10,79 €
Discover the truth behind the headlines with this collection of Private Eye's popular reportage column Scene & Heard, including previously unseen sketches and reports. David Ziggy Greene travels the country asking questions and sketching scenes of modern life. His detailed, funny, astute works of graphic reportage - at protests and festivals, cycle rides, farms and prisons - reveal the human cost of policy and the profound local impact of legislation. This new collection of columns also contains much brand new material - including a series of insightful sketches of human hubs such as A&E, the tube and the courts. With a foreword by Mark Thomas. Please note this is a fixed-format ebook and may not be well-suited for older e-readers.
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THE
Illumination
— OF —
URSULAFLIGHT
Graphic Reports of Modern Life
1 3 5 7 9 10 8 6 4 2
First published in 2018 by September Publishing
Copyright © David Ziggy Greene 2018
The right of David Ziggy Greene to be identified as the author of this work has been asserted by him in accordance with theCopyright Designs and Patents Act 1988.
Reports, except for those previously unpublished – on pages 16, 17, 26, 27, 38, 39, 48, 49, 60, 61, 68, 69, 84, 85, 96, 97, 104, 105,110, 111, 120, 121, 128, 129 and 142 onwards – are reproduced with kind permission ofPrivate Eye magazine.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or byany means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright holder
Printed in Poland on paper from responsibly managed, sustainable sourcesby Hussar
Layout by Clarkevanmeurs Design
ISBN 978-1-910463-94-9
September Publishingwww.septemberpublishing.org
Early Favourites 2011-2014
2014-2017
A Study in Rush Hour
A Study in Court
A Study in Street Performance
A Study in Flying
A Study in The Seaside
A Study in Hair & Nails
Words
A Study in Working Out
A Study in Monuments
A Study in Austerity
A Study in Patriotism
A Study in A & E
A Study in Captivity
Unpublished
Process
Thanks
David Ziggy Greene is the stand-out cartoonist amongst
the Private Eye pages. He is unique. It feels totally appropriate
that a single Scene & Heard column takes up the space of seven
or eight others, because he has more to say.
Street life, if I can paraphrase Randy Crawford, is the only life
David knows. Alright, it’s not the only life he knows, but it is
the one he is obsessed with. He is not the first nor will he be
the last artist to focus on public spaces – Hogarth famously did,
as did Robert Crumb. Crumb’s 1960s counter-culture cartoons
are often filled with his own nostalgia, a yearning for an
America that made Bakelite records running at 78rpm. Hogarth
unleashes a satirist’s outrage and contempt. What David does
is turn cartoons into reportage. David Ziggy Greene shows us
ourselves. He says, ‘Look at us – it’s interesting.’ In his detailed
gaze there is warmth and curiosity. He wants to find out more
and he wants to share.
It doesn’t take a history of art degree to see that he draws
as if he enjoys people, that he actually likes us, and he delivers
scenes of contemporary life with incredible skill. In turning the
spotlight on public events and on the people actually there he
asks us, ‘Who are these people? Why are they here? What do
they have to say?’ Like a journalist would.
But it’s reportage with love.
As snapshots of social mores, of attitudes, the columns allow
us to laugh at ourselves. But David also takes the time to depict
reality carefully. It’s the opposite of broad-brush reporting – it’s
true and it’s detailed. He gives us voices and views that don’t
get heard so often. So when the Scene & Heard column on
homelessness quotes a man saying ‘Socks, we need socks, they
never give us socks’, he tells us something both practical and
emotional about homelessness, making us look with different
eyes at something we see every day.
When I read Scene & Heard I journey through the country
– the art and humour coming from the words embedded with
such detailed depiction. He isn’t just reporting – though the
quotes are honest and often heartfelt, and always carefully
chosen. The art comes in the drawing, the juxtaposition of
scene and words, attitudes and reality. The sum greater than its
parts. Just like a really good street event.
Mark Thomas, 2018
v
These works of illustrated journalism were all created between
2011 and 2017. A small selection from 2011 to 2014 of which
I’m particularly fond, and which were published in my first
collection, appear on pages 1 to 6. From pages 7 to 141 are the
reports drawn from 2014 onwards, which are collected for the
first time in book form.
You can read about how my reports came about on pages
74 to 77.
Reports can involve many hours of interviews, and from
page 146 there are a number of early preparatory sketches and
process notes. Some favourite non-published pieces appear on
pages 142 to 145.
Finally, I have also created a new series of studies in, for
example, austerity, A&E, airports and zoos, which appear
throughout the book.
Much gratitude to Private Eye for allowing us to reproduce
the columns.
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