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In The Crossing Fee Iain Bamforth re-stages the odyssey of the legendary German hero who falls into a lake in the Black Forest and emerges in the China Sea. Circulating between Europe, the Philippines and Indonesia (where Bamforth worked for five years as a health consultant), the poems sound the plummet and allure' of life on both worlds. Grounded in myth and also in close observation, The Crossing Fee records a momentous exploration of space and history: 'For the tides are always bringing / news of something strange.'
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Veröffentlichungsjahr: 2013
IAIN BAMFORTH
Title Page
Psalm
A Letdown
Victor Segalen
Lenz
Memories of Holland
¡Que Viva Mexico!
Luther’s Fig-Tree
Promises, Promises
Statistics and the Novel
Ear Eats Mouth
Household Gods
Germany 1636
Skin Deep
Turin
Theogony
Pyro Tyro
Mediation and the Sunflower
Anorexia
Trauma Years
Robert Musil to his Critics
Names and Numbers
Two Propositions about Time
Quartz
Buddha for the Born Again
Sympathy in Silver City
Telephone from the Beyond
Viaticum
Baudelaire: The Ransom
An Old Film
Gospel Commentary Nightmare
Larval Elements
Victor Hugo: Open Windows
Flaubert in Egypt
Ode to the Potato
A House in the Var
The Reef of Natural Causes
The Desert in Them
Blossom
Midsummer on Shetland
Real Estate
Woodwork as an Act of Ostension
At Mummelsee
Cave-Diving in the Pacific
Lepidoptera
Teacher’s Day, Singapore
Flying Garuda over Java
Primal Unction
The Crossing Fee
Kite-Flyers of Cengkareng
Six o’Clock
Docked Ships at Sunda Kelapa
Base Matter
Kiblat
On the Language without a Copula
Ironwood
The Mud Volcano
On a Floating Island
Iconography of the Early Philippine Church
Stranded Whale
Dawn in the Monkey Forest
Acknowledgements and Notes
About the Author
Also by Iain Bamforth from Carcanet
Copyright
I called out to you, from the root of the mountains,
from the mountains fallen in on themselves even unto Rotterdam,
where the very earth itself is of the nature of folding.
I called, out of my distress, and hoped to hear you
though circumstance closed upon me, with no place to stand
in the depths of the pit, in the region dark and deep.
The Alps saw and trembled, for even the mountains melt
when your wrath lies upon them, the fire gone before.
I wanted to break forth, and shout for joy, and sing psalms;
but you hid your face in the days of my affliction
lengthening now like shadows in the sere grass.
Ashes are the bread in my mouth. The nations are destitute.
And I am become a pelican of the wilderness;
I am as the philosopher’s owl disengaged by dusk.
Venerable city, he called it,
and though he went far from Teviot Row
it would always be home –
the heart remembered by a lad of parts.
His northern circumstance, in all its flux.
Disembodied land of the mind,
it broke like a cloudburst on his plans
to walk the earth’s low curves.
Why should the passage back be difficult?
Hadn’t his father given him a map
so that he, eluding the past, might step
into the now-forever Land of Uz?
There were nettles at the gate
and in the great house a boy rehearsing
reasons for his lifelong trip
across the trapdoor of the mind.
Home was the House of Shaws, a place
of Gothic design and catastrophic
letdown. ‘To set a stranger mounting
was to send him [ ] to his death.’
Night lengthens on his prospects
and those figures standing in the garden.
He has gone to live his calling
where only the irretrievable can be saved.
Anti-touriste de la terre-boule –
it would take another life
now the age of endeavour is synopsis
and history exploring epilogue
to find you in that navy uniform
at the missed death-bed encounter
(Gauguin in the Marquesas)
and recognise travelling for what it is.
‘Space is rapt, the new conceptual rage.’
Enter it. Abandon the ocean
for the trek that calls itself China,
a relentless pilgrimage up the Yangtze.
Be seasick, even on horseback.
Write orphics with Debussy
and scorn that pimp of the exotic,
Loti, for his cheap effects.
Ease yourself now out of torpor,
alone in the forest at Brocéliande,
contemplating the not-you
and the book that couldn’t be written.
‘A great era to be alive in,’ he proclaimed,
climbed to the top of Strasbourg’s sheerest Gothic,
then hung about Goethe like a bad critique;
posed for his silhouette, went mad in the Vosges,
got written off as dead a decade before he was,
went home to face his father’s silent scorn;
tried to raise Friedericke’s namesake from the dead,
was douched in a strapped seat for the mad;
took the pain of others into himself,
a pain so enormous he lost all sense of decorum
though recouped enough of it to play the fool at Weimar
where Privy Councillor G. cut him with contempt.
from the Dutch of Hendrik Marsman
Thinking of Holland
I see broad rivers
slowly chuntering
through endless lowlands,
rows of implausibly
airy poplars
standing like tall plumes
against the horizon;
and sunk in the unbounded
vastness of space
homesteads and boweries
dotted across the land,
copses, villages,
couchant towers,
churches and elm-trees,
bound in one great unity.
There the sky hangs low,
and steadily the sun
is smothered in a greyly
iridescent smirr,
and in every province
the voice of water
with its lapping disasters
is feared and hearkened.