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Winner of A Somerset Maugham Award 2023 Winner of An Eric Gregory Award 2023 Winner of the Michael Murphy Memorial Prize 2023 Longlisted for the Anglo-Hellenic League Runciman Award 2023 By reimagining episodes from Homer's Odyssey, Jay Gao's highly anticipated debut collection, Imperium, introduces an innovative talent whose work cuts across poetic traditions, traversing mythic cartographies and imperial formations. Exploring forms of absolute and intimate power, Imperium is an imaginative meditation on how the past lives on in the present by way of, and beyond, a global poetics of diaspora.
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Veröffentlichungsjahr: 2022
Jay Gao
CARCANET POETRY
I am suspicious of heroes. How do they survive?
— Vahni (Anthony Ezekiel) Capildeo
The shipwrecked, tremulous navigator anticipates the work of the compass.
— Max Horkheimer and Theodor Adorno
I am not nostalgic. Belonging does not interest me. I had once thought that it did. Until I examined the underpinnings. One is misled when one looks at the sails and majesty of tall ships instead of their cargo.
— Dionne Brand
I wake to stay in bed again, decide
every minor error of mine will remain broken in its wildness.
Nights of loss now end peacefully and rarely with restless
sediment. Beyond doubt, I no longer feel alone.
Update on security incident is the subject of these siren emails;
so it seems ghosts keep trying to hack the university’s global
trade routes. I dream about our sacred technicians haunting around
the anxious clock. Deep breathing. Remain
vigilant. I remind myself I am the translation machine. Excavated,
I am multiplying. In the morning, it must have snowed
even if I did not witness it.
This inert world seemed so buried with an off-white energy
yet to be exploited, and I made a gambit to get my body out of there,
a homecoming in disguise, my old return. Jupiter, Saturn,
Mercury aligned a few weeks ago without me even knowing.
Yet I could still perceive it. I think I slept right through it,
like a dress rehearsal before death.
No matter how many rooms
I gift my heroic molecules, they refuse to fall in line,
to deterritorialise. To be honest, I am excited to know what aporias
you will be planning soon, I praise our tenantless sun.
This year, I resolve to be both at home and not,
wet with words, my fingers within language
then doing without.
One childhood ambition was to project myself way into the past
like a statue.
I wanted to end by walking backwards, trace
slower circles in my back garden; in the distance,
beyond the steel mountains, I hear a train slip back into
the platform of its avant-garde station with a click, that snap of setting
a pen’s cap back on. The hands of the train are lifted
straight up as if to say: Okay.
You got me. I admit it,
I yield my tempo.
Just let me surrender over
all my worlded goods to you.
Oh! Adventurer
Oh! Boss
Oh! Coloniser
Oh! Despot
Oh! Emperor
Oh! Fascist
Oh! God
Oh! Hero
Oh! Imperator
Oh! Jailer
Oh! King
Oh! Leader
Oh! Monarch
Oh! Nazi
Oh! Overlord
Oh! Pioneer
Oh! Queen
Oh! Ruler
Oh! Sovereign
Oh! Translator
Oh! Usurper
Oh! Voyeur
Oh! Wanderer
Oh! Xénos
Oh! You
Oh! Zealot
let us start the clock
I left all my slippery toy soldiers on the washing machine lid
those wet miniatures
travel sized men I will have to scoop up in the morning
I clutched my dirty clothes to my chest like a bouquet of limbs
in last night’s omen
I was a child lost in that hallway again
I was a newly sewn doll longing to be filled up with sand
on a branch I saw three apples made of metal
waiting to mutate
A bruise the size of an eye leading to
rust the size of my nation
take care, do not know me,
deny me, do not recognise me,
shun me; for this reality
is infectious
— H.D.
Flying home, west, I hitch my pity
onto the mosquito trapped under the cling film
of this exotic dragon fruit salad. On its last long leg we shared
one vessel. Its authority to inflict human suffering unsettled me,
as I carefully ate around the heritages housing its stuck body.
I had read an article that said our kinship with them
can be most compellingly imagined through the metaphor of war.
You have killed nearly half of all the humans
who have ever lived; there is little of history left over you have not
yet touched. And so, the article explained, even expat mosquitoes
will, one day, clandestinely evolve some resistance to their poison,
artemisinin, with each new generation. Unless we modify
the fertility genes in the females; eradicate, in an entire genus,
the vector for disease. Genius
