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Infused with movement, surprise and play, Out for Air presents a unique vision of the built environment, celebrating places where 'the bridges are endless / beyond the cantilever / of reality'. Expansive in scope but intricate in form, a masterclass in precision engineering. Todd rewires T. S. Eliot's Waste Land in his strange, compelling descriptions of the modern city: melting asphalt; a U-turning taxi; a diner swallowed by a sinkhole. In this disorientating landscape the skateboarder-poet is genius loci, the spirit of the place. From Manhattan's 'silky streets' and the Pacific Coast Highway to inner-city London and his native Cumbria, together these poems record a life lived on the move, in motion, on the cusp of things. 'I'm dazzled by this wonderful debut...The language itself crunches, glides, grinds. A radically different way of experiencing the built and natural environment and an endlessly engaging, witty, serious and astute new voice.' - Luke Kennard 'Out for Air is an inventive and alluring debut...With shades of Kleinzahler and Eliot, these poems explore angles and movement, friendship and distance, in a voice that is genuinely original, graceful and often strange.' - Martha Sprackland 'Through his words a whole world and potential opens up, a distillation of experience that feels universal and intimate.' - Nick Jensen 'Out for Air creates a world of familiarity gone strange, a world of signs of the human in motion, where the living in place becomes its constant study. It makes a hard-to-pin-down language which is all its own, and which mirrors its subjects' international scope, its playful, sometimes arch, worldview, and which announces a wholly original voice.' - Will Burns
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OUTFORAIR
Olly Todd lives in East Sussex with his girlfriend and their daughter. His poems have appeared in Ambit, The Rialto, Vice, Prototype, Five Dials and the Clinic anthologies. His pamphlet, Odeum Spotlights (Rough Trade Books, 2018), was long-listed for the Michael Marks Awards.
Odeum Spotlights (Rough Trade Books, 2018)
PUBLISHEDBYPENNEDINTHEMARGINS
Toynbee Studios, 28 Commercial Street, London E1 6AB
www.pennedinthemargins.co.uk
All rights reserved
© Olly Todd, 2022
The right of Olly Todd to be identified as the author of this work has been asserted by him in accordance with Section 77 of the Copyright, Designs and Patent Act 1988.
This book is in copyright. Subject to statutory exception and to provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Penned in the Margins.
First published 2022
ePub ISBN
978-1-913850-11-1
This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.
The Fuel
Tides
Leaving Goshen
The Spiralist
Yes, Oleaginous
Walking to Camberwell
NX RD
Ether Including Voices
Oaks
Low Tops
Ululation
Features of a Flight Path
Century Boulevard
Marines
Repose on the Flight into Egypt
Is This to Be That
Now
Sparrow
Rocks
The Room of a Mile
The Aircraft in the Space Below the Plane
Two Thoughts on a Hartlepool Sound Mirror
The Replacement
Tilia
Memories of a Sponge
TIXE
Milan
Just Think
O’Meally Frees a Seagull
Arisings
Cool
Us and Them
Entonox
Yan, tyan, tethera
Out for Air
A man so Embarcadero as to be emanating bridges.
The big red one.
The one over the oil farms.
Any but the one that rippled.
For one skater in the backseat of his future
to travel safely across.
For another fishing out a windcheater in the rucksack
of his ambition
to shelter under.
And the bridges are endless
beyond the cantilever
of reality
and the waters are friendly, lapping
at the trusses
and Cow Hollow High’s canteen chairs
look between their legs
for his manoeuvres; its scholars
grip their pens;
its corridor floors shine.
A man so Presidio as to be the plateau of hills.
The eight-hairpin cobbled one.
The one with the hotels with the cellophaned bear claws for breakfast.
The one mellowing out past west-flank Black Rock.
Any but the one where speeding car
wing mirrors brush
T-shirt sleeves.
For one skater timing traffic from a hillcrest café
to get the green lights.
For another re-reascending
to roll instead of stroll for a welcome sec,
blissing out calves, quads, glutes.
And the hills are summitless
above the bedrock
and the gradients are kind, rendering
off the curbcuts
and the glass eye of prejudice cracks
on the mirror held up
by his graphics.
A man so Soma as to be the fuel of foundries.
The one where the baseball diamond now stands.
The pierside one.
The locomotive one shipping out
boxcars of fuss, any but
the one bringing them back.
For one skater to gain his stability, geometry, nimbleness
and another and another and others
and the sparks are innumerable that leap
from the fires
and the welds are honest, floating
on the bearings.
And the Ellesses
and the toast raised in polystyrene cups
and the humility in a twoscore of shout-outs
resound with my crew and I.
If that’s the pavement rolling towards us
through the art department phone box like a tide,
it follows that the focus puller’s glove
turns out to be lunar gravity.
The phone box is a man standing in the swash,
riveted together, filled with a conversation,
