A Room of One's Own Hörbuch

Virginia Woolf

• Herausgeber: FrontPage Publishing
• Kategorie: Geisteswissenschaft
• Serie: Capstone Classics
• Sprache: Englisch
• Veröffentlichungsjahr: 2014

Zeit:4 Std. 2 min

Sprecher:Alexandra Coles

Beschreibung

A Room of One's Own, is one of Virginia Woolf's most influential works and is widely recognized for its extraordinary contribution to the women's movement. This timely and important new edition adopts the complete text of the first British edition published in 1929. * Features a comprehensive introduction detailing the process and composition of Woolf's original essay and the evolution of its subsequent publication history * The first comprehensive and authoritative edition of this foundational text of the feminist movement, and one of the most significant works in Woolf's own canon * The only volume based on comparisons of each of the British editions of A Room of One's Own that appeared in Woolf's lifetime * Incorporates extensive explanatory notes which reveal the essay's broader political, historical, social, and literary contexts * Includes a comprehensive appendix highlighting variations between each of the British editions that appeared in Woolf's lifetime and the first American edition; alterations from Woolf's uncorrected proofs; and current editorial emendations incorporated in this new edition

Leseprobe

CONTENTS

Cover

Series page

Preface to the Edition

Title page

Copyright page

Acknowledgements

Abbreviations

Introduction

1

2

3 Reception

4

5

6 The Text of

A Room of One’s Own

A ROOM OF ONE’S OWN

CHAPTER I

CHAPTER II

CHAPTER III

CHAPTER IV

CHAPTER V

CHAPTER VI

Notes

Appendix: Textual Variants and Emendations

Abbreviations Used in this Appendix

Textual Variants between the American and British First Editions

Textual Variants among the British Editions

The Uncorrected Proofs

Emendations to the Present Edition

End User License Agreement

Guide

Cover

Table of Contents

Begin Reading

Pages

ii

iii

iv

v

vi

viii

ix

x

xi

xii

xiii

xiv

xv

xvi

xvii

xviii

xix

xx

xxi

xxii

xxiii

xxiv

xxv

xxvi

xxvii

xxviii

xxix

1

3

4

5

6

7

8

9

10

11

12

13

14

15

16

17

18

19

20

21

22

23

24

25

26

27

28

29

30

31

32

33

34

35

36

37

38

39

40

41

42

43

44

45

46

47

48

49

50

51

52

53

54

55

56

57

58

59

60

61

62

63

64

65

66

67

68

69

70

71

72

73

74

75

76

77

78

79

80

81

82

83

84

85

86

87

88

89

90

91

92

93

94

95

96

97

98

99

100

101

102

103

104

105

106

107

108

109

110

111

112

113

114

115

116

117

118

119

120

121

122

123

124

125

126

127

128

129

130

131

132

133

134

135

136

137

138

139

140

141

142

143

144

145

146

147

148

149

150

151

152

153

154

155

156

157

158

159

160

161

162

The Shakespeare Head Press Editionof VIRGINIA WOOLF

To the Lighthouse

Susan Dick

The Waves

James M. Haule and Philip H. Smith, Jr

Night and Day

J. H. Stape

Roger Fry

Diane F. Gillespie

The Voyage Out

C. Ruth Miller and Lawrence Miller

Mrs Dalloway

Morris Beja

Flush

Elizabeth Steele

Orlando

J. H. Stape

Three Guineas

Naomi Black

Between the Acts

Susan Dick and Mary S. Millar

Jacob’s Room

Edward L. Bishop

The Years

David Bradshaw and Ian Blyth

A Room of One’s Own

David Bradshaw and Stuart N. Clarke

Preface to the Edition

All but the first two of the books that Virginia Woolf wrote for publication during her lifetime were originally published by The Hogarth Press which she and Leonard Woolf founded. Why then do we need any more editions of all these works? There are two main reasons. First, the original English and American editions of her books, published in the majority of cases at the same time, often vary from each other because Virginia Woolf made different changes in them before they were printed. Secondly, many of the references or allusions in these works, which were written more than two generations ago now, have become increasingly obscure for contemporary readers.

The purpose of The Shakespeare Head Press Edition is to present reliable texts, complete with alternative readings and explanatory notes, of all the books she herself published or intended to publish, not just her novels. Only her collections of stories and essays have been omitted. These have been included in The Complete Shorter Fiction of Virginia Woolf, edited by Susan Dick, and The Essays of Virginia Woolf, edited by Andrew McNeillie and Stuart N. Clarke. Also excluded from The Shakespeare Head Press Edition are Virginia Woolf’s letters and diaries, which have already been edited.

In the selection of texts, the edition is the first to take into account variants between the first English and the first American editions of Woolf’s works, as well as variants found in surviving proofs. Each text has been chosen after a computer-collation of the first editions. Where relevant, the proofs have also been collated. Parts of works published separately (such as the earlier version of the ‘Time Passes’ section of To the Lighthouse) have been included in appendices along with other relevant documents (such as Woolf’s introduction to Mrs Dalloway).

Each text has an introduction giving the circumstances of the work’s composition, publication and reception, followed by a note on the text selected. Annotations, variants and emendations are included at the end of each volume. In the interests of pleasure in reading, the texts of the works are free of superscript numbers, asterisks, editorial brackets or other interventions.

‘So there are to be new editions of Jane Austen and the Brontës and George Meredith,’ Virginia Woolf wrote in her 1922 essay ‘On Re-reading Novels’. ‘Left on trains, forgotten in lodging-houses, thumbed and tattered to destruction, the old have served their day . . .’ It is our hope that The Shakespeare Head Press Edition of Virginia Woolf will inspire, as Woolf predicted those earlier editions of the writers she admired and re-read would do, both ‘new readings and new friends’.

A ROOM OF ONE’S OWN

VIRGINIA WOOLF

Edited by

David Bradshaw and Stuart N. Clarke

This edition first published 2015Editorial material and organization © 2015 John Wiley & Sons LtdEdition history: main text originally published by The Hogarth Press (1929)

Registered OfficeJohn Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK

Editorial Offices350 Main Street, Malden, MA 02148-5020, USA9600 Garsington Road, Oxford, OX4 2DQ, UKThe Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK

For details of our global editorial offices, for customer services, and for information about how to apply for permission to reuse the copyright material in this book please see our website at www.wiley.com/wiley-blackwell.

The right of David Bradshaw and Stuart N. Clarke to be identified as the authors of the editorial material in this work has been asserted in accordance with the UK Copyright, Designs and Patents Act 1988.

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs and Patents Act 1988, without the prior permission of the publisher.

Wiley also publishes its books in a variety of electronic formats. Some content that appears in print may not be available in electronic books.

Designations used by companies to distinguish their products are often claimed as trademarks. All brand names and product names used in this book are trade names, service marks, trademarks or registered trademarks of their respective owners. The publisher is not associated with any product or vendor mentioned in this book.

Limit of Liability/Disclaimer of Warranty: While the publisher and authors have used their best efforts in preparing this book, they make no representations or warranties with respect to the accuracy or completeness of the contents of this book and specifically disclaim any implied warranties of merchantability or fitness for a particular purpose. It is sold on the understanding that the publisher is not engaged in rendering professional services and neither the publisher nor the author shall be liable for damages arising herefrom. If professional advice or other expert assistance is required, the services of a competent professional should be sought.

Library of Congress Cataloging-in-Publication Data

Woolf, Virginia, 1882–1941.A room of one’s own / Virginia Woolf ; edited by David Bradshaw and Stuart N. Clarke.pages ; cmIncludes bibliographical references.

ISBN 978-1-118-29876-3 (hardcover)1. Woolf, Virginia, 1882–1941–Authorship. 2. Literature–Women authors–History and criticism–Theory, etc. 3. Women and literature–Great Britain. 4. Women authors–Economic conditions. 5. Women authors–Social conditions. 6. Authorship–Sex differences. I. Bradshaw, David, 1955– II. Clarke, Stuart Nelson. III. Title. PR6045.O72Z474 2015 824′.912–dc23

2014025097

A catalogue record for this book is available from the British Library.

Cover design by Workhaus

Acknowledgements

Rupert Richard Arrowsmith; Ros Ballaster; Stephen Barkway; Alexandra G. Bennett; Clare Copeland; Stephanie Clarke, Archivist & Records Manager, British Museum; Isaac Gewirtz and Mark Hussey (on behalf of Woolf Studies Annual) for permission to incorporate Dr Gewirtz’s work on the uncorrected proof copy of A Room of One’s Own; Emily Kopley; National Library of Scotland, Manuscripts Division; The Random House Group Ltd for permission to quote from the Random House Group archives at the University of Reading; The Society of Authors, on behalf of the estate of Leonard Woolf; University of Reading, Department of Special Collections; University of Sussex Library, Department of Special Collections; Sheila M. Wilkinson. Our additional thanks to Stephen Barkway for supplying us with the photograph used as the frontispiece for this edition.

David Bradshaw and Stuart N. Clarke

Abbreviations

All references to Woolf’s novels and other books are keyed to The Shakespeare Head Press Edition or to the first edition of the text in question.

The following abbreviations have been used in the Introduction and Notes:

CH

Virginia Woolf: The Critical Heritage

, ed. Robin Majumdar and Allen McLaurin (London: Routledge and Kegan Paul, 1975; rep. 1997).

D

I–V

The Diary of Virginia Woolf

, ed. Anne Olivier Bell, assisted by Andrew McNeillie, 5 vols (London: Hogarth Press, 1977–84).

E

I–VI

The Essays of Virginia Woolf

, ed. Andrew McNeillie and Stuart N. Clarke, 6 vols (London: Hogarth Press, 1986–2011).

L

I–VI

The Letters of Virginia Woolf

, ed. Nigel Nicolson and Joanne Trautmann, 6 vols (London: Hogarth Press, 1975–80).

JR

Jacob’s Room

LE

Ben Weinreb, Christopher Hibbert, Julia Keay and John Keay,

The London Encyclopedia

, 3rd edn (London, Basingstoke and Oxford: Macmillan, 2008).

MB

Moments of Being

, ed. Jeanne Schulkind (London: Pimlico, 2002).

MD

Mrs. Dalloway

O

Orlando: A Biography

OBEV

The Oxford Book of English Verse, 1250–1900

, chosen and edited by Arthur Quiller-Couch (Oxford: Clarendon Press, 1900).

PA

A Passionate Apprentice: The Early Journals and ‘Carlyle’s House and Other Sketches

’, ed. Mitchell A. Leaska (London: Pimlico, 2004).

Stephen

Barbara Stephen,

Emily Davies and Girton College

(London: Constable, 1927).

TG

Three Guineas

TL

To the Lighthouse

VO

The Voyage Out

W

The Waves

W&F

Virginia Woolf,

Women & Fiction: The Manuscript Versions of ‘A Room of One’s Own

’, transcribed and edited by S. P. Rosenbaum (Oxford: Blackwell, for The Shakespeare Head Press, 1992).

Y

The Years

The dust-jacket for the first English edition, designed by Vanessa Bell.

Introduction

1

A Room of One’s Own is Virginia Woolf’s riposte to those who took the intellectual and artistic inferiority of women for granted. Her frustration with such entrenched prejudice had been gathering steam for a number of years. Following the publication of Arnold Bennett’s Our Women in September 1920, for example, Woolf noted in her diary that she had been ‘making up a paper upon Women, as a counterblast to Mr Bennett’s adverse views reported in the papers’.1 If Woolf’s 1920 ‘paper’ ever reached the page it has not survived, but it is worth quoting at length from Bennett’s fourth chapter, rhetorically entitled ‘Are Men Superior to Women?’, which argues points – and above all represents the kind of patriarchal mindset – that would eventually challenge: