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The poems in Jilted City inhabit in-between-places, when a border is being crossed, a word is slipping into another language, when memory is translating loss. 'From Stations where the train doesn't stop' in 'Blue Guide', following a train journey through Belgium, to 'City of Lost Walks', English versions of a dissident Romanian poet whose poetry fails to register except in the form of an omission, McGuinness explores transition and translation, the afterlife of absences. Wit and paradox are at the heart of a collection that finds unforeseen connections between place and displacement.
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PATRICK McGUINNESS
In memory of my mother
O mémoire, cité trahie
‘O memory, jilted city’
Henri Thomas
Many of these poems appeared first in the following magazines: Agenda, Alhambra Poetry Calendar, Archipelago, The London Review of Books, Planet, PN Review, The Times Literary Supplement and The Yellow Nib; and in the following books or anthologies: From the Small Back Room: A Festschrift for Ciaran Carson, edited by W.R. Irvine (Netherlea, Belfast, 2008), Branchlines: Edward Thomas and Contemporary Poetry, edited by Lucy Newlyn and Guy Cuthbertson (Enitharmon, 2007), The European Constitution in Verse edited by David Van Reybrouck and Peter Vermeesch (Passaporta, Brussels, 2009) and Identity Parade: Contemporary British and Irish Poetry, edited by Roddy Lumsden (Bloodaxe, 2010).
‘Déja-vu’ appeared as a Treganna Press poetry card, with a cover image by Alun Hemming, whose ‘Urban Vulture’ provides the cover for this book.
Several of these poems also appeared in the pamphlet 19th Century Blues, which was a winner in the Poetry Business competition in 2006 and published by Smith Doorstop in 2007. I am grateful to Peter Sansom and The Poetry Business for permission to reprint it here. A broadsheet entitled Montreal and Other Poems appeared in the San Marco Press Five Poets series in 2006, with an Italian version of the title poem by Barbara del Mercado.
The sequence ‘Blue Guide’ also appears in French, in a version by Gilles Ortlieb, in the review Théodore Balmoral.
I am extremely grateful to Jennie Feldman for letting me use her inspired rendering of the line from Henri Thomas’s poem ‘Audides’ as the epigraph to this book, and letting me have ‘Jilted City’ as the title. The rest of the poem can be found in Into the Deep Street: Seven Modern French Poets 1938–2008, edited and translated by Jennie Feldman and Stephen Romer (Anvil, 2009).
Title Page
Dedication
Epigraph
Acknowledgements
I
Déjà-vu
Blue
The Age of the Empty Chair
Noon at the DoubleTree Hotel
The Shape of Nothing Happening
French
Le Grand Pardon
[Untitled]
The Companions
Nineteenth-Century Blues
Charleville
Black Box
II Blue Guide
I Gare du Nord
II Gare centrale
III Gare du Midi
IV Quartier-Léopold
V Schuman
VI Bruxelles-Luxembourg
VII Ottignies
VIII Gembloux
Correspondances
IX Namur
X Ciney
XI Marloie
XII Jemelle
XIII Libramont
XIV Bouillon
XV Marbehan
XVI Arlon
Kleinbettingen
XVII Luxembourg
Stations where the train doesn’t stop
III
My Mother
L’Air du Temps
The Other Side
Montréal
Daytime Drinking
Lists
Spleen: Cardiff Matchday Blues
The Thaw
I Illegible waves of wood
II Lapland
III ! ! !
IV Stills
V writing the words
VI LO! v e
i.m. Jacques Brel (1929–1978)
Article 0.5: The Right to Be In-Between
Poem in White Ink
The Empty Frame
House Clearance
The Clamour
Déjà-vu
IV City of Lost Walks: Poems by Liviu Campanu
from The Ovid Complex (1989)
Poems I–VIII
Scenarios for Lovers and Magnets
from City of Lost Walks (1985)
In the Natural History Museum
In the Museum of Archaeology
Notes
About the Author
Also by Patrick McGuinness
Copyright