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A Poetry Book Society Spring Recommendation 2024 'The days have no names. The day they count the dead, the day they closed the doors, turned off the lights. We're still here in the silence, hearing tree-talk, the wind's secrets, the company of birds.' ('The Year of the Dead') The poems in Gillian Clarke's The Silence begin during lockdown, to whose silences Clarke listens so attentively that other voices emerge. As the book progresses, that silence deepens, in the poems about her mother and childhood, about the Great War and its aftermaths, and in her continuing attention to Welsh places and names, and the rituals which make that world come in to focus. In these scrupulous, musical poems, Clarke finds consolation in how silence makes room for memory and for the company of the animal- and bird-life which surrounds us. These poems, compulsively returning to key images and formative moments, echo and bring back other ways of living to the book's present moment.
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THE SILENCE
Born in Cardiff, Gillian Clarke is a poet and translator (from Welsh). She edited the Anglo-Welsh Review from 1975 to 1984, and ran poetry workshops in primary and secondary schools and for M.Phil. students at the University Of Glamorgan. She is president of Ty Newydd, the writers’ centre in North Wales which she co-founded in 1990. She was the National Poet of Wales from 2008 to 2016. Her poetry is studied by GCSE students throughout Britain. She has given poetry readings in Europe and the United States, and her work has been translated into ten languages. She has a daughter and two sons, and lives with her architect husband on an eighteen-acre smallholding in Ceredigion, Wales, where they have planted 4,300 trees and care for the land according to conservation practice.
also by gillian clarke from carcanet
Roots Home
Zoology
Ice
A Recipe for Water
At the Source
Making the Beds for the Dead
Five Fields
Collected Poems
Selected Poems
Letter from a Far Country
The King of Britain’s Daughter
Letting in the Runour
Acknowledgements
‘The Hours’ was first pulished as a pamphlet by Broken Sleep Books (2021).
Versions of six poems from The Silence were set as an oratorio by Marco Galvani of the Yehudi Menuhin School of Music.
First published in Great Britain in 2024 byCarcanetAlliance House, 30 Cross StreetManchester, M2 7AQwww.carcanet.co.uk
Text copyright © Gillian Clarke 2024
The right of Gillian Clarke to be identified as the author of this work has been asserted in accordance with the Copyright, Design and Patents Act of 1988; all rights reserved.
A CIP catalogue record for this book is available from the British Library.
Ebook ISBN: 978 1 80017 393 4
The publisher acknowledges financial assistance from Arts Council England.
CONTENTS
Blood Moon
The Year of the Dead
The Hours
Matins
Lauds
Prime
Terce
Sext
Nones
Vespers
Compline
Song
Spring Equinox, 2020
A Spring Morning
The Silence
Spring Equinox, 2021
Today
Bluebells
A Fallen Ash Tree
Wild Laburnum
The Breath of Trees
Red
Fox and Hare
Us
What time is it?
Late June
Midsummer
What Day is it?
Heat
July
This Morning
Storwm Awst
Listening
September
October
Water Talk
November
December
Winter Sunset
Christmas Eve
Witch-Hazel
Broken
Snow
Blackbird
Afterwards
Then
A Box of Gloves
Nurse
Gwenllian
Llywelyn’s Daughter
Flintstone
Caernarfon
Sense
Scent
Touch
Taste
Sound
An Egret at Portmeirion
Offa’s Dyke
Was it for this?’
Shaping the Invisible
Sounding
The Starling
Thistle Butterflies, Villa Saraceno
A Bird in the Hand
Gŵyl y Gelli
Gorse
Fforest
Crossing the Irish Sea
Seals at Aberfforest
Taking You There
Epilogue
THE SILENCE
Blood Moon
691 and 21 January 2019
‘A’r lleuat a ymchawlawd yn waedawl lliw’
‘And the moon turned to the colour of blood’
Brut y Tywysogion
Black sky of stars and a risen moon
in the sleeping arms of the beech.
We set the alarm for four, sleep curled
against the ice-cold night as moon and world
work their magnetism, oceans drawn
and let go by the luminous old stone.
Tonight we wake to watch our shadow
bite the edge, spread, darkening,
till the moon is blood, light lost
like all we touch, the poles, the oceans,
the wounded wilderness, the apple picked in Eden
bleeding from the bite of our first sin.
The Year of the Dead
January 2020
We wake with the sun
follow its golden hours,
watch each day’s dissolve
into dusk, nightfall, sleep.
The days have no names.
The day they count the dead,
the day they closed the doors,
turned off the lights.
We’re still here in the silence,
hearing tree-talk,
the wind’s secrets,
the company of birds.
The Hours
‘And ye shall hear of wars and rumours of wars: but the end is not yet. There shall be famines, and pestilences, and earthquakes, in divers places. All these are the beginning of sorrows.’
St Benedict’s Hours of the Day, Sixth Century
matins
The early hours, a week before full moon,
I lie awake, remember the young fox
calling as it crossed the lawn last night;
how it came close to the glass
dipped its head to drink our gift:
the moon in a bowl of water.