use of form is characteristic, as in the sestina 'Darling, Will You Please Pick up those Books?' Other pieces are set out in the numbered style of psalms or parables but have an entirely contemporary edge and are darkly funny. These poems sometimes recall another expatriate American living in London, the T.S. Eliot of the Four Quartets, sharing something of his ironic methods and essential tensions - but Maris brings her own inimitable brand of humour to the mix. 'This has a Dorothy Parker air, metropolitan and crowded, intimate with other lives whose own limits may never be known.' George Szirtes on The Book of Jobs 'There's a delicious sense of both open-mindedness and devilry in Maris's work. Her company is quirky, stimulating and sparklingly intelligent.You could say she's like Sylvia Plath with added chutzpah. But, really, Kathryn Maris is like no-one but herself.' Carol Rumens
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Seitenzahl: 41
Veröffentlichungsjahr: 2013
GOD LOVES YOU
for Mathijs and Cosima
GOD LOVES
YOU
KATHRYN MARIS
Seren is the book imprint of
Poetry Wales Press Ltd.
57 Nolton Street, Bridgend, Wales, CF31 3AE
www.serenbooks.com
Facebook:facebook.com/SerenBooks
Twitter: @SerenBooks
The right of Kathryn Maris to be identified as
the author of this work has been asserted in accordance
with the Copyright, Designs and Patents Act, 1988.
© Kathryn Maris 2013
ISBN: 978-1-78172-035-6
Kindle ISBN: 078-1-78172-037-0
e-book ISBN: 987-1-78172-036-3
A CIP record for this title is available from the British Library.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted at any time or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the copyright holder.
The publisher acknowledges the financial assistance of the Welsh Books Council.
Printed in Bembo by Berforts Group, Stevenage.
Table of Contents
I
What Will the Neighbours Think?
What Will Happen to the Neighbours When the Earth Floods?
The Witch and Macduff Exit My Neighbour’s House
Why I Will Gladly Take Your Man Away
Hilary Has Left the Building, Unless She Hasn’t
Kill a Tree, Kill Me
This Is a Confessional Poem
Darling, Would You Please Pick up those Books?
Will You Be My Friend, Kate Moss?
I Told No One for as Long as Possible
On Returning a Child to Her Mother at the Natural History Museum
I Imagine We Will Be Neighbours in Hell
II
God Loves You
God Loves You
It Was a Gift from God
The Devil Got into Her
Why
Doubting Thomas
Lord Forgive Me
Last Supper
My Father Who Art in Heaven
Knowledge is a Good Thing
Variations on Melissanthi’s Atonement 1-3
Iconography
The Angels Wept
Here Comes the Bride
III
Praise Him
Angel with Book
Metrical Charm 10: For Loss of Cattle
Bright Day
The Sun’s Lecture Notes on Itself, You and God
The Devil Will Find Work for Idle Minds
If You Relive a Moment You Cannot Outlive It
Assembly
The Tall Thin Tenor
Legacy
Number Plate Bible
Street Sweeper
Acknowledgements
About the Author
Crow realised God loved him –
Otherwise he would have dropped dead
So that was proved.
– Ted Hughes
I
What Will the Neighbours Think?
Is it nothing to you, all ye that pass by?
– Lamentations 1:12
What Will Happen to the Neighbours When the Earth Floods?
In the foreground there is an isolated flat slab of rock on which some helpless
humans have taken refuge just at the moment when the flood is welling nearer
and is about to cover them.
– Goethe on Jacob More’s painting ‘The Deluge’
Sometimes I mistake Noah for God, but sometimes I mistake
God for no one.
I mistake Noah for God because even in his arms I’m
abandoned.
From my High Ground you can see my neighbours, but it’s hard
to look.
So here are my glasses.
Is that a raft? Because I think it’s a boatman who hangs his head
in the storm.
But is that a raft or is it a rock? Could it be one rock lower
than Ararat?
I love my neighbours and I think God would love me for this.
But I covet my neighbours too, and God might proscribe this if
he had laws.
Look at my neighbours with nothing to covet. Now see the
container I live in with too much to hold.
There are my neighbours; here’s my container.
Here’s me, the doves, the griffins, the dogs, the bears, the boys,
and my man who can look like God when the weather’s
not clear.
And the weather is unclear a lot.
I remind him of the neighbours, but he says, ‘Look. I don’t want
to be reminded of the neighbours.’
I can be distant with him, but I feel affection when he eats.
When he eats, he bows his head like that boatman who probably
isn’t a boatman but a neighbour pressing against the weather on
almost the last land in the world.
The Witch and Macduff Exit My Neighbour’s House
My neighbour was a bitch
in Stoppard, a witch
in Shakespeare, a lawyer
on The Bill,
but she’s ‘herself’
when she’s over the wall
with her daughter,
my favourite child
next to my own,
who are friends with her one day
and not the next,
like when my son
accused her of stealing
a Gameboy cartridge,
and my daughter repeated
an awful thing
I say about the English,
that they’re the rudest people
on the planet.
But as for my neighbour:
I smile through tears
when she and her daughter
are over the wall
playing together
and I’m watching
from a location
akin to
a box seat.
She might have a box seat too –
my other neighbour
definitely does
because she knows
everything I do.
All the world’s a stage
and all the neighbours
merely players
with their exits,
