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Myra Connell's House is a startling debut collection of poems that are both enchanting and disquieting, that ask questions, look for clues, and mark out telling absences. The house itself might be deep in the woods, high on the moors, or alone at the end of an urban terrace; simultaneously a real place, and a body, a mind, a home for the soul. Is it a shelter or a fortress, solid or decaying, welcoming or defended? A cast of characters come and go from its spaces, the outside world presses in at the windows, wilderness awaits at the threshold.
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House
House
Myra Connell
ISBN: 978-0-9931201-4-5
Copyright © Myra Connell
Cover artwork © Eleanor Bennett
www.eleanorleonnebennett.com
All rights reserved. No part of this work may be reproduced, stored or transmitted in any form or by any means, graphic, electronic, recorded or mechanical, without the prior written permission of the publisher.
Myra Connell has asserted her right under Section 77 of the Copyright, Designs and Patents Act 1988 to be identified as the author of this work.
First published September 2015 by:
Nine Arches Press
Unit 14, Sir Frank Whittle Business Centre,
Great Central Way, Rugby.
CV21 3XH
United Kingdom
www.ninearchespress.com
Printed in Britain by:
The Russell Press Ltd.
ONE
One
I want to know more about these cows
To J
Whiteadder, Monday evening
On Arran
Sorry for your loss
Imagine
441 267
Vein
Beyond Llandudno
After Medard Boss’s description of schizophrenia
He is burning something in an oil-drum
TWO
Bring me
Emulsion
For – , beginning
Consulting room
Landslide
Two
I confirm there is nothing
China Seagull
She opened the glass door
Button Tie
They are inspecting the fruit trees in the corner field
THREE
Escape
All this rain
Lexical (I)
Lexical (II)
To X
What Angel Would Hear Me?
Just Peachy
She will be wearing gold and cashmere
Wolf Man
After Walter Benjamin
Three
Sitting on orange boxes, 4 a.m.
At this corner
Someone will read it all
Things are too sharp
He turned and looked at me today
For JS
So here’s the house.
It makes the corner,
stands where two streets meet,
and looks towards the sea.
One flat wave is foaming at the kerb,
the water green, and icy.
The tide is at the door,
and yet the woman says it isn’t high enough for bathing.
That’s a lie: she lied,
the woman with the black and shining hair,
to stop the other swimming.
Out the window to the sea-front
they could see the waves run in
slant and slant against the road.
She lied.
Or both the women lied,
needing one the other.
Mornings, they’re out: big bodies,
roan, cream, and grey with mottles. Heavy, nose to nose.
Steam rises from their nostrils, backs.
This triangle of grass and mud (a pretty triangle, she said)
is bordered by a stream, which they could cross,
the cows, by sliding down the pock-marked bank
and wading. Beyond, a meadow.
By noon, he’s locked them in again.
The black shed doors are closed, three hay-rolls
rustler-stacked against them. Inside
the cows are back in fetid darkness.
He himself has gone to early dinner,
sleeping in his chair.
Last night we went to find wood, too mean to buy for the fire
