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'Our duty is plain. To bring an end to peace.' An empire gone wrong; an empire completely gone, in fact. A nation with delusional ideas of its place in the world, making poor choices, involved in clumsy foreign adventures, constantly on the edge of war. At home, class divides are stark yet all attention is on a Duke's ceremonial marriage. And surging through the chaos, the absurdities of masculinity threaten to destroy everything. An epic fable set in the faraway Spanish Golden Age, Jo Clifford's play Losing Venice is a joyously original, witty take-down of dangerously daft machismo and the deranged behaviour of countries that have lost an empire and still not yet found a role… First seen at the 1985 Edinburgh Festival Fringe, Losing Venice was revived at the Orange Tree, Richmond, in 2018.
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Veröffentlichungsjahr: 2018
Jo Clifford
LOSINGVENICE
NICK HERN BOOKS
London
www.nickhernbooks.co.uk
Contents
Original Production
Characters
Losing Venice
About the Author
Copyright and Performing Rights Information
Losing Venice was first performed at the Traverse Theatre, Edinburgh, on 2 August 1985, with the following cast:
MUSICIAN/SECRETARY/PIRATE/CONSPIRATOR ONE
Duncan BellMARIA/MRS DOGE/CONSPIRATOR THREE
Carol Ann CrawfordQUEVEDO
Bernard DohertyPABLO
Simon DonaldDUKE
Simon DormandyDUCHESS/ PRIEST
Kate DucheneSISTER/CONSPIRATOR FOUR/ WOMAN WITH BABY
Irene MacdougallKING/MR DOGE/CONSPIRATOR TWO
Ralph RiachDirector
Jenny Killick
DesignerDermot HayesLighting and SoundGeorge TarbuckLosing Venice was revived at the Orange Tree Theatre, Richmond, on 7 September 2018, with the following cast:
PABLORemus BrooksDUKETim DelapSISTERJosh-Susan EnrightMARIA/MRS DOGEEleanor FanyinkaQUEVEDOChristopher LoganDUCHESS/PRIESTFlorence RobertsKING/MR DOGEDavid VerreySECRETARY/MUSICIANDan WheelerPirates, conspirators and other roles played by members of the company
DirectorPaul MillerDesignerJess CurtisLighting DesignerJai MorjariaComposerTerry DaviesCasting DirectorAnnie Rowe CDGCharacters
MUSICIAN
QUEVEDO
PABLO
MARIA
DUKE
DUCHESS
SECRETARY
KING
PIRATE
PRIEST
SISTER
MR DOGE
MRS DOGE
CONSPIRATOR ONE
CONSPIRATOR TWO
CONSPIRATOR THREE
CONSPIRATOR FOUR
WOMAN WITH BABY
ACT ONE
Two benches on the stage. The audience enter to find QUEVEDO writing and a MUSICIAN playing a guitar. PABLO and MARIA run on with a basket of food, which they put down in front of QUEVEDO.
QUEVEDO. What’s this?
PABLO. Food.
MARIA. A picnic.
PABLO. For you.
QUEVEDO. I’m not hungry.
PABLO. Liar.
MARIA. You haven’t eaten for days.
PABLO. Weeks.
MARIA. Months.
QUEVEDO. It is true I hunger but not for food.
MARIA. There. (Exits with PABLO.)
QUEVEDO. Bread and wine. The sacraments. The holy sacraments.
We suffer hunger in a filthy world,
Slaves to physical necessity. And yet…
I break the bread. I drink the wine.
Communion. Hunger is sanctified.
I rise above the needs of the body,
And I enter the kingdom of the soul.
MARIA rushes across the stage chased by PABLO. PABLO is caught. MARIA exits.
Pablo!
PABLO. What?
QUEVEDO. Stop it.
PABLO. What?
QUEVEDO. That.
PABLO. Why?
QUEVEDO. Because I have forbidden it.
PABLO. How?
QUEVEDO. I said I forbid it.
PABLO. You can’t.
QUEVEDO. I most certainly can.
PABLO. It’s my day off.
QUEVEDO. I don’t care.
PABLO. Look. When I’m working I’m yours. Your beck and your call. But not now. No disrespect. (Exits.)
QUEVEDO. Well…
This urge to procreation I could never
understand. Two lumps of flesh.
Rubbing together. Frotting. Frot,
frot. And what, I ask, what is the
outcome? We are. What a way to start.
What a grotesque beginning. Imagine.
The slimy contact.
Enter MARIA.
MARIA. Do you mind?
QUEVEDO. Yes I do. Very much. And to do it here in public.
MARIA. Well, we can’t do it in private.
QUEVEDO. You could try.
