9,59 €
"These poems are very moving and it's hard to do justice to the way Caroline Smith conveys the anxieties, hopes and disappointments experienced by immigrants. She never allows the reader to forget that behind the refugee statistics there are suffering human beings; very often the victims of a seemingly insensitive and overstretched bureaucracy." – Lord Alf Dubs "The detail is magnificent ...there is an implicit tenderness and stoicism inthe lives of these characters which shines through." – Angela Platt, Orbis Vividly detailed and emotionally powerful, The Immigration Handbook is as revealing as it is timely. Here we meet with the individuals that the news stories only speak of as numbers. These are lives fraught with violence and tragedy that Caroline Smith has encountered in her work as the asylum caseworker for a London MP. We journey with them through the labyrinthine government bureaucracies they must navigate to survive. With clarity and integrity she lays before us stories of stoic resilience and humorous forbearance, of kindness to others and of joy in the midst of sorrow. These are poems that step out of the headlines and into our hearts.
Das E-Book können Sie in Legimi-Apps oder einer beliebigen App lesen, die das folgende Format unterstützen:
Seitenzahl: 43
Veröffentlichungsjahr: 2016
for Barry
Seren is the book imprint of
Poetry Wales Press Ltd.
57 Nolton Street, Bridgend, Wales, CF31 3AE
www.serenbooks.com
facebook.com/SerenBooks
twitter@SerenBooks
The right of Caroline Smith to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act, 1988.
© Caroline Smith 2016
ISBN: 978-1-78172-321-0
ebook: 978-1-78172-322-7
Kindle: 978-1-78172-323-4
A CIP record for this title is available from the British Library.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted at any time or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the copyright holder.
The publisher acknowledges the financial assistance of the Welsh Books Council.
Cover Artwork: ‘Panel 57: the female workers were the last to arrive north, 1940-41’ copyright Estate of Jacob Lawrence. ARS, NY and DACS, London 2015.
Printed in Bembo by Bell & Bain Ltd, Glasgow.
Whilst the lives represented in these poems reflect actual events and experiences, all names have been changed and no individual is identifiable.
On Hold
The Boxer
The Scarlet Lizard
Lime Tree Honey
I.S 96
Brook Court
Teenager
Eaton House
Citizenship Ceremony
Luck
Selection
Red Road Flats
The Pilgrimage
The Jumper
Asylum Documents
Mrs Shah’s Complaint
The Administrative Removal Officer
Jozef Rexha – salesman
Judicial Consideration
Settlement
Delay
Pro Bono 1
Pro Bono 2
Fault Line
Tangiers
Spouse Visa
Removal
Valerie
Answer Machine
Apology
Judgements
The Strange Tale of the Immigration Judge & the Carpet Seller of Kampala
Note on Home Office file
Domestic worker
Home Office Files
Nativity
Ali
Removal Directions
Heron Flats
Advice Surgery in the Methodist Church Hall
Letters
Mr Giang
Nursery Tales
Father
Omnipotence
Dr Gopal
Surgery Note 1
Surgery Note 2
Appeal Judge
Asylum Interview
New email address
Promise
Chance
Stamps
Acknowledgements
‘It reduces the weight otherwise to be accorded to the requirements of firm and fair immigration control, if the delay is shown to be the result of a dysfunctional system which yields unpredictable, inconsistent and unfair outcomes.’
– Lord Bingham
I have found myself judge in the Court of King Shahrayar
A thousand and one tales of despair poured before me
From an un-stoppered jar
Stories of perilous journeys made over desert sands
Of palaces that rise up overnight only to disappear at dawn
A speaking bird serves a dish of cucumbers stuffed with pearls
This woman with no documents has only the eloquence of her words
‘There is no timescale for dealing with this application.’
He was just twenty-three,
Arjan Mehta, when first he began
calling the Home Office
from a red phone box
on the corner of Preston Road;
would push against
and let fall behind him
the heavy creaking door,
into its stale, vacated, smoke smell,
stand on its concrete, littered floor
his fingers twisting through
the plastic snake cord,
dragging round the metal dial,
eager about his application.
Seventeen years have passed
with no answer.
He is now forty.
The sealed-up phone box
long out of service,
the black cradle
within its sepulchre,
silent as an obsidian urn.
As if I’ve moved a board from the grass
and uncovered white, straggly, bolted strands,
this one-time Russian boxer
has emerged after years of hiding.
His nose undulates, the tip protruding
from his flattened face, his pallid skin shows
the scars of fights and drifting,
as he gesticulates the story of his last fight
in 1997 against Gary Stone-Face Henderson –
former middleweight champion –
a warm-up act in a half-full, blue-lit arena
an unequal contest he couldn’t win.
How, as his gumshield was removed
and water splashed over his swollen head
and as the crowd surged to its feet roaring
the entrance of the hero on the main bill,
he had slipped away from his minders
his fixers and the restrictions of his visa
into the urban undergrowth of bus shelters,
the shredded hessian of unlocked sheds.
Somewhere in the damp holds of the Home Office
a scrap of paper with his name was lost,
overlain with the heavy files of newer conflicts
and the years, like a soothing poultice,
began to break down his identity,
braille his documents with mildew and
the wet, black gills of fungus; crumble
the pages into the soil he’s become a part of.
Nothing moves
except the evening light
crossing the Judge’s room.
The lawyers’ skeleton arguments
lay piled on his desk.
They seemed to him brittle
as bleached poppies,
tapped of their seeds.
He longed to see the quick movement
of a scarlet lizard weaving unexpectedly
through the parched, cracked hexagons
of a legal phrase, to hear the snapped stick
fritter away from a hiding place;
to feel the cold, diaphanous weed grip
in the black current of a border crossing.
He needed to sense some quiver of
indecision, an odd detail
that would open the truth of their words;
chinks of light shining
through shuttered doors.
The regulation for Citizenship demands proof that an applicant was in the UK exactly five years before the date of application.
