Alfred Austin
Lamia's Winter Quarters
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Table of contents
Introduction
INVOCATION
I
II
III
IV
Introduction
‘I
observe,’ said Lamia, ‘that another of those somewhat numerous
prose performances of yours, that are more or less remotely connected
with Gardens, and which you were pleased, without any previous
consultation with me, to entitle
Lamia’s Winter-Quarters,
is, like the first of the series,
The Garden That I Love,
to be issued in an equally luxurious form, and to be illustrated by
the attractive talent of Mr. Elgood. But since this project, to which
my attention was called by that now universal source of information,
advertisements, has been alluded to, do you mind telling me why you
called our delightful sojourn in a Tuscan villa overlooking Florence
my winter-quarters rather than the Poet’s winter-quarters, or
Veronica’s, or, for that matter, even yours?‘Somewhat
embarrassed, I replied:
‘To
have called the book my winter-quarters would have savoured of
egotism, and would, moreover, I fear, have failed in attractiveness.’
‘But
against Veronica’s name, or the Poet’s, no such objection would
lie?‘
‘Perhaps
not,’ I said. ‘But possibly from living with them, to say nothing
of you, I have acquired a habit of respect for the fact; and it was
more consonant with truth to call the winter-quarters yours.’
‘How
is that?’ she asked.
‘Well,
you see, Veronica does what the Poet wishes, and the Poet does what
you wish, and so——’
‘I
beg to say,’ she interrupted, ‘that
is not the fact. I
do what the Poet
wishes.’
‘Is
not that much the same thing?’ I replied. ‘You always seem to
have the same wish about everything. So I suppose you felt precisely
as he did when he wrote those adulatory lines which I saw in the
public prints, a few days ago, under the heading, “A Poetical
Impromptu.”‘
‘Really!
He wrote no such, nor indeed any, lines, never having seen nor heard
of the lady in question, in his life.’
‘Is
it possible?‘ ‘Everything of that kind is possible in these
days.’
‘But
did he not contradict it?‘ ‘Did he contradict! Like a good many
other men, he would have to keep a Secretary for no other purpose
than to contradict what is reported in the papers, and most of which
they probably never see. I should think he turned the opportunity to
better account by recalling a couplet of Pope—
‘Let
Dennis charge all Grub Street on my quill,I
wished the man a dinner, and sate still.’
‘But,’
I said, ‘are not such inventions calculated to injure the influence
of the prints that resort to them?’
‘I
should think so,’ she said, honouring me for once by talking
seriously. ‘But whose, and what, influence is not being injured
just now by their own misdoings? The House of Commons, for instance,
though more written and talked about than ever, has long been losing
influence, and the Press is now following suit; and it is the silent,
or comparatively silent, persons and forces that are acquiring or
increasing influence; the Monarchy, the House of Lords, and——’
‘The
House of Lords!’ I exclaimed. ‘I thought it was going to be
abolished, or to have its very moderate claims yet further
curtailed.’
‘Did
you?’ she answered. ‘Then your thoughts are not of much value. I
daresay it would be difficult to persuade Politicians that
Shakespeare was wiser than all the sons of the Mother of Parliaments
put together; and what does he say?
‘Take
but degree away, untune that string,And
mark what discord follows.And
so long as the British nation continues on the whole to be sane, it
will never consent to take “degree” away, in order to fasten on
itself a dead level and a tyrannical uniformity.‘I
was so flattered by Lamia having, in a short space of time,
condescended to talk seriously with me, that I thought a favourable
opportunity had arisen for preferring any request that I wanted her
to grant. Encouraged by this feeling, I ventured to say:
‘A
great adornment and advantage to the forthcoming volume would be a
portrait of the person whose name is associated with it; in other
words, a portrait of Lamia.’
‘So
it has come to that!’ she replied. ‘Not satisfied with having
travestied me in—let me see—yes, one, two, three, four, five
successive volumes,
The Garden That I Love,
In Veronica’s Garden,
Lamia’s Winter-Quarters,
Haunts of Ancient Peace,
and The Poet’s
Diary, you now
propose to vulgarise my ideal loveliness and magnetic personality in
order to gratify the curiosity of a number of persons who have never
seen me, and never will. Let me never hear of such a proposal again.
As the little boy said, “Myself is my own”; and, if it please
you, part of
‘...the
gleam,The
light that never was on sea or land,The
consecration, and the Poet’s dream.‘
‘Your
wish is my law,’ I hastened to say, and was about to snatch at the
first subject I could think of to ward off further reproof, when she
held out a little posy of Penzance sweet-briar roses she had been
wearing, saying in her sweetest manner, as though afraid she might
have wounded me, ‘Are they not lovely? No, keep them, if you care
to do so. They remind me of something I saw the other day, when, on
my way to London for a few hours, the train halted between Waterloo
Station and Charing Cross at a point overlooking a number of back
plots and alleys of the humblest description; and the one immediately
below me arrested my gaze. There were two short rows of the purest
white linen, lately out of the wash-tub, hanging out to dry; and
under them, a hammock, with a chubby baby in it, fast asleep. A few
feet behind was a red-brick wall, and along its foot three rows of
pelargoniums in full flower, and evidently most carefully hoed and
watered. A comely looking woman, with her sleeves tucked up as far as
they would go, came out of the house, peeped into the hammock,
kissed, or rather hugged the baby, and then turned it round to screen
it a little from the direct rays of the sun that were shining on this
little paradise. Then the train moved on; and I thought to myself,
with a feeling of quiet joy, that neither the garden that we love,
nor the Tuscan garden that was our winter-quarters, nor all the
gardens and palaces in the world, contain more happiness than those
few yards of ground in one of the humblest parts of London, tenanted
by linen hung out to dry, three rows of pelargoniums, a hammock with
a sleeping child in it, and a loving mother.’
‘I
wish I had seen it,’ I said.
‘I
described it to the Poet,’ Lamia replied; ‘and he then did
indulge in an Impromptu, which—let me think a moment—yes—ran
somewhat like this:
‘How
blest are they who hunger notFor
riches or renown,And
keep, within a narrow plot,A
country heart in town;
‘Who
envy not, though lowly born,Luxurious
lives above,But
blend with toil, renewed each morn,The
bliss of blameless Love.’
INVOCATION
IWhere
Apennine slopes unto Tuscan plain,And
breaks into dimples, and laughs to flowers,To
see where the terrors of Winter wane,And
out of a valley of grape and grainThere
blossoms a City of domes and towers.IITeuton,
Lombard, and grasping Gaul,Prince
and Pontiff, have forced their way,Have
forded the river, and scaled the wall,And
made in its palaces stye and stall,Where
spears might glisten and war-steeds neigh.IIIBut
ever since Florence was fair and young,And
the sun upon turret and belfry shone,Were
her windows bannered and joy-bells rung,When
back to his saddle the Stranger sprung,And
lances were lifted and pikemen gone.IVYes,
ever and ever till you, my Queen,Came
over the sea that is all your own,When
the tear on the tip of the vine is seen,And
the fig-tree cressets have flamed to green,And
windflower wakened, and tulip blown.VThen
roses were showered before your feet,And
her lily-crowned gonfalons waved above,And
children chanted in square and street,
‘All
hail to the Monarch may free men greet,Whose
sceptre is Peace, and whose Throne is Love.’VIAnd
now that each snow-torrent foams and falls,And
the oreoles sing and the skylarks soar,And
the lithe swallow circles her rose-white walls,Through
the clefts of the Apennine Florence calls,
‘More
welcome than Spring,’ come back once more!VII
‘Come
back, for the cuckoo is on its way,And
the mountains, smiling, await your smile;And
still in my olive-groves bask and stray,Till
the warm-winged waters and winds of MayShall
waft you back to your own loved Isle.’I
Cedri,Pian
di Ripoli, Florence,
I
‘Where is Lamia?’The inquiry is one not infrequently made; for, while most of
us can vanish without being missed, some favoured individuals there
are whose disappearance at once excites a sense of loss; and Lamia
is one of these. The question, I need scarcely say, was put by
Veronica; since the Poet maintains a fine irresponsible attitude
respecting others as well as about himself, and, however anxious I
may be to keep sight of Lamia, I am hardly so simple as to betray
my desire. But, responding with sincere alacrity to Veronica’s
question, I protested I had not the faintest notion where she was,
but would at once go in search of her.Veronica’s solicitude was, I suspect, prompted by that
deep-seated regard for decorous behaviour, which, far from leaving
it at home, she had carefully brought abroad as peculiarly
applicable to foreign parts and Continental manners. She is well
aware that, in the matter of social observances, Lamia is capable
of almost any enormity; and her absence from the morning-room of
the hotel in the southern seaport where we were making our first
halt, inspired her with natural misgiving.The search, as it turned out, was not a long one. Lamia I
found seated under a tall white-flowering magnolia in a leafy
garden hard by, where oleanders already well set for bloom, though
still far from their flowering season, and trees that for some
unknown reason English people call mimosas, but which they should
learn to speak of as acacias, and various evergreen shrubs of
stately stature, concerning which I should not at present like to
be too closely cross-questioned, offered a sufficient protection
against the burning December morning sun, while permitting
occasional glimpses of deep-blue sky. Ostensibly, she was having a
further polish put on her brown leather shoes by a black-eyed,
black-haired, tawny-skinned urchin, who entered into her humour
with true Southern adaptability, and who would have gone on
performing his quite unnecessary office as long as ever the young
lady desired. For the moment, I think, she had forgotten all about
him, for she had three oranges in her lap,—‘One for each of you,’
she said,—and was delicately dividing the other for her own
delectation. A large spray of Parma violets, fastened to her
attractive person, I need scarcely say exactly where they should
be, completed her recent purchases.
‘Do you mind asking Veronica to come and see me?’ she said,
‘for I never was so happy in my life.’I bethought me of the somewhat stern interrogatory, ‘Where is
Lamia?’ and merely observed that Veronica was superintending the
final operations of the maid in the matter of repacking, and
probably would wish not to be disturbed.
‘How strange!’ said Lamia, ‘and how tastes differ! The smell
of canvas covers and leather straps is particularly disagreeable to
me; whereas the island of Zante itself could not be more fragrant
than the scent of these violets and oranges, to say nothing of the
magnolia flowers overhead, and that delightful son of the sunshine
at my feet. And to think that, say thirty-six hours ago, I roused
you and the Poet from your slumbers to look upon a snow-white
world! I daresay you will think me very capricious, butthisis the garden that I
love.’
‘ Les absens ont toujours tort,’ said
the Poet, emerging from a shady avenue behind her. At the sound of
his voice she rose somewhat hastily, as though a performance quite
good enough for me was scarcely consonant with the half-courtly
veneration she entertains for him; gave the oranges in her lap and
a franc-piece to the smiling young urchin, who thought her more
fascinating than ever, and said reproachfully, ‘Then why doyouabsent yourself?’
‘That was hardly what I meaned,’ he replied. ‘I was referring
rather to the position of inferiority you assign to the garden that
we love, because it is now far away from us. But you are quite
right, and are going to Italy in the proper spirit. Whatever you
see there, admire consumedly, and you cannot be far
wrong.’
‘Are we not in Italy already?‘ ‘Almost. Its vestibule is
Provence.’I suppose it is because we are very simple folk, and lead at
home a rather primitive life, that we find everything new which
most other people find familiar, and so many things attractive that
the bulk of the world treat as undeserving of attention. Along that
magical coast, where we turned our gaze first to the sea-fringe,
then to the hill declivities, then back again to the white-laced
bays, and never being able to determine which were the more
beautiful, I observe that persons who have travelled many hundreds
of miles in order to enjoy the sunshine and glamour of the South,
are well content to make this entrancing journey in a railway
carriage, pulling down the blinds if the sun be a trifle too hot,
and conning their newspaper or turning over the leaves of some
conventional novel, in any case. That was not our way of
travelling, which was a good deal more leisurely and more
old-fashioned. We should have liked to find ourselves behind
Veronica’s ponies, but our hired vehicle did well enough; and,
while we never asked our cheerfully communicative driver to quicken
his pace, we frequently begged him to slacken it, and over and over
again bade him halt altogether. Although, save to Lamia, the road
was no new one, we all alike had fresh unsophisticated eyes for it,
and all of us found it a veritable wonder-world. Indeed, I could
not help reflecting that we behaved very much as we behave at home
in the garden that we love, declaring that the last blue creek, or
the last secular olive-grove, was the most wonderful we had yet
seen, for no better reason than that itwasthe last.
‘And they told me,’ said Lamia, ‘that the scenery is so
monotonous, and that bay follows bay, and mountain repeats
mountain, with provoking uniformity. Why, there are not any two
alike. I only wish human beings were as diverse.’
‘It all depends,’ said the Poet, ‘whether you look lovingly
or unlovingly, passionately or dispassionately. One must be
intoxicated by scenery, in order to appreciate it. Tranquil survey
is not enough, and scrutinising curiosity is fatal.’
‘I am sure,’ said Lamia, ‘Veronica is not intoxicated. She is
tranquillity itself.’
‘Veronica, you mean,’ was his reply, ‘does not effervesce.
But her silence is, perhaps, the measure of her
emotion.’
‘O stop! stop! Imusthave
some of those anemones.‘ How often a kindred need of this kind
arose on the part of Lamia, it would be hard to say; but, by
degrees, every part of the carriage that was not occupied by
ourselves was filled with tulips, windflowers, roses, and long
branches of early-flowering golden acacia.
‘You baby!’ said Veronica, ‘what are you going to do with
them all?’
‘You shall see, when luncheon-hour has arrived.‘ ‘Which I
think it now has,’ I ventured to suggest.Thereupon we came to a standstill; the driver took bit and
bridle off his willing little nags, and replaced them with
well-filled nose-bags, while we unloaded our hampers, that were as
commodiously as they were generously stocked. The unpacking of them
went on under the skilful direction of Veronica, who would no more
have dreamed of allowing us to lunchal
frescowithout spotless table-cloth, neat
napkins, and all the apparatus of civilisation, than in her parlour
at home. But she allowed Lamia to select the spot; and the choice,
though made from romantic rather than from practical impulse,
proved to be not wanting in comfort. Under a carob-tree, the first
Lamia had ever seen, the cloth was spread; and then she scattered
rather than arranged her lately gathered flowers, with infinite
taste. A short distance away, as we looked under the olive-trees
across the ruddy clods and accidental wild-flowers, were the
innumerable dimples of the amiable sea; and, did we turn our heads,
slopes of terraced fertility mounted gradually toward deciduous
clusters of woodland, and peaks of more accentuated
pine.
‘Will it be very unromantic,’ asked Lamia, ‘to seem hungry?
Because if it would, as I should not like to hurt any one’s
feelings, I can sate the edge of appetite with bare imagination of
a feast, or, at most, with the unsubstantial pageant of a mandarin
orange.‘ Veronica’s reply was to cut some solid slices of galantine
of fowl, and to tell me to do the same to one of those long rolls
of crisp crust which contrast so favourably with the semi-barbarous
baker’s bread of our own beloved island. The Poet, as of right,
withdrew the tow from the withy-bound flask of ruby wine, saying to
me, and to me only, as he did so, ‘Siccis omnia
nam dura deus proposuit.’ It was our first
open-air meal under the southern sky; and even Veronica, who, as we
all know, is rather on the side of indoor festivity at home, could
not protest that, in the shelter Lamia had chosen for us, it was a
touch too cold for the pleasant and perfectly safe satisfaction of
our appetite.
‘Is it always like this?’ asked Lamia.
‘Far from it,’ I was going to reply; but the Poet anticipated
me.
‘Yes, always, Lamia! always, always, always! No one deserves
to travel who anticipates anything less agreeable than what he is
enjoying at the moment. Should it ever be different, let us hope we
shall know how to meet it. Meanwhile, let us think as little as
possible of to-morrow.’
‘We can all see,’ said Lamia, ‘that such was the spirit in
which you travelled in your youth. In your rhythmical record of the
journey which you took—not with Veronica, I believe,—along this
meandering coast-line, there is never a stan [...]