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Following Looking Through Letterboxes, her first collection (2002), Caroline Bird was acclaimed as a vivid and precocious new talent. Trouble Came to the Turnip confirms her originality as she strikes out again in new directions, taking nothing for granted. Her poems are ferociously vital, fantastical, sometimes violent, almost always savagely humorous and self-mocking. Caroline Bird's world is inhabited by failed and (less often) successful relationships, by the dizzying crisis of early adulthood, by leprechauns and spells and Miss Pringle's seven lovely daughters waiting to spring out of a cardboard cake. And the turnip.
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Veröffentlichungsjahr: 2011
CAROLINE BIRD
Some of the poems in this collection have previously been published in PN Review.
Title Page
Acknowledgement
Trouble Came to the Turnip
Virgin
The Money
The World is not Made for Frogs
Our Lollipop Lady
This Time Last Week
An Opera in One Act
Put Your Earmuffs on Your Eyes
Love Has Arrived
Shiny Bin
The Softness of the Morning
Relationship Dolls
Wednesday
The Leprechaun Thinks It Matters
A Gentlewoman’s Pornography
Good Friday Outside Barcelona Cathedral
My Love Made Me a Hat
Sugar Pot Shakedown
Shortfall of Water
Pumpkins
Board-Rubber Dust
Let the People Starve
Banana Milk
My Lovely Legless Acrobat
Mermaids in My Coffee
Mono
The Choirboy Brothers
The Fairy Is Bored with Her Garden
Sunday
Chant and be Happy
Christmas Poem
Talent to Talent
The Plague
Mope
The Lady with the Lamp
Distant Dog
And a Touch of Dried Peppermint
Moving on a Midnight Train
Let’s Write Another Poem
Blue Water
Clog
It Will Come to Pass
Not Like This
Child Bride
War Poem
Old Friends
Facial
Concert Tour
A Seasonal Surprise for Miss Pringle
Meat
This Bar Is Full of Octopuses
Presents
The Mistress of the House
Not a Raindrop
Mary-Jane
Extracts from an Archive Recently Discovered in a School Wastepaper Bin
It’s True
Then
Full House
Where is all the Mist?
Ode to a Cubicle
I Fell in Love with a Crooner
City Bed
Chaining Bikes To This Girl Is Strictly Prohibited
A Bewitchment to Revive a Lustreless Relationship.
Remains
You Had a Latin Lesson.
All Things Yellow
A Sunny Day on Earth
Ahhhhhhh
Credits
Bathtub Spider
Bread
About the Author
Also by Caroline Bird from Carcanet Press
Copyright
When trouble came to the village,
I put my love in the cabbage-cart
and we rode, wrapped in cabbage,
to the capital.
When trouble came to the capital,
I put my love in the sewage pipe,
and we swam, wrapped in sewage,
to the sea.
When trouble came to the sea,
I put my love inside a fish
and we flitted, wrapped in fish,
to the island.
When trouble came to the island
I put my love on a pirate ship
and we squirmed, wrapped in pirate,
to the nunnery.
When trouble came to the nunnery,
I put my love inside a prayer book
and we repented, wrapped in prayer,
to the prison.
When trouble came to the prison,
I put my love on a spoon
and we balanced, wrapped in mirror,
to the soup.
When trouble came to the soup,
I put my love inside a stranger
and we gritted, wrapped in mouth
to the madhouse.
When trouble came to the madhouse,
I put my love on a feather
and we flapped, wrapped in feather,
to the fair.
When trouble came to the fair,
I put my love inside a rat,
and we plagued, wrapped in rat,
to the village.
When trouble came to the village,
I put my love in the turnip-lorry
and we sneaked, wrapped in turnip,
a hurried kiss.
If I was a virgin I could streak across your garden,
drape myself across your armchair like a portrait of a lady
who is unabashed and simple as a cherry in a bowl
and only dreams of ponies and weekends by the seaside,
sipping unchartered water from a baby-blue decanter,
sighing with her slender throat and saving herself.
If I was a virgin I could wear white in winter,
read your dirty magazines with a shy and puzzled look,
like I didn’t know a crotch from a coffee-table, darling
I could scream blue bloody murder
when you caught me in the shower,
snatch a towel around my outraged breast,
my eyes awash with droplet tears.
I wouldn’t hold your hand in public, if I was a virgin,
I would never spill spaghetti on my jeans.
My voice would be as gentle as an angel blowing bubbles,
I would be terrified by frisbees and sports of any kind,
I would always ride my bicycle side-saddle.
If I was a virgin I’d look great in a bikini.
I’d feed you grapes and rye bread
and my hands would smell of soap.
You would hold me in your arms like a precious piece of crockery,
I would sob into your jacket, you would gasp inside your pants.
If I was a virgin, you wouldn’t look at other girls,
you would spring-clean your apartment
before you asked me round for supper,
give me your bed, spend the night on the sofa,
dreaming of the gentle way I breathed inside my bra,
my nightgown would remind you of fragrant summer orchards,
and nobody would know my mouth tastes of peaches
and I thrash in my sleep like a baboon.
The money took a nosedive,
the money packed her ‘Herbal Essence’ shampoo
and headed for the city,
the money sang ‘The streets are alive
with the sound of barcodes.’
The money wore a floaty dress,
she liked to wrap the ribbons round her fist.
The money was loved by many tall men,
read hardback books, carted the kisses
blown to her by beige boys,
to the bank.
The money bought herself a pig
and fed it metal coins.
The money had friends with mint-blue jackets,
they would play pontoon
with golden match-sticks,
the money joked ‘Winning isn’t everything’
and every tonsil in the room vibrated.
The money had champagne mouthwash,
she cried into her silver soup.
One day the money ran out.
We no longer rustled on our way to work,
no longer paid our dues
with handwritten cheques, we fell
for the money and the money fell.
The money never called us by our names.
The sun crawled up on a restless frog,
cuts on her feet and salt in her shoes,
the pond was bigger yesterday,
now she’s sick of green, longing for hair,
dreaming of libraries, sofas made of slippers,
somewhere to dry herself off.
The sex has been crippling, lily-pad hopping,
she is permanently needing the toilet,
last night she put her head inside a condom,
looking for anywhere new to put her tongue,
every lover she meets has a different slime.
She wants to be a pig, to feel the flab, to weigh herself down,
stop spawning in the long grass, legs like noodles.
Once, she fell in love with a plastic bag,
it billowed and grunted and promised her salvation,
then spun into the ether with a bus timetable.
Sometimes she eats her own tadpoles,
because the world is not made for frogs,
she’s never caught a stick in her mouth,
she’s not a whale.
Darling, we need a lollipop lady.
She should be old and fat,
she should have a face like a boot,
she should solve all our problems
just by standing between us
with a big, fluorescent stick.
She should tell us when to kiss,
she should tell us when to leave.
She should live in the middle of our kitchen,
in a bright yellow tent.
On bad days she might
close the kitchen altogether.
Or ban one of us.
Or frogmarch us back upstairs
to apologise.
Or frogmarch us to the bathroom
to clean ourselves up.
She should bark
and occasionally spit.
She should have a body like a tractor.
She should make us wear
neon-green reflective clothing.
Look at all the kids going off to university
and look at me going with them,
clicking my heels in the air
like a sprightly orphan,
sitting in this posh canteen
chewing fancy pasta, talking books
in a room full of children
always ready for a quiz.
‘Quiz me on sixteenth-century literature.’
‘Quiz me on Keats and Shelley and everyone.’
‘Quiz me until I scream with pain, I love it, quiz me, quiz me,
please god, yes yes, that’s it, right there, quiz me on Chaucer!!’
I want to write.
I want to be respected.
I want to be a respected writer.
I want to meet people who will inspire me
to write letters to them when I’m forty
saying ‘Thanks for inspiring me.’
But who are these people
in their ironed shirts and their reading glasses
and their well-funded quests?
Are you kidding me with this?
Where’s the shining baton
that we’re supposed to be passing around
in some meaningful relay race
in which only the weak will fall
and the strong will grow six legs
