Monsters & Villains of the Movies and Literature - Gerrie McCall - E-Book

Monsters & Villains of the Movies and Literature E-Book

Gerrie McCall

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From King Kong to Lewis Carroll’s Jabberwocky, from Tolkien’s Shelob spider to zombies, there are some monsters that children and adults love to be scared by. Monsters of Movies and Literature collects 40 of these characters, both from classical literature, with figures such as snake-headed Medusa from Greek mythology and the Ziz bird from the Book of Psalms, to recent fantasy literature, such as John Wyndham’s triffids and H.G. Wells’ morlocks. Examples are also drawn from right across the globe, with contributions from Norse, Malaysian and Creole mythology.


Illustrated throughout with outstanding new full-colour annotated artworks, easy-to- follow accounts of the characters’ stories and factfile boxes, this book will appeal to any child interested in tales, monsters and movies.

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www.amberbooks.co.uk
MONSTERS & VILLAINS
OF THE MOVIES AND LITERATURE
GERRIE MCCALL
This digital edition first published in 2012
Published byAmber Books LtdUnited HouseNorth RoadLondon N7 9DPUnited Kingdom
Website: www.amberbooks.co.ukInstagram: amberbooksltdFacebook: amberbooks Twitter: @amberbooks
Copyright © 2012 Amber Books Ltd
ISBN: 978 1 908696 86 1
PICTURE   CREDITSAll illustrations by Mike Taylor/The Art Agency© Amber Books Ltd
All rights reserved. With the exception of quoting brief passages for the purpose of reviewno part of this publication may be reproduced without prior written permission from thepublisher. The information in this book is true and complete to the best of ourknowledge. All recommendations are made without any guarantee on the part of theauthor or publisher, who also disclaim any liability incurred in connection with the use ofthis data or specific details.
Contents
Introduction
6
Monsters from the Movies
Werewolf
8
The Creature from the Black Lagoon
10
Imhotep
12
Bride of Frankenstein
14
The Blob
16
Nosferatu
18
King Kong
20
Jaws
22
Flying Monkeys
24
Hannibal Lecter
26
Jason
28
Zombies
30
Terror in the Library
Frankenstein’s Monster
32
Dracula
34
The Headless Horseman
36
Triffid
38
Morlocks
40
Jabberwock
42
Mr. Hyde
44
Orc
46
Shelob
48
Lord Sauron
50
Ringwraith
52
Quasimodo
54
Phantom of the Opera
56
Moby Dick
58
Fairy Tales and Fantasy
Caliban
60
Macbeth’s Witches
62
Rumpelstiltskin
64
Witch
66
Evil Queen
68
Mordred
70
Creatures of Myth
Medusa
72
Hydra
74
Cerberus
76
Chimaera
78
Harpy
80
Siren
82
Sphinx
84
Grendel
86
Fenrir
88
Fafnir
90
Sleipnir
92
Ziz Bird
94
Index
96
6
INTRODUCTION
Introduction
T
he earliest tribes  of prehistoric humans were convinced there was something
dangerous out there in the dark, and there have always been monsters and
villains in every culture ever since. Humankind’s  natural curiosity draws us to
the unknown, and so primitive Man told  stories around the fire about
bizarre creatures and dangerous spirits. Ancient peoples, from Greece
to Norway, scared each other with sagas involving terrible monsters in
epic struggles between good and evil. Heroes did battle against
horrible creatures and, with the help of the gods, usually triumphed.
Fear is a deep and powerful emotion. Fans of horror who seek out
villains and monsters face their deepest fears, and it is true we need
to understand evil in order to know how to protect ourselves
against it. We also need reassurance that good will win out
in the end. Villains and monsters allow ordinary
people the opportunity to  rise to the occasion and
show the best in themselves by defeating those dark
forces that threaten their lives and their values.
INTRODUCTION
7
Vampires, ghosts, zombies, cannibals,  creatures risen from the grave, wild  beasts,
and strange  forces of nature all allow us  to explore the dark  side of our
imaginations and  confront our fear of  death. Every monster’s story
contains a lesson  in how to deal  with those who try  to harm us.
Whether the evil  is hiding  in the dark ready to  pounce or hunting us
down, there are methods  for conquering what  scares us.
One of the best  things about villains  and monsters is  that they
entertain us. They provide  us with the  excitement of being frightened
and they do  things that we  would never dare to do. They remind
us of the  difference between right  and wrong. But some
people worry  that they might not  recognize evil. This
book is a  guide to some  of the greatest villains and
monsters  throughout history. Inside  lurk the creatures that
people fear most.  The awful beast, the remorseless killer, the
supernatural, and  the just plain wicked  are at their  most enjoyable
when they can safely  be shut away in a book.
8
MONSTERS FROM THE MOVIES
Werewolf
EARSThe large, pointed ears hearthe faintest sounds made byprey from a great distance.
EYESKeen, merciless eyes can spotvictims even in the shadows.
MOUTHA bloodcurdling howl salutesthe moon and warns that thewerewolf’s hunt is beginning.Its fangs subdue prey andshred meat from bones easily.
BODYBuilt for endurance, the muscularbody stalks and chases as long asthe full moon is shining.
PAWSStrong hands and feet gripanything in this beast’s path.The claws tear away anyflesh not already slashed bythe fangs.
WEREWOLF
9
W
erewolves are humans with the ability to shift their shapeinto wolves. During the day, they are ordinary people, buta full moon triggers a terrible transformation. The person’s
body sprouts hair, grows fangs, and enlarges into its werewolf form.Prowling only at night, it devours cattle, kidnaps children, attacks
travelers, and destroys what it cannot eat.Once it tastes human blood, it is forevercursed. A person may not know he orshe is a werewolf. The only clue may berepeated nightmares of pursuing humansthrough the woods at night. Immune toaging and disease, the werewolf must eatthe flesh of the living for all eternity.
SIZE
ANYONE CAN BECOME A WEREWOLF by rubbing his or her body with a magic potion,drinking water from the footprint of a werewolf, eating wolf’s brains, sleeping under the
full moon on a Friday, having two werewolf parents, or being bitten by a werewolf. Unlikethe vampire, it cannot be harmed or frightened away by religious artifacts. The only way tokill a werewolf is with a silver bullet. The dead werewolf’s head must be cut off and burnedso that it does not return as a vampire three days later.
Where in the world?
Werewolves are prevalentworldwide. In any country youvisit, you may encounter awerewolf in the dark.
Did you know?
• Some believe that children born on December 24 will become werewolves.
• A poisonous herb called wolfsbane can be used to ward off a werewolf.
• Injuries suffered while in wolf form will show on the skin when the werewolf returns tohuman form.
• The mere touch of silver to a werewolf’s skin can cause burns and scarring.
• In Argentina, the belief that a seventh son would become a werewolf was so strong thatmany parents abandoned or killed their seventh sons. To stop this practice, a law was passedin 1920, which stated that the president of Argentina is the official godfather of everyseventh son born in the country. The state awards seventh sons scholarships, and theyreceive gold medals at their baptisms.
10
MONSTERS FROM THE MOVIES
The Creature from
the Black Lagoon
GILLSUsing his gills to extract oxygenfrom the water, the creatureremains submerged for longperiods of time.
BODYCovered in thick greenscales that protect his body,the gill-man weighs almost300 pounds (136 kg).
EYESAccustomed to the murkydepths of the Amazon, thecreature does not see well inbright daylight.
HANDSThe creature’s webbed handsact like fins for swimming,propelling him quicklythrough the water.
MOUTHThe creature is able to breathesurface air for a short timebefore returning to the water.
THE CREATURE FROM THE BLACK LAGOON
11
S
cientists visiting South America discover the skeletal hand of ahalf-man, half-fish creature with webbed fingers. Hoping to findthe rest of the fossilized skeleton, they embark on an expedition
to the Black Lagoon, a remote place from which no one has everreturned. It is home to a frightening creature more than 15 million
years old: the only survivor ofa species of gill-men. Thoughhe spends most of his timeunderwater, he is capable ofwalking upright on land. Hiswebbed hands are adapted forswimming, but they are strongenough to strangle a man.
SIZE
A BEAUTIFUL WOMAN WHO IS PART OF THE SCIENTIFIC EXPEDITION fascinates the
creature. When she goes swimming in the lagoon, she is unaware that he is following her.
The gill-man becomes tangled in underwater ropes attached to the boat’s dragnet as thewoman swims away. The single claw he leaves stuck in the net lets the scientists know justhow close they came to him. The crew uses a poisoned dart to temporarily paralyze the gill-man so they can capture him.
Where in the world?
With the largest drainage basin ofany river in the world, the Amazonprovides countless hiding places forthe prehistoric gill-man.
AMAZON
Did you know?
• In another failed attempt to capture the gill-man, a member of the crew wounds him witha spear gun. The angry creature takes revenge by killing one of the scientists. When they domanage to capture him, the gill-man escapes from the tank in which he has been placed.
• Furious about being held captive in a tank, the gill-man attacks his guard and would killhim if not for the woman onboard. She strikes the creature with a lantern, driving him away.
• The creature kidnaps the woman, taking her to his hidden cavern. The crew rescues her byfiring bullets into the creature and stabbing him with a knife.
• The gill-man’s normal diet is fish. He does not eat humans, but will kill them whenprovoked. He attacks when prying scientists disturb his habitat.
12
MONSTERS FROM THE MOVIES
Imhotep
BANDAGESLayers and layers of cloth stripsconceal skin that is as dryas parchment.
EYESThe mummy’s piercing glareis hypnotic and can turnanyone into his slave.
LEGSWhether he is wrapped inbandages or dressed as amodern-day Egyptian, Imhotepdisplays the stiff walk ofthe undead.
BODYOnce freed from the eternal prisonof the grave, the mummy possessessupernatural strength. Like manyof the walking dead, Imhotepdislikes being touched.
IMHOTEP
13
I
mhotep is a priest in ancient Egypt. As punishment for trying tobring his dead princess back to life, he is bandaged like a mummyand buried alive. All sacred symbols and hieroglyphics are removed
from his tomb so that his soul will not make the journey to theafterlife. A curse promising insanity and death to anyone who disturbsthe mummy is carved in his tomb. More than 3,000 years later, anexpedition from the British Museum discovers Imhotep’s tomb. The
Scroll of Thoth, which contains aspell that can revive the dead, isfound in the tomb with themummy. When the scroll is readaloud, Imhotep comes alive,seizes the scroll, and disappears.
SIZE
IMHOTEP DISGUISES HIMSELF AS A MODERN-DAY EGYPTIAN and approaches archeologists
with the location of the princess’ tomb. Her tomb is filled with unbelievable riches that
are displayed in the Cairo Museum. Imhotep plans to resurrect his princess using the scroll,but a museum security guard interrupts him. The few words he manages to read from theScroll of Thoth awaken strange feelings in a local woman named Helen. Imhotep begins topursue Helen, believing she is the reincarnation of his lost love.
Where in the world?
Imhotep lay buried in Egypt for3,700 years before the Scroll ofThoth brought him back to life.
EGYPT
Did you know?
• Imhotep wishes to use the Scroll of Thoth to transform Helen into his dead princessand make her immortal. When the scroll is burned, Imhotep disintegrates into acrumbled skeleton.
• Because a corpse’s eyes and tongue are removed for mummification, a resurrectedmummy’s first order of business is to snatch eyes and a tongue from a living victim.
• Vladimir Lenin, the Russian revolutionary, is a modern example of a person whose bodywas preserved by mummification. Lenin’s body has been on display in the Lenin Mausoleumin Moscow’s Red Square since his death in 1924.
• A mummy was being transported on the RMS Titanic when the ship struck an icebergand sank. Some believe that the mummy’s curse caused the disaster at sea.
14
MONSTERS FROM THE MOVIES
Bride of Frankenstein
HAIRThe jolt of electricity thatbrings her to life causes herhair to stand on end andstreaks it white.
FACEThe dull, black eyes are blankand staring. They dart back andforth in a nervous, birdlikemanner. Stitches underneathher chin betray the fact she isthe creation of a surgeon.
HEARTHer young, fresh heart recentlybeat in the chest of a peasantgirl who was murdered byFrankenstein’s assistant.
BODY