that which appears - Thomas A Clark - E-Book

that which appears E-Book

Thomas A. Clark

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Beschreibung

that which appears gathers together four book-length sequences; The Hundred Thousand Places, Yellow & Blue and Farm by the Shore, all previously published by Carcanet, plus the title book, that which appears, published by Paragon Press (1994). The poems gathered in that which appears emerge from a practice of walking in the varied landscapes of the highlands and islands of Scotland. They attempt to attend and respond to the evidence, to 'snow on moss on stone', with 'small continual adjustments'. A conviction grows that environmental damage can only begin to be repaired by many careful and repeated acts of attention. How can we move here with resourcefulness and least intrusion? Can poetry be generous in response while subject to an ethic of care for place and particularity? Can it provide spaces that will allow for, that welcome and celebrate, that which appears?

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THOMAS A CLARK

that which appears

CARCANET POETRY

5

Contents

Title PageThat Which AppearsThe Hundred Thousand PlacesYellow & BlueFarm By The ShoreAbout the AuthorCopyright
78

That Which Appears

 

9

it is early

a trickle of stones

released by light from ice

tumbles across the path

 

10

beyond the deer fence

a stag bellows

unseen in

dawn light

in the possibility

before things

find their limits

 

11

the walls of the old fort

wait

in the truce of the morning

 

12

a granite mass

inserted into granulite

with veins of pegmatite

intrusions of

felsite and porphyry

 

13

the mountains continually

crumble away

broken by the cold

into which

they lift themselves

 

14

mica flakes

sparkling in granulite

like a fossilised

memory of ice

 

15

all is explicit

accomplished

complete

the visible

is absolute

and without weight

 

16

corrie of the snows

burnt rock

surging river

hill of the stranger

 

17

in such light

one might sleep

in such cold

never wake

 

18

isolated crags

and corries do not

press down on the moor

but rise above it

in an agility of white

that converts to air

 

19

there are marks in the snow

but no paths or trails

each step sinks deeply

where bird, deer, hare

run lightly

 

20

in the silence of the birchwood

snow melting from branches

in the stillness of the birchwood

snow melting from branches

 

21

snow on moss on stone

 

22

green, ochre

russet, gold

colours refreshed

and released

 

23

wash face with snow

taste snow

clap hands in clear air

 

24

up on the ridge

surrounded by light

standing at ease

on crumbling rock

 

25

where all is so

insistently clear

it will not do

something is hidden

a premise of which

the facts are a residue

nothing coincides

with its representation

stop look wait

the visible is fragile

the call of a whimbrel

might split it apart

 

26

light comes

streaming

down into

a moment

which is all

encompassing

 

27

it is the ache

of looking

perceives

behind appearances

that which

appears

 

28

heather or ling

a roughness

covering scars

 

29

removing a stone

to alter the melody

of a mountain burn

I listen

then place

it back again

 

30

on the far

lake shore

a scree slope

rising steeply

the lake water

rippling gently

in the lee

of ruin

 

31

lichens, droppings, stones

I bend to inspect

detail in a clarity

I cannot leave

 

32

this is the gift

of the afternoon

this one moment

of stillness among

evidence of collapse33

 

34

the way forward

is from side to side

leaping from rock to rock

pausing, balancing

taking off

progress is impossible

without gaps and lacunae

the steadying halts

the taking of breath

the absence of thought

 

35

ascending, descending

turning to the right

turning to the left

space opening, closing

pressure brought to bear

small continual

adjustments of the spine

the hips and shoulders

the head inclined slightly

forwards or back

 

36

in a succession of

departures and accommodations

I move through a space

that opens before me

that falls behind me

my perception of it

is discontinuous

a sampling of aspects

like the arcs and angles

of sky between branches

 

37

there is ample distance

while that which is near

in being present

exceeds itself becoming

brittle and strange

as I myself am far

from myself in

those moments in which

I am most opaque

dead bracken or rock38

 

39

wind in the pines

land slipping

spawn in ditches

 

40

for shade and company

a fern by a stone

 

41

in a small hollow

out of the wind

warmth is added

to clarity

 

42

sunlight

dust and flies

in webs

among ivy

 

43

the moss on the gravestone

the waters rushing by

 

44

a few yards from water

a heron with blood on its wing

the feathers still subtle

with dusk and distance

the lines of the body

even in collapse

speak of grace and flight

the beak of direction

only the eye has lost

its concentration

 

45

an old gnarled root

dried out and dishevelled

the rope still around it

that dragged it from the ground

 

46

parting the flow

a moss-covered boulder

sprinkled with golden

alder leaves

 

47

storm driven waves

lifted as spray

over a rise to feed

weed held waters

 

48

the pondweed is held

by water that

the pondweed holds

 

49

a line of pebbles

laid out on the sand

the light falls upon

each one differently

the tide flows in around

each one differently

 

50

among green and black boulders

the slap and the break of waters

among grey and black boulders

the leap and collapse of waters

among brown and black boulders

the swell and subsidence of waters

 

51

what the wave delivers

the ebb takes back

 

52

in the grey shoreward

advance of the waves

far out a lonely

instant of grey

arrestment and enquiry53

 

54

out in the wind

burning

out of the wind

glowing

 

55

a broken gate leading nowhere

mist closing every distance

water held in deep moss

 

56

mature trees spread

long branches over

an open habit

of mossed rocks

ling or heather

blaeberry and crowberry

 

57

standing dying trees

standing dead trees

fallen logs and stumps

eaten by insects

inhabited by birds

bryophytes and fungi

 

58

quiet is

replenished

growth and clearing

maintain themselves

in a steady

regeneration

 

59

where many trees

grow together

they modify

the weather

 

60

through horizontal layers

of soil, litter, shrub

the trees rise to a canopy

which is their final delay

before the breadth of the sky

 

61

a pool in the forest

a place where the stillness

looks back at itself

 

62

beneath the ripples

on the green lake

the sublucustrine

ripples of light

 

63

air is filtered

through pine needles

held by alder

scrubbed by juniper

 

64

thin frosted

birch branch

more frost

than branch

thin lichened

birch branch

more lichen

than branch

 

65

between birch and mist

an affinity

 

66

an extension

where every

direction is foiled

intention is stilled

an openness

sheltered

 

67

for one who forgets

who no longer waits

the crested tit will come

to the hanging lichen

 

68

a steady rain falling

through birch branches holding

clear rain drops

 

69

fissures in the bark

pathways for rain

 

70

the stillness is deeper

in the rain

 

71

a little stream passing

under the trees

reflecting

refracting

 

72

in darkness a light

altering in

intensity

now on and now

by a stone

 

73

in an ardour of stillness

moss on a stone

 

74

moss on the trunk

catching the light

lending to the tree

a glowing silhouette

 

75

a horizontal branch

the upper half in shadow

the lower half lichen stained

as if a light shone on the branch

upwards from the ground

 

76

as I go

through the trees

I am led

through the trees

I progress

by implication

 

77

a recess