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I have spoken so much of the Vril Staff that my reader may expect me to describe it. This I cannot do accurately, for I was never allowed to handle it for fear of some terrible accident occasioned by my ignorance of its use; and I have no doubt that it requires much skill and practice in the exercise of its various powers. It is hollow, and has in the handle several stops, keys, or springs by which its force can be altered, modified, or directed-so that by one process it destroys, by another it heals-by one it can rend the rock, by another disperse the vapour-by one it affects bodies, by another it can exercise a certain influence over minds. It is usually carried in the convenient size of a walking-staff, but it has slides by which it can be lengthened or shortened at will. When used for special purposes, the upper part rests in the hollow of the palm with the fore and middle fingers protruded.
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Seitenzahl: 241
I now came in full sight of the building. Yes, it had been made by hands, and hollowed partly out of a great rock. I should have supposed it at the first glance to have been of the earliest form of Egyptian architecture. It was fronted by huge columns, tapering upward from massive plinths, and with capitals that, as I came nearer, I perceived to be more ornamental and more fantastically graceful that Egyptian architecture allows. As the Corinthian capital mimics the leaf of the acanthus, so the capitals of these columns imitated the foliage of the vegetation neighbouring them, some aloe–like, some fern–like. And now there came out of this building a form—human;—was it human? It stood on the broad way and looked around, beheld me and approached. It came within a few yards of me, and at the sight and presence of it an indescribable awe and tremor seized me, rooting my feet to the ground. It reminded me of symbolical images of Genius or Demon that are seen on Etruscan vases or limned on the walls of Eastern sepulchres—images that borrow the outlines of man, and are yet of another race. It was tall, not gigantic, but tall as the tallest man below the height of giants.
Its chief covering seemed to me to be composed of large wings folded over its breast and reaching to its knees; the rest of its attire was composed of an under tunic and leggings of some thin fibrous material. It wore on its head a kind of tiara that shone with jewels, and carried in its right hand a slender staff of bright metal like polished steel. But the face! it was that which inspired my awe and my terror. It was the face of man, but yet of a type of man distinct from our known extant races. The nearest approach to it in outline and expression is the face of the sculptured sphinx—so regular in its calm, intellectual, mysterious beauty. Its colour was peculiar, more like that of the red man than any other variety of our species, and yet different from it—a richer and a softer hue, with large black eyes, deep and brilliant, and brows arched as a semicircle. The face was beardless; but a nameless something in the aspect, tranquil though the expression, and beauteous though the features, roused that instinct of danger which the sight of a tiger or serpent arouses. I felt that this manlike image was endowed with forces inimical to man. As it drew near, a cold shudder came over me. I fell on my knees and covered my face with my hands.
A voice accosted me—a very quiet and very musical key of voice—in a language of which I could not understand a word, but it served to dispel my fear. I uncovered my face and looked up. The stranger (I could scarcely bring myself to call him man) surveyed me with an eye that seemed to read to the very depths of my heart. He then placed his left hand on my forehead, and with the staff in his right, gently touched my shoulder. The effect of this double contact was magical. In place of my former terror there passed into me a sense of contentment, of joy, of confidence in myself and in the being before me. I rose and spoke in my own language. He listened to me with apparent attention, but with a slight surprise in his looks; and shook his head, as if to signify that I was not understood. He then took me by the hand and led me in silence to the building. The entrance was open—indeed there was no door to it. We entered an immense hall, lighted by the same kind of lustre as in the scene without, but diffusing a fragrant odour. The floor was in large tesselated blocks of precious metals, and partly covered with a sort of matlike carpeting. A strain of low music, above and around, undulated as if from invisible instruments, seeming to belong naturally to the place, just as the sound of murmuring waters belongs to a rocky landscape, or the warble of birds to vernal groves.
A figure in a simpler garb than that of my guide, but of similar fashion, was standing motionless near the threshold. My guide touched it twice with his staff, and it put itself into a rapid and gliding movement, skimming noiselessly over the floor. Gazing on it, I then saw that it was no living form, but a mechanical automaton. It might be two minutes after it vanished through a doorless opening, half screened by curtains at the other end of the hall, when through the same opening advanced a boy of about twelve years old, with features closely resembling those of my guide, so that they seemed to me evidently son and father. On seeing me the child uttered a cry, and lifted a staff like that borne by my guide, as if in menace. At a word from the elder he dropped it. The two then conversed for some moments, examining me while they spoke. The child touched my garments, and stroked my face with evident curiosity, uttering a sound like a laugh, but with an hilarity more subdued that the mirth of our laughter. Presently the roof of the hall opened, and a platform descended, seemingly constructed on the same principle as the 'lifts' used in hotels and warehouses for mounting from one story to another.
The stranger placed himself and the child on the platform, and motioned to me to do the same, which I did. We ascended quickly and safely, and alighted in the midst of a corridor with doorways on either side.
Through one of these doorways I was conducted into a chamber fitted up with an oriental splendour; the walls were tesselated with spars, and metals, and uncut jewels; cushions and divans abounded; apertures as for windows but unglazed, were made in the chamber opening to the floor; and as I passed along I observed that these openings led into spacious balconies, and commanded views of the illumined landscape without. In cages suspended from the ceiling there were birds of strange form and bright plumage, which at our entrance set up a chorus of song, modulated into tune as is that of our piping bullfinches. A delicious fragrance, from censers of gold elaborately sculptured, filled the air. Several automata, like the one I had seen, stood dumb and motionless by the walls. The stranger placed me beside him on a divan and again spoke to me, and again I spoke, but without the least advance towards understanding each other.
But now I began to feel the effects of the blow I had received from the splinters of the falling rock more acutely that I had done at first.
There came over me a sense of sickly faintness, accompanied with acute, lancinating pains in the head and neck. I sank back on the seat and strove in vain to stifle a groan. On this the child, who had hitherto seemed to eye me with distrust or dislike, knelt by my side to support me; taking one of my hands in both his own, he approached his lips to my forehead, breathing on it softly. In a few moments my pain ceased; a drowsy, heavy calm crept over me; I fell asleep.
How long I remained in this state I know not, but when I woke I felt perfectly restored. My eyes opened upon a group of silent forms, seated around me in the gravity and quietude of Orientals—all more or less like the first stranger; the same mantling wings, the same fashion of garment, the same sphinx–like faces, with the deep dark eyes and red man's colour; above all, the same type of race—race akin to man's, but infinitely stronger of form and grandeur of aspect—and inspiring the same unutterable feeling of dread. Yet each countenance was mild and tranquil, and even kindly in expression. And, strangely enough, it seemed to me that in this very calm and benignity consisted the secret of the dread which the countenances inspired. They seemed as void of the lines and shadows which care and sorrow, and passion and sin, leave upon the faces of men, as are the faces of sculptured gods, or as, in the eyes of Christian mourners, seem the peaceful brows of the dead.
I felt a warm hand on my shoulder; it was the child's. In his eyes there was a sort of lofty pity and tenderness, such as that with which we may gaze on some suffering bird or butterfly. I shrank from that touch—I shrank from that eye. I was vaguely impressed with a belief that, had he so pleased, that child could have killed me as easily as a man can kill a bird or a butterfly. The child seemed pained at my repugnance, quitted me, and placed himself beside one of the windows. The others continued to converse with each other in a low tone, and by their glances towards me I could perceive that I was the object of their conversation. One in especial seemed to be urging some proposal affecting me on the being whom I had first met, and this last by his gesture seemed about to assent to it, when the child suddenly quitted his post by the window, placed himself between me and the other forms, as if in protection, and spoke quickly and eagerly. By some intuition or instinct I felt that the child I had before so dreaded was pleading in my behalf. Ere he had ceased another stranger entered the room. He appeared older than the rest, though not old; his countenance less smoothly serene than theirs, though equally regular in its features, seemed to me to have more the touch of a humanity akin to my own. He listened quietly to the words addressed to him, first by my guide, next by two others of the group, and lastly by the child; then turned towards myself, and addressed me, not by words, but by signs and gestures. These I fancied that I perfectly understood, and I was not mistaken. I comprehended that he inquired whence I came. I extended my arm, and pointed towards the road which had led me from the chasm in the rock; then an idea seized me. I drew forth my pocket–book, and sketched on one of its blank leaves a rough design of the ledge of the rock, the rope, myself clinging to it; then of the cavernous rock below, the head of the reptile, the lifeless form of my friend. I gave this primitive kind of hieroglyph to my interrogator, who, after inspecting it gravely, handed it to his next neighbour, and it thus passed round the group. The being I had at first encountered then said a few words, and the child, who approached and looked at my drawing, nodded as if he comprehended its purport, and, returning to the window, expanded the wings attached to his form, shook them once or twice, and then launched himself into space without. I started up in amaze and hastened to the window. The child was already in the air, buoyed on his wings, which he did not flap to and fro as a bird does, but which were elevated over his head, and seemed to bear him steadily aloft without effort of his own. His flight seemed as swift as an eagle's; and I observed that it was towards the rock whence I had descended, of which the outline loomed visible in the brilliant atmosphere. In a very few minutes he returned, skimming through the opening from which he had gone, and dropping on the floor the rope and grappling–hooks I had left at the descent from the chasm. Some words in a low tone passed between the being present; one of the group touched an automaton, which started forward and glided from the room; then the last comer, who had addressed me by gestures, rose, took me by the hand, and led me into the corridor. There the platform by which I had mounted awaited us; we placed ourselves on it and were lowered into the hall below. My new companion, still holding me by the hand, conducted me from the building into a street (so to speak) that stretched beyond it, with buildings on either side, separated from each other by gardens bright with rich–coloured vegetation and strange flowers. Interspersed amidst these gardens, which were divided from each other by low walls, or walking slowly along the road, were many forms similar to those I had already seen. Some of the passers–by, on observing me, approached my guide, evidently by their tones, looks, and gestures addressing to him inquiries about myself. In a few moments a crowd collected around us, examining me with great interest, as if I were some rare wild animal. Yet even in gratifying their curiosity they preserved a grave and courteous demeanour; and after a few words from my guide, who seemed to me to deprecate obstruction in our road, they fell back with a stately inclination of head, and resumed their own way with tranquil indifference. Midway in this thoroughfare we stopped at a building that differed from those we had hitherto passed, inasmuch as it formed three sides of a vast court, at the angles of which were lofty pyramidal towers; in the open space between the sides was a circular fountain of colossal dimensions, and throwing up a dazzling spray of what seemed to me fire. We entered the building through an open doorway and came into an enormous hall, in which were several groups of children, all apparently employed in work as at some great factory. There was a huge engine in the wall which was in full play, with wheels and cylinders resembling our own steam–engines, except that it was richly ornamented with precious stones and metals, and appeared to emanate a pale phosphorescent atmosphere of shifting light. Many of the children were at some mysterious work on this machinery, others were seated before tables. I was not allowed to linger long enough to examine into the nature of their employment. Not one young voice was heard—not one young face turned to gaze on us. They were all still and indifferent as may be ghosts, through the midst of which pass unnoticed the forms of the living.
Quitting this hall, my guide led me through a gallery richly painted in compartments, with a barbaric mixture of gold in the colours, like pictures by Louis Cranach. The subjects described on these walls appeared to my glance as intended to illustrate events in the history of the race amidst which I was admitted. In all there were figures, most of them like the manlike creatures I had seen, but not all in the same fashion of garb, nor all with wings. There were also the effigies of various animals and birds, wholly strange to me, with backgrounds depicting landscapes or buildings. So far as my imperfect knowledge of the pictorial art would allow me to form an opinion, these paintings seemed very accurate in design and very rich in colouring, showing a perfect knowledge of perspective, but their details not arranged according to the rules of composition acknowledged by our artists—wanting, as it were, a centre; so that the effect was vague, scattered, confused, bewildering—they were like heterogeneous fragments of a dream of art.
We now came into a room of moderate size, in which was assembled what I afterwards knew to be the family of my guide, seated at a table spread as for repast. The forms thus grouped were those of my guide's wife, his daughter, and two sons. I recognised at once the difference between the two sexes, though the two females were of taller stature and ampler proportions than the males; and their countenances, if still more symmetrical in outline and contour, were devoid of the softness and timidity of expression which give charm to the face of woman as seen on the earth above. The wife wore no wings, the daughter wore wings longer than those of the males.
My guide uttered a few words, on which all the persons seated rose, and with that peculiar mildness of look and manner which I have before noticed, and which is, in truth, the common attribute of this formidable race, they saluted me according to their fashion, which consists in laying the right hand very gently on the head and uttering a soft sibilant monosyllable—S.Si, equivalent to "Welcome."
The mistress of the house then seated me beside her, and heaped a golden platter before me from one of the dishes.