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Longlisted for the 2019 Michael Murphy Memorial Prize. Shortlisted for the 2019 Seamus Heaney First Collection Prize. Shortlisted for the 2019 Somerset Maugham Award from the Society of Authors. Shortlisted for the 2018 T. S. Eliot Prize. Winner of the 2018 Forward (Felix Dennis) Prize for Best First Collection A Poetry Book Society Spring 2018 Recommendation Wandering in central Europe, a traveller observes and records a landscape of lakes, folk culture and uneasy histories. Phoebe Power's Shrines of Upper Austria gathers numerous stories and perspectives, such as the fragmented narrative of an Austrian woman who married a British soldier after the Second World War, and the voices of schoolchildren and immigrants. Strange discoveries are made: a grave for two dead goats; a lantern procession on the night of Epiphany; a baby abandoned by a river; a homemade frog-puppet. The poems are a collage of stories and histories, set in a variety of forms and registers. They are attentive to local detail, rich in the names of people and places - Marija, Omegepta, Eck 4 and the Loser Mountain. Mixing poetry and prose, image and narrative, German and English, Power's poems are a celebration of creativity in unlikely places. Against a disquieting backdrop of mild winters and memories of snow, they invite us to question what it means to feel at once a stranger and at home.
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for my family
sets of suits and clear
surfaces, pairs of socks in black
and black, vehicular ease, swivel
chairs, wrapped
sandwiches and selfies secure
and hairless, you may be sure of it,
card’s slide out,
regular payment, her legs on screens
duplicated
you look good in black and white
her tongue, kissing him all over,
hands on his lovely long hands, his own
beautiful hands hurt him, her purple-coloured
self that goes and grows
with this mirrored body
I just find you attractive
get the payment, slide the card in,
black lingerie and – depend on it –
bronzer, no hair, wrapped
sandwich, swivel chair, socks,
suit, surface. She’s gone.
No picture to play;
wiped memory.
money: the unauthorised
biography, mad money
adventure, how you can learn
from apple and make money.
the seven secrets
of leadership, how google works, think
big: be positive and brave
to achieve your dreams
<ask not
for money, but for lakshmi>
She used to faint, her hair
flapping beside her, eyes
spinning back through her head.
She grew an eating disorder like
a germ in a test tube, or a baby.
Never said what was in her
soul, but left her pink lips
prissed forward at us, to guard her.
Then she got thinner, till she was a slick
question mark in a long dress.
At every stage, the pattern in her face
faded more.
I saw her on the arm
of a train operator. He was all
apologies and watches. Eventually
she drew up a chair at the office herself
and went to work. She never missed a day.
Then a shadow
drew down behind her eye.
She woke one Monday, and could not see
through both her eyes.
They said
a shadow has drawn down
behind this eye.
I saw her the next week at a party.
She didn’t mention it.
Her eyes were just as big,
and bare, and blue as I remembered.
There were candles at the bottom of the
cathedral. They floated in a round pool,
on a trestle made of thin legs of iron. The
candle flames were soft and mobile, made
from water. They moved around the trestletop
in a circular motion.
She held the drops of motion in her eye.
They were the only live thing in the cathedral.
The candles told her:
About a year after this happened I dreamed I was on a set of flying swings, the kind you get on carousels at fairs. Only these swings were high up on a mountainside, and you had to have a ticket, and it was thronging. We pushed forward with our strips of tickets and grabbed a swing before they rose up and away. A strong fairground guy was there to help people onto the swings. I had one next to Joanna. We were lifted into air, with nothing above below or to the right or left of us.
We spun down and saw the green and cream landscape and rivers turn beneath us. We talked about Mike. I asked Joanna if she thought he thought I was too serious. Seriousness can be a great asset, she said.
