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Selected Poems by Marina Tsvetaeva is a poignant exploration of emotion, exile, and the tumultuous forces of history. Tsvetaeva's poetry delves into themes of love, loss, and artistic devotion, often marked by intense lyricism and a striking, unconventional style. Her verses reflect both personal anguish and a broader commentary on the upheavals of the early 20th century, capturing the struggles of identity, displacement, and the role of the poet in times of crisis. Since its publication, Selected Poems has been recognized for its raw intensity and innovative use of language. Tsvetaeva's ability to convey deep emotion through bold imagery and rhythmic experimentation has solidified her status as one of the most distinctive voices in Russian poetry. Her work resonates with readers for its fearless exploration of human passion and existential longing, offering a window into both personal and collective suffering. The enduring significance of Selected Poems lies in its ability to transcend time and place, speaking to universal experiences of love, exile, and artistic struggle. Through her fragmented yet powerful verses, Tsvetaeva invites readers to engage with the depths of human emotion and the relentless pursuit of expression in a world marked by instability and change.
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Seitenzahl: 24
Veröffentlichungsjahr: 2025
Marina Tsvetaeva
SELECTED POEMS
DEDICATION
INTRODUCTION
In Paris
‘I know the truth! Renounce all others!’
‘Two suns grow cool – Oh Lord, give rest!’
‘Why such tenderness?’
‘Here, in my Moscow – cupolas gleaming!’
Insomnia (4)
‘To kiss the brow – eases anxiety.’
Psyche
Dying, I’ll not say: ‘I was’.
‘Enraptured, and enraptured,’
‘Go, find yourself naïve lovers, they’
Wires (1)
‘What shall I do, a stepchild and blind,’
Dialogue between Hamlet and his Conscience
‘You who loved me with the falsity’
Attempted Jealousy
To Boris Pasternak
Conversation with a Genius
‘Cut veins: irrecoverably’
Homesickness
Elderberry
‘Thinking of something, carelessly,’
‘When I watch the flight of leaves,’
‘Walking, you’re just like me,’
‘For my poems, written so young,’
Marina Tsvetáyeva
1892 – 1941
Marina Tsvetaeva (1892-1941) was a Russian poet, considered one of the most unique and passionate voices in 20th-century poetry. Her work, marked by lyrical intensity and deep emotion, explores themes such as love, exile, identity, and tragic destiny. Despite facing numerous hardships throughout her life, her poetic legacy has solidified her as one of the great figures of Russian literature.
Early Life and Education
Marina Tsvetaeva was born in Moscow into a cultured family; her father, Ivan Tsvetaev, was a renowned art historian and the founder of the Pushkin Museum. From an early age, she demonstrated a talent for poetry and published her first book, Evening Album (1910), at the age of 18. Her distinctive style, characterized by innovative meter and intense musicality, quickly gained recognition within Russian modernism.
Career and Contributions
Tsvetaeva’s work is deeply introspective and passionate, reflecting both her personal life and the turbulent historical events of her time. During the Russian Revolution and the Civil War, she endured economic hardships and separation from her husband, Sergei Efron, which infused her poetry with a tone of despair and longing.
Some of her most notable works include The Poem of the Mountain and The Poem of the End, which explore love and loss with overwhelming intensity. Her poetry also reflects her admiration for fellow poets such as Alexander Blok, Boris Pasternak, and Anna Akhmatova, with whom she maintained literary exchanges and correspondence.
Impact and Legacy
Tsvetaeva’s style was profoundly innovative, breaking away from traditional structures and experimenting with form and rhythm. Her verses, charged with deep emotion, influenced later generations of Russian poets. Much of her work, misunderstood in her time, has since been recognized as one of the most powerful lyrical expressions of the 20th century.
Unlike many of her contemporaries who conformed to the Soviet regime’s demands, Tsvetaeva never yielded to censorship or conformity, which led to her literary and personal isolation. Her years in exile in Europe and her eventual return to the Soviet Union in 1939 left her in a state of despair, reflected in her later poetry.