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In 1997 Hilary Menos and her family left Camden for a farmhouse in rural Devon. Over the next ten years, with her husband and three young sons, she transformed fifteen scrubby acres into a hundred acre organic farm. They kept Red Devon cattle and Wiltshire Horn sheep, made bacon and ham, grew vegetables. In 2009, with the organic market in decline, they decided to scale back, selling most of the livestock, the farmhouse, and part of the land. In Red Devon this 'blow-in' from 'upcountry' reveals her experiences of moving into a tight-knit rural community, and examines the human and animal costs of the conflict between traditional farming and modern commercial agriculture. She also tells the story of a burgeoning love affair between farmer Grunt Garvey and haulier Jo Tucker, a romance which ends in tragedy. Alongside these two stories, one fictional and one very real, runs a concern for farmers around the world threatened by global forces. "Hilary Menos confirms her reputation as one of the strongest emerging voices in British poetry. These are local poems in the best sense, rooted in a particular ground and community, but the poems of Red Devon deserve - and will find - a much wider readership." - Michael Symmons Roberts "Menos creates small worlds packed tight, seamless, masterfully compressed. Her poems have wit, range and strength; they are contemporary, varied and highly imaginative." - Ruth Padel
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Seitenzahl: 45
Veröffentlichungsjahr: 2013
Red Devon
To organic farmers and smallholders everywhere
Hilary Menos
Red Devon
Seren is the book imprint of
Poetry Wales Press Ltd.
57 Nolton Street, Bridgend, Wales, CF31 3AE
www.serenbooks.com
Facebook: facebook.com/SerenBooks
Twitter: @SerenBooks
The right of Hilary Menos to be identified as
the author of this work has been asserted in accordance
with the Copyright, Designs and Patents Act, 1988.
© Hilary Menos 2013
ISBN print: 978-1-78172-054-7
ISBN kindle: 978-1-78172-056-1
ISBN e-book: 978-1-78172-055-4
A CIP record for this title is available from the British Library.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted at any time or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the copyright holder.
The publisher acknowledges the financial assistance of the Welsh Books Council.
Cover photograph: Shastajak
Printed in Bembo by Berforts Group, Stevenage.
Author’s Website: http://www.hilarymenos.co.uk/
Contents
The Ballad of Grunt Garvey and Jo Tucker
Being Grunt Garvey
Knackerman
Burgoo
Grunt’s Bane
Wheelbarrow Farm
Mates Rates
The Blue Hour
Colin
Rammed
The Great Hog Oiler Round Up
The Harrowing
Badger Season
Full Load
Kingdom Come
Once Upon a Time in the West
A Load of Old Bull
New Blood
Shoot Supper
Tercio de Muerte
The Ballad of Grunt Garvey and Jo Tucker
Shambles
Agnus Scythicus
Witches’ Broom
Shambles
Pigweed
Pietà
Kissing Cousins
Red Tide
Dead Zone
Long Pig
Operation Blessing
Pig Out
UK 364195
Bob’s Dogs
Stock Take
The Organic Farming Calendar
Woodcock Hay
Portrait of the Artist as Venus Anadyomene
Aileen
Red Rosette
Handshake
The Deal
Viaticum
Cleave Farm
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Fat Hen, Few Eggs
Milk Fever
Acknowledgements and notes
The Ballad of Grunt Garvey and Jo Tucker
The secret of a good ley is a firm bottom
– Devon farming proverb
Being Grunt Garvey
Winsome is sixteen today. She sprawls
like a crumpled ballerina straddling the drainage gully
while her sisters mill around and munch hay.
Grunt brooms slurry off the concrete floor.
There’s more than one way to skin a cow
but, this being Grunt Garvey, he will do it the one way
and sling her from the spike with webbing strops
like the special delivery under a stork’s beak
or Darcey Bussell performing a grand jeté.
It could all go wrong. I see her paddling the air,
the noose – which it is – too high, too low, or both
and, this being Grunt Garvey, things don’t go to plan –
she proves to be quite the Houdini, although
it’s rather more than two minutes thirty-six seconds
before she hits the straw with a wet thud.
Grunt goes for the JCB with the gap-toothed scoop
to shovel her up like chippings, or so much grain.
Of course it can’t go wrong, but this being, etc.
she rolls in like a set of bagpipes with a low moan,
steam from her paunch soft-focussing her face
and more than a little damage to her tail bone.
Midday tomorrow, if she’s not on her feet
(on pointes if you’re chasing the extended metaphor)
the local knackerman will bring his gun
and attempt a short duet
before Winsome struts her stuff for the last time
along the tightrope of his winch and chain
into his tatty van. For those familiar with the charm
of a cow’s final fouetté,
this is a good time to look away.
* grand jeté – a ballet term indicating a long horizontal jump
* on pointes – dancing on the tips of the toes
* fouetté – a quick whipping around of the body from one direction to another
Knackerman
Rattling down the lane comes John Teague,
eager to please, eager to do his job,
partly because he is four days late
and the ewe dumped by the shed is on the turn.
Don’t ask him what he knows,
John Teague, with his aura of flies,
one eye up the chimney, one eye down the pot,
leaving nothing but a damp stain on the road.
He knows the inside of a pig’s mind.
To put his gun to the back of a ram’s head.
How a cow falls to her knees as if in prayer
in this reverse nativity in a half-dark byre.
Burgoo
“You got livestock, you got dead stock,” hollers Grunt.
He slams the tailgate, waves Teague off the farm.
Stan from Stags has come to talk about forms
and how everyone’s going to die of BSE.
In the kitchen Stan’s telling Dad about New Variant CJD.
Grunt makes mugs of instant on the Rayburn.
Mum says she knows a man with a sponge for a brain.
Dad says he knows a mad cow
but they must be proper mental in Kentucky,
eating road-kill varmints in a stew.
“A few ears short of a bushel,” says Stan,
“and five of them dead too.”
What sort of varmints, Grunt wants to know.
“Used to be squirrel or possum,” says Stan,
“but these days it’s beef or lamb.”
New Variant burgoo.
“Eggs and brains,” says Mum, “the butcher’s treat,
we had that every week when we were young.”
“No wonder your brains are scrambled,” says Grunt,
and throws his slops down the sink.
That night they sit out, skimming stones on the slurry.
Teague says, “Remember the road-kill kid,
spit-roast rats, hedgehogs wrapped in mud,
what happened to him?”
